Skydiver EP
Album Review

Review: Skydiver Release Debut EP

Skydiver is the brainchild of Justin Price (vocals, guitar) and Spencer Duggan (bass) and was born in Chantilly, Virginia in the summer of 2013. Now based in the DC metro area, the pair are on the cusp of releasing their eponymous debut EP.

Boasting six original songs, the EP shows a wide range of sound and emotion, with tracks that are noticeably influenced by classic rock and indie greats. At times, the music feels more focused on vocals and lyrics than on the instrumentation, drawing attention to the carefully crafted stories the lyrics paint. When the instrumentals take the lead, they are a blend of classic rock arrangements, as well as expert guitar rhythms. However, rather than feel too familiar, the arrangements have been woven together in a way that creates something new and inspired, giving Skydiver their own unique sound. They don’t try to be flashy or over the top, but rather simply produce good, honest music with a slight edge.

Price has a wide vocal range that is heavily showcased in “Perfect Circle” and recently released single “Lend Me A Hand,” both of which are reminiscent of indie rockers Local Natives. Belting the choruses with an impressive falsetto, Price’s passion can be felt through his vibrato. It’s clear that Price spent an ample amount of time developing the lyrics to tell a specific story, and the importance of these stories can be felt through the urgency that peppers the songs.

In addition to some classic influences like Jeff Buckley’s guitar mastery and Radiohead’s psychedelic and pondering lyrics, Skydiver also drew inspiration from Pink Floyd. With the wailing vocals and steady drums, “Warcry” feels like a modern and acoustic take on Pink Floyd. Skydiver has managed to incorporate influences and sounds from such a wide range of musical talents into their debut release that their album feels like a re-imagination of the indie-rock genre.

Skydiver’s debut EP gives listeners a sneak peek at the wide variety of sounds the band is capable of, and we’re excited to see what their next release brings. 

Skydiver will be celebrating their EP’s release at ​Pie Shop DC this upcoming Thursday alongside fellow local talents The Duskwhales and Collider. 

Performance Details

Performance Details

Performance

Details


Thursday, June 20, 2019

Doors: 7:00 PM

Show: 08:00 PM​


Pie Shop DC

https://pieshopdc.com/

1339 H Street NE

Washington, DC 20002

(Google Maps Link)


$12  - In Advance

$15  - Day of Show


Skydiver

Skydiver

Released: June 2019

Track Listing:

1. Through The Night

2. Lend Me A Hand

3. Perfect Circle

4. Heist

5. Warcry

6. LMAH8B

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Mauwe
Artist News

Mauwe’s New Single Emphasizes Loneliness Awareness

​Loneliness Awareness Week (June 17-21), spearheaded by the Marmalade Trust charity, an organization created to tackle feelings of social isolation.  

Why is it needed? Because we live in a world where we are constantly connected. Through the simple click of a button, the picturesque aspects of our friends’ lives on Instagram, Facebook, Snapchat, you name it, we are bombarded.

Yet, despite the ease a technologically advanced world provides us, it has also facilitated a platform for people to compare themselves to others which often leads to feeling lonely or inadequate. The unique facet of loneliness is the way it can wash over us even when others surround us.  But, even though common, it’s taboo to bring loneliness up – even to those we trust. 

Bristol-based indie pop pair Mauwe is working to alleviate this stigma as well with their new single, Ain’t it Magical. The voices of Portia Conn and Jay Rodger overlay on this track, coming together to convey an eerily beautiful expression of the way going out and surrounding yourself with others can often feel so meaningless.

"Ain’t it Magical" is a song for the people out there who feel they are dancing to a different beat. The individuals who want something more and the creatives that are tired of the same regurgitated social routines. -Mauwe

Mauwe said, “We wrote it based on that feeling that can often creep up at a party...when you aren’t connecting with the people around you, or even that you’re not remotely on the same wavelength.”  The duo first earned attention from their first single in 2017 That’s All, which racked in more than 5.5 million Spotify streams. "Loneliness manifests in different ways for different times, and in this one it's almost exasperation we are talking about, exasperation with the need to escape and change something," said Mauwe. 

Since then, Mauwe has come out with more singles including "Balcony Dreams" and "Sexy Glass," which both have a tinge of a darker sound while still encapsulating the complimenting layering of Conn and Rodgers’ voices.

Audio Recordings

Audio Recordings

Audio Recordings


Additional Resources

Additional Resources

Additional

Resources


To learn more about Loneliness Awareness Week visit The Marmalade Trust.

