Tedeschi Trucks performs at The Warner Theatre
Concert Reviews

Tedeschi Trucks Returns for Two More at the Warner

Last Friday night, the Tedeschi Trucks Band continued their DC residency with their third  show of the four night run at the Warner Theater, Washington DC.  

Derek Trucks, of Tedeschi Trucks Band at the Warner Theater, Washington DC
Derek Trucks, of Tedeschi Trucks Band at the Warner Theater, Washington DC

For the second year now, splitting the four shows into two back-to-back weekends provided for a highly charged and enjoyable soulful release to the mid-winter blues.  Again, this show also continued the run of sold out shows in DC.

With two other shows on the tour tucked between the pair of DC weekends (Hershey PA, 17 Feb, and Brooklyn Academy of Music 20 Feb), the band has been playing through the pain of recently losing long time friend and multi-instrumentalist Kofi Burbridge.  Kofi recently returned to the hospital with complications earlier this year, and the band learned of his passing only just prior to taking the stage last week for the Friday DC show.  He was dearly missed and beautifully represented by a beautiful flower bouquet aptly placed in front of the piano. However the band's stage presence was strong throughout the evening, demonstrating that the therapy of music is not only a way to cope but a way to honor the talent and memories of their close friend and family member.  Their newest album, Signs was also released on Friday and was their first in nearly three years. 

Susan Tedeschi of Tedeschi Trucks Band at the Warner Theater, Washington DC
Susan Tedeschi of Tedeschi Trucks Band at the Warner Theater, Washington DC

It was a powerful show, and nothing less was expected or anticipated.  The band always brings it strong, and then some, for all of their DC shows.   Gabe Dixon is on this tour with the band, filling in for Kofi.  The band also recently spit with Tim Lefebvre, and was replaced by Brandon Boone for the winter tour.

The band filled the night with fan favorites throughout the evening from the opener "Don't Let Me Slide" to the double encore.  Of course the TTB Horn Section was as always very solid and tight, with a tremendous brass  jam to bring "Show Me" and the first set to a rousing close.  Their two long sets also included other notables, "Keys to the Highway", "Statesboro Blues", and an extraordinary great horn and Derek jam on "I Want More".  That was a perfect segue into my personal favorite combo, Susan leading on  "Angel From Montgomery" into "Sugaree". Returning to several songs from their new album through the evening, they highlighted "Hard Case", "I'm Gonna Be There", and then for the second encore finished the night with the album's title song, "Signs, High Times". 

Tedeschi Trucks Band, Warner Theater, Washington DC

Afterward, the band joined a second capacity crowed at the nearby Hamilton DC venue for the traditional afterparty.  Last week, DC was entertained by local favorite Ron Holloway Band, and this week Jaimoe and Friends took the late center stage.  The most enjoyable evening continued with the band being joined for several songs by Ephraim Owens on the horn, and Kebbi Williams on the sax.  The entire TTB band enjoyed the afterparty, relaxing to some late dinner and have become well known at the Hamilton.

Look forward to band's return to the area this summer,  at Wolf Trap in Vienna, Virginia, 17 July when the Summer Wheels of Soul Tour continues ....and various other summer festivals within reach.  See event and ticket information for the Wolf Trap show below.

Setlist

Setlist

Setlist


Click here to see the setlist for Tedeschi Trucks'  performance at The Warner Theather  on February 22, 2019 

Audio Recordings

Audio Recordings

Audio Recordings


Enjoy the audio recording by our contributor Alex Leary

Performance Date:  Feb 22, 2019


Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Mark Raker of Mark Raker Photography.


Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos of the Hamilton Afterparty by our photographer Mark Raker of Mark Raker Photography.

Upcoming Appearance

Upcoming Appearance

Upcoming 

Appearance


Wednesday, 17 July 2019

Doors: 5:30PM

Show:  7:00PM


Filene Center, Wolf Trap

https://www.wolftrap.org/

Trap Road,  Vienna, VA 22182

(Google Maps Link)


$40.00 - $85.00


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Album Review

Review: Bencoolen Release Debut Album ‘Daydream’

Bencoolen are proof that good things come from hard work. What started off as a passion project has quickly evolved into a way of life, thanks to five wildly talented and charismatic men. Formed in 2014 by college pals Paul Gregg (vocals, guitar) and Teddy Scott (guitar), Bencoolen are a self-made, self-managed band complete with a debut album and a massive tour.

