Concert Reviews

Hayley Jane and the Primates Rocks Gypsy Sally’s as Jenny and the Gumps

Hayley Jane and the Primates returned to Gypsy Sally's last Friday to play a Halloween show dressed up as "Jenny and the Gumps," and rife with covers from the Forrest Gump soundtrack. They opened the night for Pink Talking Fish.  All the covers seemed handpicked for DC, with calls for revolution in Jefferson Airplane's "Volunteers," echoes of Trump in Creedence Clearwater Revival's "Fortunate Son," anti-war tones in Buffalo Springfield's "For What It's Worth," and a shout-out to our weed legal district in Bob Dylan's "Rainy Day Woman #12 and 35."

Hayley Jane brings a commanding presence to the stage with soulful vocals and a sometimes quirky, sometimes sexy, sometimes bad-ass charisma that is hard to look away from. They are one of those see-it-to-believe-it bands whose captivating style and fascinating lyrics are winning over crowds on their We're Here Now Tour.

You can watch or listen to their entire performance with matrix audio below, but the highlight of the night was probably this version of "Make it Alright" with Richard James of Pink Talking Fish on keys. This song is also on their new album, "We're Here Now" which is available on spotify, and itunes, and all that good jazz. The crew will return to DC in early December for a show at the new Pearl Street Warehouse on the Wharf. 

Setlist

Setlist

Setlist


Click here to see the setlist for Hayley Jane and The Primates' performance at Gypsy Sally's ​ on October 27, 2017

You can watch or listen to their entire performance with matrix audio below, but the highlight of the night was probably this version of "Make it Alright" with Richard James of Pink Talking Fish on keys. This song is also on their new album, "We're Here Now" which is available on spotify, and itunes, and all that good jazz. The crew will return to DC in early December for a show at the new Pearl Street Warehouse on the Wharf. 


Videos

Videos

Videos


"Make it Alright" by Haley Jane and the Primates here:

The ENTIRE video performance (via YouTube playlist) below:

Audio Recordings

Audio Recordings

Audio Recordings


The entire audio recording of Hayley Jane and the Primates:

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Foo Fighters Opening Night at The Anthem
Venue Reviews

Venue Review: The Anthem – Washington, D.C.

The Anthem opened to much fanfare at Washington D.C.'s brand new District Wharf in October 2017. This brand new $60 million dollar 57,000 square foot venue is about as state of the art as it comes and is extremely well thought out (aside from a few glitches here and there which we are sure the venue will resolve over time).

The Anthem at The Wharf Logo
The Anthem at The Wharf Logo

The Anthem

901 Wharf Street SW

Washington, DC 20024

Capacity: 2,500 - 6,000 (based on on Venue Config)

Capacity:

2,500 - 6,000

(based on on Venue Config)

Capacity:

2,500 - 6,000

(based on on Venue Config)

202-888-0020

The Anthem is the sister entity to the 9:30 Club, a legend in it's own right, and is owned by the same production company, I.M.P. Concerts.    You will find that I.M.P. will do some cross promotion between the two venues with a major act playing one night at the 9:30 Club, and another night at this venue.

 

Essential Information

Essential Information

Essential   Information


Security

The Anthem has a greater security procedure than any other DMV indoor music venue.  You should expect to empty your pockets and have any bags inspected when entering the venue. At some, but not all events, you will also have to go through a metal detector.  Please do not attempt to take in any contraband as chances are good that it will be confiscated or not allowed in the venue -  just enjoy the performance.

In addition to the metal detectors and item inspection you can expect additional security measures at particularly popular and sold-out shows.  You should expect to queue up in security lines to either side of the venue entrance as you wait to get into the venue. 

Payment Options

The Anthem, like so many other venues in Washington DC, has gone cashless.  This means that you must bring a credit card to purchase anything in the venue.  You will have to use a credit card or mobile payment application to purchase food, drinks, coat check, and band merchansise.  If you do not wish to use a credit card, The Anthem accepts payments via the Rooam mobile app.

Parking

As of Spring 2019, there is always a good chance that parking at The Wharf will be sold out. As more resteraunts have opened and The Wharf has become a popular destination we have found parking selling out earlier and more often.  Please take this into account when determining if you wish to park at The Wharf or take alternative transportation. If you do want to park at the venue, please arrive earlier.  (More Information about Parking below.)

Box Office

Box Office

Box Office


The box office is located opposite the main entrance of The Anthem in a small structure. We recommend going to the box office to purchase tickets without additional "convenience fees."   The box office is open from 12 PM - 7 PM daily (or until 9PM on show nights). 

In addition to purchasing tickets for The Anthem, you can also purchase tickets for other I.M.P. venues including the 9:30 Club, Lincoln Theatre, and Merriweather Post Pavilion.

Seating

Seating

Seating


Anthem Seating Chart

Anthem Seating Chart.  Click to enlarge.

Anthem Seating Chart
"Super Excellent Seats" / Box Seats 

Super Excellent Seats:

The entire venue is general admission & first come first serve except for the first two rows of each box seat and the seats directly behind the soundboard on the first level.  If you want to enjoy the concert with designated seats, they are available for purchase at premium prices.  

Box Seats

There are 450 box seats available in this venue.   Box seats behind the first two rows are general admission.  We have found that audience members can have a very enjoyable seating experience with General Admission seating

General Admission Seating

There is ample and comfortable General Admission throughout the venue.  In fact there is hardly a bad seat in this venue.  I.M.P. owner Seth Hurwitz designed the venue with the intention that there is not a bad seat in this venue.

Box Seating Important Note: Behind each box section there are two rows of unreserved General Admission Seating available.  

Second and Third Level General Admission Seating:  At the back of the second and third level of this venue are unreserved General Admission Stadium Seating.  Audience members can stand or sit in stadium seating and enjoy the show.

Drinks

Drinks

Drinks


Bars are bars available on each side of the venue on the first, second, and third level.

At the back of the main level, right behind the soundboard, you will find a very large double sided bar.

On the second and third story of this venue there are specialty carts selling drinks including a coffee/espresso bar and specialty margaritas.

(Temporarily Suspended)  HAPPY HOUR!! If you go into the venue early The Anthem has "Happy Hour Pricing" at the 2nd and 3rd Level bars.  These specials run from Door Time until the first act takes the stage. Think of this as your opportunity to get cheaper drinks AND better seats!


Restrooms

Restrooms

Restrooms


Bathrooms are available on each level of the venue at the rear of the venue (except for the main level bathrooms that are on either side of the venue)

Special Notes:  

Main Level Bathrooms:  Bathrooms on the main level are especially crowded due to the high volume of GA Standing on this floor.  Bathrooms on the second and third floor are not nearly as crowded.  

Main Level Men's Room Bathroom:  If you are standing towards the front of the GA Standing section you may find it difficult to get to the men's bathroom.  There is a bar between the front of the venue and the men's bathroom.  If the bar lines are especially long and dense, it is a little difficult to navigate across these lines to get to the men's room on the opposite side.

Vending

Vending

Vending


 Vending is found in the main lobby when entering from the Wharf Street / Wharf Side entrance.  There is additional vending at the back of the venue next to the Maine Avenue entrance.

 

Coat Check

Coat Check

Coat Check


The coat check can be found on the main floor of the venue towards the rear of the venue space directly opposite the main entrance of the venue (Maine Avenue side of the venue).  The coat check system is very modern and your mobile phone number will act as you ticket stub. What's more, if you leave without taking your items you will receive a friendly reminder that you didn't pick up your items.  There is a nominal fee for each item.  

Note:  A very important note,  there is no fee for coat check when you show your 9:30 Friends With Benefits Card at coat check. The 9:30 Friends With Benefits is FREE and signup is simple.  

Smoking

Smoking

Smoking


An outdoor smoking lounge is located on the second level of the venue.    This lounge serves several purposes besides smoking.  Concert attendees should be able to get cellular coverage from this lounge and also be able to take in breathtaking views of the Wharf's harbor from behind The Anthem's marquee signage.

A View from the Smoking Lounge

A View from the Smoking Lounge

A View from the Smoking Lounge

A View from the Smoking Lounge

Accessibility

Accessibility

Accessibility


Elevators are available on the Wharf Street side of the venue that transport concert attendees between the three levels of the venue.

ADA accessible seating is available on the second and third level of the venue on the Wharf Street side of the venue between the GA Stadium Seating and Box seating.    

Additional Features

As you walk through the lobby on the Wharf Street entrance, please make sure to look up.  You will notice a beautiful two story installation of drum cymbals overhead.  You can also view this installation close up as you exit the elevators on the second and third level.

Pre & Post Show Options

Pre & Post Show Options

Pre & Post Show Options


There are plenty of places to go on The Wharf before a show. The list below highlights some of our "off-the beaten path favorites.

Pre-Show

While The Wharf has plenty of places to eat before a performance, The Wharf is not known for many cheap eats. One of our favorite cheap eats is Falafel Inc, just a minute walk north and closest to the District Fish Market. You can get a tasty falafel or a falafel salad for under $5 ($5.50 if you add humus). Best of all, every delicious meal you enjoy also helps feed a refugee.

It is also worth noting that The Anthem has a happy hour before each performance.

Post -Show

After a performance at The Anthem, there are a myriad of food and drinking options available to choose from. We recommend that you check the schedules at Pearl Street Warehouse and Union Stage just a few minutes walk away on the south-end of The Wharf - there might be an after-party.

Getting There

Getting There

Getting There


Anthem Location

Click to enlarge

Anthem Location
Car

North of Washington DC:  From I-495, take I-295 South. Take Exit 1B-C toward I-695/Route 395/Downtown. Take Exit 5 for 7th Street/L’Enfant Promenade, then turn left onto 7th Street to Maine Avenue. Turn right on Maine Avenue.

South of Washington DC: Take I-395 North. Take Exit 4 toward SW Waterfront/National Park/Maine Ave and follow 9th Street to Maine Avenue. You will then face The Anthem.

Train

L'Enfant Plaza Metro station is 4 blocks away from venue.  This Metro station is especially good given that is it serves the Orange, Silver, Blue, Yellow, and Green

The Waterfront Metro station is the closest to The Wharf, however station is 4 blocks away from the venue at the far end The Wharf.

Taxi / Uber / Lyft

The venue and box office is located on 900 Main Street SW.  This address will be the easiest address to direct your driver to,

Parking

Parking

Parking


There are several parking options available for people driving to The Wharf.

Wharf Parking

The closest parking option is parking at The Wharf which will cost approximately $45 for 4 hours or more.  This parking lot is located on Maine Ave SW on Blair Alley, one block south of the Fish Market.

NOTE: Since The Wharf opened in 2017 it has become a destination for food and entertainment.  As a result parking easily sells out when a band performs at The Anthem, or when Pearl Street Warehouse and Union Stage have large shows simultaneously, an event such as Cherry Blossom Festival, and for that matter a random Wednesday Night.  If you want to ensure parking, get there early.

Electric Vehicle Charging  at Wharf Parking

Wharf Parking has 6 standard 220 Volt electric vehicle charging stations.  The charging is free with paid parking.

Location:  you can find these charging stations on the First Level Yellow Zone at the northern end of the parking garage.

NOTE: IWhen DIstrict Whar Parking is sold out, these spots will be unavailable.  The parking lot attendents close down the parking and will not allow your electric vehicle in.

Additional Parking
*** We cannot understate the value of the following information ***

There are approximately 10 parking lots within walking distance of the venue.

We have found that when a top tier act or multiple top tier-acts simultaneously perform at The Wharf the parking lot sells out.

A map to these facilities can be found here. 

NOTE: If you are looking for pre-booked parking at discounted rates, we recommend using SpotHero.  If you don't mind walking a few blocks, you can buy parking for as little as $7.

Additional Resources

Additional Resources

Additional

Resources


For more information on The Wharf, please see the following link.

Related Coverage

Related Coverage

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Concert Reviews

Squaring The Circle Completes their 8×10 Residency with a Rush of a show!

Squaring the Circle completed the last performance of their four week residency at The 8x10 in Baltimore on Wednesday, October 25th.

Founded in 2015, Squaring the Circle is  Carl Dougherty on guitar and vocals, Dan Kutcher on bass, Nathan Shulkin on drums, and Tyler Facinoli on keys.

