Concert News

Railroad Earth Plays Two at 9:30 Club This Weekend

Click for full size tour poster

Railroad Earth visits the 9:30 Club in Washington, DC this weekend as part of their thirty-date 2018 Winter Tour.

Railroad Earth's  name was inspired by Jack Kerouac's short story "October in the Railroad Earth." This six-piece jamgrass band is no stranger to the 9:30 Club as they have performed at this venue every year since 2013 and will perform two nights there this coming weekend.

Opening for Railroad Earth  is sacred steel guitar virtuoso Roosevelt Collier.

To borrow from Jack Kerouac's inspiration, DC Music Review recommends that you get on the road and go see Railroad Earth this weekend.  

(Editor's Note: If you have not read Jack Kerouac's book On The Road, you should read this defining work of Kerouac and the Beat & Counterculture movement of the 1950's.)



  • Tickets for Friday are available here.
  • Tickets for Saturday are available here.
  • Two day passes are available here.

Looking to the Summer

Although it is still winter, you may already be making plans for summer. If you find yourself out in Colorado this August or need an excuse to make it to the greater Denver area, look no further than this.  Railroad Earth performs with Fruition on Friday, August 17 at Boulder Theater before performing the following night at Red Rocks Amphitheatre .

  • If you want to purchase tickets to the Boulder Theater, they are only available as part of a two day pass which you can purchase here. 
  • Purchase Tickets to Red Rocks Amphitheatre here.
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Concert Reviews

Cris Jacobs Band Rocks DC on Fat Tuesday

Beads, boas, blues, and some Fat Tuesday Funk. Mardi Gras brought local favorite, Cris Jacobs, to Washington DC’s new music hotspot, Union Stage, one of several new music venues on the recently renovated and reinvigorated Wharf. It proved just the right hometown ambience to highlight Jacobs’ unique artistry – a mix of soulful, melodic, NOLA infused rhythm and gospel inspired blues. Dusty Ray Simmons (drums), Jonathan Sloane (guitar), and Todd Herrington (bass), were the incredible talent that completed the band.

The audience got its first glimpse of the magic to come, as Jacobs joined the opening band, Magnolia Blue, on stage for an energetic, playful, and funk-tastic cover of the Neville Brother’s 'Congo Square.' A local crowd favorite in their own right – led by the ever-expressive and charismatic, Neil Holcomb –Magnolia Blue had already primed the audience with its classic stage experience of lively and danceable jams. One highlight was watching Magnolia Blue guitarist, Mike Shade, trade guitar licks and with Jacobs. Their playful intensity, deft agility, and spirit of fun proved both inspired and inspiring to witness.

 “Trying to crank up a little voodoo to get things going here,” Jacobs told his already mesmerized and swooning audience after his seductive opener, 'The Devil and Jesse James.'  it is the opening track from his second album, Dust to Gold – a carefully crafted twelve-song gem, which propelled Jacobs further into the spotlight. He was hailed by Rolling Stone as one of 10 New Country Artists to Know in 2017.  

Jacobs next song provided ample proof that soulful is not adequate to describe the emotive qualities of his voice. 'Shine Your Weary Light,' introduced with a rocking drum solo by Dusty Ray Simmons, offers a depth of delivery that is at once visceral and haunting. His message to the song’s weary counterpart, "Just keep your lantern burning by the bedside, baby. Let it burn that fire. Shine your weary light. Turn it on” touches and soothes the listener with an intimacy as welcome as a glass of good whiskey at the end of a difficult day. 

Audio recording by DCMR contributor Bob Jacobson.

Jacobs and his band continued to deliver a mix of album favorites and crowd pleasing covers, such as a terrific version of Blind Willie Johnson’s, 'Lord I Just Can’t Keep From Crying Sometimes' and a rugged version of The Meters, 'It Ain’t No Use.'  A personal favorite of Cris Jacobs’ amazing and wistful set was Kind Woman: "I got nowhere to be / Ain’t nobody else I’m looking for, ain’t nobody lookin’ for me." Jacobs informs his audience with his sultry croon, and the crowd responded in kind, allowing his intoxicating blend of authenticity, charm, and talent to make us believe there really is nobody else we need to be looking for on this Mardi Gras night.


Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographers Mark Raker and Josh Brick


Guest Contributor:  Leanne Tankel

A concert junky, music aficionado, and live music reviewer for Hill Rag and DC Music Review, Leanne studied writing at both UC Berkeley (BA) and Boston University (MA). In addition to music reviews, she writes prose, and her manuscript, Broken Hallelujah: notes from a marriage, was a 2011 short-list finalist for the Santa Fe Literary Awards program. Leanne lives with her three sons and two pugs in Northern Virginia.


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Concert Reviews

The Lil Smokies Lights Pearl Street Warehouse On Fire As Jordan August Strikes The Match

The Lil Smokies from Missoula, Montana performed at Pearl Street Warehouse on Saturday, February 10, 2018 and left the audience breathless from their powerful performance.

The evening started off with a solo acoustic set by Baltimore musician, Jordan August. August has been well received in his hometown of Baltimore and has steadily gained a following of dedicated fans. As his success grows, so too does his tour radius, with this evening’s performance being August’s first in Washington, DC. He put on a passionate and heartfelt performance, playing guitar, singing, operating a drum pedal, all while nursing two broken toes. Based on the applause and reception by those in attendance, it will not be his last DC visit.

After August’s performance there was a slight break while stagehands set up for The Lil Smokies. Setlists were carefully and methodically taped down. For those in the audience who had never seen The Lil Smokies perform live before must have thought the taping was excessive or slightly unnecessary.

Within seconds of hitting the stage and clutching their instruments, the audience fully understood why such care was taken in securely taping down the setlists. The Lil Smokies began their frenetic, explosive, and high-energy performance. Those in attendance were treated to seamless interplay between band members Andy Dunnigan (dobro, vocals), Jake Simpson (fiddle, vocals), Matthew Rieger (guitar, vocals), Matt Cornette (banjo), and Scott Parker (upright bass). Dunnigan in particular oscillated from one side of the stage to another with his dobro by his side, exuding pure overwrought, amped-up energy. Jake Simpson on fiddle played his instrument so robustly throughout the night one could only wonder when a string would break or the bow would unravel. Throughout the evening, Matthew Rieger’s hair flew about as he whole-heartedly played his guitar, vigorously bounced his head about, and swapped smiles and musical exchanges with Matt Cornette. Scott Parker held down a guiding and steady bass backbeat to support the energetic performance throughout.

Simply put, if you had already seen The Lil Smokies, you left the venue that night with your batteries recharged and an ear-to-ear smile at yet another amazing performance. If this was your first experience seeing The Lil Smokies, you likely left Pearl Street Warehouse emotionally recharged as the bands energy was undoubtedly transferred to those who were lucky enough to witness the spectacle. However, if you still have not seen The Lil Smokies live, you should definitely check out their tour schedule so you can witness their performance firsthand.

DC Music Review looks forward to the return of The Lil Smokies to the DMV and to Jordan August’s next performance in Washington DC, Baltimore, and venues around our region.

​For more information on Jordan August, please visit his Facebook page for upcoming events.

​For more information on The Lil Smokies, please visit their Facebook page or website.

Setlist

Setlist

Setlist


Click here to see the setlist for The Lil Smokies performance at Pearl Street Warehouse on  Feb. 10, 2018.

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

Jordan August

The Lil Smokies

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Podcasts

DCMR Talks Trey Tour with the Helping Friendly Podcast [Audio]

Trey Anastasio's solo tour brought him to DC last weekto play at the historic Sixth & I synagogue  and we were on hand to cover it. Our friends at the Helping Friendly Podcast were there too , so we had a talk about the tour with them. Check out what we had to say and relive  the entire show below with their latest episode:

photo by J. M. Hart

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Livestream

WEBCAST: Electric Beethoven from Gypsy Sally’s In Washington DC on Feb. 21 with Special Guests Definition of One

Electric Beethoven  kicks off their Maps We Found In The Ground Tour at Gypsy Sally's on Wednesday, February 21.

