Taz at Sweetwater 420 Festival
Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – November 26

Week Of:  November 26 - December 2, 2018

Summary: Work It ON This Week

Perhaps you felt some warm fuzzies along with some tepid frustrations this past week. Hopefully you also felt LOVE and had a really good meal. 

Now is the week to come back to your regular schedule with a healthy dose of great music. There's a lot happening between today and the winter holidays and this week kicks it off right with some humdingers to get you moving. EVERYTHING is listed way below (below below), but first!  A few extra special highlights this week: 

Monday:

My highlight:  The New Respects + JUXT at Jammin Java — I have heard and seen only wonderful things from the daring and provocative DC band  JUXT and I can't believe it's taken me this long to see them live. And THE NEW RESPECTS, well, let me say that I saw them play at Villain & Saint last year and I couldn't stop smiling. Their chemistry and their flow and way of bringing you into their family jam is pretty magical. I'd check this one out if you can.

DCMR staff also say to check out: 


Tuesday:

My highlight:  Experiments in Sonic Meditation at Rhizome DC — Rhizome DC is a little gem of a place for the music community with an eclectic offering of shows and experiences that take place in the living room of a Takoma Park house/community space. This next installment of their Sonic Meditation series is devoted to the practice of Deep Listening, as coined/taught/enacted by the late composer Pauline Oliveros. From their site: "For one hour, we will focus on sound. Listening first, with an eye (ear) toward healing, toward a collective experience more than the sum of its parts. There will be vocal and percussive sound production involved at different points. The space will be available for conversation/debriefing/relaxing afterwards." For a $5 donation, you can support local music and maybe get to know yourself a little better. 

DCMR staff also say to check out: 


Wednesday: 

My highlight: District of Raga Presents: Three Voices ft. Chao Tien: chinese dulcimer, Huda Asfour: oud, Nistha Raj: violin, Avi Shah: tabla followed by Raga Jam Session at Bossa Bistro + Lounge — I've seen three of these four artists perform individually (many are graduates of the fabulous Strathmore Artist in Residence program) and was so impressed by their mastery and unique voicing, playing as if their instruments were extensions of their body and souls. To have these artists perform together in one show is spectacular. The District of Raga was was launched in January 2017 with a vision of "creating a space for practitioners and lovers of Indian classical music to gather for the purpose of musical dialogue and community within Washington, D.C." and is offering wonderful opportunities to experience great artistry like this showcase. Not to be missed.

DCMR staff also say to check out: 


Thursday: 

My highlight: Dis Is Emerika w Orchester Prazevica and channelVolatile at Villain & Saint — Orchestra Prazevica's high energy dance music draws from "the tradition of Eastern European Czardas and Gypsy Swing, but widely influenced by jazz and blues." But why this show? Because watching the Orchestra Prazevica here and reading about channelVolatile, along with the title/lack of description of this show, completely intrigues me. 

DCMR staff also say to check out: 


Friday:

My highlight: Thom Yorke - Tomorrow’s Modern Boxes at The Kennedy Center — Thom Yorke from Radiohead is making a rare, solo performance in DC at the Kennedy Center which is in and of itself a special treat. He, Nigel Godrich, and visual artist Tarik Barri and special guest Oliver Coates will perform songs spanning his solo works The Eraser, Tomorrow’s Modern Boxes, and Atoms For Peace’s Amok. Expect that space — along with the spaces inside your bones, your synapses, your breaths — to be filled. 

DCMR staff also say to check out: 


Saturday:

My highlight: Esperanza Spalding at The Lincoln Theatre  — Because Esperanza Spalding is "the 21st century's jazz genius." Her writing, her ease, her skill, her passion, her chops, her soul, her personality, her bass playing, her accessibility and yes...her genius. She is an icon for the times. 

DCMR staff also say to check out: 


Sunday:

My highlight: ​ Fantasias - Carolina Eyck & ACME at 3:30p at the National Gallery of Art — "Theremin virtuoso and composer Carolina Eyck joins the American Contemporary Music Ensemble for the Washington, DC, premiere of their collaborative project, Fantasias, which was released to critical acclaim on Butterscotch Records in 2016. For the project, Eyck composed six minimalist-inspired string quartet pieces, over which she improvises a solo theremin part. With these pieces, Eyck strives to “sonically investigate the interplay between nature and human imagination.” Eyck’s musically daring and physically challenging compositions defy easy classification, while her uncanny mastery of the theremin and use of electronic effects bring an authentically fresh sonic pallet to the forefront."

