Concert Reviews

Buddy Guy and Christone “Kingfish” Ingram Rock the Blues at Capital One Hall

You're damn right he's still got the blues. The legend Buddy Guy played to a capacity crowd in the Main Theatre at the relatively new Capital One Hall in Tysons, VA on Saturday, April 2. The 85 year-old blues icon sweetened the pot by tasking the (now) Grammy-Award-Winning  Christone "Kingfish" Ingram, with opening the show. The result was an explosive night of electric blues, storytelling and scintillating guitar playing. 

Christone "Kingfish" Ingram

Kingfish hails from Mississippi and possesses immeasurable talent and soul. The 23-year-old blues guitar phenom opened the show with a fiery set that showcased both his guitar and singing prowess. Ingram played music from his 2021 release, "662," an homage to his hometown of Clarksdale, MS.  The highly-acclaimed record garnered even more recognition the following night, taking home Grammy honors for
Best Contemporary Blues Album of the Year. The new modern blues superstar wowed an attentive crowd with this soulful guitar playing
and bellowing vocals. The heir-apparent brought the heat throughout his seemingly all-too-short set, warming the stage for the
incomparable Buddy Guy. 

Buddy Guy is an American treasure and all-time blues great. To see him in 2022 is nothing short of amazing. Buddy appeared jubilant has he ripped piercing notes on his trusted Stratocaster, telling stories from
the past and giving lessons to the kids in the audience – albeit with an abundance of adult language. The crowd listened and laughed along to Guy's anecdotes with pure elation. In addition to the tales, Buddy proved that he still has precious guitar chops and always will. Always a man of the people, Buddy waltzed through the orchestra section, playing the hell out of his wireless guitar rig – at one point sitting in an open
aisle seat for a quick breather. 

Buddy Guy

Nearing the end of the set, Buddy (re)introduced Kingfish to the delight of the crowd. Ingram came out swimming with some stellar blues guitar work as his mentor stopped for a sip of tea. The grateful Guy thanked his dedicated fans and began to toss guitar picks to the crowd as Kingfish and Ric Jaz (guitar) delightfully traded some sweet licks. The crowd roared in appreciation as the legend waved goodbye and walked off stage while the band closed out the show. It was an unforgettable night of blues in a beautiful room with an all-timer and the next blues king. What could be better?

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Spafford - Sunny Dispositions Tour 2022
Concert News

Spafford Is Coming To Baltimore Soundstage on April 16

Music fans in the DMV are in for a special treat on Saturday, April 16th, when jam band nobility Spafford performs at the Baltimore Soundstage in Baltimore, MD. This incredible band is known for their spectacular improvisational ability and off-the-cuff extended jams as they paint a sonic picture in real-time each night with a musical palette known only to each other and their fans. Many of these jams have been captured and transformed into legendary albums in their own right, including Chapel Jam. In their earlier years, Spafford was very well known throughout Arizona and the West Coast, and as their reputation grew, they headed east and evolved into a national touring act that entertained audiences in concert halls, pavilions, and festivals dotting our musical landscape, including high profile festival sets at Bonnaroo and Firefly Music. Spafford is no stranger to the region, and many fans have delighted in their performances as they have performed at many of our beloved venues and festivals, including The 8x10, Union Stage, the 9:30 Club, and Peach Festival.

Opening for Spafford in Baltimore will be Moody Moose, and this performance marks Spafford's first venue appearance in the region since February 2020. We cannot tell you how excited we are to see them perform again and dance in glee inside their sonic temple. 

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Performance Details

Performance Details

Performance

Details


 
 

Saturday, April 16, 2022

Doors: 7:00 PM

Show: 80:00 PM


Baltimore Soundstage

 
 
 
 

124 Market Place

Baltimore, MD 21202

(Google Maps Link)


$20  - General Admission


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Concert Reviews

Mike Campbell and the Dirty Knobs Turn it Up to Eleven at Sold-Out Birchmere

On Monday, March 28, Rock guitar legend Mike Campbell and his band, The Dirty Knobs, made good on a show that's been on our calendars for 2+ years. In fact, the quartet graciously gave the sold-out Birchmere a full, industrial-sized set of rock and roll music  that we so desperately needed. 

Campbell is the masterful (yet somehow under-appreciated) guitarist that partnered with Tom Petty (and The Heartbreakers) for more than 40 years – and he isn't done yet. After multiple postponements due to the pandemic
and some health issues, Campbell delivered the goods on an unforgettable night in Alexandria, VA. The show included plenty of new material from External Combustion, the hard-rocking follow-up to the band's 2020 debut album,
Wreckless Abandon. 