DC Music Review will be on location to provide a livestream for those of you that cannot attend, or simply want to get excited for the rest of the tour.

This livestream is courtesy of Will Urquhart of Urquhart Audiovisuals. And stay tuned for more coverage with photos and audio after the show.


Livestream of the opening act, Definition of One, starts at 8:30PM.  We will post Electric Beethoven's start time as soon as that information is available to us. Enjoy!

Enjoy this livestream of Electric Beethoven recorded by our collaborator Will Urquhart.

Enjoy livestream of Definition of One recorded by our collaborator Will Urquhart.

You can also purchase tickets for the remaining four Electric Beethoven shows on Reed Mathis's website.

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Livestream

WATCH LIVE: Mungion at Gypsy Sally’s

Audio Recordings

Audio Recordings

Audio Recordings


Enjoy audio recording of the performance recorded by our collaborator Will Urquhart.

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Concert Reviews

Umphrey’s McGee Melts Faces in Anthem Debut

Umphrey’s McGee made their long-awaited return to the nation’s capital this week, making their debut at DC’s newest concert venue, The Anthem. With their last performance in the District taking place in 2016, and before that 2011, fans of their unique blend of prog-rock, funk, and metal were ready for a night filled with the face-melting shredding and full-band improvisation that define their shows. Having announced a free webcast and the possibility of special guests, the table was set for an absolute barn-burner, and the band delivered with a career-spanning set list and dazzling jams throughout the night.

Kicking off the show in earnest with the fan-favorite drinking anthem, '40’s Theme,' the band took their first song of the night for a spin, giving space for both guitarists, Brendan Bayliss and Jake Cinninger, to take extended solos before concluding the song with a roaring, energetic peak. Bayliss took a moment to acknowledge the band’s excitement to be playing the stunning new venue before diving into 'Puppet String.' When Umphrey’s McGee is at their best, they move as a collective unit through their jams, and that was true in this short but sweet – and unfinished – version, highlighted by the interplay between the two guitarists. Out of the jam, Bayliss, tapping out the notes on his fretboard, segues the band seamlessly into 'White Man’s Moccasins' from their 2002 album Local Band Does O.K. Then, giving the crowd a slight breather with the slow-funk of 'Example 1,' Ryan Stasik (bass) took the lead on what became the improvisational highlight of the first set.

After 'Attachments,' Cinninger and Bayliss switched to acoustic guitars and brought out bluegrass guitarist Larry Keel to sit in on a performance of 'You and You Alone' off the band’s new album It’s Not Us. The set closed with Keel remaining out for an outstanding cover of the Beatles' classic, 'Dear Prudence.'

Umphrey’s opened the second set with the mesmerizing and contemplative 'Half Delayed,' another track from their excellent new album. Then began a thrilling run of songs that all featured lengthy and diverse jams. The mostly instrumental 'JaJunk' had the band moving in unison through a nearly 15-minute exploration, using their trademark hand signals to communicate as they went from one musical theme to the next before transitioning into 'Speak Up.' The percussion section of Kris Myers and Andy Farag showed up big on this version, which eventually concludes in a very dark section of metal. 'Booth Love' featured Jake Cinninger moving over to the keys with Joel Cummins for a jam that veers into calypso with the percussion. After 'Stinko’s Ascension,' Umphrey’s played 'Turn & Run' for the first time in nearly a year, closing a gap of 64 shows. The tune from their 2009 release Mantis was played only once in 2017, with the band seeming to prefer its reggae arrangement, 'Turn & Dub,' but it filled this slot perfectly. Then, Stasik’s infectious slap-and-pop hook in 'Puppet String' brought the band back to finish the song and bring the set to a close.

Umphrey’s returned to the stage for their encore with one loose end left to deal with. After playing one more track from It’s Not Us, 'Looks,' the band finished 'JaJunk' and sent fans out into the 60-degree February night, beginning what DC fans hope will be a long history at the Southwest Wharf’s new venue.

The Marcus King Band opened the evening with a blistering set that will be featured in an upcoming article on www.DCMusicReview.com.