DCMR staff also say to check out: 


And there are a LOT MORE exciting things to see and hear and jam on in the links below, with personal choices in bold, along with a list of the DCMR staff top picks and cool "gems" that you don't want to miss!  Now get out there!


Mon - Nov 26

Mon - Nov 26

Mon - Nov 26


DCMR Staff Recs
Jam Opportunities
Hidden Gems

Tue - Nov 27

Tue - Nov 27

Tue - Nov 27


DCMR Staff Recs
Jam Opportunities

Wed - Nov 28

Wed - Nov 28

Wed - Nov 28


DCMR Staff Recs
Jam Opportunities
Hidden Gems

Thu - Nov 29

Thu - Nov 29

Thu - Nov 29


DCMR Staff Recs
Hidden Gems

Fri - Nov 30

Fri - Nov 30

Fri - Nov 30


DCMR Staff Recs
Jam Opportunities
Hidden Gems

Sat- Dec 1

Sat- Dec 1

Sat- Dec 1


DCMR Staff Recs
Hidden Gems

Sun - Dec 2

Sun - Dec 2

Sun - Dec 2


DCMR Staff Recs
Jam Opportunities
Hidden Gems

Related Articles

Related Articles

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AZTEC SUN - In The Name Of Everyone
Album Review

AZTEC SUN – In The Name Of Everyone

The first four notes on AZTEC SUN's debut album, In the Name of Everyone, will evoke a lot of emotions for Washingtonians. Those notes, immediately followed by the words, "step back, doors closing," can induce frustration or elation for residents of the District who rely on the Metro for their daily commute. The opening track of "In the Name of Everyone" deals with the trials and tribulations of WMATA, with lead singer Stephane Detchou belting out the lyrics "I was trying to get to work, I was trying to get to school / When the choo-choo fails you, what you gonna do?" AZTEC SUN, working with Soulive's Alan Evans, set out to craft a record that captures the energy and dynamism of their live shows. The result is a funky, soulful album that gives the feel of a party, from top to bottom.

We were on hand for the band's sold out album release party at Pearl Street Warehouse, and the band's enthusiasm to have reached this point in their musical careers is palpable. On stage that night, Detchou made it clear there would be no "warm up songs" and that the band would dive right into the deep end. The band was on fire that night, and their pride in the album is absolutely justified.

The band told DC Music Review before the album was released that they were determined to capture their live sound in the studio with Evans. This mission has been resoundingly accomplished. Having seen AZTEC SUN perform these songs live several times, it's easy to visualize the band's choreographed moves as I listen to the album; moves they showed off at Pearl Street Warehouse for that Saturday night throwdown. The songs themselves transport me to the live setting, where the band coordinates their outfits, takes joy in listening to one another, and are constantly on the move on stage.

The live recording process comes out clearly on the second track of the album, the title track "In the Name of Everyone," which begins with the guitar mixed to the right until the band's horn section starts on the left. Here again, Detchou's lyrics are a reflection of life in DC in 2018, with this song inspired by the feelings many Washingtonians experienced the day after the 2016 elections. The song opens, "You woke up on a Wednesday morning, feeling like the world was on its knees." The title track is an outstanding R&B slow jam that transitions to become a rocking funk tune at the bridge. The vocal section of Detchou, Sara Ghebermichael, and Lee Anderson sing repetitions of one another's lyrics with divergent inflections and fantastic harmonies. When the song reaches its closing breakdown, with Ray Lamb's guitar solo reflecting Detchou's gut-wrenching screams, the song reaches an excellent peak for what may be the finest track on the album and a natural choice for a single.

"No Time" may be my favorite song on the album though, with the horn section of Joe Goltz, Adam Kent, and Graham Robertson providing a fantastic, syncopated melody that, along with fast, thumping beats from bassist Shane Weckesser, and a Latin-tinged bridge by keyboardist Ryan "Catch" Banning, make for an unbelievably fun tune.