This talented progressive funk  band from Baltimore has quickly gained traction this year and has opened and shared bills with Acqueous, Kung Fu, and The Main Squeeze.  Within a few minutes of hitting the stage audience members knew why this band was given a residency at this venue, they are incredibly talented and have a powerful and distinct sounds.

During this residency, the band would perform tributes to Soulive, John Scofield, Santana, and Rush as well as playing their own songs.  Squaring the Circle started tonights performance with "La Villa Strangiato" by Rush, indicating what direction tonight's performance would take.

The band was joined tonight by Shaun Riley on vocals to provide additional vocal range for Geddy Lee of Rush. 

​

Please visit Squaring the Circle's website for more information about this powerful Baltimore based band.

Setlist

Setlist

Setlist


 

Click here to see the setlist for <Artist Name's> performance at <Venue Name> on <Performance Date>

​

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

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Runway Gin Performs at Gypsy Saally's on October 13th, 2017 in Washington, DC
Concert Reviews

Runaway Gin Performs at Gypsy Sally’s on Friday the 13th, October 2017

Runaway Gin once again returned to Gypsy Sally's in Washington, DC, on Friday, October 13th, 2017.

A remarkable show was put on by the band that night as they looked relaxed and enjoying themselves while performing to a full audience.  Andy Greenberg, guitarist and lead vocalist,  made it out to Gypsy Sally's back deck during the set break to give out hugs and greetings to old friends and introducing himself to audience members.  Other members of Runaway Gin include John Fitzgerald on keyboards, Bobby Hogg on bass, and John Pope on drums.  As always, Runaway Gin played well into the night and contracting and peaking their songs the entire performance leaving many in the audience to wonder when Runaway Gin would return to the Washington / Baltimore Metro area.

Click here to see tonights setlist

For more about Runaway Gin, please see their website.  Please make sure to check out their tour schedule as they continue their PHALL TOUR 2017.

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Blues Travler
Concert Reviews

Blues Traveler stops at The Fillmore Silver Spring on their 30th Anniversary Tour – October 14th, 2017

In late April of 2017, Blues Traveler announced that they would celebrate their 30th Anniversary with a five week fall tour (which just recently was extended until late February).  Blues Traveler formed in 1987 and was deeply rooted in the jam band scene of the early 1990s.  They may best be remembered their commercial hits including songs such as "Hook" and "Run Around" success with several gold and platinum albums including four as well as heavy airplay and video rotation of commercial hits.

Thirty years strong, Blues Traveler has maintained the majority of their original lineup, including legendary frontman John Popper on vocals and harmonica, Brendan Hill on drums, and Chan Kinchla on guitar.  In 1999, when original bassist Bobby Sheenan sadly passed away and was replaced by Tad Kinchla and keyboardist Ben Wilson was added to the lineup.

On Saturday, October 14, the third show of the 30th Anniversary Tour kicked off at The Fillmore Silver Spring, in Silver Spring, Maryland. Fans of all ages walked through the entrance for the night's performance. As fans filled the venue some recalled stories of the band's earliest days touring and performing at small venues as others brought their adult children with them to share in the experience that is Blues Traveler.  There was much anticipation as to what kind of concert this would be – would Blues Traveler stick to mostly jamming, would they stick to their commercially-known songs to solidify their 30th Anniversary Tour, or perhaps a combination of the two? In the end, the concert was a crowd-pleasing mix of both old classic jam songs and popular hits, and even included one new song.

Following an opening act by Los Colognes, Blues Traveler hit the stage and John Popper greeted the audience in his signature soft-brimmed hat, encrusted with flattened harmonica cover-plates.  Fans were treated to one amazing song filled with jams after another.  During each song Popper delivered his signature and awe inducing harmonica improvisation.  Brothers Tad and Chan Kinchla flanked Popper and enthusiastically jumped around as they played their instruments. A few songs in, the crowd erupted at the recognition of the bands first breakthrough and commercial hit of the night "Runaround" and joined Popper singing the lyrics.

The consistency of the same band lineup over the past 18 years was evident as all members of the band had seamless interplay between them.  Occasionally fans would get a hint of the next song that the band would play by listening to Popper's harmonica ringing out hints. The band's sound was sharp and energetic as band members played off of each other with an interactive and playful dynamic amongst them as they segued form one song to the next. Each time Popper started playing the opening notes to fan-favorite songs, the crowd would once again erupted into cheers and celebration.

