Railroad Earth at The National, Richmond VA
Concert Reviews

Railroad Earth Finishes Winter Tour with Two at 9:30 Club

Railroad Earth (RRE) ended their winter tour with one night at The National in Richmond, VA and two nights at the 9:30 Club in Washington DC.  They showed their versatility and longevity by playing over 50 different songs during these three shows. Fans each night excitedly said that they heard their favorites, there was truly something for everyone.  Each of the shows was the best one could hope to hear.

RRE recently lost founding member and multi-instrumentalist Andy Goessling. Andy was on the minds of the band, the crew and the Hobos, as RRE fans call themselves.  The band line up for these shows consisted of

Carey Harmon, Railroad Earth, 9:30 Club
Carey Harmon, Railroad Earth, 9:30 Club

Todd Sheaffer – guitar, harmonica, vocals,

Tim Carbone – violin, electric guitar, vocals

John Skehan – mandolin, irish bouzouki, piano, banjo, vocals

Carey Harmon – drums, hand percussion, vocals

Andrew Altman – acoustic bass, electric bass, vocals  

Matt Slocum - keys (special guest)

Jay Starling - dobro, lap steel and electric guitar (special guest)

Richmond's National Theater is a beautiful historic theater built in 1923. It reopened in 2008 as a music venue and is on the National Register of Historic Places.  On Thursday night, The National was comfortably crowded with a great fan crowd yet room to dance. The mellow crowd spent the evening  singing and swaying with the music. One of the many times John Skehan treated us this weekend was when he played the Irish Bouzouki on  “Where Songs Begin” Several times the audience erupted in loud song and hand waving, “Came Up Smilin’” was one of those moments. The crowd, most of whom were smiling from ear to ear, started to do an informal wave. As with every RRE show, each member of the band had his chance to shine. Tim Carbone’s fiddle and Skehan's mandolin kept the smiling going with an  incredible dueling instrumental jam. After a brief set break the instrumentals continued during “Saddle of the Sun”. During the show Andrew Altman played both stand up and bass guitar and Skehan played both mandolin and keys.  Local talent, Jay Starling, was on dobro and lap steel guitar.  

At all RRE shows there is a mix of hardcore fans, Hobos,  who travel for hundreds of miles,  new fans seeing them for the for the time, and everything in between. Chuck drove down to Richmond from Maryland to see RRE live for the first time and was instantly  hooked, continuing to listen to them all weekend. Scott and Tammy, who came from the Delaware  shore to DC for the 9:30 club shows have seen RRE well over a hundred times. Tammy’s first show was in 2007 and Scott's first was in 2003 at Grey Fox Bluegrass Festival.

Andrew Altman, Railroad Earth, National Theater

The New Jersey-based JamGrass band has a liking for the 9:30 Club and has played there annually since 2013 – this year returning again for back to back nights – with shows that the local Hobos have been waiting to see. On Friday, March 22nd  there were over 500 fans and Saturday the 9:30 club was at near capacity. .Friday night the jamming started early with “Storms” and continued throughout the entire show. “Raven’s Child>Black Bear>Grandfather Mountain” got the crowd moving.

Another fan highlight was a 28 minute “Black Elk Speaks > Like a Buddha> Give That Boy a Hand”.  Lindsay Lou, who supported RRE at all three shows, joined the band as lead vocalist for the encore of “Wayfaring Stranger”. 

Saturday night Lindsey Lou opened her set with “Southern Moon.” Tim, Andrew and Carey joined Lindsey on the last few songs to finish her set. The night was electric; from the start the energy of both the band and crowd was off the charts.

Carey Harmon made the drums sizzle all weekend long. When he started playing the drum intro on "Mighty River" the crowd was screaming with anticipation for the familiar lead-in.

Tim put down his fiddle and played the guitar for “When the Sun Gets in Your Blood” he also played a shaker stick. For the last song of the first set we were treated to Lindsey Lou on guitar and lead vocals for “Long Face” written by Bobby Charles, it was the first time they have played it in concert.

The second set opened with “Walk Beside Me”. On Saturday night the Hobos were ready when Todd Sheaffer hit the chorus lines of “Elko,” “I need a card, Hit me Lord, But not too hard“ and thousands of playing cards flew from everywhere in the 9:30 club. They also played fan favorite “Warhead Boogie.”

RRE ended the final night of the winter tour with RV. It seems appropriate finale as after the show they hopped back into the tour bus and headed for home.

The Spring Tour starts on April 3 in Houston Texas. Although they won’t be back in DC on the spring tour, they can be seen not too far away in Cumberland, MD at DelFest. RRE will be playing a late-night set and closing out the festival on Sunday.   See the Spring Tour schedule at http://railroad.earth/tour.  Many hobos are counting down the days until DelFest or whatever their next show opportunity will be.

RRE will also be at Bluegrass in the Bottoms; Blue Ox Music Festival, Telluride Bluegrass Festival, and Arise Music Festival this summer. RRE just announced that they are also hosting and  playing three nights at Hangtown Music Festival in October.

Lindsay Lou joins Railroad Earth at 9:30 Club
Lindsay Lou joins Railroad Earth at 9:30 Club

Opening for RRE each night was  Lindsay Lou and Joshua Rilko.  Her sound is rich, expansive and Lindsay's vocals & lyrics are captivating and hit deep. Rilko accompanied her with the mandolin. Her brand new CD, Southland, is a collection of songs examining the range of emotions and complex themes of our changing times; delivered with soulfully fierce intensity and tender intimacy that demands your attention.. She played a mix of originals and covers. She also told stories about the Strings and Sol Festival and touring DC. Lindsay Lou will be playing with RRE on May 15 - Slowndown - Omaha, NE  and May 16 - Rust Belt - East Moline, IL,. Lindsey  is also on a national tour and will be playing at a number of festivals including Camp Greensky and DelFest.  see https://www.lindsayloumusic.com/tour for more tour information.

In addition to the Railroad Earth tour below, there are also other opportunities to see Tim and Todd with solo shows or guest appearances. Todd Sheaffer will be playing Friday, April 19, 2019  at The Kennett Flash, and  Tim Carbone will be joining an incredible lineup for the Unlimited Devotion: All-Star Grateful Dead Celebration 5/31- 6/1 at the The Ardmore Music Hall.

Audio Recordings

Audio Recordings

Audio Recordings


Enjoy the audio recording by:  TaperJeff

Performance Date:  March  22, 2019

Venue Name: 9:30 Club - Washington, DC


Enjoy the audio recording by: ph_2k

Performance Date:  March  23, 2019

Venue Name: 9:30 Club - Washington, DC

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Mark Raker of Mark Raker Photography.

Railroad Earth - The National -  Thursday March 21, 2019


Railroad Earth - The 9:30 Club, Washington DC -  Friday & Saturday March 22-23, 2019


Lindsay Lou


Soundboard Recordings

Soundboard Recordings

Soundboards


Railroad Earth - 9:30 Club - March 22, 2019

Click to purchase Nugs.net

March 22, 2019 Performance

Railroad Earth - 9:30 Club - March 23, 2019

Click to purchase Nugs.net 

March 23, 2019 Performance 

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Maggie Rogers
Photo Recap

Maggie Rogers Sells Out Two at 9:30 Club [Photo Review]

Pop sensation and Maryland-native Maggie Rogers made a stop in DC for two sold-out shows at the 9:30 Club on March 25-26. The singer/songwriter/producer is touring in support of her first full length album, Heard It In a Past Life and has her eyes set on a breakout year. She will return to DC on October 8 for her debut at The Anthem. 

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Caitlin Moore  of Caitlin Moore Photography.

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Cape Francis
Concert Reviews

Cape Francis and Yoke Lore Celebrate End of Tour with Two Sold Out Songbyrd Shows

Almost a year after their performances in Washington DC last year, indie artists Cape Francis and Yoke Lore returned to the DMV for not one, but two sold out shows at Songbyrd. Last Spring, Cape Francis kicked off his “zXzW Tour” at Songbyrd while Yoke Lore played the Rock & Roll Hotel on his tour with Frenship. Now the two artists have joined forces and returned to the nation’s capital to finish off their spring tour. After tickets for the first DC performance sold out, the additional date was added by popular demand and were quickly snatched up.

Just a few weeks prior to the Spring tour, Cape Francis released their second studio album, Deep Water. We recently talked to Kevin Olken Henthorn of Cape Francis who told us all about the new album and some of his favorite songs to perform live. The full interview, where Kevin also talks about some of his favorite moments on tour is available here.

