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Livestream

Gordon Sterling Presents: The People’s Jam Comes to Pie Shop

Tonight brings us the first installment of Gordon Sterling Presents: The People's Jam at their new home, the Pie Shop on H Street!

We will be on scene to provide a livestream via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DC Music Review contributor Will Urquhart's Mixlr account.

We expect the house band to open the show tonight around 7:30 pm.

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Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – February 10

 
 
 

Week Of:  February 10 — 16, 2020

Summary: We Heart Music

So many feels this week.

One of DCMR's most beloved bands, Tedeschi Trucks Band is coming back to DC for a 2-night run at The Warner Theatre. Both Friday and Saturday nights are sold out but if you can secure a ticket, you will see a remarkable band share their art in a perfectly paired venue. 

A lot of other DCMR beloved artists are gracing the DMV this week, including:

And some really interesting shows/experiences happening this week that deserve recognition, like:

So get out there and check out our loving scene— MORE shows are listed in the links below, with personal choices in bold, along with a list of the DCMR staff top picks and cool "gems" that you don't want to miss.  


Mon — February 10

DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Tue — February 11

 
 
 
DCMR Staff Picks


Jams, Mics & Such
Wed — February 12

 
 
 
DCMR Staff Picks
Jams, Mics & Such
Thu — February 13

 
 
 
 
DCMR Staff Picks
Jams, Mics & Such
 
Sparkling Gems
Fri — February 14

 
 
 
 
DCMR Staff Picks
Jams, Mics & Such
 
Sparkling Gems
Sat — February 15

 
 
 
 
DCMR Staff Picks
​Jams, Mics & Such
 
 
Sparkling Gems
Sun — February 16

 
DCMR Staff Picks
Jams, Mics & Such
 
 
Sparkling Gems

Related Articles


 

Listen


Haven't heard of one the of the artists listed above? Listen to some of their music to get an idea of what awaits you!

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Vince Herman & Drew Emmitt of Leftover Salmon
Interviews

Ring Leader Vince Herman Predicts Polka as the Next Big Thing

​A force to be wreckoned with onstage, Vince Herman can easily captivate a crowd at festivals and venues across the country.  Trying out something new, with a lot of smaller and more intimate venues on the list of stops, Vince together with bandmate Drew Smith of Leftover Salmon gave us a chance to ask questions about music, the tour and everything in between!


Karin McLaughlin: Hi Vince!  We're excited to have you guys back in the DC area playing City Winery - you and Drew.  You said you're on the way to the airport, where are you headed -somewhere fun?

Vince Herman: Actually, I came to pick up a friend, we're here in Colorado for a few days and then I head down to Jamaica with Little Feat.

KM: Oh nice – love those guys, well I won’t keep you too long but let’s jump right into a bunch of stuff. You've got the whole tour coming up with Drew and it isn't really named, it's just kind of you guys doing your thing.  I'm curious - if you were going to name the tour what would you name it?

VH: ‘30 Years of Rolling Through Your Town’ (laughs)

KM: That was another thing I wanted to say, 30 years is a long time - I saw you guys, as part of Leftover Salmon, came out with the complete vinyl set.  30 years, wow!  So say Leftover Salmon had a kid 30 years ago, what do you think the kid would be like these days?

VH: Wow! Hmmm, he’d probably be an engineer.  And would be scared to death to go anywhere near the music business.

Leftover Salmon performs at The State Theater in 2018

KM:  Likely.  I'm sure I’ve seen you guys since but the last time I think I remember seeing Leftover Salmon in the DC area was an absolutely mind blowing show at the State Theater in Falls Church and you guys really killed it.  That's a smaller venue, but it's great. What's your favorite type of venue to play?  I know you guys are doing a lot of the City Winery locations on this leg of tour, but what kind of venues you really like to play at?

Leftover Salmon performs at The State Theater in 2018

VH: We just played up a place called Green Hall in Austin, Texas. It's the oldest dance hall in Texas, built in 1878 and it was unbelievable.

KM: Did you do some Texas style dancing out there?

VH: Yes, I sure did - I love swing dancing and, you know, that was the place to do it.  We just did a run with a guy named Jason Bowen, he’s a singer-songwriter guy down there and we did a nice Texas run with him.  It was fun. You know, we're trying to branch out a little bit more into the Country world. I've always thought that Country fans would like what we do because it's deeply rooted in that stuff, it's hippie country (laughs)​.  We can entertain Country audiences and we started thinking about, how do we not just ride this thing as long as we can, but how do we grow this thing?   I'm always thinking like that.

KM: Speaking of growing, Virginia's got the Appalachia region where it’s obviously moonshining ​territory - is there anything like that in the country parts of Texas? Do they have their own flavor of shine out there?

VH: I did not become aware of any down there this time, but I'm sure they do. You can't beat Appalachia for that kind of stuff.  That's as big a part of the culture there just as pot is in Colorado.

KM: Touching on a little bit of that too - since you guys are doing a lot of City Winery venues, are you a wine drinker by any chance?

VH: I am. I just recently moved back from Oregon to Colorado. I was in the wine country up there and got to know vineyard owners and I definitely developed my palate.

KM: Your palate matured, huh?

VH:  It definitely did.

KM: What kind of wines are you into?

VH: I really like a hearty Cab Sav or those kind of things.  Tempranillo is real nice.

KM:  So you and Drew getting together and going out - I know Leftover Salmon as a group is always busy and you do a lot of other projects - are you just not able to sit still, is that where this comes from? Or was there another reason behind this venture?

VH: Well, keeping yourself fresh is important in the music world.  I do a little family band with my kids and I've actually got a gig later today with my son - my two sons.  I do a lot of playing with folks whenever I can. Andy Thorne from Leftover, ​Bridget Law from Elephant Revival​ and me, we're playing coming up in Boulder.  We’ve got a Grateful Dead kind of thing on Friday night before heading to Jamaica to go play.