Only solidifying the members in mid-2016 — welcoming Jack Bentsen (alto sax), Will Lockery (drums), and Ben Suarez (bass) — Bencoolen move fast. With a handful of EPs and now one full length LP under their belt, it’s no surprise that they’re already hitting the road on their largest tour to date.

Daydream due on March 8, is rock ‘n roll at its finest, complete with a jazzy sax and fervent guitar shreds. Bencoolen play this album with a near tangible energy, errant notes and chords seemingly leaping through time and space to completely envelope and enrapture any and all listeners. Their combination of blues and funk feels unique to them, but Bencoolen feel vocally reminiscent of Arctic Monkeys and Red Hot Chili Peppers.

The ten track album radiates confidence and ease, as though each member was born to live and breathe their instrument. While "Tonight," "Roll On," and "Daydream” headline the album, each track shows off the strongest elements of each band member. There is a vast diversity of sound and emotion distributed throughout, allowing the album to ebb and flow in a satisfying rhythm.

There are a few songs, such as “Don’t Wanna Wait” and “Habits” that feature softer instrumentals and slower tempos, however, that softness fades quickly as the drums pick up and Gregg’s vocals soar atop a soulful jam, immediately transforming the tracks into one where you can’t help but dance or bop along. In the end, Bencoolen are rockers through and through, shredding and synchronizing their instruments in a funk-forward harmony.

Daydream is an album that’s meant to be heard live, with the volume cranked up as loud as possible. Thankfully, Bencoolen are touring all around the DMV these next few months, including a stop at Pearl Street Warehouse on Friday, March 1 for their album release show, so there’s no excuse to miss out.

Bencoolen’s Daydream is a fantastic debut, and we’re excited to hear what they’ll do next.

Bencoolen <i>Daydream<i></i>

Bencoolen

Daydream

Released: March 8, 2019

Track Listing:

1. Tonight

2. Don't Wanna Wait

3. Remember

4. Habits

5. Roll On

6. Forgive Me

7. Lucky

8. When You Look Back

9. Show Me Your Hands

10. Daydream

Play/Purchase Album

Play/Purchase Album

Play/Purchase

 Album


Additional Resources

Additional Resources

Additional

Resources


You can learn more about Bencoolen by visiting the following web resources:

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Greyson Chance performing at DC9 Nightclub
Concert Reviews, On Our Radar

On Our Radar: Greyson Chance

Greyson Chance is on his way to becoming the next Ariana Grande. That may sound like a bold claim, but hear me out.

Greyson Chance performing at DC9 NIghtclub

Having left college to pursue his music career in 2018, Chance kicked off his first tour in two years this past Friday, February 22. If there were any nerves or hesitation around this comeback, Chance displayed none of it. 

Confidently striding onto the DC9 Nightclub stage with a gin and tonic in hand, the artist grinned at the sold-out crowd. In perhaps the greatest indicator of his boldness, he chose to embark on his comeback tour without an opening act.

But Chance needed no help warming up his crowd; the sheer power of his voice was enough to grasp the attention of every individual sardined into the venue. 

Greyson Chance performing at DC9 NIghtclub

As the chorus of “shut up,” Chance’s latest single hit, the crowd began enthusiastically singing along. Snaking through the crowd as his set progressed, I caught numerous whispers from audience members in awe.

“His voice is SO beautiful, WOW,” exclaimed one attendee.

Beautiful it is, but Chance’s voice is so much more. His ability to effortlessly glide from a deep baritone to an astonishingly high falsetto rivals that of musicians holding massive weight in today’s cultural zeitgeist. With vocals as powerful as Sam Smith's and buttery as Troye Sivan's, it’s hard to believe that Chance isn’t at the top of Billboard charts.

Greyson Chance singing at DC9
Greyson Chance singing at DC9

However, voice alone does not make for a pop star. You need to be a storyteller and a relatable one at that. Wandering over to the piano, he began sharing the story of his first love.

“Last year, I fell in love. I thought we were going to get married...maybe have some kids together, you know all that shit,”

An incredibly silent audience clung onto his words as Chance continued,

“But...I guess he didn’t want the same thing. He told me he wasn’t in love with me anymore...this is a song about that.”

Greyson Chance sitting at his piano in the midst of his performance

As the opening notes of “Low” struck and Chance’s stunning falsetto filled the room, seemingly every heart in the audience broke for the artist. There was no mistaking the gut-wrenching pain behind Chance’s words.

