Feature, Festival Photography, Festival Reviews

Where the Flock Comes To Roost: Exploring The Pigeon Nest – Domefest 2018

The days are growing longer, the trees are in full bloom, and the weather is finally getting warmer. This can mean only one thing — that music festival season is here! Music festivals come in all shapes and sizes and appeal to specific musical genres. They each have their own distinct character and personalities.

Did you attend Domefest 2018 this May in Bedford, PA or wish you had? DC Music Review would like to share with you some of the stories and sights of the 9th Annual Domefest.

Domefest is hosted each year by the band Pigeons Playing Ping Pong and is attended by their fans — known as 'The Flock.' Those that attend are known as "Domies." This festival is powered by the love and steady stream of funk and jamband music.

What started out as a one-day event near the University of Maryland, has now become a 3-day camping music festival. This year Fort Royale Farm in Bedford, PA played host to 1500 "Domies" an even smaller subset of Pigeon Playing Ping Pong's fanbase.  Even before showing up to Fort Royale Farm attendees were reminded that, "there is no place like DOME!"

As the flock drove down scenic Bedford Valley Road on May 17, they passed countless small farms with picturesque grain silos and red barns. As cars turned off the road to Fort Royale Farm, they were greeted by an active henhouse brightly lettered in orange lettering greeting attendees with "WELCOME DOME."

Earlier that same morning, none other than "Scrambled Greg" Ormont walked out to the road to greet early arrivers and tell them that they would have to wait 30just a little while longer while final touches were being made to the wet festival grounds.


That anecdote alone set the tone for the festival — the band loves their dedicated fanbase and they wanted to roll up their sleeves and work their own festival. In fact, for the next three days, fans shared stories of casual run-ins with all members of the band as they freely walked, wandered, and golf-carted around the festival grounds.

After passing through the entrance of the farm, "Domers" were instructed to drive up a small unpaved road to forest camping. The drive up the hill was a bonding experience for all festival-goers. As the road accumulated loose mud, tires began to helplessly spin and cars got stuck in the mud.  A small crowd would run to the car declaring "We got you! We are going to get you up this hill! Now straighten out your wheel." The connection between driver and pusher quickly bonded all "Domers" and made for lasting friendships at campsites. Sometimes cars were held until enough room for a desperate acceleration up the hill could be made. Eventually, everyone made it to a campsite next to the road.

Many drivers and pushers would later greet each other with a smile, laugh, and hug, thanking one another for their help ascending the hill. It was this early struggle that genuinely helped solidify the camaraderie between Domefest 2018 attendees.

Over the next 3 days, members of DC Music Review walked the festival grounds. Taking in the view of campsites, performance stages, bridges, and brightly decorated pathways, we shared food and beverages with attendees in campsites. We shared walks down muddy paths and we shared moments in front of the campfire, warming ourselves and drying out our clothes.  

All-in-all we bring home memories that will last a lifetime. Take a photographic journey with us as we walk the grounds of Domefest. We hope our photos help you relive the festival and many special moments.

We look forward to seeing you all next year at the 10th Annual Domefest or as we affectionately are calling it - Dome-X!

Scrambled Greg  summed it up best

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

Related Articles

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Soundboard Recordings

Soundboard Recordings

Soundboards


Now that you have relived the sights of Domefest, please feel free to purchase a soundboard recording from Domefest to relive the sounds of the weekend.

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Concert Reviews

Caleb Stine Delivers a Beautiful Performance Celebrating his Latest Release

“This album is about love.  Love is nothing but a giant wheel and if you wait long enough, eventually it comes full circle.”  Caleb Stine proudly shared his reflections on his new album, Moon.

Stages Music Arts in Cockeysville, Maryland, hosted two sold out nights welcoming Stine’s latest release.  Accompanying the CD was a coloring book designed by local artists.  Those who contributed to the coloring book, provided a visual interpretation to each song on Moon.  Coloring pencils were placed throughout the theater and a coloring station was set up in the lobby.  As guests entered, many stopped to add a little bit of color to the artwork on display.  

Stine performed Moon in its entirety, taking time to providing a little insight before the delivery of each song.  Themes of new love, old love, and missed love flow throughout the lyrics as Stine lets his listeners in on a more intimate side of his songwriting.

Stages Music Arts provided the perfect venue for this performance. Stine mentioned that the theater is like a miniature Meyerhoff due to its attention to detail in sound performance.  Music surrounded the room, making the audience feel as if they were inside each song.  

After a short intermission, Caleb Stine returned to the stage and performed a second set of songs with a more upbeat tempo.  Stine even welcomed requests from the audience.  It was a wonderful evening and the perfect way to introduce this new release, Moon.  

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Shantel Breen of These Subtle Sounds.