Mike Campbell

Joy permeated the old music room of the Birchmere as The Dirty Knobs (guitarist Jason Sinay, bassist Lance Morrison, and drummer Matt Laug) proved to be the perfect rock unit to pull the best out of Campbell. The music, both new and old, soothed souls as the crowd showed their unwavering love for Tom, who passed in 2017. Campbell honored his best friend with unique and stunning renditions of classics including "Refugee," "Southern Accents" and "American Girl."

It's obvious that Campbell still has the love, the drive to tell stories, play rock and roll music and carry on the massive legacy of great Tom Petty. We should all be thankful for that. What was also clear is that at age 72,  Mike Campbell is still writing his own storied legacy.

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Little Feat (Photo Credit: Hank Randall)
Concert News

Little Feat Is Coming To DAR Constitution Hall on April 16th

Having passed through ice —the COVID winter of the past two years — Little Feat is ready to bring some fire with their heralded Waiting for Columbus tour of March-April 2022.  Little Feat is set to perform at DAR Constitution Hall on Saturday, April 16th, and bringing none other than Hot Tuna along with them - Happy Feat, indeed. 

Waiting For Columbus - 45th Anniversary Tour

Waiting for Columbus was Feat’s first live album, and it perfectly captures their consummate playing skill with extended versions of their early classic tunes. Feat fans have been waiting for this tour for quite a while.  What makes this concert so special for DC Metro Area residents is that this legendary album was partially recorded in Washington DC at Lisner Auditorium. 

Waiting For Columbus - 45th Anniversary Tour

Like so many others, Little Feat, used their time off the road to redirect their creative juices and energy into new songs that will only add to their incredible body of work. As their newest song, “When All Boats Rise,” puts it: 

“When All Boats Rise we will find another pathway / When All Boats Rise we will shine like stars above / When All Boats Rise we can ride the silver skyway / That day is coming soon When All Boats Rise.” 

We need that kind of optimistic faith, and Little Feat is ready to supply it. Feat, do your stuff. 

Little Feat is very possibly the last-man-standing example of what used to be the norm in American music, a fusion of a broad span of styles and genres into something utterly distinctive. They combined earthy, organic material with first-rate musicianship in a combination that transcends boundaries. Feat took California rock, funk, folk, jazz, country, rockabilly, and New Orleans swamp boogie and more, stirred it into a rich gumbo, and has been leading people in joyful dance ever since. 

It all began in 1969 when Frank Zappa was smart enough to fire Lowell George from the Mothers of Invention and tell him to go start a band of his own. Soon after, Lowell connected with Bill Payne, which stirred up sparks. They then found drummer Richie Hayward, and for a while had Zappa veteran Roy Estrada on bass.  The name was part of the legend. A member of the Mothers happened to mention Lowell’s small feet to him “with an expletive,” said Paul Barrere. “Lowell deleted the expletive, and the name was born with Feat instead of Feet, just like the Beatles. Neat, huh?”

They were quickly signed by Warner Bros. and began working on the first of twelve albums with that venerable company. The first album, Little Feat, featured the instant-classic tune “Willin’,” and the follow-up Sailin’ Shoes added “Easy to Slip,” “Trouble,” “Tripe Face Boogie,” “Cold Cold Cold” and the title track to their repertoire, as well as a new version of “Willin’” that took it from pure Lowell to a fully-developed band tune. Estrada departed, and the band signed up (on guitar!) Paul Barrére, Kenny Gradney (bass), and Sam Clayton (percussion), and the latter remain rock-solid members of Little Feat’s rhythm section. 

In the early part of the new millennium, Feat started their own Hot Tomato Records and began to share their rich archives with their fans, producing the double CD collections of rarities Raw Tomatos and Ripe Tomatos from both fan and band tapes. 2002 also yielded Live From the Ram’s Head, a two-CD acoustic show, and in 2003 came Down Upon the Suwannee, a live show recorded on the banks of the river at the Magnolia Festival in northern Florida. Hot Tomato also gave the musicians the freedom to deliver solo work, as well, first with Fred Tackett’s In A Town Like This, and then Bill Payne’s Cielo Norte, an intimate, lyrical marriage of keyboards. 

