Alex and his band smiling on stage in the midst of a song
Concert Reviews

No Encore Required: (SANDY) Alex G Delights Richmond Crowd With An Audience Curated Setlist


Alex singing on stage with a view from the crowd

If you walked into a SANDY (Alex G) gig on a misty Sunday evening, you may be surprised when you’re greeted by a crowd of young adults who’s energy levels harken back to the last day of school.

Alexander Giannascoli, better known by the monicker SANDY (Alex G) or Alex G, used this enthusiasm to his advantage performing at The Broadberry in Richmond, Virginia last Sunday, August 12th. 

Sauntering onto the stage alongside his bandmates to the 2007 classic, “Life Is A Highway” by the Rascal Flatts, Alex shyly asked,

“You guys know this one?”

The crowd replied with a chorus of cheers, creeping up closer to the stage with eager grins. 

Launching into the performance, Alex and his bandmates played an eclectic mix of songs from his collection.  From Serpent Is Lord off his debut release to his latest work's Bobby, the audience sang and hopped around exuberantly.

The connection between the band and crowd points to why Alex brings such energy out on a typically mellow Sunday night. He doesn’t treat his fans any differently than his friends.

Alex's bass player wearing the glasses thrown onto the stage

While many performers would be slightly agitated with an audience member flinging a pair of sunglasses at them, Alex instead slipped on the bright blue, heart shaped glasses without the slightest hint of hesitation. 

Highly amused by the move, the crowd giggled and whipped out their phones while the band jumped into the next number. Passing the new prop along to his bassist, Alex casually tucked his hair behind his ear and smiled at the audience and asked,

“Yo, are these like...special glasses? Like prescription ones? Everything looked so funky just now, I saw prisms and shit!”

Back to his full range of vision, Alex switched over to the keys. Rising from his seat during particularly intense lyrics, he poured every ounce of emotion into the performance. 

As the night came to a close, Alex inquired about what songs the audience wanted to hear. Running the audience selected line up by his bandmates and the room, Alex demonstrated yet again his dedication towards purely focusing on the music, and in no sense creating a distinction between performer and audience.

Alex is currently on tour across the U.S., and will be coming to The Black Cat in Washington, D.C. this November 15th. 

Enjoy the following photos by our photographer Ana Medvedeva. 

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Concert Reviews

The Feminist Pop Punk We Sorely Need: Tacocat at DC9 (with GYMSHORTS)

Between the grizzly pounding of picks on fuzz-laden guitars, GYMSHORTS’ Sarah Greenwell shouted into the mic like a crazed fan who had climbed on stage to profess her love for the headliner: “Tacocat!”—smash smash smash—“Tacocat!”—smash smash smash.  While the original lyric bemoans an imitator (“Copycat!”), Greenwell’s lyrical nod to their tour-mates ironically put the shoe on the other foot and demonstrated what has now become a nationwide phenomenon:  A female-led punk movement is brewing, and the feminist surf-punk quartet from Seattle is in the driver’s seat.

The Fierce Female-Led Stoner Punk of GYMSHORTS

Sarah Greenwell with GYMSHORTS

Sarah Greenwell with GYMSHORTS

Right from the start GYMSHORTS made clear that they’d provide the edgier yin to Tacocat’s more pop-leaning yang. Songs like “Breathing On Me” and “Bedstuy” jumped back and forth between traditional Dead Kennedys-style aggression and the dark, down-tempo march of Melvins-influenced sludge. Thick guitar sounds crunched along with the beat, and Greenwell occasionally slid into a convincing Kim Gordon impression, borrowing the Sonic Youth singer’s signature unaffected, irreverent delivery. And while hardcore to the bone, GYMSHORTS also didn’t shy away from dialing back the rawness for a couple short, head-bobbing rockers that put Greenwell’s best songwriting on display. With “You Blew It,” the most recent single off of the forthcoming album Knock, Knock!, the band squeezed every last drop out of 90 seconds of an energetic and impressive tune that smacks of The Hives’ first album.

Not surprisingly for the young band out of Providence, it was the newest and currently unreleased songs played Friday night that showed the most maturity and promise. If those are any indication, that new album out August 28 is going to be one to watch.