The album slows down for a breath during "District," Detchou's contemplation on gentrification and the changing face of Washington, DC. "Cranes shape the skyline and I can't see the view," is a relatable lyric for anyone who's lived in the District for more than a few years and has seen the rapid pace of change in the 2010's.

When the album then turns to "Resist," the Afrobeat-inspired protest song, it feels almost jarring when contrasted with "District" right before it, but the impact is exquisite. "Resist" provides some of the most enjoyable lyrics, like "He want be Messiah, but he just crazed man for TV," and "He smell like dictator." This song shows off the musical range of AZTEC SUN, to move from songs reminiscent of 70s funk and soul bands to something far closer to Fela Kuti.

"Wild" gives Ghebermichael an opportunity to take an opportunity on lead vocals getting back to the band's self-designed "funk with soul" stylings. It's placed well after "Resist" to bring the listener back to the band's roots, so to speak. The lyrics, "Don't you know it's a funk thing?" seem extremely self-aware at that moment. The mixing that gives such a great live feel on "In the Name of Everyone" returns in "The Healing" as instrumental parts and lyrics are faded across your headphones. Anderson brings this tune home toward the end, answering the question "When do we start the healing?" by belting out "Time for action!"

The band has long closed their shows with "Love... Call on Me," so it's no surprise to see that song take the closing slot on their album. This beautiful love song winds down the record nicely and rounds out a roller-coaster of emotional lyrics, tempo and genre shifts, and raw energy with a soulful anthem that will have listeners yearning for more.

AZTEC SUN - In The Name Of Everyone

AZTEC SUN

In The Name Of Everyone

Released: 2018

Track Listing:

1. Red Line

2. In The Name of Everyone

3. No Time

4. District

5. Resist

6. Wild

7. Healing

8. Love... Call on Me

Albums

Albums

Albums


iTunes

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Livestream

WATCH LIVE: John Kadlecik Kicks Off the Turkey Run at Gypsy Sally’s

John Kadlecik's annual holiday run at Gypsy Sally's that fans affectionately refer to as "the Turkey Run," gets under way tonight! Kadlecik will be joined by Jay Lane, Robin Sylvester,  Benjie Porecki, Jess Lake, and Mary Lankford. As with past years, tonight's show is raising funds to support DC Central Kitchen, and those of you watching online can contribute via their website.

We will be on scene to provide a livestream via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DC Music Review contributor Bob Jacobson's Mixlr account. Showtime is 8:30 pm at which point the streams below will become active (you might have to refresh this page then).




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Photos by: Mark Raker Photography
Concert Reviews

Yonder Mountain String Band Slays at Union Stage

Brad Parsons Band brought their ​"genre bending blend of psychedelic rock and Americana" music, as described on their website, to Union Stage ​​and after showing the audience what they had to offer, definitely gained quite a few new fans.  Belting out some truly great original hits and commenting on how good the pizza that he had seen several folks eating looked, the band members wrapped their set and hung out in the crowd talking to attendees for the rest of the evening.  

Traveling down from Annapolis, where they played the night before, through some interesting weather, Yonder Mountain String Band was ready to party and a little inclement weather wasn't going to stop them or their fans!   ​An opening solo that bass player Ben Kauffmann disclosed his band mates supposedly insisted on was a seugway into "Traffic Jam", a track off their 2004 album Mountain Tracks.   ​Acknowledging the precipitation that had been relentless all day and switched back and forth from all forms, he gave praise to attendees, ​​​ "Thank you for braving what is just the most disgusting weather to be here with us today," stated bass player and lead singer Ben Kaufmann "we appreciate it very much".  ​  A great transition into a song off another album from earlier in their career "Rain Still Falls", they proceeded to get the audience into a frenzy of foot moving with the next few songs, all a great buildup to The Seldom Scene's hit, "I Know You Rider" to which almost the entire venue sang along with.   Inviting Justin Mazer, onstage to join them to help out on what is one of many tracks for Ben's supposed unfinished Bluegrass Opera​, "Looking Back Over My Shoulder" proved to be quite a treat for the band and the audience members alike. 