Both Cape Francis and Yoke Lore recently embarked on a new journey by departing from their previous bands and exploring the adventures of being a solo artist. While Kevin was previously a member of the band Stone Cold Fox, Adrian Galvin of Yoke Lore is best known for his contributions to Walk the Moon. Yoke Lore released his third EP “Absolutes” in July 2018 as a follow up to his 2017 EP “Goodpain”. With songs such as “Fake You”, “Cut and Run”, and “Concrete”, Yoke Lore explores the various internal struggles that people deal with in their lives.

“Deep Water is much more focused around work, what it means as a creative person to balance work life and music life, and all the fears and pressures that come into the picture when confronting it."

After their performance on Wednesday, Cape Francis will be heading out to the South West for a tour with Cayucas, and will stopping in cities such as Phoenix, Austin, Denver, and Las Vegas. Meanwhile, Yoke Lore will be heading over to the UK and Europe for a few weeks and will be playing in Dublin, Paris, Berlin, and more. If you were not able to get tickets to either of this week’s sold out shows, Yoke Lore will be returning to the area to play the Firefly Festival this June in Dover, Delaware. With other big names playing at Firefly such as Panic! At the Disco, Death Cab for Cutie, Young the Giant, and Vampire Weekend, this festival is one you don’t want to miss. General admission and VIP tickets are currently on sale here.

Videos

Videos

Videos


Associated Albums

Associated Albums

Associated Albums


Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Emily Vitek of Emily Vitek Photography.

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Ghost Light (Photo Credit: Jason Siegel)
Album Review

Ghost Light ‘Best Kept Secrets’

The opening notes of "Elegy," the first track on Ghost Light's debut album, Best Kept Secrets, aren't from any of the instruments you'd associate with the jam band super-group. They don't come from Tom Hamilton's guitar or Holly Bowling's piano. The album begins with the sound of wind chimes, encapsulating the band's approach of shifting like the wind, blowing back and forth between the diverse talents of the musicians that make up the band. Note by note, the remaining members of the band enter the musical tableau, delicately and hauntingly, beginning with Bowling and followed by Raina Mullen's wordless vocal melody and the pounding drums of Scotty Zwang, before finally Hamilton's guitar chimes in softly in the background. 

For those that have seen the band perform live, this may seem an odd way to open the first album of a band that is defined by an electric, psychedelic live show, but that subversion of expectations makes the transition to the next track, "Don't Come Apart Just Yet, My Dear," all the more impactful. Best Kept Secrets kicks off in earnest with the fuzzy opening guitar riffs to this rocker that begins with the lyrics, "Don't come apart before you really know which way to fall / It's just a louder world now." These opening lines evoke the sense that this is an album that could not have existed even a few years sooner, both due to the growth of the musicians that have each had successful music careers with other bands or solo projects, and the tenseness of American culture in 2019. As a result, Hamilton and Mullen's lyrics provide powerful motifs for the band's debut, from the aforementioned opening lines to the pointed messaging of "Keep Your Hands to Yourself," effectively a blues-rock anthem for the #MeToo and #TimesUp era with the very direct line "Time's up, creep."

There's plenty more to love in the instrumental sections of this album, from catchy guitar hooks and vocal harmonies from Hamilton and Mullen to intense, driving percussion from Zwang and fantastic keyboard runs and textures from Bowling. The talents of this band shine through in that regard in the instrumental interludes, including "Beyond/Before," which are marked by psychedelia and atmospheric discordance that manage to provide a compelling, almost cinematic backdrop for the ear-worm rock tracks that have become standards of the band's live repertoire.

The result is a record that, much like Ghost Light itself, is greater than the sum of its part. It's a record that shows a clarity of collective vision and collaboration. Although Hamilton produced the album, every song's writing credit goes to the band as a unit. Ghost Light is clearly a band focused on shared energy and a singular output. No member stands above the others and the result is fantastic.

Still, Ghost Light shines brightest in a live setting, where the band can stretch its improvisational legs and create spontaneous music and energy as a collective unit. The band will return to the Hamilton in Washington, DC on May 18th, so mark your calendars now for a show that will surely kick off the summer in electric fashion.