Tacocat Brings Punk to Its Bubblegum Beginnings

Tacocat at DC9

Tacocat at DC9

On the heels of the aggressive opening set, Tacocat’s fun blend of sixties pop and surf rock showed just how broad the punk scene stretches. Radio-friendly “oohs,” peppy drumbeats, and classic major-key chord progressions make for songs that at first blush may seem like closer cousins to bubblegum pop than punk rock. Then again, were The Ramones really so far from The Monkees? “I hate to blow the mystique,” Joey Ramone once told an interviewer, “but at the time we really liked bubblegum music.” (Ramone even went on to refer to the “Hey! Ho! Let’s go!” chant from “Blitzkrieg Bop” as “our version” of “S-A-T-U-R-D-A-Y! Hey!” from the chart-topping teenage pop song “Saturday Night.”)

The return to pop-punk roots is paying off for the Seattle rockers. A sold-out room greeted Tacocat on Friday, with an age-diverse audience that speaks to the band’s generation-spanning appeal. It turns out whether you grew up in the heyday of The Ramones or just found them digging through your parents’ record collection, that original formula of sixties pop with distortion and rebellious lyrics still packs a punch.

In particular, the early Beach Boys influence shines through and gives Tacocat some of their strongest material; “Bridge to Hawaii,” “I Love Seattle,” and “Crimson Wave”—the latter two which closed out Friday’s set—all bottle that summer fun-in-the-sun vibe and sprinkle in a little punk edge with top-notch results. When not in the beachy mood, the band makes room for guitarist Eric Randall to take a bigger role, incorporating a sort of Foo Fighters brand of hooky rhythm lines.  The opening riff of “Talk” and the descending guitar break on Friday’s encore “I Hate the Weekend,” for example, effectively draw in nineties pop-punk elements before darting back into the retro feel.

Emily Nokes of Tacocat

Emily Nokes of Tacocat

Still, it’s the sarcasm and cheery middle finger to patriarchy in singer Emily Nokes’ voice and lyrics that most make this band stand out. Nokes delivered the lyrics to “Hey Girl,” a sharp commentary on street harassment, with just the sort of brash and sneering attitude misogynists deserve: “Who do you think you are? / Yelling at me from your car? / . . . / I was on my way to work. / You’re just a sweaty jerk.” If punk is about rebellion, nothing’s more punk than getting mad, staying mad, and refusing to put up with the status quo of harassment and “locker room talk” in the highest echelons of society in 2018. Lucky for us, Tacocat is out there inspiring a feminist punk movement to stand up and fight back, and with catchy songs to boot.


Setlist

Setlist

Setlist


Click here to see the setlist for GYMSHORTS at DC9 on August 17, 2018

Click here to see the setlist for Tacocat at DC9 on August 17, 2018

Enjoy photos by our photographer Shantel Breen.

Tacocat

GYMSHORTS

Associated Albums

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Lockn Festival
Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – August 20

Week Of: August 20-26

Summary: Rockin' at LOCKN'

There's a lot to look forward to this weekend, what with Dead & Company headlining the 2018 LOCKN' Festival (hopefully as a consolation to those who were thrown a curveball last weekend). 

If you're not headed to LOCKN', there is so much happening in town, including some of my personal favorite artists like Sheila E. at The Howard Theatre,  Beach House with Papercuts at The Anthem , Fishbone at The Fillmore Silver Spring, and the Cyrus Chestnut Trio at Blues Alley. (Details about these shows below!)

There's also some REALLY cool local artists that I have seen that are not to be missed, specifically: The OSYX with Crash Kitten, Candy Ambulance, and Honey at The Dew Drop Inn, Letitia VanSant plus The Young Novelists at Creative Alliance and again at Pearl Street Warehouse, Messenger Birds, FuzzQueen, Not Bored at Galaxy Hut, and Gina Sobel and Uasuf Gueye rock the Casa at Casa Phoenix.  Plus, the two shows I want to see based on their names/descriptions alone are  Strength & Power Band (Funk/Soul/R&B) at Blues Alley and  Alash, Orfeia: Tuvan throat singing at Rhizome.

There is also a plethora of FREE shows for every night of the week including (but not limited to): 

More details about all of the can't-go-wrong choices for every day of the week are below, including...

  • DCMR staff picks (shows that staff are abuzz about that we may be covering/seeing), and
  • Hidden Gems (sometimes smaller, often local, always downright cool shows) 

...with my personal choices in BOLD.  Now go have some fun out there!


