Photo by Casen Ruiz
Concert News, Interviews

gnash is no stranger to bearing his soul to the world; in fact, that’s his preference

     "I learned from my dad that it's good to have feelings"

// "i hate u, i love u"    

gnash is no stranger to bearing his soul to the world; in fact, that's his preference. gnash (the ‘g’ is silent) is the pseudonym of choice for Garrett Nash, a multi-platinum singer, songwriter, producer, and DJ who burst onto the scene with his gloomy hit “i hate u, i love u”.

Cheerily greeting me on the other end of the phone, gnash opened with a statement that perfectly encapsulates why he’s connected with millions of individuals across the globe.

“I love D.C.! My therapist actually lives out there...we talk on the phone!”

A strong proponent of openly expressing feelings, gnash will be creating a space for his D.C. supporters to do just that on January 19th. Buy your ticket to his U Street Music Hall gig before they sell out and read on to learn more about his new album, the return of emo, and to get a sneak peek to the world of “The Broken Hearts Club” tour.


The Album


Your new album will be released on the 11th, tell me a bit about it! 

My album’s called “we”. I’ve had three EP’s called “u” “me” and “us”, so “we” is the next step in the journey. I wanted to make an album for everybody because I believe that if we feel together we feel better. 

I wanted to give everyone a bunch of seeds to grow flowers—they can take these songs and make them their own; I hope it helps.

Do you have a particular song that you’re excited to release, or are you more just excited for the entire body of work to come out?

I’m definitely excited about the whole body of work because I made it as a unit, so I hope people listen to it top to bottom.

Photo by Casen Ruiz

Photo by @casenruiz - www.casenruiz.com

If I had to single a couple out, there’s a song called "be", which is technically the last song on the album.  It's one of my proudest works. Then there’s a song called “insane” that I love, a song called “pajamas” that I love...I love all of them! [Laughs] But "be" sticks out to me the most out of the things that aren’t out yet.

Out of the things that are out, I love "the broken hearts club'" so much; "dear insecurity" is probably the most meaningful song I’ve ever made for other people and myself.

It’s just so awesome that I get to put the album out since it’s been in the works for well over a year and a half now.  

There’s a little more that goes into writing an LP than an EP. Did you encounter any writer’s block during the process? 

In the past I made my EP’s as just a string of songs that I like, then I put them together and called it an EP. Whereas this time, I approached it from the perspective of it being a body of work. That was a core difference right there—that automatically led to a bit of writer’s block here and there.

I was trying to keep in mind that I was coming from the voice of gnash but also trying to be the voice of the listener. If anything, that was one of the more difficult things. Always double and triple checking myself with, ‘Is this going to be something that will mean something to someone?’ Yes or no, great and then moving on. With that in mind at all times, that’s how "we" came together. 

Not just that, but with the singles and the methodical nature that went into everything...I’ve never thought this much about anything ever. I did four years of college and this definitely was more work, time, and effort than I’ve put into anything in my life.

The Video


I was watching your music video for “t-shirt” and laughing as I noticed all the references to pop-punk and emo music from back in the early 2000s. How did the concept for that video come about?

I was watching a bunch of older videos that I loved when I was growing up. One that I was watching in particular, was “Weightless” by All Time Low. I just did a year of touring with them and Dashboard Confessional—I was thinking, ‘man, I’d really like to pay homage to these things!’ The idea came from that really. 

We then sent that idea around to a couple of directors. Boni [Mata], who ended up directing it, shot us back a treatment where we worked in a love story interlaced with the idea of a throwback feel.

The main character is trying to find himself by emulating all of these things that he thinks the girl will like. At the end, he realizes that if he’s just himself it doesn’t really matter what she thinks.

I think that’s a really nice metaphor for one of the grander themes of the album: nobody likes you more than when you’re being yourself. 

It was definitely entertaining to watch, especially as someone who grew up during that era of music. Did you have a favorite scene to film?

I loved getting dressed up in the Panic! At The Disco outfit, I thought that coat was so great! I really loved that Travis Barker outfit. I thought those fake tattoos actually looked pretty good on me and ended up walking away being like ‘huh, maybe I’m a tattoo guy’ [Laughs]. 

I’ve noticed that emo is sort of making a comeback now that those who grew up with the genre are the ones creating music. Are you seeing that as well?