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Artist News, Feature, Interviews

Shamans of Sound Prepares for Single Release Show at Jammin’ Java Next Friday [Interview/Single Download]

Shamans of Sound is a brand new project featuring veterans of the DC scene coming together to share their love of reggae music. Composed of members from bands including Nappy Riddem, Incwell, Dub City Renegades, Awthentik, Feel Free and Tropic Sol, their sound derives from multiple genres including reggae and dub to hip-hop, r&b and dancehall. Friday, June 1 marks the release of their debut single, "Shamans of Sound" which can be found at their Bandcamp site today for a free download. DC Music Review spoke with the band recently in anticipation of their single release party  at Jammin' Java opening for Pacific Dub next friday. 


Shamans Of Sound

Navisa Hunter - Vocals
Romane Walters - Vocals
Joshua Dorton - Vocals, Keys, Melodica
Patrick Cheng (Pat) - Bass
Alexander Vladimirovich (Vlad) - Guitar
Pietro Smedley - Keys
Kevin Raitz - Drums
Billy Reed - Percussion Instruments
Alan Kayanan - Percussion Instruments

In Memory Of:
Nathanael Cook - Vocals, Sax ( RIP)


DC Music Review (DCMR): Why did you decide to create this project? Can you explain the early origins of the band and what brought you all together? 
Navisa: The name of the band used to be One Tribe. When a few band members moved away, Nathaneal Cook (band leader) decided it would be the perfect time to start brand new and recruit local musicians. After a few cloudy sessions, the band came up with the name Shamans of Sound. Unfortunately, Nate passed away not long after that. Since then, the band developed a very tight bond through our love and adoration for reggae and the strong urge to create original music. We also wanted to continue to share Nate’s message of love and unity.



Pat: The current members are Vlad on guitar, Kevin Raitz on Drums, Josh “Pickle” Dorton and Pietro Smedley on keys, Billy Reed and Alan Kayanan on Percussions and me on bass. We also have Navisa Hunter who is singing on our first single (dropping June 1) and Romain Walters as our other vocalist – he’ll be featured on some of our future releases. 



DCMR: You all have been involved with bands previously. What is the goal for Shamans of Sound? How do you view your path forward? 
Vlad: One of our goals is to work with as many vocalists as we can. We want to pay tribute to the Jamaican style of producing tracks and have multiple vocalists do their thing on the same riddim. 


Pat: We love that everyone in the group plays with other bands – it exposes the band (Shamans) to different circles, it exposes the musicians to different styles of music and to different strategies of the business side and it makes it a LOT easier to find people to collaborate and jam with!

Kevin: We all love playing music so it’s hard to give up outlets that let us express that desire, so for now I don’t foresee any of us taking a hiatus from other projects unless it becomes necessary.



DCMR: I know your sound is labelled as reggae but there can be a lot of different styles of reggae music. How does your sound differentiate from other reggae? What do you hope to achieve musically?

Kevin: Reggae is always morphing and expanding, just as all genres of music are. I think as reggae musicians it’s our goal to pay our homage to the roots of the music; keeping the classical elements, while at the same time elevating that original inspiration with other elements from our own personal music backgrounds... stretching the confines of what people consider “traditional reggae.”


Navisa: Our style is a evolution of reggae music. We all have a deep appreciation of roots reggae music. So we keep the elements of the righteous, positive and eye opening lyrics. Our instrumentals include a lot of elements of different music styles. It's a recipe of reggae with hints of jazz, R&B, ambient, world music,etc... We will always give you something new. 


DCMR: Shamans of Sound as a band name has a certain vibe to it. Can you explain the origins of the name?

Billy: We can explain but you should drink this tea instead.

DCMR: Does Shamans of Sound aim to focus solely on musical goals or are you trying to bring more of a message to the scene? What can fans expect at a live Shamans of Sound experience?

Pat: Since we plan on working with multiple vocalists, I hope that our music properly reflects the social climate we’re living in. These are some pretty interesting times, I’m sure people are going to be reading and studying about everything that we’re experiencing right now and we would love to create a soundtrack for future generations to listen to while they read about the ridiculous stuff happening today. 

Get your tickets to see Shamans of Sound on Friday, June 1 at Jammin' Java here!

​

Cover image art by Bruce Hunter. Graphic design by Joe Nicolai, Variate.net.

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Album Review

The Judy Chops Release Love Is The Answer, A Celebration Of Love And Passion

The Judy Chops have something for everyone. Comprised of William Howard (Electric Guitar, Vocals), Molly Murphy (Hollowbody Guitar, Vocals), Sally Murphy (Banjo, Vocals), Mike Pressel (Trumpet), Rachel Smith (Baritone Saxophone), Jims Hinkle (Bass), and Jess Bergh (Drums), the Virginia band are fresh off their ROCKN' to LOCKN’ victory, securing the highly coveted spot to play LOCKN’ Festival this summer.

Their latest studio album Love Is The Answer is whimsical, soulful, and sentimental, among other things. Each song features a different tone and switches between numerous lead vocals, evoking different emotions as the track list progresses. The one common thread between each track is the titular theme of “love.” This album is hopeful and fun, but can also be heartbreaking if you listen closely enough, despite the frequently upbeat notes.