Monday, August 20

Hidden Gems

Tuesday, August 21

Hidden Gems

Wednesday, August 22

DCMR Staff Recs
Hidden Gems

Thursday, August 23

DCMR Staff Recs
Hidden Gems

Friday, August 24


Saturday, August 25

DCMR Staff Recs
Hidden Gems

Sunday, August 26

DCMR Staff Recs

Articles Related to Artists in Featured Shows

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Concert Reviews

Heather Gillis Band Smokes at Hill Country Live

The Heather Gillis Band

The Heather Gillis Band played an intimate show at Hill Country Live in Washington, DC on Sunday, August 12. Hailing from Atlanta, GA, the band is fronted by the formidable singer, songwriter and guitar player, Heather Gillis - formerly of Butch Trucks and the Freight Train Band (2015-2017). Gillis and her band put on a nearly two-hour set that included sounds from multiple genres including rock and roll, blues, funk, jam and psychedelic exploration. 

Gillis' band features Evan Sarver (bass), Dallas Dawson (drums), Spencer Pope (organ) and newly-acquired Jimmy Rector (percussion) providing tight grooves, powerful beats and a knack for extended, experimental jams. The set included mostly originals including 'Iced Tea,' 'First Train' and 'Quick And the Dead' - dubbed by Gillis as her "outlaw song." The tune featured a slow-burning groove with some impressive vocals from Gillis as she wailed on the electric slide. A guitarist at heart, Gillis displayed her chops on a variety of axes including a Fender, Paul Reed Smith and Gibson - sometimes with a bit of delay or a wah effect. On 'Gonna Be a Storm,' she requested a chair from the audience before donning a lap steel guitar for the moody tune. Near the end of the set, the band let loose on 'Be Alright' that turned into a 20-minute jam. Gillis let her bandmates show the fans what they can do, starting with an impressive bass solo by Sarver, supplemented by Dawson and Rector on percussion - eventually morphing into an all out 'National Anthem' Radiohead jam. 

The band was in exceptional form and brought a full sound to the basement room under Hill Country Barbecue. Smiles filled the stage and it was clear the band was feeling it on this night. At the age of 23, the only way is up for the ultra-talented Gillis and her well-suited band. 

Enjoy photos by our photographers Josh Brick  of Josh Brick Graphics and Caitlin Moore  of Caitlin Moore Photography.

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Cory Wong Performs at Jammin Java in Vienna, VA
Concert Reviews

Music Lessons with Cory Wong at Jammin Java

Cory Wong kicked off his solo tour Tuesday night at Jammin Java with not only a great performance, but also a valuable music lesson or two.  Wong joked throughout the performance about teaching the audience important elements about musical compilation, some funny, and all ridiculous.  Having a new album that drops Friday, Cory was excited to get to play his new music live and also have copies of the record on vinyl available for purchase. 

Cory Wong

Cory Wong

Cory opened the show with a declaration that he was sacrificing his body by wearing white pants and a slim mustache in order to gain the attention of Dave Koz, whom Wong had spoken of a desired chance to collaborate with in his earlier interview with DC Music Review.  What he had failed to mention was that Koz had his own smooth jazz cruise and that was a highlight as Wong used images from the cruise as a background to the opening song of the show. 

Hard to know when to take him seriously while talking, audience members laughed along with him while he went on to explain very important elements of live performance.  There was the ‘chicken wing’ which means that a keyboard player is getting really into the music.  ‘Tanging the hump’ is what drummers do to the high cymbal about ’17 minutes into a jam band song’ and then there is the sheer hilarity of his other associations to things like yoga.

A true entertainer, we might not have known when to take him seriously about the instructional side of the night, but the man was all business when it came to absolute annihilation of the lead guitar and first night of tour.  He shared the news that his drummer missed his flight but that he was able to find a fill-in, also named Cory who, we later found out, just so happen to also be a second cousin to Wong. These cousins shared an intese musical passion and talent and only learned of each other very late in their teen years.  Quite ironic, as he was also supported by Kevin on the keys and Kevin on guitar.  The Corys and The Kevins, as Wong named the new supergroup, were the hosts of the encore and after party as well and you couldn’t help but be impressed with the way the drummer performed being that he wasn’t part of the original plan. 

The optimist, Cory Wong, enjoyed every minute on stage.

The optimist, Cory Wong, enjoyed every minute on stage.