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Josh Brick  of Josh Brick Graphics.

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Concerts this Week

Goodman’s Good Music – Concert Picks of the Week – February 19th

Week Of:  February 19-25, 2018

Turn, Turn, Turn

Summary:

It's February but it's going to be feeling a whole lot like April outside this week. Seems like a good time to start thinking about rebirth, and music-wise, that's what's happening here in the DMV this week. You have the opportunity to catch some incredible artists/tribute bands and who are celebrating long musical careers (think the Everly Brothers tribute, The Association, Cher, Maceo Parker, Jefferson Starship) and also catch some hidden gem shows to see how the past has influenced the now. What's old is new again , the circle spins, the cycle continues. 

Must See Shows:

Some of these artists have been playing for decades (you know that song Windy by the Association, right?), others, like Uasuf Gueye who is an Artist In Residence at Strathmore, are looking at the past, exploring different cultures collided throughout history and the music that blossomed as a result. So much to check out: 

  • Ah, The Association, with hits from the 1960s like "Never My Love" and "Cherish," are back at it to play on February 20 at the Birchmere. Sit back, shut your eyes, and imagine how things have changed and not changed since 1969.
  • Since beginning his study of West African music at a very young age, DC-native Uasuf Gueye has devoted his life to being a cultural ambassador who brings African music and culture to people around the world and connects the African diaspora. Go attend Uasuf Gueye's workshop at the Strathmore Mansion on February 21 to hear fascinating origin stories of today’s musical instruments and genres such as blues, jazz, rock ’n’ roll, and bluegrass.
  • The music of the Everly Brothers influenced many artists, from Simon and Garfunkel to Keith Richards to the Beatles who once referred to themselves as "the English Everly Brothers." Their soulful harmonies influenced generations to come. To get a taste of the magic they created back in the 1950s and 60s, don't miss the Everly Brothers Experience at the Hamilton on February 22.
  • If you have not yet seen Maceo Parker live, you NEED to get to this show at the Hamilton on February 23. As his website states, "he's the living, breathing pulse which connects the history of Funk in one golden thread." He has played with the greats of James Brown, George Clinton and P-Funk, and Prince and has had an incredible solo career that has spanned over 50 years. You will love this show. You will move your body. You will feel something deep inside you get down. 
  • For one of the sweetest blends of bluegrass, rock, jazz, jam, and celtic music, catch the beloved Railroad Earth as they return back to DC at the 9:30 Club on February 23 and 24. 
  • On February 24 and 25 at Rams Head Live, check out Arlington-born singer/songwriter/pianist Rachel Yamagata. She sings about heartbreak in ways that not only are meant to soothe her own heart, but help other people with their own pain. She's beloved by NPR Music and has collaborated with many artists including Bright Eyes, Ryan Adams, Toots and the Maytals, and Ray Lamontagne.  

Hidden Gem Shows: 

There are a LOT of interesting, diverse, and locally- grown shows happening almost every night this week. Pick a few for your bouquet: 

  • Check out Chicago-based Mungion at Gypsy Sally's on February 20. This band blends elements of many genres -- rock, jazz, Latin, bluegrass, metal, classical, world, funk -- into something original and new, yet inspired from what came before. 
  • Classical Dance Music? Yes, it exists. To experience it for yourself, get to Reed Mathis and Electric Beethoven on February 21 at Gypsy Sally's. This music harkens back to the emotional realm that Beethoven was composing from over 200 years ago to make music of this moment. (While there, sneak through the backdoor and check out the incredible songwriting prowess of Jay Byrd at Vinyl Lounge.)
  • Here's a cool show to catch: Reina Del Cid at Sotto on February 21. She has a devoted fan-base who loves her lyrical music and jam-band elements. See them now before they starts to hit the bigger venues. 
  • Delicious distortion to melt your wintery heart. Three local bands -- FuzzQueen, Sam Cooper & the Sleepwalkers, and Social Station -- tear up the venerable Black Cat Backstage on February 22 with fuzz pedal, post-punk, sonic explorations. 
  • Some of the most talented local musicians from bands like Better Off Dead, Splintered Sunlight, and the DC Mystery Cats honor the music of Jerry Garcia and the Grateful Dead. Don't miss the Jerry Tripsters with the Black Muddy River Band  as they add a new modern day funk twist to your favorite Jerry Band tunes at Villain & Saint on February 24.  
  • Math rock, innovation,  and the next generation of music? Why yes! Don't miss the Invalides/Zach B./nah. show at Tropicana on February 24. These three bands are the future of DC music. (And if you're feeling inspired after the show, get to Heavy Rotation with Phunked Up! to get your groove on at the Black Cat.)