Oh, totally. I mean that’s what I’m doin’! You see touches of it in Juice Wrld or even Lil Uzi Vert. There are bands like Real Friends starting to come to the surface who’ve been making amazing albums for so many years. 

I’m really excited for the place that music is in, and will be in for the next couple of years. It feels like people are really excited to talk about how they feel...and fortunately, that’s my cuppa’ tea.

Mental Health


One of the things that connected me with your music initially was the fact that you talk about mental health awareness and being your true self. As someone who’s created a space for open emotional release at all times from your supporters, have you ever found it’s overwhelming to have such a large impact on people?

If I had to think about it, at times...yeah. But I think it's important to keep in mind that everyone has a job and a purpose in this world. Fortunately for me, my job and my purpose have aligned; I’m here existing to do my best to help. If I’m making sure that I feel good, aligned, and centered, then I’m going to be able to bring my best to the table for people who maybe need some of that energy.

At times yes, it can be a little...it’s not overwhelming, it’s more of the realization of how important this is. I’m not a trained therapist, but I like to think that it can be therapeutic just to speak on how you feel; sometimes all people need is someone to listen. You never know what that five minutes, or ten minutes, or even one minute could mean for that one person’s entire life.

To me, that’s what the Broken Hearts Club is all about. It’s where we can come to talk about how we feel and by way of that hopefully, feel better...a little bit less alone.

That’s why I’m so excited for this tour! It’s going to be this place where people can come to talk about how they feel and hopefully feel better, make a couple of new friends, and sing along.

The Broken Hearts Club Tour


Speaking of tour, the last time you were in D.C. proper was in 2016, when “i hate u, i love u” was just starting to take off...which is kind of crazy to think about.

Yeah! I played that rock club, do you know what that place is called?

Rock N’ Roll Hotel, I actually went to that show!

Yeah, Rock N' Roll Hotel! Awesome, that’s so cool!

Has your live set changed in any way to incorporate some of the new songs you have, or is there anything else we can look forward to that will be different? Will it be the same energy of inclusivity and friendship?

Well first of all, thank you for saying that it felt inclusive because that’s pretty much my main goal when I put on an event like that. I want everyone to come in and feel welcome and like they’re meant to be there in that moment. So thanks for that!

On the Broken Hearts Club tour, I’m aiming to do that but I’m focused on aiming to do that. We’re doing Broken Hearts Club meetings, where I’m going to be encouraging everyone just to talk and get to know one another, maybe exchange information.

Aesthetically, we went for somewhere between a dingy jazz club and an 80’s prom. Those are kind of two places that people come together also to talk, you know what I mean? In the ’80s, nobody had phones at prom, so they had to talk to each other...whether or not they wanted to! 

Musically, I personally think we’ve done a really good job of balancing the old and the new. The record comes out two days into tour, so I didn’t want to play too much of the stuff from the new album. Fortunately, we have five of the songs out already, which is really great! So we’re playing all of that plus everything that people love from the old stuff. I didn’t want anybody to go home unhappy.

The other thing is that if anybody sees me on the street and is like ‘hey man, I really love Lonely Again!’, I’ll always sing a couple of bars for them if they want to film me doing it. Sometimes songs like that don’t necessarily work for the moment of the tour but I always want everybody to feel like they got what they came for. 

On Our Radar


I write a monthly segment called ‘On Our Radar’, where I feature up and coming artists. I actually featured one of your openers, Guardin, in my December post! Who’s been on your radar lately?

Guardin is definitely on that list, I think he’s fantastic! My favorite song of his is “i think you’re really cool”. I see a lot of the same glimmer of sparkle as when I was getting started—he’s got a really, really bright future ahead of him. 

Another artist that I’m really into right now and who’s become a good friend is Field Medic. I’m a big Bright Eyes and Death Cab for Cutie fan. I really just love acoustic music at the end of the day; I love throwing a song over an acoustic guitar and that’s what Field Medic does amazingly well, so I’m a huge fan of his.

Mallrat, who’s also coming out with us on tour—she’s fantastic! I went and caught one of her shows here in LA. She brings such great energy to the stage; she jumps around and you can just tell she’s having a great time. When I’m watching a show, that’s what I love, is to see someone doing what they love and not just going through the motions. 