Little Feat’s rich legacy was acknowledged at the 25th anniversary of the monumental live album Waiting for Columbus when Rhino Records put out a special two CD edition of the original concert, plus outtakes, along with Hotcakes and Outtakes: 30 Years of Little Feat, a four-CD boxed set featuring hits from all of Feat’s albums as well as alternate takes and rarities from a rich past, which has included playing with everybody from Bob Dylan to Beck, Willie Nelson to Bonnie Raitt, Robert Plant, and John Lee Hooker amongst others.

Their latest studio work is Rooster Rag, by critical consensus their best studio album in twenty years, featuring four songs co-written by keyboardist Bill Payne and the Grateful Dead’s legendary lyricist Robert Hunter, four breakout songs by Fred Tackett, and a superb collaboration between Paul Barrere and the late Stephen Bruton. 

If you play long enough and, as Little Feat has, you have had to to face everything - stress of the road, band departures, health issues - and Little Feat has seen it all. You can go a number of ways when you spend your life on the road.  Instead of being eaten up by the stresses and quit the Feasters have held onto their music and their friends and the joy of the people out front and keep their priorities straight. Despite their joyous outlook on life, Richie Hayward, the sterling drummer who’d held down the beat for nearly forty years, was finally taken down by liver cancer in 2010. The same grim pursuer caught up with Paul Barrere in 2019. Paul will always be missed, yet paradoxically his absence also confirmed the stunning power of the music that Little Feat has made for so very long.  Each new member has been an inspired student of their predecessor working to keep the original passion of the music intact and also breathing new life and new inspiration into this bands legendary catalog.  The members of Little Feat 2022 are: Bill Payne,(Keyboards/Vocals); Sam Clayton (Percussion/Vocals); Fred Tackett, (Guitars/Vocals), Kenny Gradney (Bass); Scott Sharrard (Guitars and Vocals), and Tony Leone (drums). 

Fifty years on, they’ve been up and they’ve been down and they know where they belong—standing or sitting behind their instruments, playing for you. And anything’s possible, because the end is not in sight.  We are extremely fortunate to have live music back again, and excited to relive Waiting for Columbus where it all began - in Washington DC.  Hope to see everyone at DAR Constitution Hall on April 16th as we joyously dance our Happy Feat off!


(Cover Photo Credit: Hank Randall)

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Performance Details

Performance Details

Performance

Details


 
 

Saturday, April 16, 2022

Show: 8:00 PM


Starting at $47+ Fees


 Venue COVID-19 Protocols

 To comply with the Mayor of DC's recent Executive Order, all guests aged twelve and older entering the venue will be required to show proof of vaccination against COVID-19. Fans attending events on or after February 15 must show proof of being fully vaccinated (two doses of an approved two-dose vaccine or one dose of an approved one-dose vaccine) upon entry. Proof of vaccination can be provided via display of an actual vaccination card, a complete picture of the vaccination card on a mobile device, or an online digital vaccination record, along with an accompanying photo identification for those age 18 and older. Unvaccinated fans under 12 years of age may be required to take a COVID-19 diagnostic test (generally within 48-72 hours before the event) and provide proof of negative result prior to entering the venue. The Mayor's previous order requiring all guests to wear masks throughout events, unless actively eating or drinking, will remain in effect.

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David Wax Museum performs at Jammin Java in Vienna, VA
Concert Reviews

David Wax Museum’s Mexo-American Delights & Captivates Fans At Jammin’ Java

The depth and breadth of talent by musicians across the DMV is staggering and a reminder of how lucky we are to live in the region. Each day countless musicians practice, hone, and perfect their sound. One band that stands unique in the region's musical landscape is David Wax Museum, which are based out of Charlottesville, Virginia. This indie-folk band, consisting of David Wax and Suz Slezak, have crafted a unique, effervescent, and exuberant "Mexo-Americana" sound. This spirited and dynamic duo recently completed their first full-fledged tour since 2020, and DC Music Review was lucky enough to see them perform at Jammin' Java on Friday, February 11th.

The evening started with DC-based quintet Water Bears, whose relationship with David Wax Museum goes back to a childhood friendship between Water Bears' multi-instrumentalist Sam D'Agostino and David Wax. Water Bears provided a perfect start to the evening with an acoustic harmonized sound that painted a perfect backdrop for David Wax Museum.

