Photo by: Fionn Gotkin
As many of us know, the DC area has a rich music history as well as a vibrant scene today, with a myriad of diverse genres, artists, activists, and venues enriching the community.
One new offering is a brand-spanking new bi-weekly, conversational podcast called, "Sounds Like DC," hosted by Sean Gotkin, who is the Sound Department Manager and Front of House Sound Engineer at the historical Black Cat music venue in DC.
As someone managing sound most nights a week, he experiences a LOT of music coming through this city. He is also a musician in his own right, as well as a composer, record producer, mixing/mastering engineer, community activist, and a former sound engineering teacher at Northern Virginia Community College. So he has seen and heard a lot when it comes to the music and the DMV scene.
Listening to the first episode with guest
Gordon Sterling of
Gordon Sterling & The People (as well as many other projects
), which aired on June 5th, my immediate reactions were the podcast is about the music, but it's also bigger than the music.
Sean talks about the art and about life, about existentialism, about those questions that we ask of ourselves and those we feel closest to, which offers a rare, in-the-moment peek as to what a person is all about, and how it relates back to their music.
I caught up with Sean (who, full disclosure, has become a dear friend since our first conversation about music over pickles and coffee last year) with questions for him about his newest role as podcast host and producer.
Nina Goodman: Thank you so much for connecting with me on your latest musical endeavor, Sean! I'm so excited about this podcast, probably because I am equally enamored with the DMV music scene and love new ways of learning about it. So tell me about the podcast.
Sean Gotkin: Thanks so much for sharing the enthusiasm and chatting with me! I'm really excited about this project. So, about the podcast.
We want to get into the hearts and minds of the individuals who make up the burgeoning arts community in the Washington DC region. Music and art is on every corner in our town and it’s a monumental part of our cities history. The artists are our neighbors and they are your community. All of them have wide and varied stories and messages that their art conveys. And that is the mission of this show, to simply have a conversation and learn more about how others see and experience the world we all live in.
NG: I love the concept. And it's interesting you say that because I really felt like I got to know your first guest (and our friend), Gordon Sterling, on a much deeper level.
SG: Yeah, I don’t like shows that make the guest feel like an afterthought. These shows tend to be more about the hosts themselves with some whacky DJ shtick. I wanted to create something the exact opposite, and with Sounds Like DC I feel we are on to something real and good.
NG: Yes, the realness and the storytelling that came from the conversation was my favorite part. I want to talk more about your conversation with Gordon in a minute but first tell me, why this podcast? And why now?
SG: I am deeply rooted in the DC music scene and feel as though I'm an advocate for artists themselves. I know this city and its history and felt like my experience with music here lend itself to producing and hosting the show. I also know the inner workings of the various players very well. I know the conversations I want to hear in an interview and feel like I can set the stage to get the guests to feel comfortable enough to answer honestly.
Any why now? It feels like the perfect time for this kind of show as I feel people don’t really talk to one another anymore. I think, because of technology we are communicating more now than ever, but listening to and understanding each other less. Having really great conversations with, and learning about other people, changes us as individuals. And that's a really good thing.
NG: And what do you think this brings to the music community?
SG: I am always looking for ways of helping and giving a platform to the DC artists community that I am a part of. I wanted to create a show that was solely about the artists themselves. Them personally. The idea is simple. I want to engage artists in conversation so we can learn more about the individual behind the art.
NG: I love that, and as I said, definitely feel like I learned a lot just in the first episode. Where did you get the idea for the podcast?
SG: Funny story! My dear friend Nina and I sat down at a coffee shop last summer and I had one of he best conversations of my life with her. The idea for Sounds Like DC sprung from that conversation. (Smile)
NG: No way! It was a great conversation about music and the scene over pickles and coffee down at Politics & Prose. (People, if you haven't tried the pickles there, get on that ASAP.) I was actually hoping to turn it into an interview but never did, so it seems like everything came full circle!
So, let's talk format. Tell me about how you set it up.
SG: Each and every episode features one guest sitting down with me and engaging in real honest conversation. There is a certain rhythm within conversations done well. We want to accomplish this each episode so the listener walks away entertained, informed about the people in their own community and maybe a little more open to how others see and experience the world.
Click below to check out Sounds Like DC's first podcast with guest Gordon Sterling:
To learn more about Sounds Like DC please see the following sites: