Concert News

All Star Cast to Join Matt Butler and Everyone Orchestra at Gypsy Sally’s

The Everyone Orchestra (EO), led by conductor/founder Matt Butler, will return to Gypsy Sally's this Friday night, December 28, 2018.  EO's Matt Butler has been leading a rotating cast of top shelf musicians through full-length unscripted shows that are entirely improvised, since 2001, after touring with the rock band Jambay. In 2012, Butler gathered particularly well-known musicians from bands like Phish, Moe., and others, and recorded Everyone Orchestra’s first studio album, Brooklyn Sessions (2012), which was still largely improvised.

“The experience of playing with different musicians, improvising every night, and getting the crowd involved in ways that they can’t be at a regular show has provided an unparalleled live music experience,” said Butler.

Butler brings the troupe back to Gypsy Sally's with the following musicians:  Al Schnier (Moe), Vinnie Amico (Moe), Glenn McClelland (Ween), Larry Keel, James Casey (Trey Anastasio Band), Todd Herrington (Cris Jacobs Band), Jay Starling (Love Canon) w/ Of Tomorrow,  as the opening band.  Herrington will be making his debut performance with the orchestra at this show.

Everyone Orchestra Performs at Gypsy Sallys

Butler has taken the band's participants, both on stage and off, on improvisational journeys with the most diverse of lineups at festivals, theaters and philanthropic events both nationally and internationally. A laundry list of hundreds of musicians, dancers, singers, guest conductors and community organizations have embraced the experience of EO in single shots of musical adrenaline to the soul. Tuning in to his energy, the band and audience utilize The Conductor as their pivot to the set mood of each passing jam as he communicates with the musicians using hand signs, whiteboard and assorted mime suggestions.

Performance Details

Performance Details

Performance

Details


Friday, Dec 28th, 2018

Doors: 7:00 PM

Show: 9:00 PM


Gypsy Sally's

https://www.gypsysallys.com

​3401 K Street Northwest (Water St.)

Washington, DC 20007

(Google Maps Link)


$20 - In Advance

$23 - Day of Performance


Related Articles

Related Articles

Related Articles


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Nah.
Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – December 24

The DC-based psychedelic, indie rock band Nah. performing at Black Cat.  Photo by Josh Brick.

Week Of:  December 24 - December 30, 2018

Summary: Live Music To Close The Year Right

Well, DMV, it's the last full week of the year and there is plenty of great live music happening in our area this week! Check out the links below with my personal choices in bold, along with a list of the DCMR staff picks and special "gems" that you don't want to miss! 

And if you're looking for your New Year's Eve plans, you don't have to wait for next week's article. Check out the DCMR Guide to New Year's Eve 2018 Concerts in the DMV Region for tips on where to be when the ball drops next week.

And...


...this is a bit of a quieter week, naturally, because of the holidays. And while this can be a joyous time for some, it can be a hard time for others. Music can be a salve when the expectations of holiday season starts to feels challenging. But sometimes it isn't enough. 

We at DCMR want to share the following resources for anyone who may be feeling depressed or suicidal, this time or year, or anytime:

  • The Crisis Text Line: If you text 741741, a crisis worker will text you back immediately and continue to text with you. It's a FREE 24/7 service to ANYONE who lives in the U.S.  Every texter is connected with a Crisis Counselor, a real-life human being trained to bring texters from a hot moment to a cool calm through active listening and collaborative problem solving. All of Crisis Text Line's Crisis Counselors are volunteers, donating their time to helping people in crisis. Read more here.
  • Suicide Prevention Lifeline: The National Suicide Prevention Lifeline is a national network of local crisis centers that provides FREE and confidential emotional support to people in suicidal crisis or emotional distress 24 hours a day, 7 days a week.  Call 1-800-273-8255. 

Please take care of yourselves and each other this week. ​

Wishing you even more music in 2019!


Mon - December 24


DCMR Staff Recs

Tue - December 25


DCMR Staff Recs

Wishing you peace!

Hidden Gems

Wed - December 26


Thu - December 27


Fri - December 28


Sat - December 29


Sun - December 30


DCMR Staff Recs

Related Articles


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Feature

Guide to New Year’s Eve 2018 Concerts in the DMV Region

New Year's Eve celebrations are quickly approaching and DC Music Review has consolidated a list of some of the best concerts taking place.  


As we assembled this list, we couldn't help but look at the impressive list of talented artists who are performing throughout Washington DC, Maryland, and Virginia.

It is going to be an amazing night of music and celebration no matter which performance you attend.

If 2019 is anything like 2018, it will be a truly stupendous year of music ahead.

 From the bottom of our passionate musical hearts, 
the staff of DC Music Review wishes everyone a wonderful night of music and
the very happiest and healthiest 2019!

Countdown to New Year's Eve

04
Days
15
Hours
51
Minutes
52
Seconds
  • Washington DC
  • Maryland
  • Virginia
  • ADAMS MORGAN
  • DISTRICT WHARF
  • Downtown
  • Georgetown
  • H Street corridor
  • IVY City
  • U Street

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Concert Reviews

Midnight North Wrap Up Their Fall Tour at Gypsy Sally’s [Photos/Audio]

Midnight North embarked on a bi-coastal tour this fall. The band performed two mini-tours along the East and West Coasts and they ended their two-month run at Gypsy Sally’s in D.C. this past Saturday evening.

This San Francisco based band never fails to deliver. Midnight North is led by guitarists and vocalists (Grahame Lesh—son of Grateful Dead bassist Phil Lesh) and Elliott Peck. The band also includes bassist/mandolinist Connor O’Sullivan and Alex Jordan on keyboards, guitars, and vocals. The band performed for nearly 2 hours jamming out to a 15-song set list.  The venue was packed and the audience danced the night away to every song.  

Midnight North released their third studio album , Under the Lights, last June.  Six songs off of this album were included in their set at Gypsy Sally's.  Highlights of the newer songs were, "Playing a Poor Hand Well", "Little Black Dog", and "Roamin'".  Peck's vocals coinciding with Lesh's amazing guitar solos mesmerized the audience and captivated their attention.   Elliott also just released her first solo album this fall, Further From the Storm. They played "Good For You I Guess", and "Highway Song", from her album.

The capacity Gypsy Sally's crowd was also treated to sit-in performances throughout the set by Dan Lebowitz (ALO), and Jason Crosby (Assembly of Dust, Robert Randolph Family Band), who both opened with Roger McNamee's  band, Doobie Decibel System.   Travers Brothership, Asheville NC, also performed as the second opener.

Midnight North will play a New Year's Weekend set of shows in Nashville, Asheville and Charleston.  They will ring in the New Year with their fans in Raleigh, NC then head back to the West Coast for a few more shows in January.  


Review Contributor: Mark Raker.

Audio Recordings

Audio Recordings

Audio Recordings


Enjoy the audio recording courtesy of Alex Leary.

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographers Mark Raker of Mark Raker Photography and Shantel Breen of These Subtle Sounds.


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Reverend Horton Heat
Concert Reviews

A Texas Tornado Touches Down At The Black Cat And Leaves Behind a Reverend Rudolf Celebration For Everyone

A Texas tornado touched down in Washington, DC during the worst of the rainstorm on December 15. Who knew that inside the eye of this storm was none other than Reverend Horton Heat and his barnstormers of rockabilly royalty performing at The Reverend's 2nd Annual "Horton' Holiday Hayride."

Despite the constant rain throughout the region, each attendee felt an immediate relief the moment they stepped foot inside The Black Cat's performance hall, which was near capacity, filled with the blissful and bustling energy of rockabilly. The mere thought that Washington, DC does not have a passion for rockabilly was immediately cast aside as the sound of hollow body guitars and upright basses flowed freely throughout the venue.

Junior Brown

Junior Brown

Junior Brown

Junior Brown

The venue was filled with an eclectic group of concertgoers. There was the classic tattoo flash art, synonymous with the 1950’s rockabilly, with colorful pinups and hearts galore. Adding to the diversity of the audience were the psychobilly and punk influences that included nose rings, ear gauges, and brightly colored hair. There was one singular thing that connected everyone: a deep and inherent love for this timeless music. This connection was confirmed throughout the evening as visceral swoons and delight appeared as familiar songs of Albert King, his contemporaries, and rockabilly permeated the hall.

The evening began with an animated performance by The Blasters. Audience members passionately sang along to Junior Brown's instrumental version of Johnny Rivers' classic "Secret Agent Man".

DC Music Review spoke with audience members about who they were there to see. A familiar response was that concertgoers were there to see all the artists and not just the headliner — reinforcing that this evening was a who's who of touring rockabilly. Many fans recalled the last time they saw The Blasters, Junior Brown, Big Sandy, and Reverend Horton Heat, and how excited they were to see them all under the same performance.

The Reverend Horton Heat
The Reverend Horton Heat

The Reverend Horton Heat

 At 11 PM, Reverend Horton Heat hit that stage. From the first note of "Baddest of the Bad" to the last note of their two-song encore of "It's Martini Time" and "School of Rock and Roll," Jim Heath and his band showed why Heath is the godfather of psychobilly. For over an hour and a half, The Reverend Horton Heat band played classic hits including "400 Bucks”, "Galaxy 500", and "Big Red Rocket Of Love" in addition to songs from their latest album Whole New Life.

For thirty plus years, The Reverend Horton Heat has toured America and the world over. Although some band members have come and gone there is one thing that remains consistent: the passion and consistency of this band's lineup headed by Jim Heath. The Reverend welcomed the newest members of the band, with RJ Contreras on the drums, and bow-tie, face making Matt Jordan on the piano. During the introductions, there was one person Heath forgot to mention, the one and only Jimbo Wallace on the standup bass. After a brief chant of "J-I-M-B-O" by the crowd, Heath introduced Wallace and the two bandmates of nearly 30 years exchanged instruments as Jimbo played guitar on "Run, Run, Rudolf" as the Reverend did his best to replicate Wallace's backbeat groove on the bass.

Jimbo Wallace playing The Reverend's Trust Guitar

Jimbo Wallace playing The Reverend's Trust Guitar and having himself a very J-I-M-B-O Christmas

Jimbo Wallace playing The Reverend's Trust Guitar

Jimbo Wallace playing The Reverend's Trust Guitar and having himself a very J-I-M-B-O Christmas

After scorching through several classics, and playing a blistering solo while standing on top of Jimbo’s trusty bass the heat was too much even for The Reverend. The show slowed down for a minute as The Reverend took off his jacket and started to tell stories of his early touring days. Heath recalled the days where he saw The Blasters and Junior Brown for the first time and how they influenced him and his sound. The Reverend was all too ready to show his genuine love, gratitude, and appreciation for each artist sharing the stage that night and none more so than Big Sandy, whom with he shared half of his performance. Big Sandy himself was gracious to acknowledge the contributions of DC natives in pioneering rockabilly days.

What made this evening's performance by Reverend Horton Heat particularly special was the seasonal favorites performed by the band to put everyone in the holiday spirit. This included "Rudolph the Red-Nosed Reindeer" and "Santa on The Roof" from their 2005 album, We Three Kings: Christmas Favorites. "Run, Run, Rudolf", made famous by Chuck Berry, also made an appearance and the evening ended with another Christmas classic "Silver Bells".

As midnight came and went, the crowd thinned just enough that several couples took advantage of the extra space at the rear of the venue and started to swing dance. As the night drew on, poodle skirts continued to twirl in the air, and men's shirts came off revealing sleeveless undershirts and exposing more beautiful arm and back tattoos.

Big Sandy sharing the stage with The Reverend

Big Sandy sharing the stage with The Reverend

Big Sandy sharing the stage with The Reverend

Big Sandy sharing the stage with The Reverend

The Reverend Horton Heat continues to delight audiences with each and every performance , from the wailing of Jim Heath's vocals and guitar, Jimbo Wallace's stellar bass playing, and the magical interaction between band members. With the fresh faces and energy of new band members, the energy of a Reverend Horton Heat performance is as upbeat and frenetic as ever. If you have not seen The Reverend Horton Heat, seeing is believing, and we highly recommend coming out and seeing The Reverend. We also highly recommend seeing The Blasters, Junior Brown, and Big Sandy when they come around again.

DC Music Review had an extraordinary evening of music with The Reverend Horton Heat and all the supporting artists. We can only hope that this time next year DC Music Review can attend the 3rd Annual Horton Holiday Hayride for a long evening of the very best rockabilly performances you will see in a single evening.

Wishing you all a very Reverend Rudolf Christmas and a Horton Hayride of a New Year!

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

Associated Albums

Associated Albums

Associated Albums


Additional Resources

Additional Resources

Additional

Resources


To learn more about the artists performing at The 2nd Annual "Horton Holiday Hayride" please see the following:

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Livestream

TONIGHT: 2018’s Last Gypsysally’s Jam

Gordon Sterling has just one more jam for us at Gypsy Sally's before 2018 closes out. Tonight's house band will feature Cory Belcher (bass), Natalie Ahearn (keys), Chase Steinberger (drums), Mike Candela (guitar, synth), and as always will be led by Gordon himself (guitar, vocals).