By the end of the night, Popper's voice was strained, perhaps lending truth to the rumor that Popper had caught during the opening days of the tour.  However, this only energized the crowd more and to sing the lyrics loudly and passionately alongside Popper as the audience was able to truly supported and embraced the band they had come to see. Following the closing song, “Hook”, Popper told the audience "You guys are utterly f**king awesome! We love you so much!".

As the venue lights came on, Monty Python's "Always Look On The Bright Side of Life" played on house speakers. This song certainly set the tone for those that witnessed a beautiful night of music. Everyone could look on the very bright side of life as we had all witnessed a fantastic night of music with a legendary act.

Click here to see the complete setlist

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Foo Fighters Opening Night at The Anthem
Concert Reviews

Grand opening of The Anthem at The Wharf with Foo Fighters – Washington, DC

Music lovers were treated to a special and very energetic night at The Anthem's opening night at The Wharf in Washington, D.C.   The Anthem stands proudly over newly revitalized Southwest Waterfront.  and the brainchild of Seth Hurwitz, of I.M.P. and co-owner of Washington DC's legendary 9:30 Club.    

As lines formed to each side of The Anthem, the crowd was treated to an all out fireworks display put on by The Wharf to celebrate opening night.  Fans eagerly walked into the venue opening night, only having experienced the venue through soft opening video and newspaper articles.  Some fans immediately hurriedly for the best seat in this new venue while others explored the new venue in it's entirety.  

At 7:00pm, DC's own legendary Go-Go band, Trouble Funk, took the stage, paying homage and keeping alive a musical style that is Washington, D.C.'s very own.  Trouble Funk and the Go-Go music heavily influenced many residents in and around Washington, D.C. in the decades that they have existed, including Springfield, Virginia's own Dave Grohl.

Seth Hurwitz welcomed the audience "Welcome to The Anthem! I've been waiting a long time to say that!", and introduced tonights supporting act The Struts by telling a story "I told Dave when they were playing the 9:30 Club that I think The Struts should Open for you and Dave said 'F*ck Yeah!'"   With that the lights went down and The Struts, from Derby England,  hit the stage.  A 1970's inspired rock and roll act heavily influenced by Queen and Aerosmith, The Struts were a perfect opening act for the Foo Fighters.  As their set continued, the energy of the room began to steadily grow.

A 9:30pm Dave Grohl and the Foo Fighters hit the stage, and DC's prodigal son returned home to open DC's newest and  biggest club.  Grohl yelled to the delight of the sold out crowd, "It's going to be a long night mother*ckers! I got a lot of songs to play!  You want to break this sh*t in!?!"

Throughout evening Grohl took in the venue's opening and playing for his hometown, running over every square inch of the stage while other band members kept to their "Foo Formation" stage positions  and  Taylor Hawkins perched above the band with his massive drum kit looking down upon the band and  audience like a smiling golden rock god.  

Several songs in Grohl told a story, "Everyday someone asks me if Rock & Roll is dead, every single day!" and then asked the crowd if they thought that Rock & Roll is dead.  The answer of course is that Rock & Roll is not dead, especially when the the Foo Fighters are performing and because they are fronted by not one, but three guitar players.

Grohl continued his interaction with the audience by talking about growing up and listening to local radio stations including WABA-AM, DC 101 and WHFS.  "Now I get to come home and play Rock & Roll for you!" Several songs later, with a smile on his face, Grohl asks "How are you?  What do you think of this place? Thank you for letting us play this super place!" before launching into yet another Foo Fighter classic.  All the while Grohl would make sure to not only interact with audience members directly beneath him, but run to the sides of the stage to make sure every single person around the stage felt special, and also interacted with the audience members clinging to the box seats on each level of the three story venue.

After more than an hour of playing Grohl announced to the audience one of his concerns, "Here's the problem.  We have a lot of f*cking songs!  I asked Seth [Hurwitz] earlier what is the curfew for this place and he said there is no curfew! So it's going to be a long night!" Of course Grohl's dilemma was greeted by the defending roar and approval of the audience.