[bctt tweet=”"This album is hopeful and fun, but can also be heartbreaking if you listen closely enough, despite the frequently upbeat notes."” via=”yes”]

Wasting no time, The Chops kick off their album with “Q 4 U” a sultry and sassy track that repeatedly asks a question everyone has had at some point in time, “is this love or is this obsession?” While the vocals are fantastic, the song wouldn’t be the jam it is without the blaring response from the horns, perfectly complimenting the vocals. Reminiscent of a funkier version of The Cure’s “Love Cats,” this stand out opener sets the bar high for the album, which proves to be an emotional rollercoaster of a ride.

Midway down the track-listing is “Spit It Out,” a track that picks the pace up again from the twangy and country sounding “Delilah," sung by Molly Murphy,  and the soulful “Lay My Love” (which reprises later, stay tuned!). The guitar and the horns play expertly and fluidly to provide the perfect compliment to Howard’s quick-paced and thoughtful vocals. His vocals are edgy and raw, with the perfect amount of raspiness that adds an extra layer of expertise and maturity to the track. Both his and Sally Murphy's unique vocals are showcased even further in The Chop’s cover of Screamin’ Jay Hawkins' 1956 classic “I Put A Spell On You.” Although there have been many covers of this song, The Chop’s rendition rivals even the most iconic and well-known versions, proving to be just as passionate (and dare I say brilliantly maniacal?) as the original.

The Judy Chops perform at the ROCKN' to LOCKN' finale in April

With songs like “Manstranger” and “Cry Baby,” the Chops take us back in time with more vintage sound. However, their stand-out vocals and skillful instrumental interplay allow them to feel modern and fresh as well.

“Lay My Love” makes its first appearance early on in the album — our first opportunity to hear the band perform all as one vocally. The track begins with a choral introduction that feels almost spiritual. However, the tone switches between Howard’s raspy vocals and jubilant instrumental taking turns at the forefront. “Lay My Love (Reprise)” is the perfect way to close out the album. An acapella rendition of the original track, all the vocals are fused perfectly together, ending the album on a sweet note of community.

Although they blend elements of swings, blues, and rock, The Chops cannot be contained into one singular genre. They are vibrant and passionate and full of love. You can hear the excitement and cohesion in every note. We have no doubt that The Chops are an excellent live performance, and we at DCMR cannot wait to watch them perform at Lockn’ Festival this summer. And check out their website to purchase Love is the Answer.

[bctt tweet=”"Although they blend elements of swings, blues, and rock, The Chops cannot be contained into one singular genre. They are vibrant and passionate and full of love."” via=”yes”]

The Judy Chop

Love is the Answer

Released: 2018

Track Listing:

1. Q 4 U

2. Cry Baby

3. Delilah

4. Lay My Love

5. Spit it Out

6. Sinner Like Me

7. Manstranger

8. Sloopy Heart

9. Hipster Haircut

10. I Put a Spell on You

11. Lay My Love (Reprise)


Related Articles:

The Judy Chops Celebrated Love and New Music at Pearl Street Warehouse [Audio]
The Judy Chops new single "Lay My Love" performed at Pearl Street Warehouse on 4/27/2018photo credit: Jeremy Shanahan, Good Foot[...]
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Concert Reviews

The Cris Jacobs Band Burns Down The 8×10 In An Unforgettable 40th Birthday Bash

Saturday, May 19 was a steamy night in Baltimore City. In addition to the lifting fog after days of endless rain finally came to a halt, The Cris Jacobs band burned down the coziest music club in Federal Hill with two smoking hot sets. This show was the third and final of a three-night mini tour celebrating the 40th birthday of frontman Cris Jacobs, and what a celebration indeed! Jacobs is no stranger to sold-out crowds at The 8x10, and how fitting to do it yet again while proving to his loyal fans that there is much more to come from this multi-talented musician and his “bad ass band” as he declared that very evening. 

Cris Jacobs & Jonathan Sloane of The Cris Jacobs Band

For the past two decades Jacobs has been entertaining audiences both solo and with well renowned Baltimore based bands The Bridge and Smooth Kentucky before forming The Cris Jacobs Band in 2011. Since the inception, the band has had several different collaborations of members, but the diversity and tightness of this particular collaboration is unprecedented, even drawing national recognition in Rolling Stone magazine in 2017. I cannot say enough about the authenticity and raw talent of each member of this extraordinary band including Cris Jacobs (guitar, lead vocals), Jonathan Sloane (guitar/vocals), Dusty Ray Simmons (drums/vocals) and Todd Herrington (Bass/vocals).