Wong’s unique style of guitar playing tore through Jammin Java and kept a crowd that ran a long distance of age moving through every song.  His appeal and ability to show how much fun being onstage is for him carried out through the audience as well, showing that Cory is a true entertainer.  After ending the show, chants of ‘Cory Wong’ echoed throughout the venue and brought him back onstage for a brief solo shred.  Mentioning that everyone forgot to chant for the rest of the band, all members eventually joined him as well and ‘The Corys and The Kevins’ brought it home with a strong ending, even inviting Jacob Sigman, the opener, onstage to sing Prince’s ‘Wanna Be Your Lover’ along with them.  Happy to stick around and talk to folks afterwards, about a third of the people in attendance jumped at the opportunity to get to talk to Cory and other members of the opening and main act band, leaving the merch table buzzing for a whole nother hour.


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

Despite all that Cory Wong desperately wanting to go on the cruise with Dave Koz, it looks like this event is sold out.

Look for Cory Wong to continue seeking Dave Koz's attention and  impressing him.  Perhaps we can all cruise with Cory and Dave in 2020!

2019 Dave Koz and Friends at Sea Cruise Voyage - Sold Out
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Hot August Music Festival 2018
Concert News, Festival News

August Sizzles This Saturday as Hot August Music Festival Comes to Cockeysville, MD

What better way to spend a Saturday in August than at the Hot August Music Festival? Our favorite local music festival returns to Oregon Ridge Park this Saturday, August 18,​ and it is one that you don’t want to miss.  

Turkuaz performing at last year's Hot August Music Festival

Turkuaz performing at last year's Hot August Music Festival

The 2018 Hot August Music Festival will feature some amazing artists on three stages throughout the day.  Enjoy performances by local favorites, Cris Jacobs, The Dirty Grass Players, the Hall Williams Band and many more! New Orleans rockers, The Revivalists, headline and perform after Trampled by Turtles on the Stages Music Arts Main Stage. You can read up on each artist performing this year and check out their music on the Hot August Music Festival Artists section on their website. 

Hot August Music Festival is not just about the music –  it's also a day to enjoy fantastic food, drinks, and activities for families. Admission is free for children under 12, making this a perfect family fun day!  The Kids Corner Pavilion will feature face painting, kid’s yoga, and everyone’s favorite drum circle. The festival also provides an incentive for volunteers.  In exchange for working a 3-hour shift during the festival, you will receive free admission, a wristband, and a tee shirt.  This is a great way to enjoy the festival and provide a service.

Fans enjoy a fantastic set by Lettuce at last year's Hot August Music Festival.

Fans enjoy a fantastic set by Lettuce at last year's Hot August Music Festival. 

Gates open at 11 a.m. – be sure to get there early so you don't miss any of the performances. General Admission tickets are still available, so come out this Saturday and enjoy this year's Hot August Music Festival! Visit their website for more information. 

Tickets are $68 in advance and $85 on Saturday at the gate. That almost pays for parking ($20)!

This is truly a festival you do not want to miss. It has everything you want - world-class, local and national touring musicians - and a hometown Charm City atmosphere!

Enjoy a few photos from last year's Hot August Music Festival by our photographer Shantel Breen of These Subtle Sounds.


Saturday, August 18, 2018

Doors: 11:00 a.m.

Performances: 11:30 a.m - 10:00 p.m.


Oregon Ridge Park

Cockeysville, MD

(Google Maps Link)


$68 - In Advance

$85 - Day Of

$20 Parking General Admission


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Wild Rivers at Union Stage
Photo Recap

Wild Rivers Indie-Folk Sounds Run Wild at Union Stage

Canadian indie band Wild Rivers came to Union Stage in Washington, DC on August 9.

This folk-pop quartet performed to a packed venue. The band's songs are very accessible and exude heartfelt emotions spanning love and longing to the rock-poppy "I Won't Be Back". The band is comprised of Khalid Yassein (vocals, guitar), Devan Glover (vocals &  bass), Andrew Oliver (guitar), and Ben Labenski (drums). They are known for their beautiful harmonies and a memorable stage presence. At the end of the evening's performance, the band walked off stage only to delight fans further as they gathered in the center of the floor, performing an intimate acoustic experience.

If you love folk music with a hint of country and pop, be sure to add Wild Rivers to your list. This is not the first, and we hope it's not the last time WIld Rivers comes to our region.


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.


Associated Recordings

To learn more about Wild Rivers please visit their website or Facebook page.