I've been hurt but I've never been hurt this much before

I feel lonely, lonely, lonely traveling down this road

They say through time I'll find some healing but the clock goes slow

I didn't know that I could get this low

 // lyrics from the single  "Low"  

Chance has endless talent, but above all, he's mastered the ability of grasping an emotion and emoting it out to his audience. Witnessing tears fill the eyes of various audience members, I exited the venue with the firm belief that Greyson Chance is our next pop star.

Greyson Chance is currently on tour throughout North America, with dates lined up through the beginning of April.

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Ana Medvedeva. 

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The Incredible Horn Section of Galactic
Concert Reviews

Galactic and AZTEC SUN Set Fire to the 9:30 Club

Guest Contributor: Nick "Phrazz" Fitanides

Nick has been a staple of the Washington DC music scene for decades both as a writer and photographer. We invited Nick to cover this performance because of his deep love and connection to funk music.


New Orleans' finest progressive funk band, Galactic, created a 7-alarm blaze on February 16 at DC's legendary 9:30 Club, supported by local DC favorites, AZTEC SUN. Galactic is on tour to support their 1st studio album in 3 years, Already Ready Already, produced by Ben Ellman and Robert Mercurio, released on Feb. 8th on Galactic's own label, Tchoup-Zilla Records. This album's material is composed of horn-heavy progressive funk and rock, with modern rhythms, immersed in traditional NOLA roots. Frequent denizens of the 9:30 Club, Galactic has been touring for over 20 years, releasing an average of an album a year. Galactic has made headlines recently for purchasing the legendary Tipitinas, thereby saving the legacy of the best-loved club in New Orleans.

Stephane Detchou of AZTEC SUN gets his FUNK on at the 9:30 Club
Stephane Detchou of AZTEC SUN gets his FUNK on at the 9:30 Club

Stephane Detchou

DC's soulful groove beatmasters, AZTEC SUN, fired up the crowd early on, with fans filling the main floor by the time they opened the night, opening with "My Way Home'," with a fun crowd sing-along, followed by the Go-go themed "Red Line." They continued into the songs on their latest album, In The Name of Everyone, with the poignant "District," where lead singer Stephane Detchou told the audience "this song is a love letter to a city that's changing, but not changing for everyone." Throughout the set, guitarist Ray Lamb added tasteful leads to Stephane's impeccable rhythm guitar.

Ryan 'Catch' Banning of AZTEC SUN

Ryan "Catch" Banning

Ryan 'Catch' Banning of AZTEC SUN

Ryan "Catch" Banning

AZTEC SUN continued into "Cold War In the City," with killer harmonies, horns, and rhythmic claps, accompanied by the crowd. Ryan "Catch" Banning ripped a sweet keyboard solo under bright spotlight, while he jumped with his fist in the air during the powerful "Revolution," which Stephane introduced as a "fighting song," with lyrics "soul is on fire / streets are burning … the people will rise again". They continued into "Cold War", "Set You Free", then a brand new song "I Am", with a short tease of Sly and the Family Stone's "Dance to the Music" toward the end of their set, with a resounding sax solo by Graham Robertson and horn support by Adam Kent (trombonist Joe Goltz is on tour elsewhere, but will be back).

Stephane Detchou, Ray Lamb, and Shane Weckesser of AZTEC SUN

Stephane Detchou, Ray Lamb, and Shane Weckesser

Because of the time needed to switch over dozens of PA channels, much of the crowd spilled out into the street outside the club to take a smoke break, making 9th and V streets feel a little like Bourbon Street, with many fans wearing New Orleans colors of green, purple and gold, some in costumes, and everyone enjoying the mood set in motion by AZTEC SUN. Once the crowd filed back in, the club was packed to capacity, deep into the balconies. Galactic's set started off dark and mysterious, with drummer Stanton Moore playing drums standing up under bright spotlight, pounding his rhythmic rockets to launch the funk ship. Galactic's new lighting design was noticeable, with a contrast of color geometries mixed in with down-spots for artist solos. Galactic is well-known for its tight, devastating horn section (Ben Ellman on sax & harmonica, with Corey Henry on trombone and horns). Their latest lead vocalist, Erica Fells, took command of the stage, adding her powerful, soulful vocals to her incredibly talented musical hosts throughout the evening.

