Manchester Orchestra
Concert Reviews

Manchester Orchestra Infuses The Anthem with Raw Energy

From post-hardcore songs about loss and afterlife to gentler love songs and lullabies, Manchester Orchestra’s melodies encompass an overwhelming amount of emotion that combined with their stage presence creates nothing short of a surreal experience to witness. During their performance at The Anthem in Washington DC, fans in the crowd went from hastily jumping with their fits in the air to swaying back and forth with tears streaming down their faces.

Manchester Orchestra
Manchester Orchestra

Manchester Orchestra, an alternative rock band from Atlanta, stopped in DC for the third night of their fall co-headlining tour with New Jersey pop-punk band, The Front Bottoms. The tour started on November 21st in Atlanta with Manchester Orchestra’s annual event, “The Stuffing”. The fall tour was announced just a month after the release of Manchester Orchestra’s documentary, I Know How to Speak, which gave fans an insight to the making of their acclaimed album, A Black Mile to the Surface, released in July 2017. 

A Black Mile to the Surface, Manchester Orchestra’s fifth studio album, scatters imagery that references Lead, South Dakota, an old gold mining town that is currently home to the Deep Underground Neutrino Experiment. The album’s title is a direct reference to the experiment taking place a mile underground. The past few years have been busy for Manchester Orchestra, as a few of their members tried their hand at scoring a movie in addition to the new album and documentary. Andy Hull (vocals) and Robert McDowell (guitar) wrote and performed the soundtrack for Swiss Army Man, the 2016 film featuring Harry Potter’s Daniel Radcliffe and Little Miss Sunshine’s Paul Dano.

Manchester Orchestra
Manchester Orchestra

Solo-artist Caroline Swon, also known as Brother Bird, started off the evening with a few gentle songs. Midway through her performance, Manchester Orchestra bassist Andy Prince surprised fans and joined Brother Bird on stage to accompany the rest of the set. The calming music was a perfect segway into the start of Manchester Orchestra’s set, where they opened with “The Maze”, the first song off A Black Mile to the Surface. On the pitch black stage, Hull sang the soft tune that he wrote from the perspective of his firstborn daughter, Mayzie, when she was only a few weeks old. 

Fans who had never seen Manchester Orchestra before stared in awe as they listened to the beautiful voice come from the bearded and burly Hull. But the gentle tone did not last for long, as they followed up with two of their heavier songs, “The Moth” and “Shake it Out”. Manchester Orchestra’s performance continued with a variety of hits off all their studio albums, including “I Can Barely Breathe” from their 2007 debut I’m Like a Virgin Losing a Child. While the heavy guitar in songs like “Cope” asserts a sense of overwhelming power, the range of Hull’s captivating voice along with the pure emotion he produces makes even the most tender songs like “I Know How to Speak” leave a lasting impression on the audience.

Manchester Orchestra finished their performance with two of their most moving songs to date, “The Gold” and “The Silence”. A direct reference to the mining town, “The Gold” is written from the perspective of a miner’s wife and details the heartbreak associated with falling out of love.

Couldn't really love you anymore

You've become my ceiling

I don't think I love you anymore

That gold mine changed you

// "The Gold"  from A Black Mile to the Surface

“The Silence” brought the performance full circle, moving away from the upbeat melodies and returning to the slow yet stirring tone they opened with. The quiet song that starts off with Hull’s gentle voice backed with drums and piano, acts as a conversation between Hull, God, and Hull’s daughter. The song picks up with guitar towards the end where Hull speaks to his daughter and is so beautifully haunting that it knocks you off your feet.

Little girl, you are cursed by my ancestry

There is nothing but darkness and agony

I can not only see, but you stopped me from blinking

Let me watch you as close as a memory

Let me hold you above all the misery

Let me open my eyes and be glad that I got here

// "The Silence"  from A Black Mile to the Surface

The Front Bottoms

While Manchester Orchestra was not the headliner for the DC tour date, they certainly set the bar high for The Front Bottoms. With more lighthearted and upbeat jams, The Front Bottoms steered the evening in a different direction with trumpets and songs the crowd could dance along to. They played an even amount of songs off their four studio albums, along with their 2018 EP Ann. Noteworthy for their performance was the inclusion of a functional bar on stage, beer tap and all. Brian Sella (vocals) introduced one of the special bar patrons as his sister and continued with the performance while moving back and forth across the stage.