The Cris Jacobs Band lighting up the room

As the lights dimmed and the band took the stage, the audience roared with excitement. Right from the start, there was a funky bass line from Todd Herrington that lead straight into "Jack the Whistle and the Hammer" off Jacobs 2016 album titled Dust to Gold. The spectators immediately began bopping around to the fast-paced tune which abruptly ended...or did it? After a stiff break, Jacobs broke into an insane guitar solo which finished out the tune, before delving into the much more bluesy feeling "Mamma was a Redbone" with its catchy beat and Hendrix-esque guitar licks. Next, Jacobs showcased his beautiful vocals with the slower, more melancholy corded song "Hallelujah Hustler" before declaring to his on-lookers "feels like you guys came to party tonight." Afterwards, the band covered the Jerry Reed country classic "I Don't Know About You" before Jacobs changed out his standard guitar for the highly demanded cigar box guitar for the first time of the night. Drummer Dusty Ray Simmons traded one of his drumsticks for a tambourine, and the jamming ensued with the song “Dust to Gold.” This song gave the amped-up audience a glimpse of what was to come the rest of the night with the heaviest most hard-hitting jam of the set so far. As I looked around, the entire room was banging their heads to the rhythm as Jacobs’ signature voice melted through the high pitched tones of the cigar box. Next, we heard the catchy and upbeat ditty “Queen Bee” followed by “The Stakes” which soared into a really psychedelic sounding jam with another flavorful guitar solo by Jacobs that put the crowd in complete awe. Then it got funky with “Hoopee River Bottomland” which had the whole spring loaded dance floor of the 8x10 bouncing as people stomped their feet to the beat. Slowing down the pace, the band mellowed things out with a beautiful ballad and my personal favorite of the night called “Be My Stars”, which asserted that Jacobs singing/songwriting skills are just as impressive as his guitar playing. The set started to wind down with “Past My Prime” which reminded me of a Tom Petty tune, and closed on a high note that brought the house down with the hard-hitting “Stoned on You.” The applause and cheers of approval spilled out into the streets of Federal Hill, and there was no doubt that set number two was going to be blazing hot. 

Cris Jacobs and Kenny Liner announcing The Bridge's return to The 8x10

After a short break, Kenny Liner of The Bridge brought Jacobs onto the stage, and the two announced that The Bridge would be rejoining for three special performances on June 21, 22, and 23, recreating three of their historic shows from the 8x10 club. This announcement was a gift in itself for many of the dedicated Bridge fans in the crowd and the hoots and smiles that followed were infectious. Liner then brought out Jacobs wife, sister, and parents as well as Abigail Jensens (the owner/operator of the 8x10) along with a birthday cake, and the entire room sang Happy Birthday to the leader of the band.
The second set started more smoldering than the first and escalated throughout the night. Every song that was played had a unique jam, and every jam was absolutely contagious! Songs such as “Bone Digger” and “The Devil or Jesse James” had the spectators burning holes in their shoes. A few songs into the set, Jacobs announced that the band will be making a new record and started into a softer tune that will be on it called “Break Your Fall,” which instantly reminded me of his Smooth Kentucky days with its styling. Shortly afterwards he again pulled out the cigar box guitar for the outlaw country sounding “God’s Gonna Cut You Down” before going solo for "God Only Knows" and the fastest version I've ever heard of the Grateful Dead's "Samson and Delilah." As the rest of the band reconvened on stage, Jacobs thanked the audience and stated "this is a wonderful celebration", before the band burst into a super funky cover of The Meters "It Ain't No Use". To finish the outstanding set, they played The Bridge classic "Bad Locomotive" which was received happily by the many loyal Bridge followers who were present. Once again the stomping and cheering for more could be heard clearly on E. Cross Street and after a few moments the band rejoined on stage for a funky two-song encore of "Shine Your Weary Light" and a cool cover of Levon Helms "Got Me a Women".

Todd Herrington and Jonathan Sloane of The Cris Jacobs Band

It was apparent that each musician in this line-up has been shaped by many different genres of music and it all magically melted together. Throughout the eclectic mix were influences of rock, blues, folk, bluegrass, funk, and soul. With a sound as recognizable as that of Aaron Neville or Ray LaMontayne, Jacobs, in my opinion, is the best "voice" to ever come out of Baltimore, and his guitar skills shine just as bright as his angelic voice. But I assure you, the rest of this band deserves as many accolades. Jonathan Sloanes' guitar playing is just as stellar as Jacobs. I'd personally recommend checking out his other bands, The Jonathan Sloane Trio and Yellow Dubmarine. Dusty Ray Simmons is my new favorite drummer of all time, (and I didn't have one before). Todd Herrington's bass playing is so outstanding that I will soon be checking him out in his other groups Trongone Band, DJ Williams Project and Modern Groove Syndicate. The talent, energy, and originality these guys brought to the stage wouldn't disappoint any music fan in the least. It was certainly the best 40th birthday party I have ever attended! Happy Birthday Cris Jacobs, may you continue to shine your light bright for years to come.

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Chris Gamber of Chris Gamber Photography.

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On Our Radar

On Our Radar – The Rising Indie Scene

The DC music scene is filled to the brim with talented up and coming performers. In an effort to bring attention to the standouts of the DMV, before they make it big, DC Music Review is launching a segment called "On Our Radar". This month, our radar is tuned to the three acts that are making a splash on the local indie scene: Weston Smith, Terrakann, and Lake Anna.

  • weston smith
  • terrakann
  • lake anna
  • SUMMARY
  • Q & A
Terrakann singer and keyboardist at Songbyrd

Terrakann, composed of Chris Teather (vocals, keyboard), Ethan Beaman (guitar), and Alex Lubeck (drums, backup vocals) is proving that the Georgetown University scene is filled with more than future lawyers and politicians.