Allie Kral continually killed it with her fiddle fingers and amazing voice and threw it all the way back to the nineties with a cover of Blind Melon's "No Rain" again hitting on the days outdoor activity.  The song was sung beautifully and made me immediately go home to find the vinyl copy of the album.  Personally, I enjoy both versions but Allie really makes it her own with the femininity of her voice and of course, her charming smile onstage.   She demonstrated her vocal ability well again on "Travelin Prayer" and the solos by not only her but every member of the band were something truly hypnotizing.

After closing out the main set list the band returned to an excited audience for a two song encore that kept people moving excitedly around Union Stage enjoying both the music, venue and the atmosphere.  Plenty to clap for, the audience was more than satisfied with their snowy Thursday and showed the band much love.  Yonder Mountain continues their tour with a stop next month in Mexico for the phenomenal lineup organizers of the Strings and Sol Festival have put together.  If you are among the lucky ones getting to attend this fun in the sun festival, enjoy!!!

Setlist

Setlist

Setlist


Click here to see the setlist for ​Yonder Mountain String Band's performance at ​Union Stage on ​November 15, 2018

Audio Recordings

Audio Recordings

Audio Recordings


Enjoy audio of this show courtesy of Jeff Prater

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Mark Raker of Mark Raker Photography.

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Novo Amor
Concert Reviews

Novo Amor Plays Gentle and Mystifying Set At Sold Out Union Stage Show

“It’s great to be able to play somewhere and people show up,” Ali John Meredith-Lacey said, half-joking, half in awe.

Ali, better known under his stage name, Novo Amor, played Union Stage last Wednesday. It was the second stop on his first ever North American tour, which is completely sold out.

Audience members more than “showed up”. They pleaded online for extra tickets, crowded the venue early, and provided their undivided attention throughout the duration of the too-short set.

Photo Gallery

Photo Gallery

Novo Amor are a serene and mystical blend of Bon Iver and Jonsi, one that feels both rich and powerful, while still being organic and natural. With a four-piece band backing him up, including former partner Ed Tullet, listening to the band felt like walking through a garden. With opening chords that sounded like wind chimes and greenery draping over the microphones and stage, it was impossible to not feel at warm and comfortable in the space.

The Welsh band played intently, looking so at home and intimate with their instruments. With their eyes shut, each member looked so in the zone — to watch them was to watch a living thing that swelled and pulsed with every note. At times, the audience was too in awe to decide whether to clap and potentially disrupt the organic flow, or to simply stay silent and absorb.

"...to watch [Novo Amor] was to watch a living thing that swelled and pulsed with every note."

The instruments were bolder, more vibrant live, with the violin especially flourishing during “Anniversary,” a track off Novo Amor’s 2018 release Birthplace. The songs weaved in and out of each other flawlessly, with Ali’s ethereal voice lulling the audience into a cozy stupor. Due to that sense of calm, when the drums and bass made their appearances in the choruses, the heavy beats were almost shocking, adding a dimension that isn’t always present in the recorded tracks. While “Carry You” and “Holland” are both typically relatively calming tracks, the band made the songs come alive with fantastic drums and bass, sometimes taking me by surprise. 

Tracks that are falsetto dominated on the record have a bolder sound live. “Sleepless,” for example, was nearly unrecognizable. It had a power behind it that I hadn’t ever heard before, solidifying the fact that Novo Amor is one that’s meant to be experienced live.

“Terraform” closed off the set before the lads walked off stage, featuring lead vocals and harmonies from Ed Tullet. The song, off their collaborative album Heiress, featured Tullet’s equally haunting falsetto. After Ali introduced the song, fans —old and new— shouted out words of encouragement for Tullet, cheering deafeningly at the song and setlist’s close.

The band walked off stage for a quick minute, before walking back out for a brief two-song encore, which Ali introduced by apologizing, “Sorry about the whole walking off and on [stage] thing. It’s a bit weird, isn’t it?” Ed joked, “it only took so long cause I had to blow my nose.”

 In addition to Novo Amor’s sweet crooning, opener Gia Margaret also provided a sweet, honey-voiced, self-deprecating set that was reminiscent of a less whimsical Laura Veirs meets Sharon Van Etten.  

Margaret summed the night up best when she said that the evening’s line up consisted of “gentle people listening gentle music.”