David Wax Museum (Trio) - David Wax Museum + Alec Spiegelman

Pulling into the final days of their tour, David Wax and Suz Slezak took the stage with beaming smiles. Joining them on stage was multi-instrumentalist and collaborator Alec Spiegelman. Spiegelman has worked with David Wax Museum for nearly15 years and joined their tour to make the David Wax Museum (Trio). The band had a lot to be happy about as they took the stage at Jammin' Java – not only were they successfully wrapping up their first tour in two years, but they were also celebrating the release of three recent albums; Remember My Future (2021), Euphoric Ouroboric (2021), and Suz Slezak's Wing May Be Featherless (2022) which was released only a week earlier on March 4th.

David Wax Museum (Trio) - David Wax Museum + Alec Spiegelman

What is immediately noticeable about David Wax Museum's stage presence is how genuine and accessible they are and how they authentically connect and communicate with an audience. Shortly after taking the stage, they indicated how the DC region was so important to them in their early days and how they played almost 30 private house concerts in DC - although David and Suz would have to debate this playfully on stage. David mentioned that they had to take the prior evening off in Delaware to deliver their best performance for their beloved DC and Vienna audience, followed by a playful quip indicating he could have performed in Delaware and skipped tonight's performance. A subtle and singular "No!" rose from the crowd that was then accompanied by cheers and applause of approval. It was evident that the audience appreciated them as much as they appreciated the audience. 

Together David and Suz are operating at a level reminiscent of June Carter and Johnny Cash, especially the way their love for each other pours through the music and radiates on stage

David Wax and Suz Slezak

David and Suz performed for nearly two hours as they shared playful and affectionate banter between songs. Topics ranged from musical instruments such as clarinets and flutes, tales of David's beloved smartphone Georgette, childhood holiday presents, and stories from the road. Each exchange left audience members wondering what twists, turns, and delightful interplay their conversations would turn. As The Melomaniacs noted during a recent 9:30 Club appearance, "The only parallel is Johnny Cash & June Carter - two incredibly talented artists whose ncredible music was only surpassed by their obvious and palpable love for one another." When David Wax Museum broke out their first signature song, "El Ahualulco," one couple felt so moved and inspired that they rose from their seats to dance in an open space beside the stage. 

David Wax and Suz Slezak
Suz Slezak

One of the most poignant parts of the evenings' performance was when Suz performed three songs from her new album; "This Life Is Kindly," "Loneliness Is Measured," and "Take Me." Each of these songs was deeply personal to her, and she tenderly added stories to each piece. Suz talked about her heart racing just as it had when they performed at the 9:30 Club in January, her emotions when they replaced their sick friend Steve Poltz at that performance, and the deep emotions of an emergency C-Section to deliver her first child. And there she was, stripped bare, devastatingly vulnerable, and exposed her heart for all to embrace as she shared so many stories alongside delicate and beautiful music.

Suz Slezak

After the Our Wings May Be Featherless medley, the concert would take on lighter notes as Suz would rib David on his brand new smartphone that he named and even wrote a song for –  "Georgette." Another memorable moment of the evening was when David asked if there were any fans of the Grateful Dead in the audience before performing an inspired version of "Cassidy" that was unique and transformed this classic into a song all of their own. As their performance concluded, David talked of their barn in Charlottesville that is nearly complete and how they looked forward to hosting each of us into their guesthouse as the band segued into a sincere version of their effervescent tune, "Guesthouse."

David Wax Museum

Because of their stage conversations and audience engagement, David Wax Museum found themselves running out of time. Being well-seasoned performers, David told the audience that they would forgo walking off stage and waiting for the audience to cheer them back so they could perform their encore. Not missing a beat and wanting to show their appreciation, the audience broke out in spontaneous applause as if David Wax Museum was triumphantly returning to the stage. The affection between the crowd and artist was complete this evening.

David Wax Museum

With their performance concluded, both David and Suz could be found at their merchandise stand where they greeted and engaged all their fans. Despite David's voice clearly waning, both he and Suz made sure to take the time to connect and thank their fans sincerely.

Turning our thoughts back to the band's barn/guesthouse – based upon their reception at each venue they perform at, we hope that this barn is larger than they planned because they will need every square foot of the barn to house their adoring fans.

David Wax Museum under the mirror ball at Jammin' Java

We look forward to seeing David Wax Museum perform again - under a mirror ball,  inside their new barn in Charlottesville, or anywhere else we are lucky enough to see them perform.

David Wax Museum under the mirror ball at Jammin' Java

We look forward to seeing David Wax Museum perform again - under a mirror ball,  inside their new barn in Charlottesville, or anywhere else we are lucky enough to see them perform.