And then Carlie Hanson, who I’m really into now as well. She’s coming out on tour with us to do the first five stops. I’m excited, it’s gonna be a good run!

This interview has been edited and condensed for clarity.

Performance Details

Performance Details

Performance

Details


Saturday, January 19, 2019

Doors: 6:30 PM

Show: 7:00 PM​


U Street Music Hall (Website)

1115 U Street NW

Washington, DC 20009 (Google Maps Link)



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Livestream

WATCH LIVE: The First Gypsy Sally’s Jam of 2019

Coming at you live from the first Gordon Sterling Presents: The Gypsy Sally's Jam of 2019.

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The Revivalists
Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – January 7

The Revivalists (above) are playing The Anthem  this Friday night. Photo by Caitlin Moore.

Week Of:  January 7 —14, 2019

Summary: Get Resolute

Welcome to the first full week of 2019. Still sticking to your resolution to take better care of yourself?  Haven't started yet? No matter, there are LOTS of cool things to check out this week to make you feel good.

Some particularly warm fuzzy things that I'm feeling this week:

Plus, a LOT MORE exciting things to see and hear and feel in the links below, with personal choices in bold, along with a list of the DCMR staff top picks and cool "gems" that you don't want to miss. 


Mon —January 7


DCMR Staff Recs
Hidden Gems

Tue —January 8


Wed —January 9


Hidden Gems

Thu —January 10


Fri —January 11


Sat — January 12


Sun — January 13


DCMR Staff Recs
Hidden Gems

Related Articles


Read More
Livestream

WATCH LIVE: The Make America Jam Again 2019 Kickoff Party at Gypsy Sally’s

Gypsy Sally's is kicking off the new year with a Make America Jam Again concert featuring Deaf Scene, the debut of the Gordon Sterling Trio, and We The People.

We will be on scene to provide a livestream of all three acts via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DC Music Review contributor Will Urquhart's Mixlr account.

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Kix Celebrates KixMas at Rams Head Live!
Concert Reviews

Kix Rocks the Sold-Out, Hometown Crowd at Rams Head Live in Baltimore for Their Annual Kix-Mas Show

My first exposure to Kix was when I visited the Inner Harbor with my parents in 1985 while still  in high school.  98 Rock was running a dunking booth near the Aquarium in which I was able to successfully sink a DJ three out of three times.  My prize? A promotional copy of the album Midnight Dynamite.

Steve Whiteman and Jimmy Chalfant

Steve Whiteman and Jimmy Chalfant

Steve Whiteman and Jimmy Chalfant

Steve Whiteman and Jimmy Chalfant

 The band, who formed in Hagerstown, have been doing their annual Kix-Mas show for approximately eight years and let me tell you this, these loyal fans came out to support these local hard-rock heroes as if they were still rockin’ the house at Hammerjacks.  Sharing stories, laughs, and some head-banging madness, Kix still has the flare and pizazz to wrap up your coin and take it to bank.

 From the opening licks of “Hot Wire” all the way through the last song “Girl Money”, Kix ripped the Rams Head to pieces, I mean literally shredded the place. This was one of the best crowds I have ever experienced in my time in Baltimore, and for good reason, Kix-Mas live in downtown Charm City.

 Celebrating 30 years since the release of Blow My Fuse in 1988, Kix has been highlighting this record for its shows by rolling through the entire recording live. Achieving platinum status in sales, this album has all the licks and riffs that was a perfect fit for the state of the music scene in the mid to late-eighties, and still very alive and relevant today. Sharing the guitar licks were founding members Brian Forsythe and Ronnie Younkins, taking turns as they clearly partnered in the six-string sting that kept the fans captivated until nearly midnight. 

Steve Whiteman and Brian Forsythe

Steve Whiteman and Brian Forsythe

Steve Whiteman and Brian Forsythe

Steve Whiteman and Brian Forsythe

 Steve Whiteman has got to be one of the best front men out there, full of swagger and energy, this man has got the moves and boogies all over the stage the entire show.  Leading this band sure looked like it came easy to Whiteman who, at the age of 62, remained fully engaged in his performance from beginning to end. He played with and fed off of the crowd all night long, and even hosted a marriage proposal.  Making sure the fans went home drained from a rock and roll party that can’t be beat, Whiteman has nothing but fun in his back pocket and strutted it all night long.