The Front Bottoms

The band was illuminated by multicolored lights that danced across the stage as they played fan favorites like “Maps”, “Twin Sized Mattress”, and “West Virginia”. Fans in the crowd were heard eagerly expressing their love for The Front Bottoms to one another, a few of who mentioned the evening was their third time seeing the band that year alone. The Front Bottoms ended their lively performance with an encore comprised of “12 Feet Deep” from their 2014 EP Rose, and “Ocean” from their 2017 album Going Grey.

The Front Bottoms
The Front Bottoms

While Manchester Orchestra’s and The Front Bottoms performances contrasted each other like day and night, their ying-yang dynamic made for a diverse musical experience filled with zest. The co-headlining tour will continue until mid-December with dates across the United States. If you missed their show in DC, Manchester Orchestra and The Front Bottoms will be coming back this way to perform two consecutive nights on December 12th and 13th at the Fillmore in Philadelphia. With their refined sound and passion that each member exhibits on stage, Manchester Orchestra’s awe-inspiring performance is a must see. In the meantime, you can check out Manchester Orchestra’s documentary I Know How to Speak below.

Videos

Videos

Videos


Setlist

Setlist

Setlist


Click here to see the setlist for Manchester Orchestra's performance at The Anthem on November 24th, 2018.

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Emily Vitek of Emily Vitek Photography.

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Spafford at Union Stage
Concert News

Spafford Announces Winter Tour with Stops in DC and Charlottesville

Spafford announced their winter tour today with stops in DC and Charlottsville.

The February 9 show at the 9:30 Club will be their first time returning to the District since a sold out debut show at Union Stage back in January, where they were very warmly received. The February 10 show at The Southern will be over a year since their last visit there in September of 2017. They also played the main stage on the final day of LOCKN' Festival this past summer.

Spafford is Brian Moss (guitar/vocals), Jordan Fairless(bass/vocals), Andrew “Red” Johnson (keys/vocals), Cameron Laforest (drums/percussion/vocals).  There has been a fervent buzz around this band over the last year or so, and it is well deserved. This is a show you will not want to miss.

Tickets are  on sale for both the DC show and the Charlottesville show.


Relive Past Spafford Performances:

Click here to see the Spafford's setlist at LOCKN' on August 26, 2018

Enjoy audio recording of the performance recorded by our collaborator Will Urquhart.​


Click here to see Spafford's setlist at Union Stage in Washington, DC on January 25, 2018

Enjoy the audio recording by our contributor Bob Jacobson

Performance Date:  January 25, 2018

Enjoy photos by our photographer Mark Raker of Mark Raker Photography and Josh Brick  of Josh Brick Graphics.

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Hot Rize at The Barns
Concert Reviews

Hot Rize Rises Again for 40th Anniversary Tour

​A week full of bluegrass finished out at The Barns on Saturday, November 17 with some folks that have been doing it for quite some time, Hot Rize.  Celebrating their 40th year together as a band, the group decided to make the journey back to The Barns at Wolftrap in honor of the note worthy accomplishment.   The foursome, composed of mandolin and fiddle player Tim O'Brien, Mr. Banjo himself, Pete Wernick, Bryan Sutton on guitar and Nick Forster on bass guitar.   Along for the fun was also Red Knuckles and The Trailblazers that played a short set and kept the audience entertained for certain.  

The Barns is a ​much smaller venue than its counterpart The Filene ​Center, it was an intimate night that was shared between artist and audience.   Seating just under 300 ​proved to be the perfect setting for all of the interacting that the band was doing with fans young and old, who about more than half had seen Hot Rize before.  Nick Forster welcomed the audience and told us a history of the band as well as what they've been up to lately.  Between each song he took a moment to really let the audience know how much they have enjoyed their forty years and how appreciative they are to be able to still do what they love.

Tim O'Brien
Tim O'Brien

Over the summer, to celebrated their 40th anniversary, the band got together at Boulder Theater in Colorado to play a three night run full of guest appearances and bluegrass magic.  The shows resulted in a recorded live album as well, and now out on the road again, they continue to play traditional bluegrass music much to the delight of the old school fans who might not enjoy the jamgrass scene ​that has thrived as of late.   The band played quite a few hits that can be found on the album but also took shouted out songs requests from the audience at one point.  One particular request was a personal favorite that has been sung by everyone from Elvis Presley to Bill Monroe and Greensky Bluegrass "Working on a Building".  Fans seemed to appreciate being able to hear songs that they were able to request as well as ones the band already had on the setlist such as "Blue Night" and "Western Skies". 

After 40 years, it sounds as though they have never missed a beat, and have aged as individual musicians and a group with grace and stamina.  Each individual member of the band has done so much with their individual musical passions, from winning awards, to a podcast that reaches thousands and performing with countless other musicians​, that not a minute of their time has been wasted.  The one-mic, vocal harmonization and sound of each individual instrument that is able to be singled out is something that is harder to come by these days.  The gentlemen from Hot Rize can be considered experts in that manner of musicianship - truly something thrilling to see live, especially in such a small setting. 

A true delight, which I was completely unaware of was their alter-ego band, The Trailblazers, coming out and playing the 40's and 50's style of country music that they say they learned from listening to the same jukebox all their life at the Eat Cafe in Wyoming, Montana.  With coordinated guitar swinging, hilarious outfits and comical banter, they truly made the audience laugh out loud while stomping their feet along to the music.  

The Trailblazers
The Trailblazers

The Barns is a seated venue and it seems to foster a more intimate connection between artist and audience as there is no dancing and not much talking.  It seems to take the route of when going to concerts was less of a social party experience and a chance to actually listen to the music and pay attention to the performances.  This was my first experience at the venue and I thought it was perfection.  Beautiful, intimate and wonderful acoustics allowed for a concert experience that I have never been able to have before. 

Be sure to check out the photo gallery of both bands as well as the interview with bass guitar player Nick Forster that we did prior to the show here.

​

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

Related Articles

Related Articles

Related Articles


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Festival News

Funk Parade Announces New Leadership

The annual Funk Parade, held on the U Street corridor each summer, announced new leadership yesterday. The MusicianShip DC, a a District-based 501(c)3 nonprofit, will take over starting in 2019.

From the press release:

The 2018 Funk Parade - Photo: Jason Herman

“We’re incredibly proud and happy to have worked with artists, organizers, businesses and volunteers from all over the city these past years to create the Funk Parade and secure its place as a pre-eminent music and arts event in the city’s calendar,” said Justin Rood, event Co-founder. “It brings Washingtonians together like no other.”

“We started Funk Parade in large part to elevate, honor and convene the city’s music and arts community under one giant banner,” said Chris Naoum, event Co-founder and director of the music initiative Listen Local First. “We can proudly say Funk Parade is now the greatest one-day extravaganza for musicians and artists in the region. There is no better organization to helm this event than The MusicianShip. Its commitment to fostering and expanding our music community, particularly by reaching out and developing overlooked talents in our city’s at-risk youth, aligns with both Funk Parade’s musical mission and its community mission.”

“We are excited and honored to take the Funk Parade baton and give it a permanent and lasting home with The MusicianShip,” said Jeffery Tribble Jr., the organization’s Executive Director. “The event will allow us to expand our reach and impact in the city, and serve as a multiplier effect for the work we do supporting District youth and musical artists. The community, together with Chris and Justin, have built a truly special thing. We share those values. We look forward to producing this event and helping keep the spirit of funk alive in DC for a long time to come.”

The 2018 Funk Parade - Photo: Jason Herman

The MusicianShip was formed in 2009 and has a leadership team with deep ties to the district, starting with Jeffery Tribble Jr., their Executive Director. Tribble is a product of Howard University and got the inspiration to form the organization at the George Washington University Law School with Dianne Grainger and her father, Gregory Grainger. Dianne tragically passed away in 2009, but a team came together to carry on, creating the organization in her memory.

Fans of the Funk Parade will remember that last year it almost did not happen. A funding crisis risked ending the festival for good, according to a lengthy statement put out on Facebook in March, only months before the festival was set to take place. An outpouring of support from the community in response, including from our local government, saved the Funk Parade.

Whether or not yesterday's announcement had anything to do with the 2018 funding scare, one can see how bringing in an established nonprofit with roots in the District could provide some stability and give them a more solid footing. A nonprofit also fits well with the Funk Parade's mission to celebrate our culture while fostering music and community. We look forward to seeing what The MusicianShip will bring to this cherished annual event.

Relive the 2018 Funk Parade:

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

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AZTEC SUN performs at Pearl Street Warehouse
Concert Reviews

AZTEC SUN Album Release Party at Pearl Street Warehouse

AZTEC SUN's lead singer and front-man, Steph Detchou, made it clear early on that the band wasn't messing around during their album release party at Pearl Street Warehouse. "No warm up songs" was the mantra for the evening, as the local "funk with soul" band threw down with an adoring,  sold-out crowd at the Wharf's Pearl Street Warehouse. Celebrating the band's debut album, "In the Name of Everyone," AZTEC SUN ran through an energetic and endlessly danceable set of originals with covers thrown in as mid-song jams and segues from funk to soul to R&B to Afrobeat and right back to funk.

AZTEC SUN at Pearl Street Warehouse
AZTEC SUN at Pearl Street Warehouse

In a recent interview with DC Music Review, the band shared that their goal for the album was to capture their live sound in the studio, and it's clear why they'd have that in mind as one of DC's most electric live acts. The band took the stage in outfits that are best described as "psychedelic cocktail attire," and dove head first into a high energy set that featured sections of choreographed dancing and full-band movement that engaged the audience all night. AZTEC played three original songs and a brief cover of Sly & the Family Stone before playing the first song from the new album, "Red Line."

AZTEC SUN at Pearl Street Warehouse
AZTEC SUN at Pearl Street Warehouse

From that point on, the celebration was in full swing as the band clearly had a ball on stage, with Detchou and vocalists Sara Ghebermichael and Lee Anderson dancing with each other on stage throughout the set. Each member relished watching the others take solos, and they laughed and cheered each other on throughout the night. With their hometown crowd joining them for the party, this was a band fully in their element. The band worked the crowd in songs like "Get Up" and "Love... Call on Me," the ever-reliable AZTEC SUN set-closer.

By the end of the night, AZTEC SUN had played all eight tracks from their debut album "In the Name of Everyone," with three of them coming after the band made a wardrobe change during the encore break. The band pulled out all the stops for this show between the change in their outfits, special guests on stage, and a nice, long set list that put an exclamation point on what has been an exciting fall for one of DC's rising local bands.

AZTEC SUN at Pearl Street Warehouse

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by Seth Gordon-Lipkin.

Added Bonus From the DCMR Archives

Enjoy some extra photos from AZTEC SUN's show at Pearl Street Warehouse earlier this year. These previously unreleased photos from AZTEC SUN's February 10, 2018 gig come from the DC Music Review Archives.

Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

Associated Albums

Associated Albums

Associated Albums


Click on iTunes Link to Purchase the Album


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Allen Stone plays 9:30 Club
Concert Reviews

Allen Stone Woos 9:30 Club with Soulful Performance

The evening before Thanksgiving, fans packed the 9:30 Club in Washington DC as they sang along and danced the night away to R&B and Soul artist Allen Stone. With blue eyes and long blonde hair, Stone perfectly fits the “Blue-eyed soul” genre, named for rhythm and blues music performed by white artists. Originally from Washington, Stone began singing at the age of three and started performing in front of his church group as a teenager.

Nick Waterhouse
Nick Waterhouse

Fellow R&B artist Nick Waterhouse opened the show, accompanied by touring musicians including saxophone queen Paula Henderson. Waterhouse’s set got the energy flowing in the venue with a plethora of guitar and sax solos. 

Stone opened his set with one of his newest singles, “Brown Eyed Lover”. With nearly three million plays on Spotify, the funky love song depicts Stone’s struggle of being in a relationship while also being on the road performing.

I've got a brown-eyed lover
On the other side of town
I don't wanna keep her waiting.

// "Brown Eyed Lover"  by Allen Stone

​

Allen Stone

Throughout the evening, Stone played many songs off his third album Radius released back in 2015. His first album since signing to Capitol Records, songs off Radius such as “Perfect World”, “Fake Future”, “American Privilege”, “Upside”, “Voodoo”, and “Freedom” showcased Stone’s powerhouse voice and songwriting. Between fan favorites “Love Where You’re At” and “Circle”, Stone took a moment to share some of his personal experiences with the audience and reassure them that anyone going through a tough time is not alone.

Allen Stone

“You guys are making it really easy to love where I’m at! But sometimes it’s not easy loving where you’re at. Sometimes you've got bills and zeros in your bank account. Sometimes your family’s crazy. Sometimes you look in the mirror and don't like what you see sometimes. Sometimes you look in the mirror and don't see accolades.

Sometimes I get dark, and when I get dark I get stuck inside this hurricane of doubt, self-remorse, pain, and anxiety. If anyone in the audience every feels like that, if you ever get that way, talk to someone because you're never alone. If somebody says they don’t ever feel that way bless their heart but they’re lying.”

Towards the end of the night, Stone performed an unreleased song, “Give You Blue” dedicated to his newlywed bride, who he married just six weeks before the show. Tambourine in hand, Stone also surprised fans with a rendition of The Police classic “Messages in a Bottle” before ending the evening with his latest single “Warriors”.

Allen Stone
Allen Stone

With two tours and a guest appearance on American Idol, 2018 has been a busy year for Stone. The “Even Bigger Fall Tour” will continue through mid-December, where Stone will work his way back west and end in Spokane, Washington just in time for the holidays. Earlier this month, Stone announced a North American Summer Tour in 2019 with household names Goo Goo Dolls and Train. The tour will stop in Columbia, MD on August 9th, 2019 to play at Merriweather Post Pavilion. With Stone’s wide vocal range and music you can’t help but dance along to, this is a show you definitely don’t want to miss.

Setlist

Setlist

Setlist


Click here to see the setlist for Allen Stone's performance at 9:30 Club on November 21st, 2018.


Performance Details

Performance Details

Performance

Details


Friday, August 9th, 2019.

Doors: 7:00PM

Show: TBD


Merriweather Post Pavillion

www.merriweathermusic.com

10475 Little Patuxent Pkwy, Columbia, MD 21044

​


$29.50 - $125- In Advance


Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Emily Vitek of Emily Vitek Photography.

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West End Blend
Concert News

West End Blend Brings The Funk To Tropicalia This Friday

Connecticut based soul-funk ensemble West End Blend brings their lively and retro, yet contemporary, sound to Tropicalia in Washington, D.C. on Friday, November 30, 2018. Seeing this band live is an absolute experience, which is why they’ve released their new album Live at the Waterhole. The album is an ode to, and an embodiment of, the band’s high-energy live performances.

“When you’re right in front of West End Blend, it’s hard to not be physically blown away by their powerful sound and deep grooves.”

John Dankosky

WNPR

 The 8 person group is led by vocal powerhouse Erica T. Bryan, accompanied by the equally talented Mike Badundo (trumpet/vocals),  Jesse Combs (guitar), Mike Dipanfilo (guitar/ synth), John Mundy (trombobe), Paulie Philippine (keys) and Tom Sullivan (bass). Altogether, they embody the reasons to attend live performances: raw emotion, improvisation, engagement - to name a few.

West End Blend will be bringing this and more to 14th St NW's Tropicalia  - grab your tickets while you can! 

Performance Details

Performance Details

Performance

Details


Friday, November 30, 2018

Doors: x:x0 PM

Show: 8:00 PM​


Tropicalia 

www.tropicaliadc.com

2001 14th Street Northwest
Washington, District of Columbia 20009

(Google Maps Link)

Note: Lower Level - Corner of U & 14th (Enter From U Street, Down Stairs)


FREE CONCERT

​


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Young The Giant
Concert Reviews

Young the Giant Inspires Audience at The Anthem

On Friday, November 16 Young the Giant had a phenomenal finish to leg one of their tour for their new album, Mirror Master, at The Anthem. They definitely finished strong - a four song encore kind of strong.

Lights
Lights

Lights started off the evening with a magical performance. Lead singer, actually named Lights Poxleitner-Bokan, nimbly flitted about the stage with bright red hair, and a strong, yet soft, voice. The venue was filling up, more than usual for an early opener. At the beginning of their performance, and Lights even remarked, “I recognize a few people here from other shows!” During her performance, you could hear the audience singing along, and at some points even loud enough to hear them singing in Lights’ absence. The peak of her performance, getting the entire audience engaged and truly showcasing her talents, was during “Lovefool” (The Cardigans cover). Ending their set with their song titled, “Giant,”changing the last line of the song from, “If we could be giants,” to “If we could be Young the Giant,” hyping the crowd for the headliner.

Young The Giant
Young The Giant

While anxiously awaiting Young the Giant to take the stage, the audience on the floor started packing in like sardines, and all of the edges of the upper levels were fully occupied. When Young the Giant appeared, and immediately started playing the title track from their latest album, Mirror Master, the crowd went wild. Lead singer Sameer Gadhia theatrically danced all over the stage, beating a tambourine on his thigh, an attribution to the song’s lyrics, “But tonight, you will play the tambourine.” The band had something special prepared for each song, even if it was something subtle, or something like crowd surfing. Gadhia continued his zestful dancing throughout the evening, and his fellow band members mirrored his energy. This almost palpable energy from YTG is definitely one of the reasons they're a must-see performance.

Another pro of live performances is how the band chooses to play songs live, and seeing their raw emotion as they perform their music their own way. YTG exemplified this with a beautiful acoustic version of, “Art Exhibit.” Prior to starting to pick his guitar for the tune, Gadhia explained, “So we have this series online called In the Open, and for those of you who don’t know what that is it’s essentially,  it’s taking our music, taking it outside separating it from the studio; Separating it from the noise, and playing it because we believe that a song should be played, should be able to be played at least, with guitar and vocals. So we figured for this show - this is our last show of leg one of mirror master tour - we figured we’d bring it to the stage here.”  

Young The Giant
Young The Giant

One particularly special moment began with guitarist Jacob Tilley picking the dreamy, but mysterious riff for “Firelight,” and Gadhia explained “So we figured for this song, you guys could share that part of yourself that you never share with anyone, through a source of light. So, at the end of this song, I want you to put a light up in the air -  a cell phone light, a lighter, something like that - and share that part of yourself….” It was a a moment of awe looking around and seeing thousands of bright white lights, and the occasional small flame, listening to a soft melody paired with a song about being in love.

Another memorable moment was during chart topper, “Cough Syrup,” from their debut 2011 self-titled album. Clearly a song that the audience was anticipating, their engagement during this song - singing, dancing, phones out filming - was at the peak of the pre-encore performance. The afterglow from this song would linger until the encore commenced.

Exiting the stage pre-encore after playing, “Call Me Back,” was a nice touch, given the song title. Although the audience wasn’t “waiting by the phone,” per the lyrics, they were calling the band back out on stage after their departure. The band had a restored energy they brought back out for the encore - they were going to finish strong.

Young The Giant
Young The Giant

Starting off their epic four song finale with “Superposition,” the audience was hyped back up. Before starting “Tightrope,” Gadhia held out his arms and someone garnered him with a sparkly gold jacket - which matched perfectly with his gusto. Finishing their epic four song grand finale with, “My Body,”guitarist and vocalist Eric Cannata crowd surfed with his guitar to, at least, the middle of the floor. Every member of Lights came back out for an epic dance party on stage that included stage crew members and YTG’s manager.