Erica Falls was incredible with Galactic at the 9:30 Club

Erica Falls was incredible with Galactic at the 9:30 Club

DC area natives, guitarist Jeff Raines and bassist Robert Mercurio, played energetically to their hometown family and friends. Raines' guitar sizzled in the newer, progressive-rock songs off their latest album, such as the instrumental, "Goose Grease", with heavy distortion and killer Hammond solos by Rich Vogel. Ben Ellman also played harmonica on a few songs, with Corey deftly delivering horns. After a few songs, Galactic stripped down to a 4-piece, switching to mostly rock, then Falls came back out to center stage, accompanied by powerful harp solos by Ellman and more slide work by Raines. At the end of the night, Galactic covered The Jackson 5's "I Want You Back" for a resounding encore that left the crowd smiling, dancing, and fully satisfied.

Jeff Raines of Galactic

Jeff Raines of Galactic

Jeff Raines of Galactic

Jeff Raines of Galactic

These two 9:30 Club shows came near the end of Galactic's winter tour, ending on Sun 17th in Blacksburg VA at the Lyric Theatre. Spring tour starts promptly in early March with three shows at Tipitina's, followed by a western run in Colorado in mid March, then Victor Idaho, Missoula, Seattle, Portland, two dates in Nevada (Crystal Bay on March 24th and Brooklyn Bowl on March 26), then Tuscon, end of March in southern CA, and a summer date at Red Rocks on July 12th.

Galactic's Funky Horn Section was on FIRE at the 9:30 Club
Galactic's Funky Horn Section was on FIRE at the 9:30 Club

AZTEC SUN will be playing the Brooklyn Bowl NYC on March 18th, and has also announced MerleFest on April 28th, as well as summer dates at Lakefest on June 15th and Hudson River Park in NYC on July 7th.

Setlist

Setlist

Setlist


Click here to see the setlist for AZTEC SUN's performance at The 9:30 Club on February 16, 2019

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

GALACTIC

AZTEC SUN

Additional Resources

Additional Resources

Additional

Resources


For more information about Galactic please visit their webpage.

For more information about AZTEC SUN please visit their webpage.


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Metric
Concert Reviews

Metric Slays a Sold Out Show at The Fillmore

An electric anticipation filled The Fillmore on Friday February 15th as audience members began filing into a sold out venue. July Talk, a Canadian alt-rock band, got the evening started. The venue was nearly full after the theatrical set, and by the time Zoé, the wildly popular Mexican psych rock band the venue must have been at, or just under, capacity. By the time Metric took the stage, there was no way another person could fit in that room, and the excited hum between sets was buzzing more than ever.

Metric showed a sold-out crowd at The Fillmore just how to open a set. With bright white light filling in from the back of the stage creating foggy silhouettes of guitarist James Shaw, singer/ keyboardist Emily Haines, bassist Joshua Winstead, and drummer Joules Scott-Key, the rock band began their epic set with a song from their September 2018 album Art of Doubt called, “Love you back.”

Haines truly gave a high energy performance, some times appearing as though she was levitating above the stage, and at other times it was as though she had an invisible connection to the strums of Shaw’s guitar, or the plucks of Winstead’s bass, or the beats of Scott-Key’s drum - jumping up and down, never missing a beat.

Just as Metric knows how to start a set, they know how to put on a grand finale as well. Starting their phenomenal three song finale with, “Dark Saturday,” from their latest album, Haines truly put her whole body into this song moving with the emphatic lyrics. The audience responded, moving right along with her and the rest of the band, singing along when the mic was held out (and when it wasn’t).

Ending the evening with one of their most well-known songs, “Help I’m Alive,” Haines concluded her talking points for the evening with a statement that charmingly juxtaposes her poetic lyrics, “..so steady on, don’t give up and shit.” She was speaking to the right crowd, because everyone went wild. It was a phenomenon to see everyone’s fist pulsate like a heartbeat in the air during the chorus, “beating like a hammer, beating like a hammer…”

Metric’s U.S. Tour ends in March, and they won't be back in the area, but in case anyone ventures out of the DMV, their tour schedule is here.

Setlist

Setlist

Setlist


Click here to see the setlist for Metric's performance at The Fillmore on Friday February 15, 2019 

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Emily Vitek of Emily Vitek Photography.