Into the long night, it was not until nearly a quarter after 11pm that Grohl introduced his fellow band members; Chris Shifflet on lead guitar,  Nate Mendell on bass who surprised Grohl with a tease of "Waiting Room" by legendary DC post-punk band Fugazi; Pat Smear on rhythm guitar who teased a Queen's "Another One Bites The Dust"; Rami Jaffee on keyboards, and Taylor Hawkins on drums who led the audience through a fun Freddy Mercury Day-O vocal improvisation. 

Late into the evening Seth Hurwitz at the bequest of Grohl showed off his music chops behind the drum kit as Hawkins sang lead on Rolling Stones classic "Bitch".  

The Foo Fighters closed out the night with their signature closer "Everlong" and soon after audience members spilled into the promenade of The Wharf.  If there was ever a way to open up a new marquee venue and complex, it is safe to say that tonights lineup delivered and everyone knew it.

Click here to see The Struts complete setlist


Click here to see the Foo Fighters' complete setlist

Audience Videos:

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The 8x10 Baltimore
Venue Reviews

Venue Review: The 8×10 – Baltimore, MD

The 8x10 is a Baltimore, MD concert mainstay. Having been around for decades and has seen local and national touring acts make both their debut and their mark on the streets of Baltimore.  

The 8x10 Logo

The 8x10

10 E Cross Street

Baltimore, MD 21230

The venue is located in the Federal Hill section of town, a historic district that lies a little south of Baltimore's Inner Harbor, and dates back to colonial America.  This area,  which once the site of a paint pigment mining operations during Colonial times, is now home to many urban  residents living on quiet historic streets, and also home to many popular dining options and thriving bars.

The 8x10 is one such thriving establishment in Federal Hill and hardly a day goes by where one or more acts doesn't play in this venue.  Please make sure to see their diverse and rich calendar of events.  Not only will you catch a national or regional performer at this venue, but they also specialize in musical residencies and themed events, such as Cover Band Wednesday where you can see both a Phish and a Pink Floyd tribute band in the same night.

You will be able to easily navigate and find room on this venue's ample dance floor.  If you prefer to watch from afar, you can always cozy up to the barstools near the back bar and at either side of the venue.  You can also sit or stand upstairs in the venue's U-shapped balcony.  Some people have said that the venue's U-shapped balcony reminds them of a "mini-9:30Club".

No matter where you experience the performance, you will be treated to a truly stunning and exceptional light show.  Upgraded only a few years ago this venue installed a state of the art light system and iff you created a venue capacity to light show ratio this venue's light show is unparalleled and enhances any performance. 

If you have not made the trip to The 8x10 in Baltimore, we at The Melomaniacs highly reccomend that you visit this Baltimore mainstay.

Essential Information

Essential Information

Essential   Information


The main floor of The 8x10 is always open.  There is a second floor in the venue, but this is only open for larger shows and is not always open.


Drinks

Drinks

Drinks


There are two bars in the venue.  One bar is a bar on main floor and the other bar is located on the second floor.  

NOTE:  The second floor is not always open. When the second floor is closed, so is the bar.

Local Beers

When in Baltimore please make sure to try out some of Baltimore's mainstay and hipster chic beer, National Bohemian (aka: Natty Boh).  Baltimore has a plethora of delicious beers that are fresh and available on tap at many of the establishments in and around Baltimore.  Please make sure to ask your bartender for a Sweet Baby Jesus chocolate porter stout from Baltimore's very own DuClaw Brewing or one of the many beers from Baltimore's HeavySeas Brewing.  There is something satisfying in saying "Sweet Baby Jesus! I'll have another" to your bartender.  Both of these local craft beers are on draught at The 8x10.

Updated March 2018: We are sad to say that The 8x10 has rotated their taps and currently no one can ask for a "Sweet Baby Jesus" beer.  Maybe in the months ahead or with a seasonal change.

Coat Check

Coat Check

Coat Check


There is a coat check available, however it is only open when the second floor is opened.  The coat check is is located at the bar and run by the second floor bartender.

Restrooms

Restrooms

Restrooms


 Restrooms are located in basement and no where else.


Vending

Vending

Vending


If a vendor is selling T-Shirts or albums you will find them located at the bottom of the stairs on your way to the bathroom.  (Can't say they didn't pick a great location for a captive / receptive audience member).


Getting There

Getting There

Getting There


Car:

From Washington DC, take I-95 north.  Take Exit 55 - Key Highway (and last exit before toll).  Take Key Highway North approximately 1 mile and make a left onto Cross Street.   

Why did we avoid Exit 53 - I-395?  Taking the Key Highway exit avoids a the congestion of the Baltimore Inner Harbor as well as any traffic resulting from an event at Camden Yards or M&T Bank Stadium.

Train:

It is possible to take a MARC train from Washington DC to Baltimore Penn Station (the MARC Penn Line) which runs regularly and costs $8 one way.  You will still need to take a taxi from the train station to venue.  Trains do not run late into the evening so if you plan to take a train to Baltimore, you will have to find other options to return home (perhaps an Uber or Lyft)

Parking

Parking

Parking


Street parking in Federal Hill can be quite tricky, even for sub-compact cars.  Parking can be especially challenging on Friday and the weekends.  One option is the Federal Hill West Street Garage, at 40 East West Street.  This multi-level garage is only about a 2 minute walk from the venue and is safe and secure.  Parking will set you back $18 for an evening, but it's proximity to the venue and ease of parking might be worth it.

In addition to the Federal Hill West Street Garage there are several other parking options in Federal Hill.  We highly recommend SpotHero to find parking options at discounted rates.

Pre & Post Show Options

Pre & Post Show Options

Pre/Post Show Options


There are many many food options around The 8x10 Club.  The following establishments are within a 150 feet of the venue (if even that much) and are really great choices.

Pub Dog Pizza & Drafthouse

20 E. Cross Street


Stop into Pub dog for some pizza and homemade beer.  They specialize in a thin crust personal pizza which is ready in just a few minutes.  A perfect size for a pre-concert meal.  Also make sure to try their home-brewed beer.

Note:  If you have gluten intolerance, you can have any pizza made with a gluten free crust for an additional $2.

Crossbar der Biergarten

18 E. Cross Street

Stop into Crossbar's open space and sample some of their authentic german beer and good.  If you are up for some table tennis, feel free to grab a table and pick up a ping pong paddle.

MaGerks

1061 S. Charles Street

Located on the corner of Charles  & West street just feet from The 8x10.  You will find a host food options, including great wing, as well as normal pub fare. 

Note:  There is a quiet back bar room which you  can eat and is less noisy.

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Runaway Gin in action
Concert Reviews

Runaway Gin Returns to the 8×10 in Baltimore

Sometimes when attending a concert you receive subtle but distinct cosmic message that tonight you are going to see a tremendous show.  When entering the venue tonight to see Runaway Gin, The 8x10 placed an admission bracelet with the message "Trust In The Music."  Tonight we trusted our concert experience to Runaway Gin for our musical experience and they did not let us down.

Formed in 2014, Runaway Gin, is the most active Phish Tribute Band and just this week completed their 250th performance.  

Runaway Gin is not just a "tribute band" in the conventional sense.  They truly capture the essence of the Phish experience and the bands performance; amazing musical interchanges and subtle musical communication  between band members, Type II Jams, and unexpected antics on stage.  

In so many concerts in the past, keyboardist John Fitzgerald, and guitarist Andy Greenberg playfully adjusted Fitzgerald's Mr. Potoato Head's eyes in between songs.  Tonight was serious business and there was hardly time for band members to interact with  Mr. Potato Head.  The band ​started with a blistering "Blaze On" and did not stop for another few hours.  Runaway Gin's 251st performance was no doubt a special one indeed.

Runaway Gin's concert experience is filled with so many delightful moments that their setlist are almost always littered with performance notes.  Tonight was no exception as the band had several amazing Type II Jams, most notably in "Rock and Roll."  During "Bathtub Ginl" lyrics from "Rock and Roll" were tossed into the song and at  the end of "The Squirming Coil" three out of four members of the band switched instruments, Andy Greenberg switching to drums, drummer John Pope switching to bass, and bassist Bobby Hogg switching to the guitar, the later delivering a blistering guitar solo.  The instrument change was pure magic as each band member seemed to be at ease on the new instrument and Andy Greenberg sharing an ear to ear grin as he played the drums.  Audience members felt as if they were at a Phish concert, experiencing the unexpected and loving every note of it.