For more information about Mauwe, check out:

​

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La Marvela
Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – June 17

Featured above are members of the completely mesmerizing La Marvela, an all-women band honoring Colombian ancestral music from a female perspective (also my favorite new DC-based band of 2018). They are playing a free show at The Kennedy Center's Millennium Stage on Friday at 6p sharp - don't miss this one! Photo by Millan Photography.

Week Of:  June 17 - 23, 2019

Summary: So Much Sparkle 

This week...I can't even begin. SO many amazing shows this week from small names that you may not have heard of (yet) to stadium level artists who we here at DC Music Review love and adore.

Some of the (ah-mazing) names you might know who are gracing the DMV: 

 ...plus, these shows by incredible artists that offer an intense amount of depth and sparkle that I am super excited about:

So yeah, this is a great week to get out and feel some music.   

And those are just the start. There are even MORE shows listed in the links below with so much variety for every night of the week, with personal choices in bold, and a list of the DCMR staff top picks and more "gems" that you don't want to miss! 


Mon — June 17


DCMR Staff Recs
Monday Mics, Jams & Such
Hidden Gems

Tue — June 18


Hidden Gems

Wed — June 19


DCMR Staff Recs
Wednesday Mics, Jams & Such
Hidden Gems

Thu — June 20


Fri — June 21


DCMR Staff Recs
Friday Mics, Jams & Such

Sat — June 22


DCMR Staff Recs
Saturday Mics, Jams & Such

Sun — June 23


DCMR Staff Recs
Sunday Mics, Jams & Such

Related Articles


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Concert News

Bad Books Delights With New Album and First Tour in Seven Years

For the first time in over seven years, indie rock band Bad Books is hitting the road to tour across the US in support of their latest album, III. A collaboration between indie singer-songwriter Kevin Devine and Manchester Orchestra’s Andy Hull and Robert McDowell, Bad Books came to fruition after the artists toured across the US and UK between 2007-2009.

Their first and self-titled studio album, released in October 2010, contained five songs written by Hull and six written by Devine, including the single “You Wouldn’t Have to Ask”. Exactly two years later, they released their second studio album, II, with songs like “The After Party” and “Forest Whitaker” which was featured on an episode of “How I Met Your Mother”.  For Hull and Devine, Bad Books is the creative outlet where they can experiment with music in a way that differs from their main projects. Now seven years since the release of II, Bad Books is ready to put more of their music into the world with their third album, III. The first single off “I Love You, I'm Sorry, Please Help Me, Thank you”, details Kevin’s experience with fatherhood after the birth of his daughter back in 2016.

When I open my perspective from my fear of the world
For the daughter I was trying to raise
With the total sum of everything asleep in my lap
I could hear I was the one in my way

// "I Love You, I'm Sorry, Please Help Me, Thank you" 

Officially released on digital platforms today, III includes other singles such as the delicate “Lake House” and “UFO”. The music video for “UFO” which premiered last week is available to watch below, just in time for the tour kick off next Wednesday in Chicago. Bad Books will be stopping in the DC area on June 23rd to perform at the Milkboy Arthouse in College Park, MD.

The tour will continue along the northeast in June before heading out on the west coast leg of the tour in June. Joining Bad Books on tour will be Brother Bird, Nashville-based solo project of Caroline Swon who recently toured with Manchester Orchestra in the fall. Purchase your tickets for the College Park show below to experience an evening of  witty songwriting and gentle harmonies with Bad Books.

Performance Details

Performance Details

Performance

Details


Sunday, June 23rd, 2019

Doors: 7:30PM

Show: 8:30PM


Milkboy Art House

7416 Baltimore Ave
College Park, MD 20740


$22 - In Advance


Associated Albums

Associated Albums

Associated Albums


Videos

Videos

Videos


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Festival Reviews

Rooster Walk 11: The Rooster Crows to Announce the Beginning of Festival Season

Upon arrival at Pop’s Farm in Axton, Virginia, just outside Martinsville, the tract of land was already buzzing with excitement and smiling faces were abundant. It was a hot sunny day, but that could not contain the excitement of the newly arrived attendees of Rooster Walk 11. Even before the music started on Thursday, there were many people roaming the woods of the Pine Grove Stage scoping out the vendors wares, admiring the art work on display, taking in the smells of the freshly smoked brisket, and testing their balance on the slacklines. Rooster Walk brings some significant names in the music world to their little corner of Virginia, but it is smartly laid out, so it’s a short walk from any campsite to the well located stages. With plenty of shade in the camping areas provided by a plethora of trees, large open green spaces for the stages, and even a scenic lake to top it off, it’s no wonder this festival racks up more alumni every year. 