This year saw some truly memorable moments at the jam. A few weeks ago RDGLDGRN dropped in for a surprise appearance ahead of their show at Union Stage, and at the beginning of the year Dior Ashley Brown wowed us during her first bucket jam, to name just a couple.

The bucket jams first burst onto the scene back at the IOTA Club & Cafe, where it found a home for just over a year before the venue closed. It would not take long for Gordon to find a new home for this concept at one of the district's most beloved venues. The move to Gypsy Sally's back in September of 2017 provided a boost of adrenaline with a bigger and better stage, lighting, and sound system.

In July of 2018, the Washington City Paper wrote about the thriving open jam scene in D.C., focusing on Gordon Sterling's jam and the central role it plays in the scene. I spoke with the author, Sriram Gopal, about our impetus for streaming and archiving as many of the jams as we can:

Will Urquhart is an audio-visual professional who streams and archives all of the jams he attends on DC Music Review. He looks to the PhishOD app for inspiration, which is an archive of Phish performances going back to the band’s earliest shows from over 30 years ago.

“There are all these phenomenal musicians and we have no idea where any of them are going,” Urquhart says. “There might be some kid sitting on his phone 30 years from now listening to the earliest recording he could find of this musician he’s really into.”

If you cannot join us in analog tonight, join us digitally on our livestream via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DC Music Review contributor Will Urquhart's Mixlr account. We expect the stream to begin around 8:30 pm tonight.

Click this link to find all our past recordings of Gordon Sterling Presents: The Gypsysally's Jam

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Dark Star Orchestra at The Anthem, Washington DC
Concert Reviews

Dark Star Remembers The Past with a 1973 RFK Show

An eager crowd filled The Anthem on Saturday, December 1 for the return of Dark Star Orchestra (DSO) – the same venue that they had played almost exactly a year ago, when the venue was all but brand new.  It was a highly anticipated show, especially since the announcement that the band would recreate a historic show from D.C.'s own RFK Stadium and the crowd was the biggest turnout for a DSO indoor show.  Kicking off the first set with a Chuck Berry cover "Promised Land" and hitting it hard right after with "Deal", which seemed to be a crowd favorite, Deadheads were already trying to guess what show it was that we would be hearing for the evening.

The venue was absolutely electric as the band went from one song to the next, including absolutely magnificent versions of some of, in my opinion, the Dead's best songs. "Mexicali Blues" "Sugaree" and "Tennessee Jed" were among those that were heard during the first set and the whispers of the RFK dates that originally were the show began circulating the crowd. That same crowd was ready for what was coming by the time it was figured out and many remembered it well as they attended the concert back in June of 1973.  It was a two-show run and the first night was what we were being treated to.

"Imagine it, 100 degrees.  100 degrees!" exclaimed keyboard player Rob Barraco, mentioning the conditions of the day that were in effect back then.  Quite a difference from the weather that happened this past go around as we kicked off the holiday season month.  

"El Paso" is a catchy tune that always seems to get the crowd swaying in tune and this installment was no exception. Fans sung along and seemed to be able to transport themselves back to that blazing hot day even if they never actually attended the event at the former home of the Washington Redskins.  Slowing it down a bit with "Sugaree," again the crowd swayed in complete euphoric harmony with the lyrics. Capping the first set off with a phenomenal version of "Tennessee Jed," the crowd was left eager for the next set. The buzz during the music break was reminiscent of times past seeing both the Dead and DSO as so many in the crowd could count the number of shows that they had attended by the dozens.

Returning strong with "Greatest Story Ever Told", the crowd awoke again and got right to feet moving and heads nodding along to the melodies.  "I Know You Rider", which DSO played flawlessly, has always been a tune capable of envoking some real power from attendees. The light show at a DSO show never disappoints and the marriage of that fact with the precision and high tech capabilities of the venue itself, were a recipe for amazement. The views from each of the floors in the venue were mesmerizing and just kept improving the higher you climbed.  

Songs like "Truckin" are always good for the folks who might not be as familiar with the genre of jam bands and playing that seemed to make the entire place shake.   Another hit that was played to perfection in a bit of a funky, slowed down and soulful way, got everyone to feel the flow of the evening as "Mississippi Half Step" got its moment in the spotlight.  