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DC Music Rocks 2018 Festival
Concert News, Festival News

DC Music Rocks Second 9:30 Club Festival Coming this Weekend

Being residents of the DMV, we are lucky enough to have great music nearly every night of the week at a wide variety of world-class venues.  Big names make the D.C area a must on their tour date schedule.  Another thing that the area has a lot of, is local artists who are incredibly talented.  Local podcast and radio host of DC Music Rocks, Brian Nelson-Palmer is a huge fan of the people and music that come out of our area and is helping others to discover and become the same.  

Kid Brother

Brian originally started the show​ in order to “shine a spotlight on the great songs, artists and incredible people behind the DC music scene” and he has managed to do just that.  With more than 400 local music acts in his directory, along with a calendar that is packed full of chances to check out a new act, Brian’s 10,000 plus followers can never say that opportunity is something that is lacking.  Brian’s following and reach have grown so much so, that on August 18th the second DC Music Rocks Festival is coming to 9:30 Club boasting a great lineup that spans multiple music genres.  ​He first was given the opportunity in 2017 to put on a festival and impressed the right people enough to​ almost immediately get an offer to host a year two. 

Pebble 2 Pearl

Pebble 2 Pearl

This year, attendees will be treated to the sounds of Black Dog Prowl, Allthebestkids, Fellowcraft, Pebble to Pearl and Kid Brother and just like last year, it will be something incredibly special.  Fellowcraft's JR MacDonald said this about the D.C. Music Scene, “The DC scene wills itself to exist almost solely on the commitment its artists have to cultivating not just their art, but their community.  DC Music Rocks, to my knowledge, is the only musically centered project in DC that is 100% designed and curated around the promotion and celebration of local acts. It’s gained thick roots in this city in my opinion for the aforementioned reasons. The scene supports itself, and DC Music Rocks is a product of the love, solidarity, and kindness that this city propagates. It was a natural extension of itself. Shows in DC are frequently diverse, and genre blended. This allows us to meet so many different kind of people. It’s far more common to see an Indie Shoegaze, Dream Synth Pop, Power Pop, and Hardcore Punk band take the same stage during the course of a show if you're in DC.”

Black Dog Prowl

Black Dog Prowl

Important to fans and artists alike, this festival represents the DMV and the plethora of what live music junkies love – the opportunity to find a new sound that they can enjoy and appreciate.  Cody Valentine of Allthebestkids, a ten person hip pop psyche rock band from the future, as he described it had a great point about why this festival is such a big deal.  “It's important to have this type of festival because it helps everyone get over the stigma of local music.  People think that you need the million dollar marketing and studio engineering budget of a mega star to be a credible artist. You absolutely don’t. The local scene is thriving with incredible talent. That talent may be judging themselves right now because only 10 or 50 or 100 people come out to their show. What they don’t realize is that those 10 - 50 - 100 people represent a sizable portion of the local music consumers. They might have 10% of the people that care about local dc music at a show, but wouldn't realize it because of the standards that have been set by big multibillion dollar record labels/factories. An event like this gives local bands something to shoot for, and it gives the local dc music consumer something to appreciate.  The fact that it's in the INCREDIBLE 9:30 Club is the neon bow that makes this all come together in its highest form.”

Taking the time to appreciate not only music, but local music is what keeps the interest of countless fans and encourages other young musicians to pursue their goals of starting a band to add to the already rich, local D.C. music scene.  Thanks to Brian and this festival, the recognition will continue to grow and thrive, shining a spotlight on some very impressive talent.

To learn more and buy tickets for the festival, please visit their event page here.  


Saturday, August 18, 2018

Doors: 7:00 PM

Show:   8:00 PM


9:30 Club (https://www.930.com/)

815 V Street NW

Washington, DC 20001 (Google Maps Link)




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Stone Temple Pilots Perform at Jiffy Lube Live
Concert Reviews

Tri-headliners Bush, Stone Temple Pilots & The Cult Rock Out at Jiffy Lube Live


Guest Contributor: Sharon Reed

Sharon Reed is a writer and photographer based in Virginia. Sharon has written articles for: The Loudoun Tribune, Examiner/AXS, US News & World Report, Northern Virginia magazine, Loudoun Magazine, Loudoun Times-Mirror, Washington Post Express, and many more. We are very happy to have Sharon contribute to DC Music Review.