Setlist

Setlist

Setlist


Click here to see the setlist for Novo Amor's performance at Union Stage on Wednesday, November 14, 2018.

Photo Gallery


Enjoy photos by our photographer Emily Vitek of Emily Vitek Photography.

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Travelin' McCourys
Concert Reviews

Travelin’ Mccourys at The Hamilton

​The Travelin' McCourys returned to The Hamilton Friday night, a place they ​have shined at before ​and with a strong showing by openers The Dirty Grass Players, ​the venue was ready for a night of family fun and bluegrass.   Baltimore based Dirty Grass charmed attendees with an extended version of The Seldom Scene's "I Know You Rider" as well as some great originals and closed out with a song that was guaranteed to be stuck in almost everyone's head for the remainder of the night, "John Jacob Jingleheimer Schmidt".  The band worked the crowd up to just the right level for brothers Ronnie and Rob as well as the three other superstar members: Jason, Alan and Cody to take the stage.  It's worthy to note that every member of The Travelin' McCourys have been awarded an International Bluegrass Music Association title as best at each of their respective instruments.  On top of that fact, the band most recently, as a collective entity, was awarded the IBMA Instrumental Group of the Year award in 2018.  

*(Read Rob's account of the acceptance speech in his interview with Karin McLaughlin, here)

​Playing from what Ronnie noted was their 'latest and only album'  the ​fivesome show cased why each of them deserved the awards that they have ​been given.   Solos by each member of the band were amazingly hypnotizing and it's easy to see how their awards were earned.  Fans and friends were delighted to spend a Friday night with the Travelers dancing their way into the weekend.  Attendees got to hear a variety of originals and covers such as their version of "Let Her Go" that consistently proves to be better than the original, in my opinion.

Before kicking off on a run of Grateful Dead covers, Ronnie thought it worth noting that a few of the songs hadn't been covered since the days of Grateful Ball, a tour that was done with the Jeff Austin Band and had made a stop at the venue back in 2016.  During this part of the show was when we got to experience Ronnie's Mandocaster Electric Mandolin.  Telling a story about it, as they were traveling for a show, they just so happen to run into Sam Bush in the airport.  Ronnie's carry on was the electric mandolin and Sam inquired ​and was absolutely amazed by it, but debated the 'official' name.  No matter, stated fiddle player Jason Carter, the question is 'can you ​cast with the caster?' to which​ Rob's response was, "No, you can't fish with it but you can melt faces with it, just watch."   ​Ronnie also mentioned that he was in the city where he had first met Jerry Garcia, 'a truly wonderful man'.   An extended version of the hit "Deal Go Down" proved to be, what I think, was the highlight of the tribute to the Dead and proved that the instrument could indeed do what Rob had earlier stated.  ​​​​

The crowd ranged from what appeared to be some ​who were barely old enough to drink alcohol, to those that were around when you could still drink in the city at age eighteen.  A mix of friends, family and fans that have become family over the years according to one member of the band, the fellas weren't far from their original home of York County, Pennsylvania.  After having a huge announcement about one of the headliners for another highly anticipated year of Delfest, Rob noted that tickets went on sale the day before and that they set a record for the amount of early-bird tickets purchased.  Asking if anyone in the crowd had ever been to the festival, a true family affair for the McCoury brothers, about sixty percent of the crowd could be heard cheering.  There was also evidence that the crowd was obviously fans of the festival as there were several Delfest shirts​ displaying lineups from years ago to the most recent iteration of it as well as a shirt, that I too own, stating "Delfest is my happy place".

Wrapping the show with a two song encore, fans left quite satisfied with the night of bluegrass and tribute to the Dead, to anxiously await more announcements and a return to Cumberland for another Memorial Day weekend!   Check out the photos and recording below!

Audio Recordings

Audio Recordings

Audio Recordings


Enjoy the audio recording courtesy of Alex Leary.

Performance Date:  November 16, 2018



Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Mark Raker of Mark Raker Photography.

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Concert Reviews

RDGLDGRN Makes Surprise Appearance at The Harvest Jam Ahead of Saturday’s Union Stage Show [Video]

RDGLDGRN dropped in on Gordon Sterling's jam at Gypsy Sally's last night for a quick performance ahead of their show at Union Stage this Saturday.