It was a truly great way to spend a Saturday night, celebrating not only musical history, but also incorporating a piece of D.C. into it was a delight and no one wanted the evening to end.  Exiting the venue, those that knew in advance about the free after party concert at nearby Union Stage celebrated that fact eager for more, while others were perfectly happy ending the evening right then and there after a mystical ride on the DSO train.

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Mark Raker of Mark Raker Photography.

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Kimbra performing in Washington, D.C.
Concert Reviews

Kimbra Brings Love and Conviction to DC’s Sixth & I

Kimbra is love and conviction. That was the takeaway from this momentous, heartfelt show.

I, like many, first heard of her Kimbra in 2012 when she was featured in Gotye’s hit song “Somebody That I Used To Know for which she won two Grammy awards. Since her 2011 release of Vows, she has put out two other albums The Golden Echo (2014) and this year’s Primal Heart. This was my first time seeing this New Zealand artist live, and judging by the ardor of her fan-base walking into Sixth & I, I was in for a night of something special. 

Kimbra throwing her hands up on stage and cocking her head to the side
Kimbra throwing her hands up on stage and cocking her head to the side

Many shows at Sixth & I, a historic synagogue in the heart of DC, can feel like a spiritual experience simply by being in that space. It was the perfect setting for this both full-bodied and bare-boned show, with the impeccable musicians Spencer Zahn (upright bass) and Zach Tenorio-Miller (keys) joining Kimbra on stage. The mix, the reverb, shape of the room, her ability to fill it, all allowed Kimbra’s out of this world vocals to shimmer.

Kimbra entered the stage in a glowing white organza-style origami dress, platform shoes, and her signature Cleopatra hair which is only important to know because her presence was visually stunning.

She counted in her band and dove deeply into “The Magic Hour” which was a jazzy “talk-to-me-like-I-know-you” sister song. It felt having a conversation with your best friend on a stoop in the summer and was a swingy way to start off the night.

Next Kimbra said hello to DC, acknowledged it was great to be back in this “sacred space” and launched into “Plain Gold Ring,” a Nina Simone cover that she intuited beautifully, the bass holding her foundation and her larger than life voice perfectly humbled with an earnest homage.

Kimbra in the midst of a powerful vocal stretch
Kimbra in the midst of a powerful vocal stretch

In “The Good War,” Kimbra continued to connect deeply with the audience and then launched into “Everybody Knows” which was one of the high points of the show. Here, she was so many things at once – a jazz singer, a mime, an empath – and she conveyed this song with every part of her body and voice, in syncopated movements, chord dissonance, and ghostly whispers.  

She talked a bit about her next song, “Hi Def Distance Romance” which is about the challenges of being in a long distance relationship at a time where we are so connected and yet so far removed because of technology. Then she reached what was the second high point of the night in the song, “Withdraw,” which was a rousing, impassioned performance that felt like she was summoning the voices of Minnie Riperton, Barbra Streisand, Ella Fitzgerald, and Liza Minnelli, bringing it all to a culmination in her confident yet connected performance. 

Kimbra looking up in the midst of her performance

Before launching into her next song, Kimbra spoke of death, why we congregate, which was a perfect segway to “Waltz Me to the Grave.” It started as expected in ¾ time then fell into a wonderfully strange, slightly Radiohead-esque hybrid jazz song that dissolved into something like walking into a dark unknown. It was like a sexy rendering of Kate Bush and Tim Burton dancing at the would-be wedding of Eurydice and Orpheus (had he not turned around). No joke, that’s what it felt like. Maybe add a little Laurie Anderson in there for good measure. 

Kimbra looking up in the midst of her performance

The next song, “Old Flame,” was reminiscent of an old jazz standard where Kimbra demonstrated total control of her powerful instrument as her vocals perfectly danced all over the room. At one point she invited the audience to sing along and support the low end while she went high, which sounded simply amazing in a congregation. She then went into “Black Sky” which was more reflective, personal, and quiet, with her hands mimicking her own choral conductor or a painter looking in a mirror, painting a self-portrait.

In “Rescue Him,” Kimbra was all about engagement with the musicians and the audience, blocking out the lights to see people, and at one point speaking the lyrics in a style much like Alicia Keys, another strong woman she was perhaps honoring in her performance. The third high point of the night came during the next song “Past Love” where Kimbra weaved a story with her vocals and soulful lyrics, singing...