Here are our recommendations for shows throughout the DMV.

All Featured Events

District

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Maryland

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Virginia

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Articles Related to Artists in Featured Shows

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Artist News, Concert News

The Beirds EP Release Party Takes Flight at Songbyrd Cafe this Weekend

Hailing from Washington, D.C., The Beirds are a lively four-piece atmospheric rock band who combine electronic and psychedelic influences to create their unique and danceable sound.

 Formed in 2012, the tight knit group is comprised of a set of twin brothers - Matt (bass) and Chad Bartlett (keys) - as well as Dave Salvo (guitar) and Zach Hoffman (drums). Influenced by a wide variety of genres — including classic rock, bluegrass, jazz, among others — fans can be assured that each and every Beirds show will be one-of-a-kind. In addition to their funky tunes, each show is accompanied by its own light show, reinforcing the idea that The Beirds are meant to be witnessed live.

You won’t want to miss their debut EP release and concert at Songbyrd Cafe this weekend. Join The Beirds to celebrate the release of their EP Taking Flight — a four track record that showcases both their talent and wide-range of sounds and ability.

Two of the four songs from Taking Flight, "Send Me A Soul" and "Hop On Cop", are available to listen to the band's Bandcamp Release Page 

Presales of Taking Flight will go on sale on February 16, 2018 on their Bandcamp page.

The album will also be available on most music services such as iTunes, Spotify, and Amazon starting on March 2, 2018.

Tickets may be purchased through Ticketfly here. $10 in advance / $12 day of show.

 7:00 PM doors & 8:00 PM show.

Skaii will be opening this show in support of The Beirds.

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Concert Reviews

The Bridge Serves Up Some Hope in Charm City

This past Saturday, February 10, 2018, happy fans of all ages gathered at the Baltimore Soundstage to see one of Baltimore’s most beloved bands, The Bridge, reunite once again at the 12th Annual Concert for Hope. Members Cris Jacobs (guitar/vocals), Kenny Liner (mandolin/vocals), Dave Markowitz (bass guitar/vocals), Patrick Rainey (saxophone), Mark Brown  (keyboards), and Mike Gambone (drums) have been ecstatic to play this event for years, even after the disassembly of their band. 

The Hopewell Cancer Support, founded in 1993 is a non- profit organization based in Baltimore. Funded strictly through donations and corporate sponsorships, Hopewell costs nothing to its patrons. For the past 12 years, Hopewell Cancer Support has put on an annual fundraising event called the “Concert for Hope” to help raise money for their establishment, and what better way to do it then to tap into the tight knit community of music lovers in the area? 

Every year this concert packs the house full, and this installment was no exception. Doors opened early for the VIP ticket holders and the line was wrapped around the building with anxious concert-goers. The VIP experience was an all out Shindig.  Along with a full spread of delicious food from a wide array of Baltimore Restaurants, there was an open bar with Beer from Union Craft Brewing, free t-shirts, and an intimate acoustic set for VIP’s only with The Bridge paying homage to none other than the late great Tom Petty! 