The music started that evening and was contained to the Pine Grove stage. It was a good mellow way to start what would be a very busy weekend. Prosperity’s Folly kicked off the festival, followed by The Black Lillies. Multi-year veterans and festival favorites, Yarn, finished the night off with a two hour set. Their upbeat alt-country had everyone dancing in the sand under the pines all night. On top of playing a set of their own music, the group has played an additional themed set the past few years and last year’s theme was “The Last Yaltz,” which was their tribute to The Band’s The Last Waltz. This year was no different and the guys came back out to work their magic on Sunday for a “Yarn Morrison” set.

With temperatures breaking the 90 degree fahrenheit mark during the day for the rest of the weekend, people still came out to support the bands with the help of designated tent and sunshade areas and trees surrounding the various stages. Friday’s day sets brought a slew of Virginia bands with an especially heavy lean on Charlottesville and Richmond. Parallel sets gave attendees the chance to get down to some great funk with insane slap bass lines on the Lake Stage with Disco Risque or hang in the pines with Chamomile & Whiskey who bring a rocking Irish infused Americana sound. They say great things come in small packages, and at around 5 feet tall, Adar proved that with her incredible and powerful voice. Kendall Street Company played a fun set of their jam styled tunes on the main stage. South Hill Banks had a fun bluegrass throwdown on the Pine Grove stage which had no shortage of folks dancing and partying with them. Charleston’s Shovels & Rope headlined on the main stage and made one heck of a rauckus for being a duo. Big Something and Turkuaz brought the day to close and had special guests like 16 year old guitar ripper Isaac Hadden and slide virtuoso Roosevelt Collier.

Additionally on Friday, two bands relatively unknown to the Rooster Walk crowd created a massive buzz and put themselves all over folks radars for their Saturday sets: C2 & the Brothers Reed and Palm Palm. Both groups strayed from the usual RW style of music and it was welcomed with open arms. Both definitely had a Led Zeppelin rock influence, but neither were carbon copies. Hailing from Kentucky, C2BR has an overwhelming stage presence with energy unbounded. Their set on the VIP stage limited crowd size, but that didn’t hold them back and it payed off for their set the next day. Palm Palm, out of Richmond, Virginia, led by J. Roddy Walston, was another insanely energetic show with phenomenal music as well. These are two must see bands if the chance presents itself!

Saturday brought another slew of great music. One of the many highlights of Rooster Walk is many bands play more than one set on different days. For those who missed C2 & the Brothers Reed or Palm Palm, they got to start their day with a bang! There were repeat performances by Chamomile & Whiskey, South Hill Banks, and Kendall Street Company and another offering by the Artists at Large Band. RW brings “Artists at Large” to the festival every year; musicians who share the stage with most of the other acts and play a few shows themselves. The artists this year were RW alumni and incredibly talented Wallace Mullinax and Josh Shilling, along with John Cowan (New Grass Revival), Ed Toth (drummer for Vertical Horizon and Doobie Brothers), and Roosevelt Collier (slide guitar phenom). Saturday also brought plenty more talent in the form of The Lil Smokies with a smoking bluegrass set, The Roosevelt Collier Band, Trongone Band with their sweet southern rock, and The Steel Wheels. Saturday’s headliner, The Marcus King Band, was a few songs into their set when a thunderstorm broke up the party. Luckily, it was short lived and they came back out and crushed the rest of their set with Roosevelt Collier joining Marcus King for a shred session. Galactic brought their New Orleans party to the fest after MKB, and there was a double header late night show with Ghost Light and Runaway Gin playing until 2 a.m.