While the band is still in their infancy, their charm and smiles have audiences in the palm of their hand.

With a unique juxtaposition of striking yet smooth synthesizers, guitar solos harkening back to the heydays of classic rock, and punchy drums, the trio is inspiring crowds to simultaneously boogie down and head bang. 

To top it all off, the group layers on Teather's vocals, which resemble those of Nathan Willet from the beloved indie rock band, Cold War Kids. 

The group is currently taking a hiatus from playing live sets to record their first album, but be sure to keep tabs on Terrakann—the three are on their way to becoming the next indie darlings of the DMV. 

Enjoy the following photos by our photographer Ana Medvedeva. 

For more information, please check out Terrakann's Facebook page.

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Livestream

WATCH LIVE: The Jerry Tripsters at Gypsy Sally’s

The Jerry Tripsters return to Gypsy Sally's tonight. If you are not yet familiar with this band, make sure to check out Nina Goodman's interview with Larry Joseloff (Bass) to learn more about what makes them different, how they came to be, and what they have in store for the future.

We will be on scene to provide a livestream via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DCMR contributor Will Urquhart's Mixlr account.

Tonight marks the first show for Gypsy Sally's since installing and setting up a second light board.

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Domefest 2018
Festival Reviews

Domefest 2018 – The Flock Takes Roost in Bedford, PA

A good music festival can be just as much about the patrons as it is the bands that are playing. Sometimes you’re lucky enough to find the perfect mix of the two. When that happens, it creates a truly harmonious feeling that every single attendee will take with them even after they leave the festival grounds. This pretty much sums up what Domefest is every year. 

There was nothing but love of Funk and all the bands at the 9th Domefest.

There was nothing but love of Funk and all the bands at the 9th Domefest.

This would be the 9th version of Pigeons Playing Ping Pong’s annual event, and it would prove to be the biggest and best one so far. With a sellout crowd of 1500 smiling faces ready to dance and have a good time, this flock would provide more than enough sunshine despite the rainy conditions that would persist throughout the fest.     

The opening Thursday night music would get the weekend started off with a bang The Magic Beans, Formula 5, and the Strange Machines warmed up the hungry crowd on the main stage while Shwizz took the set break duties on the side stage. Of course, this is the Pigeons’ festival, and they let everyone know who the headliners were when they took the stage Thursday night. Playing to the theme of “Throwback Thursday,” the band’s only one set show of the weekend would not disappoint. This was also lead guitarist Jeremy Schon’s actual birthday, so fittingly the band started off the set with some birthday wishes. Most notably in this set was the bustout of two songs, "Candy" and "Dutchmaster", both of which hadn’t been played since 2012, and 2011 respectively. Just to pull the curtain back on this moment for the readers a little, there’s a very good friend of mine (and the band’s) named Mike. He is quite probably Pigeons fan number 1, and "Dutchmaster" was his golden goose that he had basically resigned to the band never playing again. So when they called him out by name, and dedicated the song to him, it was one of those special band/fan moments that you just can’t help but smile and feel good about. After the Pigeons set, the Mantras would take the crowd deep on the late night stage well into the night. Needless to say, despite the wetness and mud, day 1 was a great indicator of what the rest of the weekend would entail.

The Magic Beans

The Magic Beans

Friday would bring more rain, and mud, but more importantly more great music and good vibes. I’ve never seen a festival crowd happier to be out in the rain and sloshing around in the mud. It seemed like a literal afterthought on everyone’s mind and that feeling was infectious. It was rainy in the campground, but sunny in our hearts.

The music on Friday afternoon would feature Flux Capacitor, Joe Hertler and the Rainbow Seekers, West End Blend, and Headless Robot. Mateo Monk and Cycles would take care of music during the setlist breaks, save for one setbreak featuring Schwa, which is the side project of Pigeons bassist Ben Carrey. Broccoli Samurai would set the stage for the first two-set P4 show of the weekend. 

Night 2 of Domefest right as Greg's voice began to give out.

Night 2 of Domefest right as Greg's voice began to give out.

As the first Pigeons set started it started to become apparent that something wasn’t right with Greg Ormont's voice. He basically let the crowd sing the whole first verse of “Poseidon” before it was clear that he wouldn’t be able to keep singing without completely losing his voice for the weekend. Pushing through the rest of the first set with superb versions of “Schwanthem” and “King Kong,” and even a bustout of the Jefferson Airplane classic “White Rabbit” which would be sung by drummer Alex Petropulos (impressively nailed at that).

West End Blend's horns joined PPPP for some epic jams on Friday night.

West End Blend's horns joined PPPP for some epic jams on Friday night.