From the moment The Bridge stepped onto the stage, their energy was incredible. One could immediately tell that this night was going to be something special. The acoustic set opened up with Petty’s most notable song, “Free Fallin’”. From the first note of the song, the smiles that swept over the faces of the band were illustrious. Rainey’s saxophone was soft and mellow and Jacobs belted out the lyrics as if he were Tom Cruise in Jerry Maguire. More Petty hits followed, such as “I Won’t Back Down”, and “Into the Great Wide Open”, with different members of The Bridge taking their turn on vocals.  Next we heard “Breakdown” with an unforgettable saxophone solo from Rainey, followed by a very bluegrass-esque version of “Mary Jane’s Last Dance” that had the audience stomping to the beat. After the foot stomping commenced, we were taken into a soft, beautiful version of “Time to Move On”, which was my personal favorite of the night. Jacobs gorgeous vocals along with the soft picking of the acoustic guitar made it sound like a perfect lullaby. Afterwards, Jacobs announced that he was going to bring up “one of the best songwriters he’s ever known”, and invited Jerry Joseph to join him on stage as the other members of the band took a break. Upon putting on his guitar, Joseph and Jacobs dove right into the hard - hitting Petty classic “Shadow Of A Doubt”, both shredding on their guitars like nobody’s business. 

The rest of the band then reconvened on stage for “Here Comes My Girl”, “Don’t Come Around Here No More”, and one of everyones favorite Petty tunes “You Don’t Know How It Feels”, before a patron of Hopewell Cancer Support got on stage to tell the audience about Hopewell and her experiences there. She described a beautiful, serene and calming place stating “this is the place that you need to heal”. And I believed her. To finish up the VIP portion of the night, The Bridge revved it up hard with the classic “American Girl” before closing the set with a very lighthearted version of “Wildflowers”. 

As the band left the stage, the doors to the general admission ticket holders opened and the Westminster based band Bootleg took the stage playing their blend of Classic and Southern Rock and 80’s favorites such as“Hit Me With Your Best Shot”, “What’s Your Name”, and “Hold on Loosely” to name a few. The crowd sang along to all the songs they knew so well, but the anticipation for the Bridge’s electric set kept growing. 

As The Bridge came back to the stage for the final set of the night, the energy in the room instantly quintupled. The eager crowd gathered in front of the stage and the dancing was underway as they busted into their first tune “Brother Don’t”, followed by “Honey Bee” straight into the most outstanding song of the night, in my eyes, “Superfunk”. This song took me on a journey of my own and was most definitely FUNKY. The spectators seemed to agree because not a soul in the Baltimore Soundstage stopped moving their feet to this jam. From this point on, the night never slowed down as The Bridge took us into “Chains”, “Easy Jane” and “Heavy Water” which showcased some pretty noteable instrumental solos from each member of the band. Next up was crowd favorite “Angelina” which again brought us a fiery jam that everyone seemed to delight in. To give the general admission folks a little glimpse into what the VIP’s had the privilege to hear , the band played two more classic Petty tunes “Refugee” and “Running Down a Dream”, before bringing us the upbeat “Geraldine” which was right up my alley with the 50’s - esque piano riffs and saxophone. Afterwards, Kenny Liner took the microphone and announced that they were going to pay tribute to John Barlow, who passed away last week. Barlow is most well known for his song lyrics written alongside the Grateful Dead’s Bob Weir. In a moment of humour, Liner stated that the band has “never played this song and never practiced it” and that he “doesn’t know if he even likes it.” The congregation obviously did not know what to expect after this comment, but it was apparent that these guys have been playing together for years when they burst into the Grateful Dead’s “Feel Like a Stranger”, and nailed it as if they had played it 100 times before. The set continued thereafter with more Bridge originals such as “Spill Over” and “Jomotion” and the set closer “Dirtball Blues”. As the band left the stage, the assembly cheered and begged for more until the band reconvened on stage for a smokin’ hot “Steamroller” and “Rising Sun” encore to end the night. 

This was an extraordinary affair from start to finish for a wonderful cause near and dear to everyone in attendance. Every individual and group alike that contributed to this event did a phenomenal job, especially the staff of the Baltimore Soundstage. 

On a final note, if you would like to learn more about Hopewell Cancer Support or contribute a donation, check out the following link: http://www.hopewellcancersupport.org/How-to-Give

Click here to see the setlist for The Bridge's performance at the Baltimore Soundstage on Feb. 10, 2018

Enjoy photos by our photographer Chris Gamber of Chris Gamber Photography.

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