Ghost Light Best Kept Secrets

Ghost Light

Best Kept Secrets

Released: March 22, 2019

Holly Bowling - Piano
Tom Hamilton - Guitar
Raina Mullen - Guitar
Scotty Zwang - Drums

Track Listing:

1. Elegy

2. Don't Come Apart Just Yet, My Dear

3. Diamond Eyes

4. Isosceles

5. Beyond/Before

6. Keep Your Hands To Yourself

7. If Only, For Now

8. Doorway To A Silent Chamber

9. Best Kept Secret

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Livestream Powered By DC Music Review
Livestream

WATCH LIVE – Gordon Sterling Presents: the Gypsysally’s Jam

Tonight brings us another Gordon Sterling Presents: The Gypsysally's Jam and we will be on scene to provide a livestream via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DC Music Review contributor Will Urquhart's Mixlr account.

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Joe Bonamassa performs at The Modell Lyric
Concert Reviews

Joe Bonamassa And His Incredible Band Totally Flattened The Modell Lyric In Baltimore With Such An Intense Hurricane Of Blues-Rock Music

Touring in support of his 2018 album Redemption, Joe Bonamassa brought his blues-show extravaganza to Baltimore for an evening of stellar guitar playing on Friday night, March 15th.  I must admit I am not sure where to start with this write-up other than the fact that this show blew me away.  From the talent of Joe with his six-string, all the way down through the band to his back-up singers, this was one spectacular performance that I won’t soon forget.  And the cool thing is that each player in the band had their time to shine, and the credit for the music is spread throughout the musicians.

Opening the show with the sounds of Muddy Waters being played through the sound system, the band took over the song “Tiger in Your Tank” as if they were backing up the blues legend himself.  There was very little down time on the stage, other than Joe switching out many guitars over the course of the evening which created a vibe that the night felt almost like one long jam.

Joe shredding some slide guitar on his Fender Strat

Joe shredding some slide guitar on his Fender Strat

The next handful of songs including “King Bee Shakedown,” “Evil Mama,” “Just Cos’ You Can Don’t Mean You Should,” and “Self Inflicted Wound,” all came off of Redemption.  This is such a deep album that Bonamassa could have played several other songs from it, all of which would have had a fabulous impact performed live. The setlist from this show was spot-on, from original material to old blues covers, from straight ahead blues rock such as “This Train” to traditional slower blues tunes like “Nobody Loves Me But My Mother.”  This song started out as a slow blues number with some quiet and seducing guitar, followed on with some smooth horns culminating into a full-on jam.  "Sloe Gin" was a mix between blues and rock with an element of psychedelic sounds that were twirling inside my dancing brain so colorfully when I closed my eyes.  Each song was affective, yet loose enough for some playful and freeform jams, but yet so precise and accurate indicating the fact that these guys gel in such a way that can only be considered magical.

Reese Wynans, formerly with Stevie Ray Vaughn and Double Trouble, on Keys

Reese Wynans, formerly with Stevie Ray Vaughn and Double Trouble, on Keys

When it came time to introduce the band, Joe removed his shades and got a little more conversational with the crowd.  Sharing stories and not shy bragging about his band, Joe and his bandmates have got to be some of the most seasoned performers out there on the circuit. After listening to the raw talent of these guys all evening, it was not a surprise to find out that Reese Wynans was on keyboards, formerly in Double Trouble with Stevie Ray Vaughn, Anton Fig on drums from David Letterman’s Late Night Band, and Michael Rhodes on bass who has played with practically everyone in Nashville and beyond from Johnny Cash to Elton John.  Lee Thornburg on trumpet and Paulie Cerra on sax took on the role of the horn section, and Jade MacRae and Juanita Tippins were firing off some serious vocals behind the band all night long.  Simple fact, these are without a doubt some of the best players in the business. 

As the band was rolling through their performance, and Joe had nailed another terrifyingly-ferocious solo, he would come back in the next song and just shred one that was even hotter. The band seemed to be gaining momentum as the show went on, almost as if the crowd was challenging them to reach another level of musical mastery from tune to tune.  There was plenty of dueling instruments including friendly competition of licks several times between Joe on guitar and Michael on bass, as well as with Joe and Reese just feeding off of each others energy bringing the main set to an end with “Last Kiss.”

Joe started the encore with just himself and an acoustic guitar, and lit the place on fire with “Woke Up Dreaming”.  His intensity was through the roof when he had that six-string strapped on.  Bonamassa just doesn’t show any fear when attacking a song, whether it be a heavy and fast paced strumming versus such delicate pieces which he is able to incorporate into his performance as well.  Ending the night by bringing the band back out for “Mountain Time”, sadly the show was winding down, but not before just over two-hours of ripping blues music was distributed to the fans.