During setbreak we were all wondering how the second set would play out without a lead singer. Would they switch up vocals? Play a set of only instrumentals? Will Greg just keep trying to sing with a raspy voice? All those questions would be answered within about 10 minutes of the second set opening song “Whirled.” It became pretty clear once they started really getting deep in the jam what was going to happen, and it was pretty amazing to watch (and hear). They would take the song on a 60+ minute ride, making it the second time in their career that they’ve played a single song set (The first was on 4-15-18). This is a must listen for any fan of improvisational music; there really aren’t many bands that can keep a jam interesting for an hour. This one felt like something they had been working on for a while, which is the true measure of a great jam in my opinion. They would encore with one of my favorite of their instrumental tunes, “Avalanche.”

The Magic Beans would light up the late night stage on Friday, and they would not disappoint. Definitely a highlight of the weekend for me. This was only the second time I had seen them and now I know why so many people talk about them. They are a very promising band that everyone should keep an eye on.

Squaring the Circle

Squaring the Circle

After some much needed rest, the final day of the festival would begin bright and early with Baltimore’s own Squaring the Circle opening up the main stage. The funky dance party would continue all day with bands like Ernie Johnson from Detroit, Backup Planet, and the McLovins. Baltimore power trio Deaf Scene would take up most of the set break duties on Saturday, aside from a special setbreak set by Pigeons front man “Scrambled” Greg Ormont. 

All day people were wondering if Greg would try to sing at any point, the answer for this set at least, was that he would not. Using handwritten signs as props to speak to the crowd, he let them know that he had “lost his voice, so I’m just gonna jam.” And Jam he did, complete with a pretty impressive tap dance for good measure.

Mungion

Mungion

Mungion would set the stage for the Pigeons final show of the weekend. It was the first time I had seen these guys, and I can’t wait to see them again. One of the great things about Domefest is how careful the band is about picking their support. Every time I’ve been to a Domefest I’ve come away with at least one new band that makes me want to seek out their music and see them live when I can. Mungion was one of those this weekend.

After drinking an entire honey bear, Greg and his voice were ready to go on Night 3.

After drinking an entire honey bear, Greg and his voice were ready to go on Night 3.

As the crowd waited for the Pigeons’ weekend finale, there was much speculation about Greg’s voice and if he’d be able to handle two sets of vocal duties. Miraculously, after saying he drank an “entire honey bear” before the show, he was back to his old form. Belting out crowd favorites like “Melting Lights” and “Penguins" the band definitely seemed to feed off the energy of their newly rejuvenated front man. The second set was maybe my favorite set of music from the weekend. The section of “Dome People > Su Casa > Horizon” felt particularly poetic. Dome people is of course about the festival itself and has been in the band’s rotation since Domefest’s inception, followed by Su Casa with its chorus of “This is your home now” and then Horizon’s “Celebrate the people you love,” this seemed like a very intentional musical hug from the band to the crowd, thanking them for all of the love and support that made the event so special. Another great highlight from this set was the debut of a cover of Pink Floyd’s “Shine on You Crazy Diamond.” Complete with a 4 to the floor funky jam for good measure. I love when a band takes a cover and makes it their own, and that is exactly what they did with this one. Ending with a raucous version of “The Liquid” and encoring with an incredibly fun “Julia > Super Mario > Julia” sandwich, they would put their triumphant stamp of success on this set, and the whole weekend.

The final night of the festival would see a double dose of late night sets coming from The Fritz, and Vibe and Direct. Both bands were absolutely great, they took full advantage of being the last acts on the bill and seemed to give all of the weekend warriors a second wind all the way to sunrise.

To sum it up, Domefest is one of those very special small festivals. The hard work the band puts into this fest every year really shows in the product they put out. They are truly dedicated to making sure the Domefest experience is a great one for every single ticket holder. The band really cares about their fans, and the fans in turn show all of that love right back. Just to let everyone know, the band members literally work at the festival despite headlining it. When I arrived to the main gate, one of the first people I saw was Greg with a walkie talkie making sure everyone was getting in alright and things were running smoothly. This is something that people notice, and it goes without saying that all of us genuinely appreciate the effort. The flock is a great group of people too. Everyone all weekend was helping each other if they needed it, pushing cars out of the mud, helping people back to their campsites if they were struggling, offering dry clothes, spreading hay around to make it less slippery. It’s always really amazing to see a large group of people that genuinely cares about each other’s well-being and happiness. As the band grows, inevitably so will the festival. Hopefully all those same good loving vibes will continue to grow bigger every year too, and we can all continue to gather together each May to celebrate the people we love.

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Click on Image for Full Size

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Photo Gallery

Photo Gallery

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Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

Day 1: May 17th - Getting The Party Started

Day 2: May 18th - Something Lost. A Wet Day and Scrambled Greg Looses His Voice 

Day 3: May 19th - Something Shiny as Scrambled Greg Finds His Voice Again


Companion Article:

Related Articles

Related Articles

Related Articles


Associated Recordings

Soundboard Recordings

Soundboard Recordings

Soundboards


Click on any of the following links to purchase the soundboard recording from Domefest.

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Concerts this Week

Goodman’s Good Music – Concert Picks of the Week – May 21st

Week Of:  May 21-27, 2018

Summary: Who'll Stop the Rain

It been feeling a lot like that old Ray Bradbury story, "All Summer In A Day," around these parts. But finally we can substitute the soak for the good old humidity and hot we have grown so accustomed to in the DMV. A pleasant day in the 70s, who needs it?