 The rhythm core of the band is tight and on the money with Mark Schenker, who has been playing bass since the Kix reunion in 2003, and Jimmy Chalfant who has been playing the drums with the band since 1979. Dressed for the occasion as Jimmy was in his Santa Claus attire, along with his seasonal decorated drum kit, these guys kept the musical foundation on course and festive to go right along with the Kix-Mas theme.

Mark Schenker

Mark Schenker

Mark Schenker

Mark Schenker

 With seven studio albums to draw from, Kix has plenty of music to keep the fans driving full throttle on both sides of their Blow My Fuse material.  “Midnight Dynamite” and “Sex,” which has only several live performances this year, were crowd-pleasers and among the evenings favorites. “Same Jane” and “Love Me With Your Top Down” were also in the set, and to be honest, every song laid out was well-received as the crowd sang along with the band for each and every one.

 The Rams Head Live was packed to the ceiling, from the ground floor stage and bar area all the way to the tippy-top balcony overlook three-levels high. If you have not experienced a sold-out show at this venue, it definitely feels jammed-tight, but still has that sense of an intimate sized venue with plenty of viewing options available including some seats on the second level.  With plenty of televisions offering up the Ravens game, this was a festive night of classic Kix music to satisfy any hard-rock fan.

Steve Whiteman

Steve Whiteman

Steve Whiteman

Steve Whiteman

Streetlight Circus from New York City opened the show and got the crowd off to a rowdy start.  Reminiscing of days when lead singer David Shaw said he used to come down to Baltimore to see bands such as Kix and Dirty Looks, he was very appreciative of the opportunity to be opening the evening for the boys.  Streetlight Circus kicked into high gear with some straight ahead rock featuring songs such as “Kissing Like Bullets,” “House Is On Fire,” and a rocking cover of The Cars “Dangerous Type.” 

I still find it hard to believe this was my first time seeing Kix, but I can guarantee you that it will not be my last.  Kix sounded fantastic, the energy was through the roof, and the crowd helped direct the bands enthusiasm in creating a memorable night of Kix-Mas fun.  The local Baltimore favorites continue on with dates rolling into 2019, but will definitely kick into high gear when they headline Friday night once again at the M3 Rock Festival at Merriweather Post on May 3, 2018. Make sure to go check them out and support one of the best performing Maryland bands out there.

Kix finishes the show

Wishing You All A Very Very Happy Kix-Mas!

Setlist

Setlist

Setlist


Click here to see the setlist for Kix's  performance at Rams Head Live! on December 22, 2018

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Dave Roberts.

 

Performance Details

Performance Details

Performance

Details


M3 Rock Festival

May 3 - May 5, 2019 (Friday- Sunday)



Merriweather Post Pavilion

http://www.merriweathermusic.com/

10475 Little Patuxent Pkwy

Columbia, MD 21044

(Google Maps Link)



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Concert Reviews

Everyone Orchestra Stuns Yet Again at Gypsy Sally’s with of Tomorrow


Everyone Orchestra returned to Gypsy Sally's on Friday, December 28. The band conducted by Matt Butler was made up of Al Schnier (Moe.), Vinnie Amico (Moe.), Glenn McClelland (Ween), James Casey (Trey Anastasio Band), Todd Herrington ( Cris Jacobs Band).

Larry Keel and Jay Starling were scheduled to perform but were unable to attend due to family medical needs. It is a true testament to the pure talent that Butler brings to the conducting and the talent he invites on stage that this night’s Orchestra fully delivered on the promise to bring improv and unscripted jam to new heights.

Everyone Orchestra began in 2001. This is a band that never rehearses together. They have a rotating group of incredible musicians who read what is going on and jam .  Some are regulars some are first timers. On Friday there were two EO “virgins” as Butler calls them - Herrington and McClelland. When speaking about the musicians and the improv Butler said, “We are making the music up here all night. It’s a blessing to come up with such talented musicians and have a completely clean slate to enjoy music. Anything can happen when we get on stage.”

Butler holds up a sign with tempo, key or other cues for the band. The energy he has as he conducts is contagious. The band follows his lead and plays off each other and the audience gets fully engaged in the beat, spontaneous lyrics, and musical adrenaline. Each band member has a chance to lead the jam and showcase their talent. There is plenty of spotlight to share when EO gets together. As a long time band member Schnier tells people all the time, “I’ve been playing with EO almost 15 years and it is still my favorite gig to this day. The best thing about it is that all your life's work prepares you for this moment but there is nothing else specific that you can do to prepare for any given show. You just show up there is no script, no homework. It is the sum total of everything that you have done. Then you let caution fly to the wind. You get to meet a lot of wonderful talented people be free and have fun together.”