Joe Bonamassa was absolutely fantastic, and his band was equally as good. The performance they gave to the crowd at The Modell Lyric on Friday night was second to none, as these gifted musicians shared endless amounts of talent within their musical arena of the blues with their fans.  Wrapping up their six week winter tour and preparing for a break, the band will be on the road in Europe this spring and back in the states for the summer. My suggestion is that if you are a blues fan and have not seen Bonamassa, then do what you can to track a show down. Trust me, you will not go away disappointed.

Setlist

Setlist

Setlist


Click here to see the setlist for Joe Bonamassa performance at The Modell Lyric on March 15, 2019

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Dave Roberts.

Videos

Videos

Videos


The following videos are provides courtesy of Joe Bonamassa's YouTube Channel.

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Stella Donnelly performs at U Street Music Hall
Concert Reviews

Stella Donnelly Kicks Off US Tour at U Street Music Hall

Stella Donnelly has a natural charisma that allows her to captivate and enchant her audience for any extended period of time. Kicking off her tour at U Street Music Hall, Donnelly played an extensive setlist that heavily favored her latest release — debut LP Beware The Dogs.

The too-short evening started off intimately, with a solo Donnelly centering herself on-stage, brandishing her electric guitar. Before each song, Donnelly told an accompanying anecdote, which further deepened the sense of intimacy among the crowd. “Mosquito” and “Allergies” — a love song and breakup song respectively — played back to back. The pair worked well together, with Donnelly qualifying the former as her only love song, which made “Allergies” even more bittersweet. “Don’t pity me,” she quickly said, “My friend was waiting for me with fried chicken and chocolate,” which may be the best antidote for a broken heart.   

Donnelly is bold, belting lyrics that are intended to confront and raise awareness. If you’re not listening closely, it’s easy to miss wry digs like, “Your personality traits don’t count if you put your dick in someone’s face” under the guise of her upbeat and breezy melodies.

“Boys Will Be Boys”, the song that helped propel her to stardom, came with an introduction peppered with a call for action. The song, released in 2017 at the height of the #MeToo movement, recalls her friend’s account of sexual assault. Donnelly got visibly worked up as she exclaimed her frustration at the lack of accountability and recurrence of victim shaming. “It’s frustrating to still be having this conversation,” she said, before launching into the beautiful, yet heartbreaking tale. Her vocals, even more crisp live, enunciated every word, making it impossible not to feel the impact of the lyrics.

About halfway through the set, Donnelly invited her band out onstage to join her. The tempo, energy, and edginess steadily increased from there, with faster paced songs like “Tricks” and “Die”, which were both accompanied by synchronized and quirky dance moves, including the self-titled “crab-walk.” Creativity and passion oozed from every pore of her being —Donnelly explained that "any bit of yelling is [her] brain”, with those harmonies adding an extra edge and spunk to the music.

Donnelly was genuine, humble, and supremely grateful for the supportive and eager DC crowd, saying, “Last time I played in DC there were only 20 of you here. So if you’re here, thank you!” With her mid-song giggles and a massive smile plastered on her face for the entirety of the night, it was apparent she was having as much fun performing as the crowd was listening.

Although her set barely surpassed an hour, Donnelly made sure to stick around after the show to meet and take photos with everyone who queued up. Donnelly was the perfect ray of sunshine to kick off the weekend. Her contagious energy and uniquely fresh vocals predict that she’ll be selling out larger venues soon enough.

Setlist

Setlist

Setlist


Click here to see the setlist for Stella Donnelly's performance at U Street Music Hall on Friday, March 15, 2019.

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our contributor Abbie Ginis.

Associated Albums

Associated Albums

Associated Albums


Additional Resources

Additional Resources

Additional

Resources


To find out more about Stella Donnelly please refer to the following resources:

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.nah (Photo Courtesy of .nah)
Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – March 25

Featured above is the DC-band Nah. a beloved, positively mesmerizing, undeniably talented local favorite who are growing tremendously on the scene. They are playing an album release show on Friday at Pearl Street Warehouse with DC-friends Skaii (hell-bent on delivering an authentic musical atmosphere) and The Duskwhales (indie-rock). Photo by Xavi Dussaq Photography. 