Gadhia lingered on stage after everyone had gone off waving, clearly not really ready to leave his audience behind. Their music already makes you want to sing along and move along to it, and then paired with their emotion, desire to connect with their audience, high energy, and planned theatrics - Young the Giant is a must see live performance.

Setlist

Setlist

Setlist


Click here to see the setlist for Young the Giant's performance at The Anthem on November 16, 2018 

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Emily Vitek of Emily Vitek Photography.

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Concert Reviews

Ghost Light Unplugs for Rare Acoustic Set at The Hamilton [Audio/Photos]

Ghost Light returned to D.C. on Saturday, November 24, making their debut performance at The Hamilton. Ghost Light is Tom Hamilton (Brothers Past, American Babies, Joe Russo’s Almost Dead) on guitar and vocals, pianist Holly Bowling, Raina Mullen (American Babies) on guitar and vocals, Scotty Zwang (Dopapod, RAQ) on drums, and Steve Lyons on bass.

Holly Bowling and Steve Lyons

Raina Mullen and Tom Hamilton

The last time Ghost Light was in the district, they were less than a month into their debut tour. At the show this Saturday however, we saw a more developed band, stretching their legs over a full two sets of daring rock music, dancing in and out of songs with seeming ease. Returning to songs emerged as a theme for the night right from the start as the first set was an almost nonstop segue-fest, opening with 40 minutes of uninterrupted music that began and ended with "What Does It Mean To Be." That was immediately followed by "Diamond Eyes" which included a very brief foray into "Doorway to a Silent Chamber."

Raina Mullen and Tom Hamilton

Raina Mullen and Tom Hamilton

The band hinted ahead of time that they had something "special" in the works and when they returned from set break they were practically huddled around The Hamilton's grand piano to the side of the stage. For only their second time as a band (the other being at Terrapin Crossroads back in March), they went mostly acoustic with a stripped down drum kit for the first half of this set, treating the crowd to an intimate and graceful experience.

"We knew you were the right audience for this when we walked on stage for the first set and you guys were so quiet it completely freaked us all out," Holly joked a couple songs in. "But now we're like, it's cool, it's cool, they're doing it right." Following the night's theme, the acoustic set ended with a return to "Best Kept Secret." Following that they returned to true Ghost Light form for the rest of the set, nearly bookended by "Lead Weight."

Ghost Light will be at The Broadberry in Richmond on Tuesday, before tour takes them further south, and they just announced a Phish after party at Sony Hall on December 30. Relive their show at The Hamilton below with full show audio, as well as photos by Josh Brick and Caitlin Moore.

Click here to see the setlist for Ghost Light's performance at The Hamilton on 11/24/2018 

Audio Recordings

Audio Recordings

Audio Recordings


Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographers Josh Brick  of Josh Brick Graphics and Caitlin Moore  of Caitlin Moore Photography.

Social Media Posts

Social Media Posts

Social Media 


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Lynyrd Skynyrd at Royal Farms Arena - Baltimore, Maryland
Concert Reviews

Lynyrd Skynyrd Showcases a Classic Performance at Royal Farms Arena

Reflecting on the evening, I was reminded of the fragility of Lynyrd Skynyrd over the years. Having grown up in the 1970s and ’80s, I was exposed to the down-home rock-n-blues that these boys masterfully helped create during the heyday of what would become known as Southern Rock. Skynyrd, with a host of other bands such as The Charlie Daniels Band, Marshall Tucker, Molly Hatchet, and The Allman Brothers, all fed into a new genre of rock that helped define a unique flavor of music.

Rickey Medlocke and Gary Rossington of Lynyrd Skynyrd

Rickey Medlocke and Gary Rossington of Lynyrd Skynyrd

Rickey Medlocke and Gary Rossington of Lynyrd Skynyrd

Rickey Medlocke and Gary Rossington of Lynyrd Skynyrd

Sadly Lynyrd Skynyrd has been marred by tragedy, death, and lawsuits over the span of their career dating back to the mid-1960s when Gary Rossington (original guitarist), who is the only remaining survivor of the original line-up, met the fellows in Jacksonville, Florida. Rickey Medlocke (guitar and vocals) knew and played drums for Lynyrd Skynyrd before their first record, but didn’t become a member of the band until 1996.