Soulful vocals of James Casey, who currently lives in New York, serenaded the audience in his old hometown of Washington, DC and Gypsy Sally’s. When he sang  “The last time I was here I was here,” the crowd started clapping and singing along. Casey explained “I’m from DC and it is always nice to come back home to play. The crowd always comes out. When I’m playing with EO it’s nice since it’s all organic, all in the moment, you never know what it is going to be. It’s a lot of fun for me to just be myself in front of my hometown crowd.”

Since it's almost the New Year, there was talk of New Year's resolutions. Butler is making the same one as last year - to run a marathon, which he didn’t accomplish in 2018. This year the resolution has a twist - if he doesn’t run one he will conduct a show not in his trademark tails but naked. This lead into the Bucket List song “All of these things to do before I die”.

Herrington who obviously enjoyed his first time with EO said, “It is such a fun experience! Matt has such great energy and a gift for curating a special experience for the audience as well as the musicians. It was an absolute pleasure. Very freeing. Reminds you to always have fun with music, whatever the gig or situation. And it’s always great to play with such talented and kind folks.”

Natalie Ahearn (keyboard) and  Mike Candela (guitar) made a guest appearance to help close out the evening. Ahearn summed up her feelings, ”With of Tomorrow, I’ve had the opportunity to share the stage with so many amazing bands. I had never seen Everyone Orchestra before so the show on Friday was just a whole new experience, getting to see them and play with them, it was awesome. I love musicians like Matt Butler. The outfit, the energy, and the musical leadership... those are the kind of things that make the show.”

The band was all smiles as they jammed. It was fun for the audience to watch the interaction between Butler and the band, the band members and each other and Everyone in the band and the audience. As they teach in improv, always say “Yes” and Butler made us say “Yes” all night long.

However, during the dance party encore the crowd changed Yes to "NO!"  when Casey asked during the call and response part of the jam “are you all ready to go home?”  Butler ended the show wishing everyone a Happy New Year, peace and prosperity to you all from us all.  The Everyone Orchestra left everyone wanting more as they left for home after this incredible show. They generally make two to three visits to the DC area - be sure to catch them next time around,

Local fan favorite, of Tomorrow, (also known as Band of Tomorrow) kicked off the high energy night when they opened on the Gypsy Sally’s main stage prior to Everyone Orchestra. Of Tomorrow (oT) is a DC based band formed in 2015 who describes themselves as a funk rock reggae samba hip hop musical contraband collective. They played a lot of fun shows and festivals in 2018 including 9:30 club with TAUK and the Firefly Music Festival. They are lining up lots of cool stuff for 2019 now and aiming to do everything even bigger.  The new oT lineup is made up of Geoff Browning, (vocals and guitar). Randy Nicklas (bass), Connor Kessler (drums) Natalie Ahearn (keyboard) Mike Candela (guitar) who played Friday night.

of Tomorrow  loves playing with Everyone Orchestra. Browning says, “Matt Butler and Everyone Orchestra are a force of nature. It’s a blessing every time we get to make music and memories on stage with them. So many great people from the DC scene came out on Friday, there was electricity in the air and the whole oT crew was overwhelmed with gratitude. Very excited for 2019, we have a lot of fun things coming up in the Spring.”

The set of all original songs showed the scope of talent and music styles. 

You can relive the entire night below with photos by Mark Raker, as well as full show webcast recordings and audio by Will Urquhart

Setlist

Setlist

Setlist


Click here to see the setlist for of Tomorrow's performance at Gypsy Sally's on December 28 2018

Audio & Video

Audio & Video

Audio / Video


  • video
  • Audio

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Mark Raker of Mark Raker Photography.

Everyone Orchestra



Of Tomorrow


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Lindsey Jordan performing in Richmond, Virginia
Concert Reviews

Snail Mail Charms A Sold Out Richmond Crowd

Snail Mail’s ascension to the top of the indie rock scene has been anything but snail paced.