Broken wings

Bones of coal

I used to live clinging to his elbows

Though I try to shake the lie

I like inside the sheen

Of every faint glow

​"Past Love"  by Kimbra

...with gravitas and matter, which was a stellar penultimate finish to this moving night. Her final song, “Version of Me” was about wanting to be a better person for the person you love and was at moment’s reminiscent of Ravel’s Bolero in its build.

Kimbra smiling while performing at Sixth and I
Kimbra smiling while performing at Sixth and I

Naturally, the musicians were met with a standing ovation and came back for a fantastic encore with “Cameo Lover,” which was a definite crowd pleaser. Kimbra ended the night on her knees, as close to the audience as she could get, with the audience singing along with her heartbeat vocals and lyrics to “open up your heart,” a perfect finale to an emotionally spirited night of art and love.

Overall, the entire show was one highlight after another with a few extra knockout moments. Kimbra was all at once connected, intimate, accessible and larger than life. And as Kimbra gave a nod to many other legendary women artists throughout her performance, she was still signature Kimbra, her own person, her own message, with her very distinctive and important voice for the next generation.

Setlist

Setlist

Setlist


Click here to see the setlist for Kimbra's performance at Sixth & I on December 6, 2018 

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Ana Medvedeva. 

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Concert News

Fighting Cancer with Christmas Concerts: The Nancy Langhorne Foundation Way

The holidays are a time for giving, so why not do good while having a good time? Not only is that the Nancy Langhorne Foundation’s motto, but they’re setting up a night for everyone to do so. The Nancy Langhorne Foundation is a cancer research nonprofit based in Norfolk, Virginia whose objective is to raise money for various cancer research programs. Their main fundraiser is their Christmas Eve Eve benefit concert, which was first held in 2017, the same year the group was founded. It featured DJ Williams, guitarist for Karl Denson’s Tiny Universe, and producer/DJ LilInternet. The event was a great success and raised $10,000 which was donated to immunotherapy trials at Memorial Sloan Kettering Cancer Center for aggressive types. This year’s proceeds will be split between MCV, EVMS, and Memorial Sloan Kettering and go to funding research trials for breast, pancreatic, stomach, and uterine cancer.

DJ Williams will be returning to the stage with his band DJ Williams Projekt and Norfolk’s own Grateful Jed. DJ Williams Projekt is a soulful combination of funk, jazz, and bluesy rock that will have everyone out in the crowd shaking what they got late into the night. In addition to KDTU, Williams plays with supergroup DJ Williams’ Shots Fired that features members of Dave Matthews Band, Slightly Stoopid, Trey Anastasio Band, Lyrics Born, and more. Williams has shared the stage with countless musicians including John Legend, Warren Haynes, the Neville Brothers, Sharon Jones, and Dave Matthews Band. Grateful Jed was a side project of Hampton Roads veteran musicians that has turned into a full-time gig that pays homage to the band famous for stealing faces, The Grateful Dead.

Like the inaugural event, this year’s event will be held at the award-winning O’Connor Brewing Company, so everyone can enjoy some of Hampton Roads’ fine local brews. In addition to the craft beer, there will be food trucks to keep bellies full and Richmond’s HotBox Screen Printing will be printing shirts on demand with three options to choose from. There will be a raffle featuring signed music memorabilia, gift certificates to local businesses, and local artwork. Raffle prizes include the following:

-Mike Gordon (Phish’s bassist) signed vinyl

-Oteil Burbridge (two-time Grammy award winner, Dead & Co/Allman Bros.) signed CD

-Widespread Panic Portsmouth 2006 Tripp Print

-The Company We Keep book by the Drive-By Truckers

-Gift certificates to Nouvelle Restaurant & Croc’s 19th Street Bistro

-Prints from local photographers Dark light Visuals and Eye of the Storm Photography

-and much more!

This event is 21+, so please leave the kids at home. Tickets start at $20 and there are bundles that can be purchased to save you money to put towards more raffle tickets to win some of these great prizes. See the links below for more information!

Performance Details

Performance Details

Performance

Details


Sunday, December 23, 2018

Doors: 6:30PM

Show: 7:00PM

​​FACEBOOK EVENT PAGE​​​


O'Connor Brewing

​O'Connor's Website

211 West 24th Street

Norfolk, VA 23517

(Google Maps Link)


$20 - $85 - In Advance

​​BUY TICKETS NOW!​​​


Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Sean Chagnon of Eye of The Storm Photography. Photos not watermarked have been provided by the Nancy Langhorne Foundation.