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You Me at Six
Concert Reviews

You Me at Six Crosses the Atlantic to Play First DC Show in 5 Years

The last time UK alternative-rock band You Me at Six played in DC in 2014, they were promoting their fourth studio album Cavalier Youth. Nearly five years and two albums later, vocalist Josh Franceschi, guitarists Max Helyer and Chris Miller, bassist Matt Barnes, and drummer Dan Flint return to the 9:30 Club as a part of the “Back Again Tour”. After questioning the band’s future viability, You Me at Six went on two writing retreats in the UK as a last-ditch effort to save the band. A few endless months later spent writing lyrics and tracking instruments, You Me at Six created their sixth studio album, appropriately titled VI. Showcasing a variety of genres including rock, indie pop, R&B, and electronic, VI includes songs such as “Back Again,” “3AM,” “IOU,” “Fast Forward” and “Straight To My Head.”

Dreamers

Indie band Machineheart opened up the evening with a few songs off their debut album, People Change. Sung by frontwoman Stevie Scott, Machineheart’s set included songs such as “Altar” and “Do You Love” that captivated the audience with their ethereal sound. Next up was the pop-rock trio Dreamers, best known for their radio hit “Sweet Disaster”. Quickly rising to fame, Dreamers performed other fan favorites such as “Screws” and “Die Happy”.

Dreamers
Dreamers

You Me at Six started off their set with “Fast Forward”, with Franceschi quickly moving across the stage while singing the energetic first track off VI. Fans eagerly followed Franceschi’s movements with their cell phone cameras in hopes of snapping an Instagram worthy shot of the singer. They returned back to their pop punk sound with older songs like “Loverboy”, “Reckless”, and “Lived a Lie”.  The energy remained high throughout the evening with fans jumping around and Franceschi showing off his best dance moves during songs like “Back Again”, “Night People”, and “Fresh Start Fever”.

You Me at Six

Towards the end of the set, Franceschi looked to the back of the 9:30 Club and asked the lighting technicians to turn off the lights. The bright purple and blue lit stage quickly went black as Franceschi asked the crowd to take out their phones and turn the flashlight on for the next song. Performing the inspirational “Take on the World”, band members looked out into the sea of illuminated dots that surrounded the two-story venue. After a few more songs, Franceschi asked the audience how many of them had seen a You Me at Six performance before and was pleased to see half the crowd excitedly raise their hands.

You Me at Six

Next, he asked how many in attendance were experiencing their first concert ever, to which a few scattered hands were raised. Franceschi jokingly told the newcomers that he would have also recommended that night’s show as their first time. He went on to explain how encores work at concerts, going into details about how both the fans and band members know that announcing a last song of the night rarely means it is actually the last song. Instead, the bands will walk off stage for a few moments while listening to the audience chant “one more song” until eventually they walk back on stage to perform the rest of the set. Franceschi laughed while pointing to the setlist on the floor stage saying how the plan is all written out on the piece of paper. As expected, You Me at Six departed from the stage upon finishing their self-proclaimed final song, “Bite My Tongue”, only to return shortly after the crowd cheered for an encore.

You Me at Six

The encore contained a wide variety of their discography with older songs like “No One Does It Better” and “Room to Breathe” and one of their newest songs “Straight to My Head”.  You Me at Six ended their performance with their 2010 hit “Underdog”, with Franceschi hopping off stage to sing along with the crowd.

You Me at Six

The “Back Again Tour” continues until mid-March where You Me at Six will perform across the United States before heading back to the UK to play at a number of music festivals including the popular Reading Festival. While it is uncertain when You Me at Six will return back to the United States after this tour, we certainly hope they don’t leave fans waiting another five years. If that’s the case, better start packing your bags now and book a flight to Europe for the UK dates. Fans unable to make the transatlantic trip can instead relive some nostalgia by checking out the music video below for “Underdog”.

Videos

Videos

Videos


Setlist

Setlist

Setlist


Click here to see the setlist for You Me at Six's performance at 9:30 Club on February 24th, 2019

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Emily Vitek of Emily Vitek Photography.

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Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – February 25

Featured above is the brilliant, Baltimore-based band Soul Cannon who are playing with Deerhoof and Speedy Ortiz at Ottobar on Wednesday night. Photo by Kevin Gift.

Week Of:  February 25 — March 3, 2019

Summary: The Local Scene is ALIVE

So many great shows and as always, our local artists are making waves all over the DMV this week. Featured above is the dynamic, Baltimore-based hip-hop band Soul Cannon, who I happened to see last year on a whim. Their show at Velvet Lounge ended up being one of the most mind-and-body moving performances I've seen all year and they quickly rose up to become one of my favorite local bands. They are playing this Wednesday at the fabulous Ottobar with two INCREDIBLE and well-loved bands, Speedy Ortiz and Deerhoof, for what will be a highlight show for this week. 