Lindsey Jordan performing at The Broadberry in Richmond, VA

Just seven months after the release of their debut record, Lush, the band has earned the praise of media giants such as The Washington Post, Rolling Stone and Pitchfork, just to name a few.  All of this after having graduated from high school just over a year ago.

Performing to a sold out crowd at The Broadberry in Richmond, Virginia, there was no evidence of this whirlwind rise in popularity affecting the trait that made their fans fall in love in the first place: relatability.

The face of Snail Mail is 19 year old Lindsey Jordan, an Ellicott City, Maryland native who’s energy is best described as nonchalant. 

Jordan embodies everything that makes the Baltimore music scene a powerhouse for rising indie darlings. Her honest and innovative approach to songwriting paired with a low key demeanor places her amongst Charm City’s finest exports, such as Beach House and Wye Oak. 

A mirrored photo of Lindsey Jordan

But rapid success does not come without speed bumps. Similarly to Jeremy Zucker’s performance at U Street Music Hall, the band faced a multitude of technical difficulties throughout their performance. Luckily, Jordan and her bandmates handled the tough situation exactly as Zucker did: with incredible grace and humor. 

First her guitar continuously went out of tune, prompting a smidge of visible frustration to escape from the frontwoman.

“Man, this is the most technical difficulties we’ve had ever in one show, I’m so sorry guys. Tomorrow we’re playing in D.C. and my grandma will be there, so hopefully we have our shit sorted by then,” quipped Jordan.

A kaleidoscope effect of Lindsey Jordan

Just as everything appeared to be resolved, Jordan's mic pack blasted loudly (and painfully) into her ears. Laughing at her own misfortune, Jordan launched into a quick cover of “Wonderwall” by Oasis to pass the time.

The Richmond crowd laughed and eagerly sung along to the cover. Hoots and hollers of support filled the venue, serving as a reminder to the band that the crowd understood they’re human and hiccups are inevitable. 

The standout moment of the sold out show was Jordan learning that a couple got engaged during “Pristine”, the lead single off of Lush. Her eyes enlarging in shock, she beckoned them to join her on stage for a hug and further celebration.

Lindsey Jordan hugging the recently engaged couple on stage

Some may feel pressured by their music having such a powerful effect on their fans, but Jordan simply exudes pride that her music is creating intense connections. With plans to move out of her parent’s house once tour ends, there’s an infinite amount of potential in Snail Mail’s future. A future that DC Music Review will surely be keeping an eye on. 

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Ana Medvedeva. 

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Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – December 31

Week Of:  December 31, 2018 - January 6, 2019

Summary: 2019 Resolution ― MORE MUSIC

All the staff at DCMR are so grateful for an incredible year of music, community, love, creativity, and connection in 2018.

And what do we want in 2019? More music! And to kick it off, check out the DCMR Guide to New Year's Eve 2018 Concerts in the DMV Region (see below).

Plus, there are a LOT MORE exciting things to see and hear and feel in the links below, with personal choices in bold, along with a list of the DCMR staff top picks and cool "gems" that you don't want to miss. 

_____________________________________________

 While this can be a joyous time for some, it can be a hard time for others. Music can be a salve when the expectations of the New Year starts to feels challenging. But sometimes it isn't enough. We at DCMR want to share the following resources for anyone who may be feeling depressed or suicidal, this time or year, or anytime:

  • The Crisis Text Line: If you text 741741, a crisis worker will text you back immediately and continue to text with you. It's a FREE 24/7 service to ANYONE who lives in the U.S.  Every texter is connected with a Crisis Counselor, a real-life human being trained to bring texters from a hot moment to a cool calm through active listening and collaborative problem solving. All of Crisis Text Line's Crisis Counselors are volunteers, donating their time to helping people in crisis. Read more here.
  • Suicide Prevention Lifeline: The National Suicide Prevention Lifeline is a national network of local crisis centers that provides FREE and confidential emotional support to people in suicidal crisis or emotional distress 24 hours a day, 7 days a week.  Call 1-800-273-8255. 

Please take care of yourselves and each other. ​

Wishing you even more music in 2019!