Week Of:  March 25 - 31, 2019

Summary: A Wammie of a Week in Washington DC

Spring has sprung and it feels so very good outside in the DMV. Some very cool highlights this week:

  • There are so many LOCAL ARTISTS making music this week, including DC-based Nah. (featured above) who are releasing a full length album on March 29 and celebrating with a show on Friday at Pearl Street Warehouse. Formed in 2015 with the intention to "communicate better about mental health and healing," their songwriting is personal, melodies transfixing, musicianship heartfelt, and their ability to reach out and connect with the audience makes you feel like you're among friends.
  • DIRECT CURRENT, "the Kennedy Center's two-week celebration of contemporary culture, returns for a second season. Training its focus on new works, interdisciplinary creations in which artistic worlds collide, and innovative responses to topical concerns, the 2019 spring immersion showcases some of the most provocative, original, and pioneering voices in the arts today." (See listings below.)

And honestly, there is SO MUCH MORE. 

Get out there and check out our blossoming scene— check out the shows listed in the links below, with personal choices in bold, along with a list of the DCMR staff top picks and cool "gems" that you don't want to miss.  Shed that winter coat and GO!


Mon — March 25


Tue — March 26


DCMR Staff Recs
Tuesday Night Mics, Jams & Cool Stuff

Wed — March 27


Hidden Gems

Thu — March 28


Hidden Gems

Fri — March 29


DCMR Staff Recs
Friday Experience

Sat — March 30


DCMR Staff Recs
Saturday Jams and Things

Sun — March 31


DCMR Staff Recs
Sunday Night Mics, Jams & Such
Hidden Gems

Related Articles


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Cape Francis
Interviews

Cape Francis Talks New Album and Much Anticipated Return to DC

In the middle of his Spring tour with Yoke Lore,  indie rocker Kevin Olken Henthorn of Cape Francis chatted with us about his new album and  upcoming sold out DC shows.  Previously known for his work in the band Stone Cold Fox, Kevin has  recently embarked on a new journey as Cape Francis. A few weeks ago, Cape Francis released their much anticipated second studio album, Deep Water, which follows their first album Falling into Pieces back in 2017. Cape Francis will be playing two shows next week at the Songbyrd in DC on March 24th and 27th with Yoke Lore. Although tickets to those shows are sold out, we expect to see more of him in the future.  Once this current tour wraps up next week, he will be heading out to the South West for a tour with Cayucas, and will stopping in cities such as Phoenix, Austin, Denver, and Las Vegas. Check out our interview with Cape Francis below!


Going Solo


According to Facebook you didn’t want to name the project after yourself since you thought Kevin would be too lame, so where did you come up with the name “Cape Francis”?

Cape Francis kind of stemmed from a song I wrote with my last band of the same name. We would write in the studio a lot and had an old surf doc, Endless Summer, playing silently in the background. In the doc they find this spot in Africa called Cape St. Francis where the waves would just last forever and come back the same each time. I thought that was such a great concept of a place that just consistently delivered like that. In writing your always searching for that spot, before I named this project I was finding that spot at almost every song and just felt it was fitting.

Cape Francis

Fans may recognize you from your previous work with Stone Cold Fox. What inspired you to branch out and start making music on your own? How would you say the experience has been different as a solo artist?

Well when SCF dissolved I had all of these kinda doodles of guitar lines I had been practicing in my bedroom. That band had been a lot more focus on writing catchy music, and for this one I really just wanted to take what naturally was coming to me and start stringing it together. I think the first real songs that came about was Lake Placid and Fortified and they really set the example of fluidity for this project. I still get to play with an amazing group of folks that play on the recordings and bring it live, but there is definitely more freedom in this project for sure.

Cape Francis

New Music


A few weeks ago you released your second album, Deep Water. Congrats! What would you say was the inspiration behind that album? How would you say Deep Water differs from your first album, Falling into Pieces?

Deep Water is much more focused around work, what it means as a creative person to balance work life and music life, and all the fears and pressures that come into the picture when confronting it. I had a song in my last album called Daily Grip that kind of thematically sparked the idea to focus more on what this whole balance means to me in my life. Whereas that whole album was centered around difficult change, this one is almost flipped and more about stagnation and how to break the loop of it.

What is the most meaningful song off Deep Water to you and why? Do you have a favorite song to perform?