And there are SO MANY MORE LOCAL ARTISTS making music this week, including:  

...and that is only naming a few. Below are many, many more!

Plus, this week offers a LOT of different types of experiences that are worth checking out:

So get out there and check out our kinetic scene— MORE shows are listed in the links below, with personal choices in bold, along with a list of the DCMR staff top picks and cool "gems" that you don't want to miss.  


Mon — February 25


DCMR Staff Recs
Monday Night Mics & Jams

Tue — February 26


DCMR Staff Recs
Tuesday Night Mics, Jams & Cool Stuff
Hidden Gems

Wed — February 27


DCMR Staff Recs
Wednesday Night Mics, Jams & Such

Thu — February 28


Fri — March 1


DCMR Staff Recs
Hidden Gems

Sat — March 2


Sun — March 3


DCMR Staff Recs
Sunday Night Mics, Jams & Such

Related Articles


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Livestream

WATCH LIVE: ROCKN’ to LOCKN’ Semi-Finals at Gypsy Sally’s

Tonight, DC Music Review teams up with LOCKN' Festival to present a free livestream on the Relix Channel of the 2019 ROCKN' to LOCKN' Semi-Finals featuring Suga Grits, Black Masala, Surprise Attack, and Nkula at Gypsy Sally's!

The annual ROCKN' to LOCKN' contest provides a chance for a handful of local bands to win a spot playing on the main stage at LOCKN' Festival each summer. Tonight's show at Gypsy Sally's is the second of three semi-finals and two of the four competing bands will advance to a final round later this spring.

Those of you who would prefer an audio-only stream can find that via DCMR contributor Will Urquhart's Mixlr account embedded below:

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Album Review

Album Review: Choose Your Own Adventure’s “Aussie Rules”

Aussie Rules, the latest and greatest from DMV treasure Choose Your Own Adventure, was released earlier this month. The EP boasts five brand new tracks, featuring beloved veteran members Gina Sobel (flute, sax, vox), Ryan Lee (guitar, tambourine), Andrew Hollifield (bass), and Pat Hayes (drums). Sobel told DC Music Review that they included, “some dear friends/special guests to this album to make it even better.”

With the special guests tacked on and a reinvigorated confidence, CYOA do not disappoint.

CYOA is the future of jazz and funk, with whimsical improvisations, cohesion, and energy. Sobel added that the enhanced unity could be attributed to the fact that, “the core group can read each other’s minds.” And you definitely get that sense when listening to the album. Each note, bar, and riff, ebb and flow like synchronized breaths emitting from one being.

Sobel’s flute floats atop the opening track “My Name’s Johnny”, introducing the album. The song is packed with so many different twists and turns, with different instruments taking the lead, none of which overshadow each other.  In a similar tone as tracks off their first EP, the song welcomes returning fans with open arms, before spinning off in an edgier direction as the album carries on.

The diversity in sound and feeling on this EP is vast. “Scary Boi” is sophisticated, smooth, and, jazzy, featuring the virtuosic sax, while “Long Blink”, which immediately follows, is bright, summery, and vocal-heavy. Both are beautiful and smartly crafted, and, despite their differences, they feel like the both fit perfectly on the album.

With their instrument packed, jam-heavy tunes, Aussie Rules is alive, dynamic and exciting, keeping listeners on their toes. The band doesn’t rely on easy tropes or cheap tricks to make their music soar, but rather their innovation, creativity, and above all, passion.

You can tell that they’re having the time of their life creating and jamming, and because of that, listeners won’t be able to help but dance along too.

Album

Album

Album


Listen to the album below, courtesy of Choose Your Own Adventure's Bandcamp page.

[bandcamp width=350 height=621 album=1368994093 size=large bgcol=ffffff linkcol=0687f5]

We would encourage you to purchase this album for $10  on their Bandcamp page. This purchase directly support the artist and helps them continue making music.

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Switchfoot
Concert Reviews

Switchfoot Sings in Their “Native Tongue” At the Fillmore

Returning to Silver Spring for the first time since 2016, California rock-band Switchfoot played at The Fillmore on Tuesday during the first week of their “Native Tongue Tour”. Comprised of Jon Foreman (lead vocals, guitar), Tim Foreman (bass guitar), Chad Butler (drums), Jerome Fontamillas (keyboards), and Drew Shirley (guitar) – Switchfoot is best known for their hits “Meant to Live” and “Dare You to Move”.

Making music since 1996, Switchfoot had early success within the Christian rock scene due to the religious themes found in some of their lyrics. They gained mainstream attention after the release of the 2002 movie A Walk to Remember, which featured four of their songs including a cover of “Only Hope” by actress Mandy Moore.

In December 2017, a little over a year after the release of their 10th album, Where the Light Shines Through, Switchfoot released a statement saying that for the first time in twenty years they would be going on hiatus. Ten months later in October 2018, they announced the release of their eleventh album, Native Tongue. Released in January 2019 just a few weeks before the tour kicked off, Native Tongue has been a success in Billboard’s charts, earning number five in the US Top Alternative Albums and number four in the US Top Rock Albums. Recorded in their home town of San Diego, the 14-song album includes collaborations with Brent Kutzle of OneRepublic and alt-pop singer Kaela Sinclair.

“These are polarizing times, where the loudest voice is often the voice of anger or fear. This album is an attempt to sing that hope into life. To bring a group of diverse songs under one common banner. Hatred is not your native language. Love is your Native Tongue.”

Accompanying Switchfoot on the “Native Tongue Tour” were singer-songwriter Tyson Motsenbocker and indie-rock band Colony House. Tyson opened up the evening with an acoustic set with songs off his 2016 album Letters to Lost Loves. Colony House ramped up the energy with a lively performance including songs off their 2017 album Only the Lonely. 

Backed by a large screen displaying behind the scenes clips of the band, Switchfoot opened their set with the guitar-heavy “Let it Happen”, the first track off Native Tongue. Next up they performed their hit song “Meant to Live”, which currently has over 27 million plays on Spotify. The set included other new songs off Native Tongue including “Voices” and “Take My Fire”.  Numerous times throughout the evening, Jon jumped off of the stage into the crowd to sing with the audience and break the barrier between performer and audience. 

Pausing to share with the audience his appreciation for his band mates, Jon expressed the honor he felt to be able to perform with his brother and the rest of the band each night. Introducing the song “I Won’t Let You Go”, Jon explained the versatility of the song saying how some fans have walked down the aisle to it while others have performed it at a funeral.

​

​There ain't no darkness strong enough that could tear you out from my heart
There ain't no strength that's strong enough that could tear this love apart

// "I Won't Let You Go"  by Switchfoot

Halfway through the evening, Switchfoot exited the stage and walked to the back of the venue with instruments in tow. Standing on a small platform surrounded by fans, they performed acoustic versions of “Hello Hurricane”, “The Shadow Proves the Sunshine”, and “All I Need”.  Taking a break from what had been an otherwise high energy set, the intimate acoustic performances had fans swaying back and forth while singing along.  

Once returning to the main stage, Switchfoot gave fans performances of “Float”, “Needle and Haystack Life”, “Prodigal Soul”, and “Dare You to Move”. Returning for an encore, the band played “Native Tongue” while Jon held up a flag saying “Love is our native tongue” featuring the band’s iconic star symbol. Jon invited Tyson Motsenbocker and Colony House on stage before talking about his love for UK artists as a child and how The Beatles in particular were one of his favorites. Linked together on stage, Jon along with Tyson and Colony House front-man Caleb Chapman swayed side to side while performing a cover of “Hey Jude”. The rest of the band members were all smiles while they stood together playing their respective instruments.

Ending the evening with “Where I Belong”, Switchfoot finished the evening with their song connected to the C.S. Lewis quote, “If we find ourselves with a desire that nothing in this world can satisfy, the most probable explanation is that we were made for another world.” Although the song has biblical ties, all fans connected to the idea of searching for their place in the world while confetti rained down from the ceiling.

The Native Tongue Tour continues through mid-April where Switchfoot will play over 40 shows across the United States and Canada. Due to a snowstorm, Switchfoot canceled their Philadelphia date on February 20th and rescheduled it for August 3rd, 2019. If you were not able to attend the show in Silver Spring, you can see them later this summer in Philly. Check out the music video for “Voices” below, and you can listen to the full Native Tongue album now on all major streaming platforms.

Videos

Videos

Videos


Setlist

Setlist

Setlist


Click here to see the setlist for Switchfoot's performance at The Fillmore Silver Spring on February 19th, 2019

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Emily Vitek of Emily Vitek Photography.

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