As bittersweet as the last day of any festival is, no one was concentrating on having to go back to reality with the incredible lineup that was in store. The Vegabonds started the day off on the main stage with their brand of alt-country. Other performances throughout the day included Mountain Heart, The Folly, Sierra Hull, and a magic show on the kid’s stage by Hunter Rhodes. At his point, the schedule thinned out to allow everyone to attend some of the major highlights of the weekend. The “Yarn Morrison” set consisted of Yarn performing a purely Van Morrison set (with one of their own at the end for good measure) with special guests Josh Shilling (keys), Lizzy Ross of Violet Bell (vocals), and a horn section to truly round out the sound. Bluegrass phenom Billy Strings was up next and though he looked like he felt a bit under the weather, the band still played a fantastic set of songs both old and new. Steep Canyon Rangers, from Asheville, NC, kept the bluegrass going with an energetic 2 hour set to lead up to Rooster Walk’s crowning jewel, the King and Strings set. Last year was the first time the two guitar virtuosos played together and they had a few hours after first meeting each other to put together a two hour set. They absolutely lit that stage on fire with Billy’s band and Jeff Sipe on drums, so expectations were high for this years collaboration. As high as those expectations may have been, they were all exceeded. This year, the entire Marcus King Band joined in on the fun, including the Royal Horns, and Dean Mitchell even got to break out his pedal steel. A storm blew through one again, but the show went on and it didn’t dampen anyone’s spirits. Highlights from the set were an acoustic version of the classic Summertime, Funky Bitch, Iko Iko, and Spanish Moon. This was a truly unbelievable set of music and was an amazing way to showcase the talents of these two up and coming bands.

Although the fest was over for many, the organizers had one more treat in store for all the people who worked so hard to make it a success. The staff party had a secret show by the Charleston, SC band Sexbruise?. Their music was a complete departure from what had been heard all weekend, and ensured everyone was set to party mode. They introduced autotune to the festival and with fresh pancakes getting flipped off the griddle into crowd and hands getting dunked in a tub of mayonnaise, there was no way thie party could've gotten any wilder. This is one of those “must see to believe” bands and is well worth checking out live if you’re ready to turn the party up to 11.

The folks at Rooster Walk hit another grand slam with the 11th installment of this festival. The location, bands, and people are a perfect recipe for a great weekend. This is certainly one to put  in the calendar for next year!

Photo Gallery

Photo Gallery

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Sean Chagnon of Eye of The Storm Photography.

Soundboard Recordings

Soundboard Recordings

Soundboards


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Concert Reviews

Rodrigo y Gabriela Dazzle Wolf Trap With Virtuosic Performance

Nothing is impossible. Rodrigo y Gabriela proved such at the Filene Center at Wolf Trap National Park for the Performing Arts on Friday, June 7. They achieved the seemingly unfathomable as they captured the attention of every audience member as they performed their interpretation of the Pink Floyd epic, "Echoes." The Mexican duo took the crowd with them on a nearly 20-minute journey through the cosmos as they meticulously honoroed one of their musical heroes in stunning fashion. It was amazing to watch two musicians (much less on acoustic guitars) command such respect, claiming the collective consciousness of an entire crowd in an outdoor amphitheater. In our day of constant communication, the audience understood the moment. No one risked missing a moment of the greatness before us. We witnessed something truly special.

The virtuosic pair was thrilled to bring new music to Wolf Trap – "one of the best venues in the world," according to Rodrigo. They featured material from their recent release – Mettarevolution – their first album in five years. The crowd sat attentively for much of the 90-minute set as the rock duo explored textured soundscapes, beautifully intertwining the sounds of their acoustic instruments.

Eventually, the guitarists implored the crowd to stand as the sound took a lively turn, returning to some of their earlier material from their 2006 self-titled album. The crowd inside the pavilion roared as Rod y Gab began the tribal "Tamacun," one of their most popular songs. Gabriela provided the uptempo rhythm and percussion on her Yamaha guitar as Rodrigo offered some stellar picking to create their signature, world-class sound. 

It was a treat to witness two exemplary guitar players become one with the music and the crowd in a beautiful setting. Rodrigo y Gabriela closed the show with an encore featuring the melodic "Electric Soul" and the energetic "Hanuman," and received a standing ovation from the grateful crowd. The appreciation was mutual, as the rock duo waved to the crowd in an extended farewell. Safe to say that Rod y Gab will return to beautiful Wolf Trap and share their gift with us once again. 

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Josh Brick  of Josh Brick Graphics.

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Jonny Grave / Photo by Mark Raker
Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – June 10

Jonny Grave is performing a free show at The Pub & The People on Tuesday night and again at Black Cat on Saturday night for his EP release show​ with special guests Pleasure Train and Maryjo Mattea. Photo by Mark Raker.

Week Of:  June 10 -16, 2019

Summary: More Music & More DC Jazz Fest!

So many great shows happening this week, especially with the continuation of the fabulous DC Jazz Fest! (There are too many wonderful events to list here, so please visit their SCHEDULE for more details.)

Check out our kinetic scene— shows we recommend are listed in the links below, with personal choices in bold, along with a list of the DCMR staff top picks and cool "gems" that you don't want to miss!