Deep Water or Button Up are probably my favorite songs on the album, they’re just both at this pace that immediately relaxes me, even if one of them is really like a slow slog march into the depths haha. Live I love playing Bloodlines, that song has really just had a new life live and is always really exciting when a song can change a little and open up live.

I love that Deep Water has a video game. Where did the idea for that come from? And do you have any favorite video games?

My label head had the idea, and we just realized it’s pretty comparable to doing amusic video, we wanted to do something unique this time around. I loooove old arcade games so it just felt right to do it. The game designer did such a great job, it’s become the perfect game for while we’re on tour haha. Duck hunt is definitely one of my old favorites, but I also love Golden Eye on N64.

Return to DC


Last March you stopped in DC for your first tour ever with Cape Francis. How does it feel returning to Songbyrd almost exactly one year later for two sold out dates? What are some of the most important things you’ve learned this past year?

It’s pretty wild to think about honestly, first off just so stoked to be touring with Yoke Lore, it’s been just amazing so far. I cannot wait to play Songbyrd again, I’ve been literally looking forward to it all tour. I think what I’ve learned most about this year is to keep moving no matter what. I’ve learned to not dwell on anything and just keep writing, it’s a practice and sometimes you get stuck, but it’s really about just pushing forward as soon as you feel a spark.

Last year you played a number of shows and festivals, including SXSW and Savannah Stopover. Are there any specific artists you would love to tour with one day or festivals you would like to play at?

I’ve always wanted to go to FireFly so hopefully one day we’ll get there. There are so many amazing dream bands I can think of, but the biggest inspirations for this project have been Bon Iver, Angel Olsen and Phoebe Bridgers.

Now that you’ve reached the halfway point on your tour with Yoke Lore, what has been one of your most memorable experiences thus far?

Probably us rushing to a late night taco spot in Nashville, getting there just before they closed, and eating Tortas on the hood of our car. They were incredibly nice to let us order and we were soooo hungry haha.

What should fans expect from your performances in DC next Sunday and Wednesday?

A gooooood time. We’ve been really locking in our sound as a 3 piece and I feel like it’s just getting better every night!

Is there anything in particular you hope to see or do in DC during the days off in between shows?

​Hang with friends honestly. One of my closest friends lives down there and I can’t wait to see em!


Videos

Videos

Videos


Associated Albums

Associated Albums

Associated Albums


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Rebecca Loebe Charms SXSWers at The Driskill
Concert Reviews

Rebecca Loebe Charms SXSWers at The Driskill

On Thursday March 14th, downtown Austin, TX was buzzing with SXSW festivities. Off of the bustling streets, and in the Driskill Hotel critically-acclaimed musician Rebecca Loebe charmed the Victorian Room crowd.

Rebecca Loebe
Rebecca Loebe

After playing her first song, she had clearly made quite an impression because walking through the audience one could hear murmurs of, “wow she’s SO good,” and, “is she performing at SX at all again, what’s her schedule?” She has a comfortable, laid-back stage presence that would be impossible to fake, a natural performer, and a great story teller.

Rebecca Loebe
Rebecca Loebe

The self-proclaimed, “pathologically brightside oriented,” artist played songs from her newly released fifth studio album, Giving Up Your Ghosts, and her optimism is made clear through her utterly relatable lyrics. In addition to her lyrics, the anecdotes she shared before a few songs, including one that was, “the most embarrassing thing that’s ever happened,” before performing, “High School Movie,” not only empowered her lyrics, but made audience members laugh, share their love for Kroger grocery stores, and sit on the edge of their seats, waiting for more. After the show, one viewer even came up to her, and thanked Loebe for sharing her stories.

While the charismatic musician’s album is new, her SXSW appearance was not. In fact, before performing, “Lake Louise,” a song about going home, she even shared that she played the Victoria Room at the Driskill Hotel during SXSW 2018.

Rebecca Loebe
Rebecca Loebe

Ending the evening with a song, “for all of those who went to middle school,” titled, “Popular,” the optimistic Arlington, VA native stayed after the show to greet listeners, and watch the rest of the musicians perform.

Although there are no more DMV dates scheduled on her current tour schedule, be on the lookout for Loebe afer she returns to the United States after her month-long European Tour. Until then, you and your friends should be on the lookout for Loebe coming to a music venue near you soon at one of the following performances.

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our contributor Michelle Castagnola.

Associated Albums

Associated Albums

Associated Albums


Additional Resources

Additional Resources

Additional

Resources


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