If this week is any indication of what's to come this summer, it's going to be HOT. Here's a breakout of some mammoth artists (hellooooo Annie Clark) and legends (Willie Nelson!!!) and festivals (finally DelFest) and jams and rock and songstresses and indie goodness and local amazingness to help you plan out your let's-get-sweaty week ahead. 

Legends and Mammoth Things:

  • May 23 - St. Vincent at The National - Annie Clark of St. Vincent is a modern day heroine both on the stage and off and puts on an impeccable show. She is a madhouse of talent and savvy and guitar prowess and is one of the best live shows I've seen. Do not miss the opportunity to see her on her "I Am A Lot Like You" tour.
  • May 24-27 - DelFest at Allegany County Fairgrounds, Cumberland MD - What is DelFest? It's a festival that takes place in Cumberland, MD that, "originated from the desire to create a family-friendly music festival celebrating the rich legacy of McCoury Music while creating a forum for world-class musical collaborations and to showcase fresh new talent with a down-home feeling." Featured artists this year include: The Del McCoury Band, The Travelin' McCourys, Old Crow Medicine Show, Greensky Bluegrass, Billy Strings, Birds of Chicago, Fruition, David Grisman, Rising Appalachia (also playing at 9:30 Club this week, see below!), Sierra Hull, and many more. Several DCMR staff will be headed to Cumberland to experience the festival and share highlights with you on our site!
  • May 27 - 10,000 Maniacs at The Birchmere - The Maniacs still have it, never didn't have it. This group, their fearless leader Natalie Merchant, their message, stands the test of time. 

Rock/Bluegrass/Funky Jams:

  • May 23 - Jerry Tripsters at Gypsy Sally's - They just played so hard at the Ottobar last week. Catch them back in DC at the beloved Gypsy Sally's and read more about their journey here!)
  • May 25 - Rising Appalachia at the 9:30 Club - Multi-instrumentalist sisters Leah and Chloe Smith describe their new album, Alive, as, "a magical mixing of free-folk, sister-soul, banjo-bass, and acoustic dance-beat throwdown between the beloved members of Rising Appalachia. Featuring the peppered layers and instrumentation of special guests Arouna Diarra and Ayla Nereo, this album is a compilation of our favorite musical arrangements throughout the years." They will be gracing us with their incredible songs and musicality at the the 9:30 Club before hitting DelFest this weekend. 
  • May 25 - Mousey Thompson's James Brown Experience at Blues Alley - Led by former James Brown drummer Robert "Mousey" Thompson, The James Brown Experience is an, "all-star ensemble that faithfully performs the most popular songs by one of the greatest music legends of our time." This is one of the best shows in town and the ultimate throwback to the real deal.
  • May 26 - On the Bus (Dead Tribute) with Skaii at Gypsy Sally's - See local favorite Dead tribute band on the main stage for a real good time and then go check out Annette Wasilik at Vinyl Lounge who is described as such: "...if John Prine and Natalie Merchant had a daughter, you’d have an idea of DC-born Annette Wasilik’s sound." Solid.
  • May 26 - Stone Driver with Black Dog Prowl & Fellowcraft at Union Stage - Stone Driver, voted DC's 2018 Best Original Band in DC City Paper, "harnesses grunge, blues rock, progressive, and psychedelic influences to create powerful and soulful music." Along with Black Dog Prowl (hard hitting rock) and Fellowcraft (original grunge-blues), Stone Driver will be playing songs of their newly released album, Chasing Demons and donating 100% of their revenue from this show to Rolling Thunder approved charities. I've heard only great things about this band, check them out for a good cause.

Indie/Pop/Jazz and Vocal Sweetness:

  • May 21 - Matt Costa with Elizabeth and the Catapult at Jammin' Java - I've been waiting to see the spirited, smart, smile-on-my-face making Elizabeth and the Catapult for a long time since I like to think that we may be distant cousins. (I would be so lucky.) I did some research on Matt Costa and he writes and delivers some seriously incredible songs. Put these two together for a show and I have to think some kind of magic is going to happen. 
  • May 23 - Strathmore Artist in Residence: Cecily - I met this amazingly talented woman while she was supporting other Strathmore Artists-In-Residence friends; she has a voice that takes you in warmly and doesn't let you go. Plus, she is as vibrant, gracious, and present face-to-face as she is on a stage. In the words of legendary singer Patti Austin, “[Cecily is] a brilliant, beautiful, and talented young lady—look out!” She is described as a, "powerhouse vocalist and sensitive songwriter with a passion for soul, jazz, and ’90s R&B," and is not to be missed. 
  • May 23 - Baltimore Swing Drop at Bossa - My lovely, musical-sister E. swears by this show but I can never make it up to Baltimore to catch them. This time, there's no excuse not to go check out these hot swing vibes and good times.
  • May 27 - Laura Veirs at Union Stage - NPR's Stephen Thompson's review of Laura Veirs latest album, The Lookout, describes her songs as having the ability to, "shimmer softly without sacrificing directness or power." DCMR staff have been excited for this intimate show at Union Stage. Her music is on repeat for me from now until Sunday so I can take it all in before what my colleagues are promising will be a breathtaking show. 
  • May 27 - Akua Allrich + The Tribe, "A Tribute to Mother" at Blues Alley - We've written about DC-native Akua Allrich's dynamic vocals and vibrant soul here before. She has, "with finesse and charisma... successfully etched out a place for her unique musical expression, electrifying audiences in and around the nation’s capital with sold-out performances." Do yourself a favor and go see this incredible artist in the perfect setting of Blues Alley, you won't regret it.