Mon — June 10


DCMR Staff Recs
Monday Mics, Jams & Such

Tue — June 11


DCMR Staff Recs
Tuesday Mics, Jams & Cool Stuff
Hidden Gems

Wed — June 12


Thu — June 13


Fri — June 14


DCMR Staff Recs

Sat — June 15


Sun — June 16



Related Articles


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Sounds Like DC's host and producer, Sean Gotkin. Photo by: Fionn Gotkin
Features, Interviews, Made in The DMV

“Sounds Like DC” Podcast Marinates on Deeper Meaning of the DC Music Scene

Photo by: Fionn Gotkin 

As many of us know, the DC area has a rich music history as well as a vibrant scene today, with a myriad of diverse genres, artists, activists, and venues enriching the community. 

One new offering is a brand-spanking new bi-weekly, conversational podcast called, "Sounds Like DC," hosted by Sean Gotkin, who is the Sound Department Manager and Front of House Sound Engineer at the historical Black Cat music venue in DC.

As someone managing sound most nights a week, he experiences a LOT of music coming through this city. He is also a musician in his own right, as well as a composer, record producer, mixing/mastering engineer, community activist, and a former sound engineering teacher at Northern Virginia Community College. So he has seen and heard a lot when it comes to the music and the DMV scene. 

Listening to the first episode with guest Gordon Sterling of Gordon Sterling & The People (as well as many other projects), which aired on June 5th, my immediate reactions were the podcast is about the music, but it's also bigger than the music. Sean talks about the art and about life, about existentialism, about those questions that we ask of ourselves and those we feel closest to, which offers a rare, in-the-moment peek as to what a person is all about, and how it relates back to their music. 

I caught up with Sean (who, full disclosure, has become a dear friend since our first conversation about music over pickles and coffee last year) with questions for him about his newest role as podcast host and producer.

Nina Goodman: Thank you so much for connecting with me on your latest musical endeavor, Sean! I'm so excited about this podcast, probably because I am equally enamored with the DMV music scene and love new ways of learning about it. So tell me about the podcast.

Sean Gotkin: Thanks so much for sharing the enthusiasm and chatting with me! I'm really excited about this project.  So, about the podcast. 

"Sounds Like DC wants to have conversations."

- Seth Gotkin  //  Sounds Like DC

Sounds Like DC Logo

We want to get into the hearts and minds of the individuals who make up the burgeoning arts community in the Washington DC region. Music and art is on every corner in our town and it’s a monumental part of our cities history. The artists are our neighbors and they are your community.  All of them have wide and varied stories and messages that their art conveys. And that is the mission of this show, to simply have a conversation and learn more about how others see and experience the world we all live in.


NG: I love the concept. And it's interesting you say that because I really felt like I got to know your first guest (and our friend), Gordon Sterling, on a much deeper level. 

SG: Yeah, I don’t like shows that make the guest feel like an afterthought. These shows tend to be more about the hosts themselves with some whacky DJ shtick. I wanted to create something the exact opposite, and with Sounds Like DC I feel we are on to something real and good.


NG: Yes, the realness and the storytelling that came from the conversation was my favorite part. I want to talk more about your conversation with Gordon in a minute but first tell me, why this podcast? And why now?

SG: I am deeply rooted in the DC music scene and feel as though I'm an advocate for artists themselves. I know this city and its history and felt like my experience with music here lend itself to producing and hosting the show.  I also know the inner workings of the various players very well. I know the conversations I want to hear in an interview and feel like I can set the stage to get the guests to feel comfortable enough to answer honestly. 

Any why now? It feels like the perfect time for this kind of show as I feel people don’t really talk to one another anymore. I think, because of technology we are communicating more now than ever, but listening to and understanding each other less.  Having really great conversations with, and learning about other people, changes us as individuals. And that's a really good thing. 


NG: And what do you think this brings to the music community?

SG: I am always looking for ways of helping and giving a platform to the DC artists community that I am a part of.  I wanted to create a show that was solely about the artists themselves. Them personally. The idea is simple. I want to engage artists in conversation so we can learn more about the individual behind the art. 


NG: I love that, and as I said, definitely feel like I learned a lot just in the first episode. Where did you get the idea for the podcast? 