It was only after an exceptional "Bathtub Gin" with an ambient jam, that Andy Greenberg did touch Mr. Potato Head's eyes.  It was only deserving that Mr. Potato Head became a little bit "Crosseyed and Painless" after all.​  We suspect Andy Greenberg's spirit totem, Gandalf had something to do with this.

Throughout the night Runaway Gin left audience members turning to one another asking "Did they just tease that song in there?" and beaming ear to ear.  Above all else, Runaway Gin, left the audience in a state of complete musical bliss and feverishly dancing throughout the venue.​

Performance 251 is in the books and we look forward to celebrating their 500th, 750th, 1000th performances in the many years to come.

Click here to see Runaway Gin's Setlist

Click here to watch the Pro-Shot video from tonights performance (Courtesy of Runaway Gin)

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Photo Gallery

Photo Gallery


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

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The Gypsy Sally Jam Cups
Concert Reviews

The Return of the Beloved ‘Tuesday Night Jam’ Now At Gypsy Sally’s

Earlier this summer the local D.C. music scene was hit with very sad news, the weekly Tuesday Night Jam at IOTA Club was abruptly coming to a end.  The night was part celebration and part sadness.  Fast forward to September, and the Tuesday Jam has found a new home at Gypsy Sally's,  just a few miles away and across the Potomac River in Georgetown.

Gordon Sterling Present's Gypsy Sally's Jam

The Tuesday Night Jam was the brainchild of local musician Gordon Sterling.  Although he knew that IOTA Club was going to close, he didn't realize how abruptly the Tuesday Night Jam would end.  Gordon had promised at the last IOTA Jam that he would look tirelessly for a suitable venue to host his infamous jams.  Over the past two months, Gordon looked long and hard and met face to face with venue owners to find a suitable replacement.  It might come as no surprise that Gypsy Sally's was the best fit for this weekly event as Gypsy Sally's owners are well known to be overwhelmingly supportive and encouraging of the Washington Metro area's musicians.  

Gordon Sterling Present's Gypsy Sally's Jam

 Admission was free to tonight's event as it has always been, however Gypsy Sally's set up a $2 suggested donation to help the house band, and everyone that came to Gypsy Sally's would have gladly paid more as the quality of music and the opportunity to perform at this venue was well well worth it.  

It was a slow trickle into Gypsy Sally's by fans and musicians as people entered Gypsy Sally's like cats slowly entering a new house after a move.  Faces quickly lit up as old friends smiled and greeted on another.  Like children in elementary schoolyard just returning from summer break people shared stories of "how I spent my summer vacation".  People shared stories of what concerts and festivals they attended or which venues they had performed at, what bands they had started performing with or had departed, and what gigs they had lines up next.  For some it was their first time attending a Tuesday Night Jam and were anxious with anticipation for all that they had heard about past performances.  Irregardless of how many times attendees had experienced the Tuesday Night Jam, they were very grateful that once again the Tuesday Night Jam was back.

Gordon Sterling welcomed everyone by announcing, "welcome to church."  With that, weekly services started, the ceremony of reaching into the cups and pulling out names, the incantation of the names of musicians to be called to the stage, and musicians transporting their instruments to the stage began.  

There was a palpable energy in the room as musicians awaited their opportunity to be called to the stage.  It wasn't uncommon to overhear some musicians whispering "I'm too nervous to enjoy the set until I'm called and it's may turn on the stage" and "man, there is always a glut of drummers, I hope I can get on stage tonight."

It was a truly wonderful night that was enjoyed by everyone in attendance.  Just like every Tuesday Night Jam, attendees spilled onto the street outside the venue and enjoyed one another's company.  As people said their goodbyes there were warm embraces as people told one another how they looked forward to seeing them very soon, perhaps at the next Tuesday Night Jam.  Yet another Tuesday Night ritual invoked, the only difference was that this night people looked across the Potomac River to see the shimmering lights and skyscrapers of Arlington, Virginia.  

The venue of the Tuesday Jam may have changed, but the rituals invoked and the joy of the community never does.

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Jason Herman of Jason Herman Photography. and Josh Brick  of Josh Brick Graphics.

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