The Decemberists (Photo Credit: Holly Andres)
Concert News

The Decemberists Set To Perform At The Anthem On May 10th

The Decemberists last performed at The Anthem in Washington, DC, on April 21st, 2018, supporting their last album, I'll Be Your Girl.

As It Ever Was, So It Will Be Again

Released on June 14, 2024

After a six-year hiatus, the band announced they recorded their ninth studio album, As It Ever Was, So It Will Be Again, and will tour again, including a stop at The Anthem on May 10th.

As It Ever Was, So It Will Be Again is not only the longest Decemberists album to date, but also their most empathetic and accessible. Its 13 songs like semaphores of mutual recognition for our fraught times and faint hopes.  The album is their first intentional, proper double-LP - split into four thematic sides, no less.  This, their guitarist and vocalist Colin Meloy will tell you proudly, is the best Decemberists album—perhaps even the ultimate realization of 22 years of work.  As It Ever Was, So It Will Be Again rings with the urgency and ardor of right now, maybe more than ever. 

As It Ever Was, So It Will Be Again

As It Ever Was, So It Will Be Again (Released on June 14, 2024)

Hailing from Portland, Oregon, The Decemberists are a band that can transport you to another era with their rich storytelling and eclectic musical style. This quintet is comprised of Colin Meloy (vocals/guitar), Chris Funk (guitar/multi-instrumentalist), Jenny Conlee (accordion/keys), Nate Query (bass), and John Moen (drums), and are known for their distinctive creative niche indie folk, rock, and baroque pop elements. 

One of the defining features of The Decemberists' music is their penchant for incorporating unconventional instruments like accordion, violin, and other woodwind instruments into the musical fabric of their songs. This distinct sound, combined with Meloy's distinctive voice and penchant for storytelling, creates a sonic experience that feels both nostalgic and innovative. Their previous eight albums contained themes of love, loss, adventure, and the passage of time frequently populate their songs, evoking a sense of nostalgia and romanticism.  

If you loved songs from The Decemberists catalog, you will be gobsmacked by the creative beauty of their upcoming album. In March, The Decemberists released an upbeat and paradoxical "Burial Ground." This song contrasts buoyant music with the imagery of hanging out in a graveyard.  John Moen practically dances beneath the jangle of this song, breathing life into a song about spiraling toward the end. Listen for yourself when we say that "Burial Ground" is a catchy and earworm-worthy song.  

Then again in April, the band released a monstrous nineteen-minute "Joan in the Garden." This song is the band's first full-on prog escapade since "Hazards of Love" and their longest song yet. Inspired by Joan of Arc's hallucinatory visitation by angels, as depicted in Jules Bastien-Lepage's famed oversized painting, the song both documents that scene and wonders aloud how to capture faithfully something so profound as revelation, how to harness the divine in something so simple as a song, no matter how many twists and turns it takes across nineteen minutes. With funereal bells and church organ, scrambled samples and Odyssean synthesizers, plus a bassline so propulsive that Nate Query studied Iron Maiden videos in the studio. One can only imagine if this larger-than-life masterpiece will be performed at The Anthem this coming May.

With these two songs emerging from their upcoming album, we are looking forward to what is set to be an incredible night of music at The Anthem on May 10th. This performance will be supported by Chicago indie-rock band The Ratboys.


(Article Lead Photo: Holly Andres)

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The Decemberists

The Ratboys

Performance Details

Performance Details

Performance

Details


Friday, May 10, 2024

Doors: 6:30 PM

Show: 8:00 PM


$51  - General Admission

$76  - Super Excellent Seats



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Josiah & the Bonnevilles perform on March 30, 2024 at the 9:30 Club
Concert Reviews

Bonnevilles Flood the 9:30 Club: Josiah Sets the Bar with Unforgettable Performance

On March 30, 2024, Washington D.C. was alive with the anticipation of seeing Josiah and The Bonnevilles’ first headlining tour. Unlike most bands with similar titles alluding to a stage full of performers and theatrics, Josiah and The Bonnevilles refers to one incredibly talented solo artist, Josiah Leming. Like a secret password testing one’s loyalty, “The Bonnevilles” does not represent his backing musicians, but rather his large and wildly devoted fanbase.

Mon Rovîa performs at the 9:30 Club on March 30, 2024

The show began with Mon Rovîa, a Liberian born ukuleleist who charmed the audience with his mellow strums, silky notes, and a few banjolele plucks. Mon Rovîa trickled in and out of song as he told about escaping his life as a child soldier in the Second Liberian Civil War, which fuels his mission of spreading peace everywhere his music flows. Enamored with his message of hope, the crowd sang along with the clear fan favorite, “Big Love Ahead.”  After his set he was seen mingling with fans on the mezzanine, posing for photos, and engaging in heartfelt conversations with fans.

Mon Rovîa performs at the 9:30 Club on March 30, 2024
Josiah & the Bonnevilles perform on March 30, 2024 at the 9:30 Club

As the lights dimmed again and Josiah Leming stepped into a single, golden spotlight, an aura of gratitude and humility filled the historic 9:30 Club. Marked by his steadfast optimism and intriguing vocal tremble, Leming twisted alt-country and roots-folk into a sound that was undeniably his. By showering heartfelt  appreciations and expressions of bewilderment, he immediately created an atmosphere of raw authenticity.

Josiah & the Bonnevilles perform on March 30, 2024 at the 9:30 Club
Josiah & the Bonnevilles perform on March 30, 2024 at the 9:30 Club

Despite his sincere disbelief, Leming's performance was anything but novice. His mastery over his craft was evident as he swept across the stage interacting with fans, retreating only to switch guitars or to bring out his beloved harmonica. 

The night was a collective salute to Leming's journey - from leaving home and living out of his car, to capturing America's heart on "American Idol" in 2008, and relentlessly chasing his dreams regardless of the dead ends in which he found himself. His stories of sacrifice and resiliency added an introspective depth to his already passionate music.