This is the second "Harvest Jam," a name regulars have lovingly adopted for the Gordon Sterling Presents: The Gypsysally's Jam on the Tuesday before Thanksgiving. 

RDGLDGRN's rocked a three-song mini set during their unannounced appearance, and were joined for the last song by Jonathan Modell (Of Tomorrow) and Jason Hayes (Not At Liberty, Drop Electric, Skaii)

Performance Details

Performance

Details


Saturday, November 24, 2018

Doors: 7:00 PM

Show: 8:00 PM


Union Stage (https://www.unionstage.com)

740 Water Street SW

Washington DC 20024 (Google Maps Link)


$20  - GA

$30  - Premiere Plus



Webcast Recording of The Harvest Jam:

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Concert News

Laura Gibson Playing DC9 After Recent Release of Latest and Best Album

Laura Gibson is a storyteller. 


While her music has always been lyric-driven, this is her first album after receiving her MFA in writing. Her fifth and latest release, Goners, is an album for “thinkers and feelers,” one about grief, catharsis, and coping. It’s both literal and metaphorical, teetering on the edge of magical realism, with shapeshifting humans, hauntings, and ghosts. The songs feel heavier, weighted down with ponderous rumination about mortality and our inevitable end.


"If we’re already goners, why wait any longer, for something to crack open."

- Laura Gibson, "Goners"

Her lyrics have always been smart and thought-provoking, but now they feel truly alive, despite the album’s title, which refers to both the future and the past, and the fleetingness and fragility of human connection:

“The word is used for two types of people: those who lose themselves in the ones they love, and those whose deaths are imminent.”

- Chromatic PR Press Release

Goners is bold, and Gibson’s voice is as crisp and hypnotic as always. Fans of Laura Veirs will feel right ay home in Gibson’s gripping and experimental indie tunes. 

Don’t miss her show on November 26 at DC9 Nightclub.

Videos

Videos

Videos


The following videos are provides courtesy of <Artist Name>'s YouTube Channel.

​

Performance Details

Performance Details

Performance

Details


Monday, November 26, 2018

Doors: 7:30 PM

Show: 8:00 PM​


DC9 Nightclub (https://dc9.club/)

1940 9th St NW, 

Washington, DC 20001

(Google Maps Link)


$15  - In Advance

$18  - Day of Performance


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Concert Reviews

Shamans of Sound Strike a Vibe at Guest-Filled Tropicalia Show [Audio]

Shamans of Sound brought their psychedelic reggae sound to Tropicalia a couple Fridays ago and we were on the scene to record audio. They were joined throughout the set by a number of guest musicians, including Jess Lake, who sings vocals on their new track, "Love Lessons" which can be found on Spotify, iTunes, and just about anywhere you can find music.

Setlist

Setlist

Setlist


Click here to see the setlist for Shamans of Sound's performance at Tropicalia on November 9 2018

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Dark Star Orchestra at The Anthem, 2017
Concert News

Dark Star Orchestra Returns to The DMV to Play a Local Show

Dark Star Orchestra is returning to Washington DC's  Anthem on December 1st, 2018 to recreate a historic show that the Grateful Dead originally played in the DC area. This will be the final show of their Fall Tour, before the New Years Eve run of four shows, split between Philadelphia, PA and Montclair, NJ.

This Fall Tour kicked off featuring Jeff Mattson playing Jerry Garcia's legendary Wolf guitar, on loan  to the band. The custom-built, Doug Irwin guitar fueled Dark Star Orchestra’s  original setlist show with Wolf in mind when they started the tour Nov 9th in Lowell MA. Since then, and through the DC show, DSO will play five special recreations of Grateful Dead shows from each of those cities on the tour. 

As that might not be enough for the hard core Dead Head, DSO will be returning to the Jewel Paradise Cove Resort and Spa in Runaway Bay, Jamaica,  January 15-19, 2019, for their annual Jam In The Sand, joined by The Wailers and Green Leaf Rustlers.

​


Performance Details

Performance Details

Performance

Details


Saturday, December 1st, 2018

Doors: 6:00 PM

Show: 7:30 PM​


The Anthem

(https://www.TheAnthemDC.com)

901 Wharf Street SW

Washington, DC 20024

(Google Maps Link)




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