Setlist

Setlist

Setlist


Click here to see the setlist for David Wax Museum performance at Jammin Java on March 11, 2022

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Concert Reviews

St. Paul and the Broken Bones Serenade Lincoln Theatre with Psychedelic Soul

St. Paul and the Broken Bones, a powerhouse soul/funk/rock band from Alabama, filled the historic Lincoln Theatre with complete jubilation on Tuesday, March 8. In the first of two sold-out shows in the District, the octet thrilled a raucous crowd with their big sound and fiery, unbridled passion. (Dedicated DC fans were lucky to see the band at a sold-out 9:30 Club the following day. )

Touring in support of the band's recent album release, The Alien Coast, St. Paul and the Broken Bones treated the capacity crowd to a nearly-two hour set that included career-spanning material from their four albums. The group's sound is predicated on band leader/singer Paul Janeway's stunning vocal capability and backed up by a horn trio, keys, guitar and a tight rhythm section. The band captured the entire room from the start, opening with a trio of new songs – 'Atlas,' '3000 AD Mass' and 'The Last Dance' – and took everyone for a euphoric musical experience the rest of the night. 

Paul Janeway joins the crowd during 'Sanctify'

Janeway expressed his joy of performing for a live audience again – nearly two years since the beginning of the pandemic. To our delight, the charismatic singer sauntered upstairs to join the crowd as he delivered a stunning rendition of 'Sanctify,' a bluesy ballad that seemed to stop time in its tracks. The room was abuzz from then on and the DC crowd showered the band with much deserved appreciation. 

The set continued with more show-stoppers including the soul-soaked 'Grass is Greener' and the set-closing, disco bop, 'Apollo.' After a short encore break, St. Paul and company treated us to a three-song encore, one he dedicated to a young fan on her father's shoulders attending her first concert – a night she will certainly remember forever. In fact, it was a night most of us will not forget. Don't miss St. Paul and the Broken Bones as they continue their headlining North American tour this spring. 

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Bonobo at 9:30 Club
Concert Reviews

Bonobo Launches 9:30 Club Into Orbit with Ethereal Grooves

Simon Green – better known as Bonobo – brought a live band and his signature, atmospheric  sound to a lively DC crowd at 9:30 Club on Thursday, March 3. The acclaimed DJ, bass player, producer and composer paired his lively dance grooves with a stunning lighting display to elate a capacity crowd in the renowned venue.

Touring in support of his latest album, Fragments, Bonobo delighted us with worldly beats combined with beautiful instrumentals. Nicole Miglis joined the band for several songs on vocals as did opener Jordan Rakei. The dance party continued nonstop for two hours before the grateful Bonobo thanked the spirited DC crowd for a memorable night. 

Green and his band continue their world tour up north before venturing west near the end of this month. All of those before Bonobo graces Europe for 30 (!) shows, including five nights at Royal Albert Hall in London. Do yourself a favor and catch this stunning show! 

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Concert Reviews

Alt-J and Portugal. The Man Dazzle The Anthem with Sound and Light

British indie-rock trio Alt-J teamed up with their friends, Portugal. The Man, for two exciting nights at The Anthem in Washington, DC. Fans were enthralled by an explosion of ethereal sound and light as Alt-J performed new material from their recent album, The Dream. The trio played on risers inside a fish tank of sorts – artfully combining trippy projections and beautiful light design. It was a captivating presentation, one that their dedicated fans experienced with pure joy. 

Portugal. The Man warmed the stage with a stunning set of career-spanning tunes – continuously melding in and out songs in impressive fashion. The Alaskan unit has fine-tuned their ever-evolving brand of psychedelic, indie and alternative rock to enthrall the crowd with a barrage of sound and imagery. 

The North American tour continues in the southeast before making their way westward and back again, ultimately closing with a pair of Canada shows in April. Don't miss this spectacular pairing in a city near you!

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Portugal. The Man

Alt-J

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David Wax Museum performs at The 9:30 Club
Concert News

David Wax Museum To Perform At Jammin Java On March 11th

Pioneering folk musicians David Wax and Suz Slezak are the plucky husband-wife duo behind the eclectic, exuberant “Mexo-Americana” band David Wax Museum. After 14 relentless years touring the country and world, half of them with their two young children in tow, COVID’s abrupt disruption in March 2020 created a first jarring, then welcome creative pause for the Charlottesville, Virginia-based band. 

"A band that joyfully celebrates and preserves the heart of Americana music.”