Mon - December 31


Tue - January 1


DCMR Staff Recs
Hidden Gems

Wed - January 2


Thu - January 3


Fri - January 4


Sat - January 5


DCMR Staff Recs
Hidden Gems

Sun - January 6


Hidden Gems

Related Articles


Read More
Livestream

WATCH LIVE: Everyone Orchestra Returns to Gypsy Sally’s with Of Tomorrow

Everyone Orchestra returns to Gypsy Sally's tonight with Of Tomorrow opening up and we will be on scene to provide a livestream via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DC Music Review contributor Will Urquhart's Mixlr account.

Of Tomorrow is scheduled to play from 9-10 and Everyone Orchestra will come on around 10:15.

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Hayley Fahey and Eli Lev (Photo Credit Photo by Megan Leigh)
Concert News

Eli Lev and Hayley Fahey Will Rock Pearl Street Warehouse To End The Year Right

Photo by Megan Leigh

This Friday night, Eli Lev & The Fortunes Found and Hayley Fahey will be ending the year proper at Pearl Street Warehouse.  DC Music Review staff are super excited about this show because both of these rising DC artists sound like they were born to express through music.  

Eli Lev's songs are wise beyond his years (his bio says he's only been a full-time musician since 2016). He has an old soul and his lyrics, cadence, and songwriting sensibilities speak volumes beyond two years. It's clear he cares and honors the time-told tradition of storytelling through music, and listening to his new EP Way Out West, you sense music has been in his bones since birth. 

Hayley Fahey has a soulful, lyrical voice that mixes country with R&B, folk, and blues. Again, this is an artist that writes and performs way beyond her years, giving hints of Edie Brickell and Bonnie Raitt in both her songwriting and delivery. Her full length 2018 album Out There is impressive, all at once accessible and full of conviction.

DCMR staff are excited to experience both of these artists and their bands at their home base and see how they continue to grow into their musical careers.

Learn more about Eli and Hayley below and catch their show this Friday night! 

Eli Lev & The Fortunes Found

Born in Washington, DC and raised by the world, singer-songwriter Eli Lev is a traveler, community-builder, spiritual seeker, and passionate musician.

Photo by Eric G. BrownPhoto Credit: Eric G Brown

Photo by Eric G. Brown

Photo Credit: Eric G Brown

Featuring five new songs that showcase yet another side of his songwriting and versatility, Eli will be releasing Way out West, his brand new album, at Pearl Street Warehouse on December 28th. It will be the follow up album to 2017's All Roads East, which was hailed by Paste Magazine as "an impressive collection of songs with lush instrumentation and crooning vocals."


For the past two years, Eli has been building an impressive live show catalog around the DMV with his band, The Fortunes Found. Featuring the powerful rhythms of all-star drummer Michael Miraglia, the big bass tones of wunderkind Bojan Novevski from Macedonia, and up-and-coming singer Megan Leigh, the group have been playing big venues and festivals such as The Takoma Park Folk Festival, Rock & Roll Hotel, Songbyrd Music House, and the 202 DC Music and Arts Festival.

You can hear Eli’s debut album, All Roads East and his latest single "Chasing Daylight" on his website www.eli-lev.com.

Videos

Videos

Videos



Hayley Fahey

Photo by Beth HarrisonPhoto Credit: Beth Harrison

Hayley Fahey is a singer-songwriter who captivates audiences with her sparkling range and originality. What sets her apart, in addition to her writing and voice, are her live stage performances. When Hayley is onstage, she’s home.

Her second full-length album, Out There, is a blend of many influences - the soulful sound of R&B that translates into her passionate vocal performances, catchy pop hooks that get stuck in your head, folk ballads, and blues grit. She has been featured on DCW50 with NBC journalist Mark Segraves, WAMU, the Montgomery County Sentinel, On Tap Magazine, DC Music Rocks Festival at the 9:30 Club, The Hamilton, the State Theatre, Bethesda Blues and Jazz Club, Rams Head Live, Strathmore Music Center, and others.

With every performance, Fahey wants to make a connection with the audience, through her songs, “I want to make them feel the emotions in the songs, and then get them on their feet dancing. It’s all about having fun and enjoying the music." 

Photo by Beth HarrisonPhoto Credit: Beth Harrison

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Performance Details

Performance Details

Performance

Details


Friday, December 28, 2018

Doors 7:00 pm

Show at 8:00 pm


Pearl Street Warehouse (https://www.pearlstreetwarehouse.com)

33 Pearl Street SW

Washington DC 20024 (Google Maps Link)


Tickets: $12


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