Revolution 3 (Rev3) Tour

​ With a triple lineup of three outstanding alternative rock bands — The Cult, Stone Temple Pilots and Bush—plus opening band The Dirty Hooks—the audience rocked out at Jiffy Lube Live on Sunday, August 5. More than 40,000 people came out to watch the bands perform on the 11th stop of their 20 city Revolution 3 (Rev3) Tour. 

As tri-headliners the bands rotated their performance order during each show on the tour. At the Jiffy Lube Live show, The Cult hit the stage first, followed up Stone Temple Pilots and then Bush. Each of the bands played a full set of music.

The Dirty Hooks

Opening for the tri-headliners was LasVegas-based  The Dirty Hooks​, which joined the Rev3 tour in August and are set to play through the end of the tour on September 2nd​.

Commenting on the show at Jiffy Lube Live, the band’s co-lead vocalist and bassist Bobby McCall said: “It’s been the best response yet as far as the crowd goes. The fans were amazing & some of the best people we’ve had the pleasure of talking to so far on the Rev3 tour.”

An indie/garage/blues/rock trio, Dirty Hooks also consists of co-lead vocalist and drummer Jenine Cali and guitarist/keyboardist Anthony Ratto.

Dirty Hooks performed 5 songs at the show, starting off with "Cicada Tree" and finishing with "Midnight Runway."

The Cult

First up of the tri-headliners was The Cult​, starting off by performing three songs from the 80’s: "Wild Flower" (1987) from their album Electric, "Rain" (1985) from Love, and "Spiritwalker" (1984) of the band’s debut album Dreamtime. 

Formed in 1983 in the UK, The Cult began as a post-punk/gothic rock band before breaking into mainstream in the U.S. in the late 1980’s as a hard rock band. Under various line-ups, the original band split up in 1995, then reunited from 1999 to 2002, and then got back together again in 2006 to the present. 

Two of The Cult’s members have been with band since its founding: lead vocalist/guitarist/ percussionist Ian Astbury and lead guitarist Bill Duffy. Drummer John Tempesta joined the band in 2006. Keyboardist/vocalist Damon Fox and bassist/vocalist Grant Fitzpatrick joined The Cult in 2015.

With a background of dazzling videos, the Cult played 11 songs, including the U.S. chart topping songs "Rise" and "Firewoman." Segueing back and forth between performing songs from the 80’s and 90’s, plus "Rise" (2001) and "Elemental Light" (2012), the audience was treated to an outstanding show.

Stone Temple Pilots

Jeff Gutt of Stone Temple Pilots

Jeff Gutt of Stone Temple Pilots

With a new frontman, Stone Temple Pilots ​(STP) started off their show by performing "Wicked Garden," one of the band’s biggest hits. The song's lyrics were written by Scott Weiland, STP’s former long-time frontman. Many of the concertgoers were likely seeing Jeff Gutt, the new lead singer, perform for the first time live and the buzz among the crowd about Gutt’s performance—and the entire band—was extremely positive. 

Formed in 1989 in San Diego, STP’s original lineup remained unchanged with the exception of the lead singer Weiland, who left the band in 2013. Chester Bennington, of Linkin Park, replaced Weiland in May 2013 until Nov. 2015. Tragically, Weiland died of an overdose in Dec. 2015 and Bennington by suicide in July 2107. STP’s three other current members have been with the band since its inception: bassist/backing vocalist Robert DeLeo and guitarist Dean DeLeo, who are brothers, and drummer Eric Kretz. 

Stone Temple Pilots

During the show, STP performed 12 chart-topping hits, including "Vasoline," the 1994 song that reached #1 on the Billboard U.S. Mainstream Rock Chart and #2 on the Billboard U.S. Alternative chart. 

Marking the new era with Gutt as frontman, STP performed two songs from the band’s 2018 second self-titled 7th studio album: "Meadow" and "Roll Me Under."

Capping of the show, STP performed mega hit "Sex Type Thing," the band’s traditional closing song at live shows. 

Clearly wowed by the outstanding performance, the audience clapped and cheered with great enthusiasm when the four band members took a bow at the end of the show.

DC Music Review caught up with a few D.C. area musicians who were in attendance at the show to find out their take on new frontman and the STP show:

Stone Temple Pilots

“I was one of the many that questioned Jeff’s ability to deliver Scott’s parts as we all remember them,” said John V. Hardwick, drummer with Uncle Jesse and Make More Animals. “That said, any true fan of the STP music got exactly what they needed last Sunday. The band was tighter than ever and it was great to see them so connected with the crowd.”