            World Cafe

Before the pandemic, the ascendant band was enjoying newfound success with their 2019 first label release Line of Light, subsequent national TV debut on CBS This Morning: Saturday, and three distinct features on NPR’s World Cafe. They built bridges performing at the wedding of Democratic presidential hopeful (now Transportation Secretary) Pete Buttigieg and his husband Chasten--and then in 2021 their plaintive ballad “Big Sur” debuted during the marriage scene on Netflix #1 show, Firefly Lane. David Wax Museum even had a big new bombastic studio album with their boisterous six-piece band in the can, but then the sudden shutdown temporarily shelved it, forcing David and Suz to unpack their toiletries bag, park their tired tour van in the driveway, and finally tuck their children into their own beds, for months on end, for the young family’s first time.   As Suz trellised cucumbers and butternut squash, and quilted with their kids, David quickly converted their cramped, dormered attic room into an intimate performance space. 

"Their blend of Americana with regional music of Mexico is unlike anything you’ve heard."

            CBS THIS MORNING

The hard-working pair immediately took to touring the live-stream stages of Facebook, Instagram YouTube Live and Zoom when all their beloved, well-trod venues, from D.C.’s esteemed 9:30 Club to Philadelphia’s Johnny Brenda’s, shuttered overnight. Such creative constraints laid the groundwork for the band’s most fruitful period ever. 

On April 16, 2021, David Wax Museum self-released Euphoric Ouroboric, one of four records the band made during quarantine and the band’s first foray into the experimental world of D.I.Y. home recording. Producer and longtime collaborator Alec Spiegelman (Okkervil River, Kevin Morby, Pokey LaFarge) blended drum machine loops with human performances, blurring the lines to chart new sonic territory for the band.

With the pandemic slowly releasing its grasp on the world, venues around the country started to reopen. A few weeks ago, as a last-minute addition joined The Wood Brothers at The 9:30 Club. This performance enthralled and captivated the capacity crowd. With a critically acclaimed performance behind them, David and Suz once again pack their tour van and embark on a Mid-Atlantic and Northeast tour.

We are incredibly excited to see them performing at Jammin Java on March 11th. Trust us when we say that this is a band you do not want to miss! Please check their website's tour page for more performance dates.

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Performance Details

Performance Details

Performance

Details


Friday, March 11, 2022

Doors: 6:00 PM

Show: 6:30 PM


Jammin Java (http://www.jamminjava.com/)

227 Maple Avenue East

Vienna, VA 22180

(Google Maps Link)


$20  - Premier, Premier Plus

$18  - General Admission Seated

$15  - General Admission Standing


 Venue COVID-19 Protocols

Effective immediately, proof of vaccination or a negative test taken within 72 hours are required for entry to all shows at Jammin Java. Click here for more information..

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Tedeschi Trucks Band performs at The Warner Theatre in February 2022
Concert Reviews

Tedeschi Trucks Reign Supreme At Their Warner Theatre Six-Night Residency

On Thursday, February 17th, Tedeschi Trucks Band, a twelve-piece musical powerhouse, was handed back the keys to The Warner Theatre to complete the second half of their six-night residency. Once again, Susan Tedeschi, Derek Trucks, and the rest of the band took the keys to the venue's side entrance and settled in for three nights of thunderous music deep in the heart of downtown Washington DC. 


February 17 - Night 4 of 6

The audience was a tinder-box of excitement for what lay before them. You could easily spot the people who had seen one or more of the prior shows - their eyes were beaming with giddy delight because they knew exactly what awaited them this evening. You could spot others who just walked into this historic venue for the first time - their eyes gleamed with anticipation as word of mouth spread about the prior performance. One thing was certain - everyone was ready for the curtains to rise. 

Miko Marks

Miko Marks

Miko Marks took to the stage to get the crowd warmed up night one and for forty minutes, Marks and her touring companions showed precisely why Tedeschi Trucks Band chose her as an opener. Treating concert-goers to a debut of a new song of her upcoming album,it was easy to see that she gained many a new fan of the Thursday as the audience clapped along to the lyrics closing out their set "feel like going home", fully prepared to welcome Tedeschi Trucks back home. 

Miko Marks

If the audience was a tinder-box of excitement, Susan Tedeschi had no problem striking the match to the fuse the band played "I've Got A Feeling" by The Beatles. If Susan's thunderous voice echoing through the venue wasn't enough to make the audience erupt into excitement, then "Get What You Deserve" was the perfect rocker to bring the crowd to their feet. As this fun, fast-paced-rocker resonated, delighted fans fully appreciated why Tedeschi Trucks Band is the most powerful, dynamic, and versatile tour band currently performing. 

Derek Trucks & Susan Tedeschi play a semi-seated guitar jam

In recent weeks fans could not help but notice that Susan was not as mobile on the stage as she has been. A recent knee injury may have impeded her struts along the stage but did not diminish from her voice and masterful guitar playing. In fact, it provided an astonishing moment where her husband, Derek Trucks, was able to perform a blistering guitar volley between himself and Suan. Moreso, the chemistry and love between the two was so apparent, especially when Derek would lower himself slightly to meet Susan's gaze as she sat on a chair set aside for her. 

Derek Trucks & Susan Tedeschi play a semi-seated guitar jam
Flowers for Kofi

Flowers for Kofi

A particularly tearful moment during the performance was when Susan marked the three-year anniversary of beloved band member Kofi Burbridge. In fact, Burbridge passed while Tedeschi Truck Band was performing at the Warner Theatre, and she indicated how difficult it was for them to perform that night. She acknowledged all the beautiful music he gave us while he was alive and how he had helped her finish writing "The Feeling Music Brings." Perhaps it was only fitting that the band would then perform "Had to Cry Today" by Blind Faith. 

Flowers for Kofi

Flowers set aside to honor Kofi Burbridge

The band ended the evening with a spectacular version of "Space Captain" by Joe Cocker. As the lyrics to "Space Captain" slowly faded and the applause were still going strong, Susan does

what she is known for, imparting wise words and wisdom from the heart to the audience. Having just sung the lyric "Learning to live together" over and over again, Susan was quick to tell the audience, "We can do it together. That's what I've learned the last couple of years. We gotta stick together. Don't forget that. We are all together on this planet. We gotta do it together." And just like that night one wrapped up. 

Tedeschi Trucks Band brings down the house on Thursday, February 17th, 2022

February 18 - Night 5 of 6

A residency is not a sprint but truly a marathon event, and not only should a band pace itself but show the audience many facets of their performance style and stage presence. The band could have started right where they left off - a true barn burner. Instead, the band treated fans to an enchanting, almost Fireside Sessions performance as Derek Trucks and Susan Tedeschi sat seated alongside one another with two acoustic guitars in hand. Perhaps Susan wanted to rest her knee for just a little while before bringing the venue to its knees. Being the supportive husband and musical partner that he is, Derek played a portion of his guitar genius seated beside his wife. Injury or not, neither showed any sign of letting it slow them down musically. 

The entire stage was electric, and each musician shined countless times throughout the three-night run. Notable solos that were incredibly impressive were coming out of the saxophone and horns repeatedly and especially shined during the second set opener, where the ability to blow and somehow still breathe kept audience members in awe for minutes at a time. 

Fans seemed to revel in the fact that the band was singing lyrics that were so needed after some difficult years. So many fans had been yearning to see live music again or wished they could see more of it since March 2020. The lyrics "You're all I want and all I need" from "All That I Need" resonated not only with everyone in the theatre - both impassioned artists and passionate fans.

Telling the fans how much they enjoy playing at Warner Theater and the incredible gratefulness for the opportunity to do it again and again, Susan was more than humbled by the swaying heads and full hearts that reflected in the audience Friday night. Songs like "Done Somebody Wrong" had the aisles flooded with moving bodies, and the music flowed from everyone's veins, reminiscent of a street party strolling down the road in New Orleans. 

Tyler Greenwell and Isaac Eady

 Tyler Greenwell and Isaac Eady 

Two drum kits seemed as though they would crumble the entire building at points throughout the night, continuing on for what seemed to be an eternity with a dueling yet integrated flow that is something to write home about. The strength and stamina demonstrated on stage between Tyler Greenwell and Isaac Eady each night left accentuated the band's full breadth of talent and indeed left absolutely nothing to be desired. 

Tyler Greenwell and Isaac Eady

 Tyler Greenwell and Isaac Eady 

Swaying in unison to staple "Don't Think Twice, It's All Right' by Bob Dylan between hoots and hollers responding to Susan's incredible voice show how much a music community such as this one comes to be so important to both musicians and audiences alike. Sharing collective memories, moments, and goosebumps with a band like this one are cherished and collected with impassioned delight. Voices like Tedeschi's and absolutely entrancing guitar solos like Trucks on the guitar are why we continue to return to it and why music like this can exist for six nights at a venue in the Nations Capital every February for what, we hope, is forever.