Intimate and transparent, Leming showed every bit of emotion as he ambled through the setlist. From the comically accurate "Six Dollar Check" to the relateably painful “Burn,” he seemed to trust the “Bonnevilles” with every sentiment he’d ever felt. The touching "Keeping Love Alive," a tribute to his late mother, reminded us of the enduring nature of love, while "Another Day at the Factory," offered a glimpse into his roots and the people and moments that shaped him. Most notably, his family.

Josiah & the Bonnevilles perform on March 30, 2024 at the 9:30 Club

Leming blended hits from his latest album, Endurance Deluxe (February 2024), and indie-country covers including Taylor Swift's "Anti-Hero," Tyler Childers ”Jersey Giant” and Justin Bieber's "Ghost." Each song, enriched by Leming's unique vocal quiver and sincere emotional delivery, captivated the audience who couldn’t help but sing along.

Collaborations added a special flair to the night, with Mon Rovîa joining in for "Just One Break" and local musician Lillian Hackett accompanying "Blood Moon." These collaborations highlighted the community and connections Leming has formed through his life of music.

Josiah & the Bonnevilles perform on March 30, 2024 at the 9:30 Club
Josiah & the Bonnevilles perform on March 30, 2024 at the 9:30 Club

The night concluded with "One Last Song" on the piano, a personal confession about finding oneself in a seemingly hopeless place, followed by an encore of "Basic Channels," a nod to Leming's humble beginnings and the simple joys of life.

That night all of Josiah’s Bonnevilles bore witness to a masterclass in gratitude masked behind the lure of unforgettable storytelling. Leming is a living testament to the power in having big dreams and even greater grit; I can't think of a more fitting title for both his tour and album than Endurance.

Josiah & the Bonnevilles perform on March 30, 2024 at the 9:30 Club
Josiah & the Bonnevilles perform on March 30, 2024 at the 9:30 Club


Setlist

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Setlist


Click here to see the setlist for Josiah and The Bonnevilles' performance

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Josiah & the Bonnevilles

Mon Rovîa

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Mon Rovîa

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Lost Dog Street Band
Concert News

Benjamin Tod & Lost Dog Street Band Are Coming To The Howard Theatre On May 4th

Lost Dog Street Band have risen from the ashes and announce  their latest album, Survived, and will be touring this spring including a performance on Saturday, May 4th, at The Howard Theatre in Washington, DC.

After being part of a music group called Barefoot Surrender, Bejamin Tod and bandmate Ashley Mae formed the Lost Dog Street Band in 2010.  After this dark country band released its 2022 album Glory, bandleader Benjamin Tod decided it was time to retire the project.  But just a month after recording a solo project in January of 2023, Tod felt an urge to revisit the project one more time.

Benjamin Tod said, “I’m not sure if there is any other song I’ve written that gives quite the emotions this one does.... It’s hard to explain but it’s somewhere between fulfilling a last will and relief from a long hard struggle.” Whether intentional or not, it makes perfect sense, as this tune—a brand new single called “Brighter Shade”—is the first new music to be released from Lost Dog Street Band

“I thought I was done with Lost Dog, but after recording my solo album, I looked over all the songs that I had ready for a new record,” remembers Tod. “These were songs for my band. I had to admit to myself that I wasn't done with Lost Dog.” That energy is infectious throughout the album, beginning with the opener “Brighter Shade.” Guitar melodies interlock with Ashley Mae’s fiddle line, providing plenty of room for a staggering mandolin part and shuffling drums.

Lost Dog Street Band - Survived Tour 2024

This highly anticipated album will be released on April 26th - only a few days before their Howard Theatre performance.   Thankfully for the band, Survived is only the start of a fresh new chapter for the band and we look forward to hearing these brand new songs performed live on May 4th.  


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Lost Dog Street Band

Pre-Order their latest album Survived now (Available April 26, 2024).

The Resonant Rogues

Performance Details

Performance Details

Performance

Details


 
 

This perfroamcne is  supported by The Resonant Rogues.

Saturday, May 4th, 2024

Doors: 7:00 PM

Show: 8:00 PM


The Howard Theatre

 
 
 
 

620 T St NW

Washington, DC 20001

(Google Maps Link)


$25 -General Admission

$25 -Balcony Booth for 6

$125 -VIP Experience


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Mary Gauthier performs at Rams Head On Stage on March 27, 2024
Concert Reviews

Annapolis Enchanted by Mary Gauthier’s Musical Alchemy

Mary Gauthier, accompanied by her talented longtime partner Jaimee Harris, brought a classic Nashville storytelling experience to Rams Head On Stage on March 27, 2024. Gauthier is a revered Grammy-nominated singer-songwriter whose songs have been recorded by artists such as Dolly Parton, Jimmy Buffet, Tim McGraw, and Blake Shelton. NPR Music describes her as a “Louisiana orphan addict chef turned sober troubadour,” which only scratches the surface of Gauthier’s essence and impact.

Gauthier and Harris showcased their distinct yet harmonious styles, both musically and in appearance.  Gauthier embraced her distinctive aesthetic with her signature vest, neck scarf, and tinted Bayonetta glasses. Harris, in stark contrast, donned a technicolored rhinestone pantsuit and novelty heart sunglasses.

Radiating a spirit of celebratory boldness, their attire vividly illustrated their ability to blend seemingly disparate elements into a cohesive and compelling ensemble. From the start, Gauthier's raw authenticity captivated the audience, and her deeply personal yet universally appealing songs rivaled those of Guy Clark, Nanci Griffith, and John Prine. She humorously declared herself the "Kristofferson of lesbians," a statement that earned both laughter and nods of agreement, underscoring her influence and status as a cornerstone of the Americana folk scene.

Jaimee Harris performs at Rams Head On Stage on March 27, 2024

Jaimee Harris

Their performance was seamless, devoid of a traditional setlist, allowing songs and stories to flow like campfire conversation. This raw, unscripted approach made the evening feel more like an intimate gathering in their living room, with guitars in hand and stories to share. The depth of Gauthier's lyrics, paired with Harris's harmonies, created a uniquely intimate atmosphere. Admiration flitted across the room; the gaze of the large and loving crowd mirrored the starry eyes of the women on stage. Throughout the night, Gauthier poetically dissected the complexities of addiction and sobriety, abandonment and community, war and peace, hurt and healing, and even a NY Times obituary.

From the relatability of “Drag Queens in Limousines” to the candor of “I Drink,” her performance journeyed through life's hardships and moments of beauty. Newer tracks like “Dark Enough to See the Stars,” “Thank God for You,” “Some Time,” and “The Meadow” testified to Gauthier's evolving artistry.

Jaimee Harris performs at Rams Head On Stage on March 27, 2024

Jaimee Harris

Mary Gauthier performs at Rams Head On Stage

Mary Gauthier

Reading an excerpt from a worn copy of her book, “Saved by a Song,” Gauthier recounted the night she found herself in a song circle with Guy Clark, Lyle Lovett, John Hiatt, Joe Ely, Steve Earle, and Nanci Griffith. Keeping up with Nashville lore, Nanci bestowed her engraved, signature sunburst Taylor 612 cutaway guitar to a stunned Gauthier, who then shared with us that Nanci “made the stars feel not so far away.” She lovingly looked across the stage to Harris, then urged her to “conjure Nanci.” She obliged by belting a rowdy rendition of “Ford Econoline.”

Gauthier delved into her involvement in Songwritingwith:Soldiers which hosts retreats for veterans, active-duty soldiers, and military families, giving space to sift through their experiences with professional songwriters. These powerful sessions resulted in her award-winning 2018 album “Rifles and Rosaries,” which showcases her commitment to telling underrepresented stories. She then tiptoed into “The War After the War,” a hauntingly transparent song co-written with six military wives who unearth the unseen battles on the homefront.

Mary Gauthier performs at Rams Head On Stage

Mary Gauthier

In attendance was a group of local musicians (shown below) who organized the first Mary Gauthier Tribute Show in July ‘23. The women beamed when recognized, especially when Gauthier shared how touched she was by their enthusiastic love of her music.

The women behind the first Mary Gauthier Tribute Show (L to R) Eryn Michel, Debbie St. Charles, Jillian Matundan, Susan Rowe, Lynn Hollyfield, Annette Wasilik, and Michelle Swan with Jamie Harris (L) and Mary Gauthier (R).

The women behind the first Mary Gauthier Tribute Show (L to R) Eryn Michel, Debbie St. Charles, Jillian Matundan, Susan Rowe, Lynn Hollyfield, Annette Wasilik, and Michelle Swan with Jaimee Harris (L) and Mary Gauthier (R).

Eventually, Gauthier announced they’d end the night as they always do with  "Mercy Now;” a petition for compassion in a world that often feels devoid of it. Silent, nodding heads collectively internalized, “I love life, and life itself could use some mercy now /  Yea, we all could use a little mercy now / I know we don’t deserve it / But we need it anyhow.”

Yea, we all could use a little mercy now

With fading fingerpicks, the final “every single one of us could use some mercy now,” prompted the audience to give a standing ovation. The song encapsulated so much of the night’s tales into a simple plea: give grace.

The women bowed grandly, whispered, then donned their instruments one last time to bid adieu with “Till I See You Again.”

The special dynamic between Gauthier and Harris added a rich layer to the already powerful storytelling; their collaboration cultivated an unforgettable night of music in Annapolis.

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Mary Gauthier

Jaimee Harris

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49 Winchester performs at the 9:30 Club on March 29, 2024
Concert Reviews

Great Friday: Homegrown 49 Winchester Reawakens High Energy Honky Tonkin’

Playing to a sold-out crowd nearly the same size as Castlewood, Virginia, where they grew up, 49 Winchester brought good ol’ fashioned honky tonkin’ to the 9:30 Club in Washington, DC,  last Friday, March 29th. Like the euphonious hiss of a Coors pop top and the tacky velcro of your boots on the dancefloor, 49 Winchester feels like 5:01 on Friday. If you can’t picture that, let them educate you. 

Colby Acuff performs at the 9:30 Club on March 29, 2024

Idaho native Colby Acuff opened for 49 (as they refer to themselves) over the weekend. Getting a bargain with two trailblazing bands, the sold-out crowd knew exactly who they came to see, so they packed the house early to witness history with Acuff’s energetic and authentic performance. Acuff came on stage donning black overalls, a baseball cap, and a pair of well-worn boots. Swap overalls for waders, and it’s what I imagine he wore when he worked as a fly-fishing guide, as he shared with the crowd before singing “Dying Breed.” Fans were overjoyed and ready to sing along to the tune, which he explained was inspired by his daily routine to a gas station before work grabbing essentials like jerky, gatorade, and a breakfast sandwich from a friendly gas station clerk. 

Colby Acuff performs at the 9:30 Club on March 29, 2024

Colby Acuff

Colby Acuff performs at the 9:30 Club on March 29, 2024

Maybe it’s the altitude or maybe it’s the robust Idaho potatoes, but they don’t make ‘em like Colby around here. His high-energy set, personable and natural banter with the audience, and honest and prolific lyrics are what keep him as high as those Western white pines, way above his peers. Speaking of, he performed his song “Western White Pines,” the titular track from his 2023 album. Co-written by Lukas Nelson and Aaron Raitiere, Acuff penned the love letter for Idaho’s state tree, a totem of home that he takes with him to keep him rooted in the breeze. 

Colby Acuff performs at the 9:30 Club on March 29, 2024

Colby Acuff’s lively performance reminded me of fellow newcomer (and out Westerner) Ian Munsick’s live shows. Acuff and his band danced and jumped and played their instruments all over the stage with the showmanship of rock and roll legends, making the audience feel like they were a part of the show instead of just watching it like a movie. That exchange and flow of energy is exactly what 49 Winchester brought to the stage and why Acuff was such a perfect choice to prep the crowd last weekend.

From silver chains to silver foxes, the crowd spanned ages and wages, but everyone there wanted the same thing: to let the music take over after a long week. The boys of 49 Winchester, Isaac Gibson on vocals and guitar, Bus Shelton on lead guitar, Chase Chafin on bass, and Noah Patrick on pedal steel, grew up together in southwestern Virginia. The band has also added Tim Hall on the keys and Justin Louthian on drums. 

49 Winchester
Isaac Gibson

Isaac Gibson

Imagine being in a raft on a roaring river, riding rapids to the 65-foot waterfall, and falling peacefully into the basin below, 49 Winchester fulfills both the rush and relaxation that we crave. The 17-song set started with “Chemistry,” massive hit “Hays, Kansas,” and an ode to roadie life, “All I Need,” and the energy never stopped. Gibson’s nostalgic voice, melding the heartbreak of Willie Nelson with the downhome country boy vibe of Hank Williams, Jr., gives us everything we need. I could listen to him at breakfast, lunch, and dinner, and with songs like “The Road Home” “So Damn Sweet,” and “Everlasting Lover,” I’d say dessert too. 

Isaac Gibson
Bus Shelton (L) and Isaac Gibson (R)

Bus Shelton (L) and Isaac Gibson (R)

49 Winchester is earnest about where they came from and surefooted in where they're going–which is clearly in the record books. Their lyrics are a candid commentary on growing up in Appalachia, trying to make it on the road, and the crippling malaise of daily living and heartache. The band can simultaneously capture raw emotion while seamlessly injecting levity to round out the human experience using the healing nature of music. In “Why Else Would I Call You?” Gibson, as the band’s main songwriter, writes about that dreaded lapse in judgment when reaching out to an ex but comes back to his senses with: “Figured I'd call you, see how you've been…/You could tell that I'd been drinkin' again/ Why else would I call you? Do you think I'm that stupid?” Like Wheeler Walker, Jr.’s oftentimes explicit yet brutally honest lyrics, 49 knows how to set the mood and whack you over the head with the brutal truth of things. In “Hays, Kansas,” the simplicity of “All there is, is an auto parts and a mall in this town/ And there's no way of knowing/ Ooh, where in the world that I am,” brings the sameness, solitude, and sorrow of small towns to the forefront. 

Bus Shelton (L) and Isaac Gibson (R)

Bus Shelton (L) and Isaac Gibson (R)

They premiered a few new songs during the night, including “Tulsa” and “Yearning for You,” which, while we couldn’t sing along, our bodies still knew what to do. The precisely yet naturally woven tapestry of 49 Winchester is twisted with the bespoke fibers of each member, and their inimitable stage presence is addictive. I’ve already cross-referenced their tour schedule to my calendar, as any true (and sane) fan would do. 

At the church of 49 Winchester, their tent revival services will heal your nine-to-five woes. As deep as the river and as crisp as the thawing creeks, Gibson’s voice and masterful, poignant lyricism will baptize you while the band’s supernova magnetism and spirited sessions will ignite your two-steppin’ spark once again. 

At the church of 49 Winchester, their tent revival services will heal your nine-to-five woes. As deep as the river and as crisp as the thawing creeks, Gibson’s voice and masterful, poignant lyricism will baptize you while the band’s supernova magnetism and spirited sessions will ignite your two-steppin’ spark once again. Leaving the DC dancehall that night, I was quickly thrown out of the honky-tonk and back to the honky talk from the rushed and riled city folk. Take me with you, 49!

49 Winchester

The 9:30 Club was algow at the church of the 49 Winchester

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49 Winchester

Colby Acuff

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49 Winchester

Colby Acuff

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Shadowgrass performs at Ramble Festival in October 2023
Concert News

Shadowgrass Returns To Pearl Street Warehouse On April 26

Last year, Shadowgrass emerged from Lexington, Kentucky, and took the bluegrass world by storm. There was considerable buzz in DC when this powerful quintet made their DMV appearance at Pearl Street Warehouse on May 7th, 2023. With so much buzz and anticipation for their debut, fans walked away from that performance in awe, remarking, "That band is the real deal! Those guys can pick up a storm!" Shadowgrass will once again perform at Pearl Street Warehouse on Friday, April 26th, 2024.


Shadowgrass Gets Their Bluegrass On At Pearl Street Warehouse
Shadowgrass–an incredibly talented up-and-coming bluegrass band–took the stage at the District Wharf’s Pearl Street Warehouse on a warm, humid evening[...]

The band includes Kyser George (guitar), Luke Morris (mandolin), Clay Russell (banjo), David George (bass), and Madison Morris (fiddle) and with their fast picking and fresh arrangements, ShadowGrass continues to expand their audience, performing coast to coast in 2023. In 2023 at Pearl Street Warehouse, they delighted fans with bluegrass standards–like "Freeborn Man" and "Old Home Place," and several covers including the Allman Brothers' "Midnight Rider," Fleetwood Mac's "Dreams," Gnarls Barkley's "Crazy," among others. With their fast picking, fresh arrangements, and diverse catalog of songs and covers, they have caught the attention of some of the biggest names in bluegrass, including Jeremy Garrett of The Infamous Stringdusters and Billy Strings, who recognized and stopped to talk with them in a chance meeting at an airport. So impressed was Billy Strings that he invited Shadowgrass to his debut festival, Renewal Festival, and joined them onstage during their performance.

Shadowgrass continued to impress DMV fans when they performed at The Ramble Festival in October 2023. If not for the slight drizzle during their performance, stagehands might have had to take a fire extinguisher to Kyser George's guitar - such was the the ferocity of his guitar solos that day. Meanwhile, Madison Morris's beautiful and heartfelt delivery of Tedeschi Trucks Band's "Midnight In Harlem" brought fans to their knees.  We can only hope that one day Morris has the opportunity to sing alongside Susan Tedeschi to this song.  After such an impressive performance, Shadowgrass left the stage once again to thunderous applause having gained new fans in the DMV.


Elevating Us All – The Ramble Festival 2023 Proves To Be The Most Spectacular Independent Music Festival In The DMV
On Friday, October 6th, 2023, the gates for The Ramble Festival opened in Darlington, MD.  From the moment guests arrived[...]

 If you have not seen Shadowgrass perform live, this is a golden opportunity to see them in such an intimate setting. If you have already seen Shadowgrass perform live, you are just as excited as we are to see them return to Washington, DC.

We hope to see you at Pearl Street Warehouse on Friday, April 26th.

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Shadowgrass

Magnolia Boulevard

Performance Details

Performance Details

Performance

Details


 
 

Friday, April 26, 2024


Show: 8:00 PM


$16.50  - General Admission

$35 - VIP Mezzanine Seated


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Sam Barber performs at The Atlantis on March 22, 2024
Concert Reviews

Sam Barber Is Razor Sharp

On Friday, March 22nd, The Atlantis hosted rapidly rising country music star Sam Barber, a 20-year-old with the sensitivity, emotional honesty, and vocal range of a seasoned veteran of the genre. He played his 16-song set to a sold out and eager crowd.

Elliott Greer performing at The Atlantis on March 22, 2024

Elliot Greer opened over the weekend, one of the five stops he joined Barber on during the Till I Return Tour. The audience showed up and packed the house early to see Greer perform some of his hits as well as his newer songs like the recently released “Gold,” which dropped the day of the show. Despite standing room only, you could hear the standing ovation if you closed your eyes as he finished one of the first live performances of the new song, his first release in a year he noted. A one-two punch, his lyrics are frighteningly bare and his magnetic voice flawlessly undulates between an emotional quaver to a painful howl. During his song “Undertone,” about the lingering presence of someone no longer in your life, you wonder “who hurt you” as he cries out “It’s like you’re there’ It’s like you know/ You’re always an undertone/In my cologne/ In every stranger I bring home/ An undertone.” Ouch. Check him out while he’s still one of those cool undiscovered artists that you can say you knew when.

Elliott Greer performing at The Atlantis on March 22, 2024

Elliott Greer

Sam Barber - Million Eyes

Sam Barber. Kid Wonder. At 20 years old, he can access the longing, fear, desire, and optimism that people two and three times his age still struggle to define and capture in their own lives. Barber first came onstage solo to perform “Million Eyes”, the title track to his recent EP release of the same name. As the band joined him onstage, between the overalls, hiking and cowboy boots and bandanas and baseball caps, Barber and the band brought a piece of rural Missouri to the bustling DC streets that night. 

Sam Barber - Million Eyes

Sam Barber - Million Eyes

There is no question as to why Sam Barber is gaining so much success in so little time. The trail of authenticity that he leaves behind is ever-present. Starting with his persona through his lyrics and finishing with his voice, there is nothing that Barber doesn’t touch that isn’t 100% who he is. His voice is a mix between polite and poignant as he quietly begins the story only to end it with fierce hope in the future or painful memories. His cover of Canadian duo Dani and Lizzy’s “Dancing in the Sky” is an original in every regard because of what he brings to the already heavy lyrics. Barber immediately sets us loose from the top of the roller coaster at 100mph with no build up when he opens his new arrangement with his soulful cry “And I hope you’re dancing in the sky/ And I hope you’re singing in the angel’s choir.” And that’s what he is so naturally gifted at: propelling us into those moments in life that we hide from. 

Sam Barber performs at The Atlantis on March 22, 2024

As a crescendo to the evening like a pressure valve finally bursting, the crowd was itching to sing along to “Straight and Narrow,” the first song Barber wrote and what has ignited his budding stardom. There is no substitute for watching Sam Barber roar “When they're chasing you down with an old bloodhound/ And you're running through the fields for your life/

You gotta get up son I know they're gunnin for ya.” After leaving the stage and hearing the packed house chant “one more song,” Barber and the band returned for the tour’s namesake track “Till I Return.” 

Having only first posted to TikTok in 2021 when he was 18, the same age as his idol Tyler Childers when he released Bottles and Bibles as he notes in a Billboard interview, his meteoric rise on the charts and among fans is rapidly accelerating. Barber released his first EP, Million Eyes, with Lockeland Springs/Atlantic Records in the fall of 2023 and is on tour late into 2024 between the Till I Return Tour and festival appearances. Saddle up and let Sam take you for a ride. 

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Sam Barber

Elliot Greer

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Matisyahu performs at the 9:30 Club on March 20, 2024
Concert Reviews

Matisyahu Ascends At The 9:30 Club

Matisyahu performed at a sold-out 9:30 Club on March 20th. Since 2004, this Jewish American musician has been blending the sounds of reggae, hip-hop beatboxing, and spirituality on stages around the globe. His concerts have always been uplifting, introspective, unpredictable, and inspiring.  

Matisyahu has become a lightning rod of attention in recent months and on his Hold The Fire Tour, including adulation and show cancellations. He has become a symbol of strength, hope, and resiliency to some and a pariah who is a target of outrage for others. Three of his thirty-four dates have been canceled, with extra security, scrutiny, and strife following him throughout the tour. Along with the strife, there would also be the admiration of the fans of his music - and especially from the Jewish community looking forward to his music and uplifting messages of hope.

Matisyahu's fans enjoying the performance

That night, the 9:30 Club would be blocked off by police cars as officers divided the street between concertgoers and a small gathering of protesters. As fans walked into the legendary 9:30 Club, one could not help but hear the echos of Matisyahu's 2009 worldwide hit and anthem "One Day."

Sometimes in my tears I drown

But I never let it get me down

So when negativity surrounds

I know someday, it'll all turn around because

All my life, I've been waitin' for

I've been prayin' for, for the people to say

That we don't wanna fight no more

There'll be no more wars, and our children will play

Before Matisyahu took the stage, West Coast band Cydeways would set the mood for the evening. Cydeways merges their signature alt-reggae pop-punk energy with raw hip-hop grit and is fronted by Dustin Parks. This performance saw three band members take to the stage in total. As the evening roared to life, the booming bass shook the venue, and the reggae hues of green, yellow, and red flooded the space. Cydeways would mercilessly turn up the energy of their performance as they poured out song after song, including the brand new song "No Loyalty." Ever the entertainers, they encouraged the crowd's participation with shouts of "You ready to turn this bitch up!... Are you down?" as the entirety of the venue furiously waved their arms and pumped their fists into the air. After forty minutes of music, they ended their set with a scintillating version of "Sabotage" by the Beastie Boys.

Cydeways performs at the 9:30 Club on March 20, 2024

Before Matisyahu took the stage, lights bathed the stage in blue. The venue floor continued to pack tighter, and with each flicker of light or pause in a song, the anticipation became palpable. At 9:25 PM, the lights dimmed as the six-piece band, including the members of Cydeways and his longtime guitarist Aaron Dugan, walked on stage to thunderous applause. As the lights brightened, Matisyahu immediately saluted the crowd, sending them into a sense of bliss and euphoria.

Matisyahu performs at the 9:30 Club on March 20, 2024
Matisyahu performs at the 9:30 Club on March 20, 2024

Matisyahu salutes the crowd

Two things are important to understand about a Matisyahu concert. Most importantly, Matisyahu draws from the room's energy and what comes to his heart, creating an unpredictable setlist and musical journey - all performance setlists and vibes are different. Also worth noting is that Matisyahu is an evolving musical chameleon. His songs have evolved and metamorphosed over time - songs released on his 2005 Youth do not sound the same live on the Live at Stubb's released that same year, and you can hear a further evolution on Live In Brooklyn released last year. Even with his studio recordings, he releases new mixes of songs on EP. You cannot take the Talmudic tendencies or musical midrash out of Matisyahu.

Matisyahu performs at the 9:30 Club on March 20, 2024

Matisyahu treated his fans to his upcoming single, Ascent, due out on March 29th. The song speaks to the growing antisemitic undertones in the world, and Matisyahu punctuated the song with "Free The Hostages. It is not complicated." One could not help but notice the powerful statement being made by Matisyahu as he had a chair set aside on the stage with the names and photos of some of the 130+ Israeli hostages currently in the Middle East. Matisyahu would go on to thank the 9:30 Club and the owner for providing a safe space for everyone to enjoy music together before playing fan favorites, "Time of Your Song,” "Lord Raise Me Up,” "Surrender," and "Sunshine" while pausing for random moments of gratitude with the fans such as raising a glass in appreciation "DC Club L'Chaim." Matisyahu spend the evening draped in the flags of the Golani Brigade, the Israeli flag, and a keffiyeh wishing for peace in the world.

Matisyahu lifts up the chair with images of current Israeli hostages while performing "Lord Raise Me Up"

Matisyahu lifts up the chair with images of current Israeli hostages while performing "Lord Raise Me Up"

Matisyahu lifts up the chair with images of current Israeli hostages while performing "Lord Raise Me Up"

Matisyahu lifts up the chair with images of current Israeli hostages while performing "Lord Raise Me Up"

During this appearance, Matisyahu sang songs of the divine, mystical incantations, and profound sentiments. He pulled lyrics from the air as he intertwined his songs with the lyrics of others. During "Jerusalem," he interspersed "Break My Stride" by Matthew Wilder as he sang, “Ain't nothing gonna break my stride / Nobody gonna slow me down / Oh no / I got to keep on moving.”

Matisyahu performs at the 9:30 Club on March 20, 2024

The evening was filled with special, if not impromptu, moments. Matisyahu would perform on the drums, and the encore would start with his son Shalom Miller (aka Duvbear) performing. By the second DuvBear song, Matisyahu returned to the stage to sing with his son. Before leaving, Dovbear told the audience to follow him by scanning the QR code at the merch booth, to which Matisyahu jokingly said, "What's that?" followed by a grin and poignant, "I'm very proud of you." With the encore in full swing, Matisyahu would sing "King Without A Crown" before being joined by a guest on stage to help sing "Fireproof," the lead track from his latest EP "Hold The Fire." Although the evening's setlist was fluid, the last song of the night has remained a steady closer for Matisyahu over the years and his most anthemic worldwide, "One Day." As the opening notes of "One Day" filled the venue, cheers and dance broke out throughout the venue as Matisyahu fused the words of Bob Marley's "No Woman No Cry" with beatboxing for a climatic finale of this performance.

Matisyahu performs at the 9:30 Club on March 20, 2024

In the end, this Matisyahu appearance was more than just a musical experience—it was a spiritual journey, a celebration of life, a cause for celebration for everyone who came to enjoy the reggae-infused music of Matisyahu, and a salving balm to uplift many inside the 9:30 Club.

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Matisyahu

Sideways

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Angie McMahon performs at The Atlantis on March 18, 2024
Concert Reviews

Letting Go With Angie McMahon At The Atlantis

Angie McMahon has been riding a wave of euphoria, success, and sold-out shows since kicking off her first headlining American tour on March 11th, 2024, at The Crocodile in Seattle, Washington. After a few West Coast dates, McMahon flew to Washington, DC, to perform at a sold-out show at The Atlantis on March 18th.

McMahon last visited Washington, DC, in 2019, when she made her American debut opening up for Hozier.  In addtion to catching the eye of Hozier many in her native Australia were taking notice too. Happy Mag labeled her as "one of the most endearing and talented voices in music today." Her appearances in America were a breakout moment for McMahon, and her future was looking incredibly promising, with newfound fans eager for her return.


Angie McMahon Makes Her Debut At The Anthem
On November 18th Hozier performed to a sold-out audience at The Anthem in Washington, DC. What the crowd didn't expect[...]

Angie McMahon - Saturn Returning

Her newfound success would have to wait when the as the pandemic hit only a few months later.  McMahon would spend most of the following years in her native Australia, waiting for the music industry to return to normal. McMahon spent her time, like many of us, looking inward and pondering the future. To the delight of many, McMahon emailed her fans on June 7th, 2023, declaring, "hi! I'm making music again - it has been a long time because of all the things that have happened. [...] I hope it makes you feel something - I felt a full spectrum of everything while making it so maybe that will come across!!" and introduced us to her newest song, "Saturn Returning."

Angie McMahon - Saturn Returning
Angie McMahon - Light, Dark, Light Again

In October 2023, McMahon released Light, Dark, Light Again—a beautiful, emotional, and heartfelt album many could easily connect with. In her latest album, she demonstrated the full journey of introspection, guiding listeners on a therapeutic path of rediscovery alongside her.  Read or listen  to this NPR interview with Angie McMahon to hear her discuss this album.  The album so connected with fans that when we showed up at The Atlantis an hour before the opening act was set to perform, the venue was already at capacity, and the stragglers were struggling to find a nice spot to take in the show - it was Light Again for Angie and her many fans.

Angie McMahon - Light, Dark, Light Again
Julia Pratt performs at The Atlantis on March 17, 2024

Philadelphia native Julia Pratt was first to appear on stage at 8 PM. Over the last couple of years, Pratt has seen her influence bubbling up in Philadelphia and beyond. After a fortunate online encounter caught the attention of fellow Philadelphians and indie-folk giants Mt. Joy and collaborated on the intimately aching "A Little Love." 

While sharing the road with McMahon and others, Pratt  introduces fans to her existing songs and sprinkles in a few new songs from her upcoming EP. Pratt's sound is a blissful mix of soulful vocals, jazz-inspired Bossa nova-inspired grooves, R&B influences, and indie-folk compositions. Pratt's stage presence, song compositions, and heartfelt emotions captivate the audience. During each of her eight-song set, fans remained transfixed on Pratt's music and hung on every word as they absorbed her music with an early silence - so much so that Pratt had to ask if the audience was okay because she was not used to an audience being that quiet. Each time a song concluded, fans would emerge from the silent absorption and erupted in huge applause. Pratt would share stories about song origins, including songs about relationship problems when it is your fault, how she was such a huge fan of Angie McMahon, and as she tuned her guitar shamelessly plugged her merchandise and YouTube page. Although fan numbers are not a reflection of talent, Julie Pratt deserves more subscribers on all of her social outlets, so be sure to visit them now and let her know you are supporting her immense talent. 

Julia Pratt performs at The Atlantis on March 17, 2024

Julia Pratt

Julia Pratt performs at The Atlantis on March 17, 2024

Pratt continued to enrobe fans in serene songs, including "Gold," "Would It Kill Ya," "Little Bug," "Julia, Baby," "Peas In A Pod," new song "Bull In A China Shop," "A Little Love," before introducing and concluding with a stunning "Carolina," a new song released only a few days before. If her Atlantis appearance is any measure of Julia's burgeoning success, the future bodes well for her career. For fans attending the sold-out flipturn appearance at the 9:30 Club next month - you are in for a special treat when Pratt makes her debut appearance at that venue.

Julia Pratt performs at The Atlantis on March 17, 2024
Angie McMahon performs at The Atlantis on March 17, 2024

At 9 PM, McMahon and her band would take to a thunderous and sustained applause. McMahon took a moment to thank the audience, remarking on how full the venue was. She would begin her performance with some heartfelt and relatable music "Fireball Whiskey," "Saturn Returning," and "Fish," from her latest album.   With each song, McMahon pours her heart and soul into her songs and offers an intimate atmosphere, easily connecting with her audience - and this night would be no different. Within the first few songs McMahon would take a break to talk about how she receives many Instagram direct messages from fans and wondered if any were present at this show. She would continue by telling everyone how much she appreciates the messages she receives. Then, with a twinkle in her eye and a broad smile, she noted, "I never played a headline concert in DC before."   

Angie McMahon performs at The Atlantis on March 17, 2024
Angie McMahon performs at The Atlantis on March 17, 2024

The Atlantis appearance was very special to McMahon for so many reasons. She had not one but two friends in the audience, including her mum's friend who helped inspire a song about finding love and another friend who influenced her when she was a young schoolgirl. McMahon, in perhaps the most memorable interaction of the evening, asked the audience how they were doing, and a singular voice emerged from the crowd, asking in return, "How are you doing, Angie!" Visibly touched that the audience cared about her as much as she cared about them, she thanked them and remarked how her throat was dry because she flew in from Los Angeles the night before and asked the audience if they could help her sing "Slow Mover." The audience would sing, sway, and bathe McMahon in appreciation. To her fans we know that  with each song, McMahon infuses her performance with heartfelt emotion, drawing the audience into her world through every lyric and melody.  At this moment and others to follow, these two voices - the audience and the artist - fused together with such deep emotions and feelings.  

Angie McMahon performs at The Atlantis on March 17, 2024

Feeling the deep appreciation from the audience and with renewed vigor, she poured her heart into "Letting Go" as she started singing, "I might be prouder of me / Than I ever have been / I've been learning 'bout letting go" before filling the venue with the heartfelt roar of "It's okay, it's okay / Make mistakes, make mistakes."

Angie McMahon performs at The Atlantis on March 17, 2024

Later McMahon shared the origins of her song "Seratonin," how she was weaning herself off antidepressants and how she used to run every day to raise her serotonin levels.  She transformed the experience into a song with the same cadence and breathing of her runs into the song.  As she continued to talk about serotonin and body chemistry, an audience member yelled out, "Tryptophan," and asked if McMahon would like a tryptophan bracelet. McMahon radiated sincere joy, taking it with glee, looked down, and said how she loved her new bracelet.

Angie McMahon performs at The Atlantis on March 17, 2024
Angie McMahon performs at The Atlantis on March 17, 2024

The interactions continued to flow and while performing "If You Call," McMahon, with a smile, said to the audience, "You sound so good when you all sing along. Can anyone make any bird songs?" Her authenticity, relatability, and willingness to make a concert a shared experience are unmatched by any artist of her stature. That, combined with the power of her music and her Harmony Bigsby red hollow-body guitar, leaves little wonder as to why her shows consistently sell out around the world. One member of the audience yelled out that she had driven ten hours just to come to the Washington, DC, show and had left McMahon almost speechless. Fans looked at one another and nodded, agreeing that they would probably have done the same to attend one of Angie McMahon's concerts.

Angie McMahon performs at The Atlantis on March 17, 2024
Angie McMahon performs at The Atlantis on March 17, 2024

Just a few minutes later, a band member came up and whispered in McMahon's ear, and suddenly, the band disappeared behind the venue curtains. McMahon was told a band member had to use the restroom, and suddenly, she stood alone with 450 of her newest friends. Then, in a moment of inspiration, she decided to introduce "Just Like North," an unreleased song from her latest album, which she said she mostly remembered. A few bars in, when she forgot the lyrics, but fans encouraged her and cheered with appreciation. As the song concluded, McMahon would say with a heartfelt voice, "Thank you. That was really special and fun to do."

Angie McMahon performs at The Atlantis on March 17, 2024
Angie McMahon performs at The Atlantis on March 17, 2024

The band returned to the stage as they embarked on "Making It Through." Emotion spilled over towards the end of the song as the venue filled again with the audience singing along passionately, singing McMahon's own lyrics back to her. All she could do was take in the moment, smile, radiate with gratitude, and clutch her hands over her heart in appreciation. The night would not go without one last sing-along as McMahon segued into a sultry "Pasta." Audience members would linger on lyrics, not wanting the evening to end as they shared one last moment with Angie. With deep appreciation, fans moved from where they had stood transfixed since 6 PM and began to recall the countless interactions they had shared with Pratt and McMahon that evening, already excited to see these artists again soon.  These are just a few of our memories of a concert that will remain with us for a long time to come.  As each of these performers are so authentic we recommend seeing them to capture your own memorable interactions, listen to beautiful music, and share in priceless interactions.

Angie McMahon performs at The Atlantis on March 17, 2024

With Julia Pratt introducing new material, we certainly look forward to any upcoming EP and more appearances in the DMV.  If you have not listened to Angie McMahon's latest album - we recommend that you do.  There are still a few tickets remaining on McMahon's North American tour before she returns to Australia and then tours Europe.  Based on her reception this tour, there is little doubt we have seen the last of McMahon in America and Pratt in the DMV.

Setlist

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Click here to see the setlist for Angie McMahon's performance at The Atlantis

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Angie McMahon

Julia Pratt

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The following videos are provides courtesy of Angie McMahon's YouTube Channel.

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Too Many Zooz at the Atlantis on March 16, 2024
Concert Reviews

Not Enough Zooz

From the depths of the subway to the spotlight of The Atlantis, Too Many Zooz roared to a sold-out crowd over St. Patrick’s Day weekend. TMZ is like jazz on an IV drip of Red Bull and glow sticks. Classical sounds bouncing around in a neon, EDM dreamscape.

New Orleans-based artist Pell opened for TMZ on Saturday, March 16. Immediately hyping the audience up when he came on stage, Pell was also quick to draw attention to his father, Jerome, in the audience. The proud father waved from the back among the applause. He recited his catchphrase, “Pell Yeah,” throughout the night to energize the crowd, but they didn’t need much help. They were eager to follow his instructions of moving side to side during a few of his tracks. Wearing spray-painted coveralls, Pell exuded energy as he performed new and old tracks, including “Juice” and “Queso,” during which the crowd was instructed to repeat back a few phrases, much to Pell’s satisfaction. He will join Too Many Zooz until March 24 at their stop in Detroit. 

Pell at the Atlantis on March 16, 2024

Pell

Born from the chaos of the underground, that special New York City subway spunk is embedded in TMZ’s unique rhythm. Members Leo “Leo P” Pellegrino on the saxophone, Matt "Doe" Muirhead on trumpet, and David "King of Sludge" Parks on drums formed Too Many Zooz in 2013 and haven’t looked back. Earning viral attention for their self-described “Brass House” sound–and arguably Leo P’s saxy dancing–TMZ has gained global attention and critical acclaim, having even performed with Beyoncé and The Chicks. 

Leo “Leo P” Pellegrino

Leo “Leo P” Pellegrino

Leo “Leo P” Pellegrino

Leo “Leo P” Pellegrino

While the energy was immediately palpable, so was the bass, literally shaking my hat loose from my head. Leo P came out in a festive St. Patty’s Day top hat while Matt donned joggers adorned with Nick Cage’s face. Watching Leo’s fancy footwork as he moonwalked and dub stepped effortlessly across the stage (while playing and holding a 15-pound saxophone) made me out of breath. But that could have also been my own dancing with the help of the booming bass. 

Matt "Doe" Muirhead

Matt "Doe" Muirhead 

With a few tunes left in the night to ignite, Matt explained to the crowd that they usually cover songs that are trendy or that the crowd would want to hear but then quickly said, “fuck that, we want to cover songs we like as a band.” So, without further ado, Matt began to sing the lyrics to “Buy U a Drank” by T-Pain while Leo and David followed suit behind their instruments. Leo continued his musical athleticism by shaking his fanny for his fans and then curling his saxophone.

David "King of Sludge" Parks

David "King of Sludge" Parks

Too Many Zooz’s new album Retail Therapy is out now, and their tour of the same name runs through April while they have various other performances scheduled throughout the summer. As they have alluded to when asked about the name “Too Many Zooz”, they are raucous and uninhibited, like animals breaking free from their cages. If you want to feel the rush of a stampede and live to tell the tale, check out Too Many Zooz on tour. 

Too Many Zoos - Retail Therapy
Too Many Zoos - Retail Therapy

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Too Many Zooz

Pell

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