Local Scene Goodness:

These are but some of the talented local (and visiting from nearby) musicians making waves this week.  Every time I see a show at one of these venues, it feels raw and real. I've checked out each of these upcoming artists, just wish I had to see bandwidth to see them all:

Here are our recommendations for shows throughout the DMV.

All Featured Events

District

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Maryland

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Virginia

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Concert Reviews

Shakey Graves Captivates the Room on the First of Two Sold-Out Shows at the 9:30 Club

Below a bobbing, black-lit cowboy hat, a shadowy figure picked up a guitar and plucked a pulsing fingerpicking rhythm, murmuring the opening lines of a crowd favorite, “Only Son”:  “I used to be an only son / My heart was but a stranger.”  The figure’s voice moved slowly through an emotional build and grew to a raspy, tortured holler, snapping the crowd out of its captivated silence and drawing powerful howls from the pit.  An eerie quiet followed, matching the near-total darkness on stage, and the cowboy-hatted shadow delivered the song’s final lyric with a delicate whisper.

And like that, Austin-based singer-songwriter Shakey Graves kicked off the first of two sold-out nights at the 9:30 Club.  The opening song, and the theatrics of it being performed in the dark, immediately revealed a crucial reason for Shakey’s continued ramp of success since his first full-length album release in 2011.  Shakey doesn’t perform from a pedestal; he stands in the dark with us, makes casual conversation with us, and at times feels like as much a fan as a performer, shooting a giddy smile up at the disco ball when it suddenly lights up the venue’s rafters.

The vibe of familiarity and intimacy lays all the necessary groundwork for Shakey’s brand of stripped down, busking-style sound to hit the hardest.  Alternating foot-stomps thump a red suitcase for a kick drum and a tambourine on the floor; an active right-hand propels the guitar’s constantly chugging engine; and a raw and weathered vocal tone stirs up an emotive fervor.  It’s a sound that harkens back to the early acoustic blues masters that predated rock and roll—Lead Belly, Skip James, Mississippi John Hurt—but also introduces a fresh take.  Playing in 2018 allows Shakey a liberty these artists never could have known, breaking out of the typical open chords and blues shapes that characterized that early American music and incorporating elements of the grunge and indie rock movements that came decades later.  The full-band rendition of “Perfect Parts” that came as the fourth song in the set, for instance, is nearly impossible to imagine existing in a world before Pearl Jam and Modest Mouse. 

New Material Brings Genre-Spanning Experimentation

This tour finds Shakey at an intriguing fork in the road.  Several years after his switch from purely solo artist to full band, the just-released new album Can’t Wake Up reveals Shakey trying on a handful of new stylistic directions that were all on display on Tuesday night.  

The set’s last four songs before the closer, for example, featured the full band rejoining Shakey on stage after a string of solo songs and playing a diverse handful of the new material.  “Climb on the Cross” paired a front-and-center bassline with reverby guitars reminiscent of Mac Demarco’s Salad Days.  “Mansion Door” ventured into indie pop and then a heavily rocked out bridge section and guitar solo that could be straight off Weezer’s blue album.  “Counting Sheep” brought guitarist Patrick O’Connor to the forefront with Shakey for a repeated, harmonized dual-guitar riff.  And “Cops and Robbers” dabbled in early-sixties pop, highlighted by Christopher Boosahda’s Ringo-style drumbeat (specifically, the one heard on such early Beatles tunes as “Please Please Me,” “From Me To You,” and “It Won’t Be Long”).

Peak Shakey

Still, through all the experimentation, it’s clear that Shakey knows his strengths.  The two-song encore was Shakey at his most effective: alone with his guitar, his voice, and his stomping feet.  A few palm-muted chords were all it took to spark the crowd aggressively clapping to the beat of “Roll the Bones” and “Late July,” doing their best to keep up with Shakey’s signature sudden tempo changes.  Speeding up, slowing down, then suddenly stopping and coming back in at a breakneck pace, Shakey manipulated the energy in the room with ease and attitude, grounding it all in the infectious plucking pattern of his right hand.  Sometimes perhaps you need to do something different to find out that you had it figured out right from the start.

Check out the setlist below and photos of the show from our photographer Shantel Breen, including of opening band And The Kids.

Setlist

Setlist

Setlist


Click here to see the setlist from Shakey Graves' performance at the 9:30 Club on May 15, 2018.

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Photo Gallery

Photo Gallery


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