February 19 - Night 6 of 6

Notable excitement filled the air for the final night which, as most would’ve guessed, sold out and entering the theater there was an electric buzz about the culmination of the residency. Packed with anticipation as everyone milled about what the final setlist might include, one could hear people recalling what was previously played and what incredible songs might lie before them. 

In addition to the setlist discussions, one could overhear conversations of future Tedeschi Trucks plans fans had lined up. Some talked of Red Rocks Amphitheater, while others spoke of purchased European tour dates. 

Mike Mattison as always delivers an impressive vocal performance

Mike Mattison

As the opening notes of "Signs, High Times," illuminated The Warner Theatre, the audience prepared for a superb night of music. The band was prepared to show their collective power and highlight each band member's unique and masterful skill. Four songs in Mike Mattison came to the front of the stage as the band rolled out Derek & The Dominos classic "Anyday." Perhaps this song was a one-off from Layla and Other Assorted Love Songs. Still, being within earshot of Lockn' Music Festival in Arrington, Virginia, one could only hope that the band would unleash more songs from their legendary performance. If the first set closer wasn't powerful enough with Kebbi Williams' saxophone introduction to "Bound For Glory," the audience did not know that the best was yet to come as the band would perform a no-holds-barred crescendo of a second set. 

Mike Mattison as always delivers an impressive vocal performance

Mike Mattison

The band would start the second set with the delicate "Angel From Montgomery" as the audience sang along with Susan. Then, the song shifted to a beautiful piano solo by Gabe Dixon before Derek Truck's sultry slide guitar would rise up with the first notes of "Helpless" that seamlessly transitioned to Susan's heartfelt delivery of this poignant classic. 

The spotlight shined brightly on Kebbi Williams who poured out his heart for his father tonight.

With our hearts sufficiently melted, this twelve-piece band proceeded to turn this final set into a crescendo of power. As hoped for, the band would complement the nights earlier Derek & The Domino's classics with "Bell Bottom Blues" and "Why Does Love Got To Be So Sad." By the final song of the night, "I Want More," it was clear that all the audience wanted more, just more! What do you do when the audience wants more? - you added "Les Brers In A Minor" by The Allman Brothers to punctuate the final song of the second set.

The spotlight shined brightly on Kebbi Williams who poured out his heart for his father tonight.

For the encore, the band launched into yet another "Space Captain" by Joe Cocker. Despite "Space Captain" being performed earlier in the residency, this is such a powerful song that the band could perform it every night, and the audience would never grow tired of it. 

With the final song of their residency complete, the band will hand back their keys to the house manager of The Warner Theatre - but only temporarily. We have little doubt that this same house manager will have the keys set aside for them when they hopefully return in February 2023. 

Susan Tedeschi of Tedeschi Trucks Band

We can only hope that Susan Tedeschi is already thinking of Tedeschi Trucks Band's 2023 Residency

If you cannot wait until 2023 to see Tedeschi Trucks Bands perform live again, they will perform at Wolf Trap on July 19th (link found below). Until then, let us all embrace Susan's final words of the night and learn to live together in our day-to-day lives. Moreso, we look forward to collectively learning to live together the next time we see Tedeschi Trucks Band perform live. 

Additional Writing Credit:  Karin McLaughlin made significant writing contributions to this article.


Special Note: If you listen to the audio recording of the February 19th version of "Space Cowboy," Susan indicated that Tedeschi Trucks Band has four new records coming out in May 2022.

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Jason Herman.

February 17, 2022 (Night 4 of 6)

February 19, 2022 (Night 6 of 6)


Audio Recordings

Audio Recordings

Audio Recordings


Enjoy the audio recording by our contributor Alex Leary

We speak collectively for the community when we thank Alex for these invaluable recordings and time capsules from an incredible 2022 Residency.

Night 1 - February 3, 2022

Night 2 - February 4, 2022

Night 3 - February 5, 2022

Night 4 - February 17, 2022

Night 5 - February 18, 2022

Night 6 - February 19, 2022

Upcoming Performance Details

Upcoming Performance Details

Upcoming

Performance 


 
 

Tuesday, July 19, 2022

Doors: 5:30 PM

Show: 7:00 PM


Filene Center at Wolf Trap

 
 
 
 

1645 Trap Road 

Vienna, Virginia 22182

(Google Maps Link)


$32  - General Admission

$67-87 - Pavilion Seating 



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