With that, it is without question why the band continues performing; it’s all about the music! Continuing the legacy of the band's songs is the main focus of Lynyrd Skynyrd, night after night, playing for the Skynyrd Nation, their fans.   And play they did.

From the very first note of “Workin for MCA” until the very last note of “Freebird,” it was terrific that practically every single song was a noticeable classic. There is something about a band that features three guitars, slinging back and forth throughout the performance that grabs the concert goers, rips open their music receptacles and shreds them into little dancing pieces. Being able to sing, word for word, almost every hit all night long was such an enjoyable experience while the band jammed for nearly two hours.

Johnny Van Zant of Lynyrd Skynyrd
Johnny Van Zant of Lynyrd Skynyrd


Johnny Van Zant of Lynyrd Skynyrd

Combining a stellar light show with live and archived video, the staging was such a creative enhancement to the performance. Lead singer Johnny Van Zant made sure that everybody knew how much this band loved their fans, and wanted to include them in the experience of a Lynyrd Skynyrd show. Thanking the rowdy Baltimore crowd was a re-occurring scene throughout the night, and one that you could genuinely tell was from the hearts of the band.

Working through a conglomerate of classic-rock songs, Skynyrd had several definite standouts during the night. Although Rossington, Medlocke and guitarist Mark “Sparky” Matejka all contributed, it seems like the guitarists each had certain songs that became theirs to feature. Rossington drove the band through “Gimme Three Steps” while Matejka, filling the parts of Ed King to whom they dedicated this song due to his passing earlier this year, tore his way through “Sweet Home Alabama.” Medlocke was smiles all night long while often flirting with the crowd with his wild-man guitar antics.

Peter Keys of Lynyrd Skynyrd

Peter Keys of Lynyrd Skynyrd

Peter Keys of Lynyrd Skynyrd

Peter Keys of Lynyrd Skynyrd

“Call Me The Breeze,” originally written by J.J. Cale, was performed like a tuned-up hot rod. Again led by Rossington, the boys all had fun on this one including a snappy piano part by keyboard player Peter Keys. There was not a soul in the house that wasn’t boogieing their tail off for this one, Awesome! And while “Simple Man” played there was lots of vintage band footage that was being played on the screen which was just incredible to see. 

Mark "Sparky" Martejka of Lynyrd Skynyrd

Mark "Sparky" Martejka of Lynyrd Skynyrd

Mark "Sparky" Martejka of Lynyrd Skynyrd

Mark "Sparky" Martejka of Lynyrd Skynyrd

From dedicating “Red, White, And Blue” to the country’s military, and sharing about their fundraising for the Shriners Hospital at their shows, it is apparent that Lynyrd Skynyrd is very grateful for what they have been blessed with being able to do for a living and are proud to share and pass it on. This was a very nostalgic evening of rock and roll at it’s finest; great music, great fan participation, and a vibe at The Royal Farms Arena in Baltimore that was just top-notch. The Marshall Tucker Band opened the show and helped ready the Baltimore crowd. Lead singer Doug Gray was also very appreciative in support of the Nation’s military, and led the band through some great old hits such as “Fire on the Mountain,” “Heard it in a Love Song,” and “Can’t You See.”

The Last of the Survivors Farewell Tour will continue into next year as they take their high-energy and powerful show to Canada, Europe, and the U.K. Will this tour, in fact, be the end to Lynyrd Skynyrd’s touring days, or will they join the ever-growing list of bands that have “farewell tours,” but really do stay out on the road? Only time will tell, but if this is the end of the road for Lynyrd Skynyrd, it was fantastically awesome to hear “Freebird” one last time. 

Lynyrd Skynyrd

Setlist

Setlist

Setlist


Click here to see the setlist for Lynyrd Skynyrd's performance at Royal Farms Arena on November 16, 2018

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Dave Roberts.

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