SG: Funny story! My dear friend Nina and I sat down at a coffee shop last summer and I had one of he best conversations of my life with her. The idea for Sounds Like DC sprung from that conversation. (Smile)


NG: No way! It was a great conversation about music and the scene over pickles and coffee down at Politics & Prose. (People, if you haven't tried the pickles there, get on that ASAP.) I was actually hoping to turn it into an interview but never did, so it seems like everything came full circle! 

So, let's talk format. Tell me about how you set it up. 

SG: Each and every episode features one guest sitting down with me and engaging in real honest conversation. There is a certain rhythm within conversations done well. We want to accomplish this each episode so the listener walks away entertained, informed about the people in their own community and maybe a little more open to how others see and experience the world. 

Gordon Sterling on Sounds Like DC

Gordon Sterling, Photo by: Sean Gotkin

NG: Yes, I so got that from the first episode with Gordon Sterling. I listened to it and loved how it started with his music, then went into this introduction where your voice was so PODCAST ON! The timing, cadence, pacing. Not that different than talking to you but it was "podcast you," and it is great!

Also, while I'm gabbing, Gordon Sterling & The People's song "White Flag" that you played at the end, easily my favorite song I heard in live 2018. When I first heard them play it at Gypsy Sally's, it knocked my socks off!

SG: (Laughs) Well, thank you, and I love that song, too.

​​

NG: The line of questions were great, both on topic of things I want to know about where Gordon as a musician and also about Gordon as a person.

SG: That's exactly the goal! 


NG: He was a wonderful first guest because he was so open, honest, and in the moment. His answers were astute, thoughtful, often relatable and humorous.  And his knack for storytelling plus his infectious laugh kept me captivated. 

"It has been amazing to watch the community come together [at the jam]. We're trying to make it so more people can get a chance to get up and play. There's no velvet rope. Everybody [at all levels] can get involved and get on stage. We've had band forms and even couples meet. We bring people together! It's become one of the hubs of the jam community."

- Gordon Sterling ​about "Gordon Sterling Presents The Gypsy Sally's Jam" every other Tuesday

​This is all to say I felt the connection between you two and your ability to "go there," to places where music interviews don't always go. That was perhaps the greatest gift I got from this first episode. Plus there were lots of other little goodies sprinkled in there.

So what can we expect from future podcasts? 

SG: We never want to do the same show twice. So, we’ll get creative as we go. I will be tailoring each episode to the specific guest. We will always strive for honesty while touching on deep and funny subject matters. We want to show as many different sides to our guests as possible. Artists are complicated people. (Laughs)


NG: Indeed! Can you give us a hint, who is the next guest on the podcast?

SG: Next one will be Erin Frisby of The OSYX, FuzzQueen, City Witch, and This Could Go Boom! coming out on June 19th. I just completed the interview and it was really fun and extremely interesting!


NG: I bet! Erin is an incredible artist, change maker, and human who is deeply committed to not only her art, but to bolstering the voices of all artists, especially those who may not have a voice. That is going to be an amazing interview and I can't wait to hear it!

Thank you so much Sean for taking the time to connect about Sounds Like DC. I'm excited for what's to come! 

SG: Thank YOU again! And let's go have pickles and coffee again sometime soon! (Smile)



Click below to check out Sounds Like DC's first podcast with guest Gordon Sterling: 


Additional Resources

Additional Resources

Additional

Resources


To learn more about Sounds Like DC please see the following sites:

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Livestream Powered By DC Music Review
Livestream

WATCH LIVE: Phish tribute for kids with Phoam

Gather your young ones and get ready for a morning of Phish tunes for kids! WTMD's Saturday Morning Tunes is an award-winning, family friendly concert series, broadcast live each month.

Phoam features members of Psycho Killers, ELM and Weekapaug Orchestra, who, together, have seen more than 300 Phish shows and pay close attention to Phish's delicate and challenging compositions. Plus, they know how to groove.

We will be on scene to provide a livestream via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DC Music Review contributor Will Urquhart's Mixlr account.

The show is scheduled to begin at 11:00 am.

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Livestream Powered By DC Music Review
Livestream

GOGO NIGHT #DontMuteDC

Tonight is GOGO NIGHT! A #DontMuteDC event featuring: UCB, DJ Hav Mercy, Malik the Drummer, and live painting exhibition by Peekaso. Powered by LONGLIVEGOGO and WE ACT RADIO.

On behalf of the film: THE LAST BLACK MAN IN SAN FRANCISCO, a film about hometowns and how they’re made—and kept alive—by the people who love them.

We will be on scene to provide a livestream via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DC Music Review contributor Will Urquhart's Mixlr account.

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