“I thought Jeff Gutt was exceptional as the new frontman,” agreed Michael Hynes, guitarist/backing vocalist in Vintage Kitty. “He really played the part. He sounded and looked like Scott Weiland. Gutt tried to duplicate Weiland’s original sound and vibe--and he nailed it… STP is as strong as ever.” 

“I thought STP sounded stellar,” added Carter Pennell, guitarist in Kleptoradio. “Despite the casual fan’s parochial focus on Weiland, I’ve long considered the DeLeo brothers to be the real driving talent of the band. I’ve always been impressed by Dean DeLeo as probably the most talented and innovative guitarist of that style/era. He and Rob were able to very successfully weave jazz elements into radio hits creating complexities that are typically missing in pop music; STP songs are just outright recognizable and enjoyable songs to listen to even without the vocals. And it’s not just that STP has good music - it’s that they still play it so well.”


Bush

Gavin Rossdale of Bush

Gavin Rossdale of Bush

“Breathe in, Breath out...” Bush frontman Gavin Rossdale sang while stepping up the stage at Jiffy Lube Live. Starting off the show with a bang, the band performed the mega hit song "Machinehead" to an extremely enthusiastic crowd. 

Formed in London in the early 90’s and still going strong, Bush consists of lead vocalist and rhythm guitarist Rossdale, drummer Robin Goodridge, lead guitarist Chris Traynor, and bassist Corey Britz. 

From start to finish the audience sang and shouted along to the lyrics of eight chart-topping songs from the 90’s that Bush performed at the show. 

Bush also performed "This is War," a single from their 2017 album Black and White Rainbows.

Chris Traynor of Bush

Chris Traynor of Bush

Reaching back in time, the band also covered "Come Together" by The Beatles, a fan favorite rendition that Bush has performed many times at past concerts.

Highlights of the show included Rossdale’s performance of "Glycerine," during which thousands audience members waved their illuminated cell phones in the air while singing along.

During the performance of "Little Things" Rossdale jumped down from the stage and sang while running throughout the crowd. People scrambled to get close to the singer who sang enthusiastically with an entourage of admiring fans following along while attempting to take photos. When Rossdale returned to the stage to conclude the song the audience clapped and cheered with tremendous appreciation.

Topping off the show, Bush performed "Comedown," which seemed to perfectly evoke the mood of the audience. While performing in front of the stunning video backdrop, the audience sang along to the verse:


Gavin Rossdale of Bush

Gavin Rossdale of Bush (click for full image)

'Cause I don't wanna come back down from this cloud
It's taken me all this time to find out what I need
I don't wanna come back down from this cloud
It's taken me all this all this time

  "Comedown"  from Sixteen Stone

On “Cloud Nine,” the audience clearly didn’t want the show to end.


Enjoy photos by our photographer Sharon Reed.

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The Revivalists perform at Lockn 2017
Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – August 13

Week Of:  August 13-19, 2018

Summary: Music in the Streets

This week continues to showcase what is best about DC by bringing music, acceptance, freedom, diversity, and love to the streets, parks, and lawns. Lots of great and eclectic OUTDOOR choices this week from: 

There's also a lot of great (indoor) local music festivals to check out including:

More details about all of the can't-go-wrong choices are below, including...

  • DCMR staff picks (what we may be covering/seeing), and
  • Hidden Gems (sometimes smaller, often local, always downright cool shows) 

...for every day of the week (with my personal choices in bold). Have fun!


Monday, August 13

DCMR Staff Recs
Hidden Gems

Tuesday, August 14


Wednesday, August 15

DCMR Staff Recs

Thursday, August 16

DCMR Staff Recs
Hidden Gems

Friday, August 17

DCMR Staff Recs

Saturday, August 18

DCMR Staff Recs

Sunday, August 19

DCMR Staff Recs
  1. A Fundraiser for The Craig Tufts Educational Scholarship Fund featuring Crys Matthews, Gordon Sterling & the People, Shamans of Sound, Brian Farrow & the Cliffhangerz, Elena y Los Fulanos, Mink's Miracle Medicine & Albatross at Pearl Street Warehouse
  2. The Revivalists with ZZ Ward at Wolf Trap. 
  3. Audioteka II at Club Heaven and Hell
  4. Melba Moore at Blues Alley
Hidden Gems

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