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Concert Reviews

Keel Your Face: Larry Keel and Company Throw Down in Richmond

Bluegrass music has a deep history deeply rooted in very traditional values.  Over the years there have been many groups that have stuck to the original formula, but there are many others who have very successfully taken it in a different direction. Larry Keel is one of the latter and has left a lasting mark in the music world with his particular twist on traditional string bands. Larry started picking guitars at the age of seven and quickly became immersed in the music scene. At 18 years of age, he found himself in Japan performing as a contract musician at Tokyo Disneyland. After a year of that, he returned to the states and formed Magraw Gap, a “progressive string band,” who were awarded gold in many bluegrass band competitions along with Larry’s own personal first place finishes in multiple Telluride Bluegrass Festival guitar competitions. His talent is widely recognized throughout the music scene and he has shared the stage with a multitude of acts from bluegrass greats like Del McCoury and David Grisman to prog rockers Umphrey’s McGee. For the lucky audience at The Broadberry in Richmond, Virginia, Larry brought some serious talent to share the stage with that night: Jon Stickley Trio and the Jeff Austin Band.

Jon Stickley Trio started the night off with their unique instrumental stylings. Jon’s lightning fast flatpicking coupled with Lyndsay Pruett’s sweet fiddle harmonies and Hunter Deacon’s flawless drumming that kept time with the countless stops/starts and rhythm changes made for a mind blowing start. The Asheville trio gave the crowd 45 straight minutes of uncategorizable tunes that have roots in bluegrass, rock, classical, jazz, and metal with a bit of a gypsy feel sprinkled in for good measure. Jon and Lyndsay’s chemistry on stage is a sight to see. Their ability to seamlessly pass the lead back and forth is just as impressive as their synchronization when tearing through licks. Jon slipped quite a few teases in throughout the set including “Thunderstruck” by AC/DC into “Blackburn Brothers” which he told the crowd he had written with his brother in Carolina Beach, NC, and named it after the seafood spot they had been at that day. This group is a prime example of why you need to get to the show on time, because they are a must-see act.

Up next was the Jeff Austin Band. Jeff is well known for his stint in Yonder Mountain String Band, but parted ways with them in 2013. Luckily, his hiatus from music was short lived and it wasn’t long before he got back on musical train. Austin’s band, while rooted in the string band sound, definitely has the rock’n’roll spirit. Songs can range from funky to twangy to dark, and no matter the mood of the song, Austin is putting every ounce of energy into them on the stage. His support are no slouches either. National Bluegrass Banjo Champion Kyle Tuttle brings some serious skills to the band. His mastery of the instrument is a truly impressive sight (and sound) to behold. Jean-Luc Davis holds down the low end and can thump out one heck of a bass solo. Guitarist Mike Robinson finishes off the quartet with some serious picking skills. Each and every one of these guys have a great stage presence and sport ear to ear grins from the start to finish of the set.

The Larry Keel Experience took the stage last and they finished it off with a bang. It was a bit of a mellow start, but it ramped up quickly into a rager with the band and the crowd shakin’ what their mommas gave them when Larry turned to mandolin player Jared Pool and hollered off mic, “Hit ‘er, Boy!” and he tore into a solo. Bassist, and spouse of Mr. Keel, Jenny Keel had the lower octaves covered and was all smiles through their set. How could you not be when touring the country with your best friend? Keel’s psychedelic bluegrass had the crowd hooked from the first notes and crowd favorites like “I’m no Doctor” and fun covers like Rod Stewart’s “Stay With Me” crooned by Pool made the night slide right by.

Before the crowd knew it, the Keels and Pool were saying their thank yous, but told everyone to hang tight for a little jam session. The only thing little about the session was how much open space was left on the stage. Members of all three groups came out and played a two song encore to really bring the house down. With each person getting solo time and everyone throwing licks back and forth, it was truly beautiful anarchy on stage. The night was wrapped up with a cover of John Hartford’s “Up on the Hill Where They Do the Boogie” which was the perfect nightcap before hitting the road. The energy these bands bring a room is hard to match. Keep an eye out for these talented acts as they are making their way to a venue near you!

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Sean Chagnon of Eye of The Storm Photography.

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