​KM: Let’s talk collaborations - I know everybody loves getting together and that's what's so great about this music scene as far I’ve seen.  I'm somewhat new to the jam band and bluegrass scenes, relatively speaking just since a few years ago. I grew up mainly on hip hop where collaborations in that respect, were only really done in the studio. One thing that has drawn me more to this scene is the impromptu jams and surprise get togethers. What's one or two that you personally have seen or taken part in that maybe it was an unexpected, spur of the moment thing that's really held a place in your heart or in your memory?

VH: One of the most amazing things I ever saw was, I got to sit in the hotel lobby after a festival one night here and see John Hartford and Vassar Clements trade fiddle tunes for about three hours, just them the two of them and that was one of the things I'll treasure most forever. 

We’ve had some great jams at Telluride, kind of where the band started in some sense. I mean I love havin pickin parties at my house even.  We had a great one on Christmas.  Music, to me, has a very social element to it, you know? That’s its role.  Of course there's the artistic expression of it and pushing your art form and all that, but the real point is is humans having fun together.

KM: I think one of the biggest collaborations that stands out in my memory that I was so honored to be able to attend, was the Jeff Austin tribute back in November.  I know that had a big impact on everybody in the music industry. What thoughts do you have now, reflecting back on that event?

VH: I mean, talking about the social role of music, that was one of the primest examples of it ever.  To digest the loss of a friend through celebrating his music is just one of the most healing things that you could ever possibly want to do. It was really good for all of us, as his friends to be able to come together at that moment to share the love. It was powerful.

KM: Yeah, the photo at the very end with everybody on stage together still gives me chills when I see it. It's crazy how many people were able to come together and collaborate on that, and I'm sure it was an honor for every single person, ​to be a part of it. The songs and music that came out of it, with the collaborations and the people that you saw get on stage together, it was just mind blowing.

Nick Forrester performs with Hot Rize at The Barns at Wolf Trap

Nick Forster performs with Hot Rize

VH: Yeah, Nick Forster did a really great job of putting that all together too.

KM: Yeah. He's kind of an idol of mine. I got to interview him back when Hot Rize came to DC and not only as a musician, but also interviewer and host, is kind of what I set my goal to be one day.  I don't know if anyone else could ever get there, but I’ll keep trying!

VH: Yeah, he’s the total king of the universe man.  Hot Rize is pretty much the reason I've moved to Colorado.   He's a pretty big figure in my world as well.

Nick Forrester performs with Hot Rize at The Barns at Wolf Trap

Nick Forster performs with Hot Rize

KM: So what are you most excited about with this tour that you're heading out on?

VH: Doing something totally new and driving around with Drew - laughing a whole lot during the day and pickin a lot at  night. It's a pretty good combo and it's just another of the many different kind of music forms I get to take on. This one is pretty darn rooted in my brain.

KM: How long have you guys been collaborating on this in order to get this thing going? Other than, obviously, what you've been doing as a band?

VH: Well, we've done two shows so far and we did absolutely no planning for it at all other than the playing together for 30 years (laughs)

KM: That's the way it should be, right?

VH: Absolutely.  

KM: Well, I'm glad to hear that.  That's when all the exciting stuff comes out, everybody kind of wings it and you're making each show really unique for the attendees.

VH: Well, you know, hopefully the shows won’t become routine as time goes on.  We got a lot to draw from and we will dig deep every night.

KM: I usually like to do some rapid fire questions and then they usually lead to others - so if you're up for it?

VH: Uh oh is this a psychology test?  Are you about to expose me for the true freak I am?

KM: (laughs) Maybe, maybe not, we’ll find out.

VH: Ok.

Leftover Salmon - 30 Years Under The Big Top - NYE 2019 Poster

Leftover Salmon's 2019 NYE Event was billed as "30 Years Under the Big Top"

Leftover Salmon - 30 Years Under The Big Top - NYE 2019 Poster

Leftover Salmon's 2019 NYE Event was billed as "30 Years Under the Big Top"

KM: So the complete vinyl release of Leftover Salmon is called 30 Years Under the Big Top. When you think of Big Top, obviously you think of circus - if you were a performer in the circus, what would your act be?

VH: Oh, man, I'd be the ringleader! 

KM: Good one!

VH: Yeah you know, I don’t know how to juggle, I can’t fly through the air, but I do know how to talk loud, “HERE YE HERE YE!” (laughs).

KM: You moved to Colorado, what is your favorite slang term for marijuana?

VH: My favorite term for marijuana?  Medicine.  As a former grower, I’ve been indoctrinated into the, ‘It’s not pot, it’s medicine’ school.

KM: Right - it's not a bong, it's a water pipe.

VH: (laughs)

KM: Sunrise or sunset. What's your favorite to watch?

VH: Oh, you know, I probably see more sunsets than sunrises these days. But generally speaking, if you're seeing a sunrise it's pretty special occasion. 

KM: So what are you more likely to see on a Saturday? Are you more likely to see the sunrise or the sunset?

VH: Well, you know soundcheck is around sunset so there you go.

KM: At a festival or a show, when you're on stage, what is your favorite thing to see when you look out into the crowd? Obviously, you want to see the audience having a great time and having fun, but what's something you see that people often either wear to shows or do at your shows that just makes you giggle and makes you really appreciate what you're looking at when you're performing?

VH: I like to see multiple generations.  I like to see my buddy Matt Blum from Bloomington, Indiana dance because it’s most expressive thing you've ever seen in your life (laughs). He responds to every note.  It’s amazing how music affects that guy.  I like to see people having a good time. I like to see people really surprised at what they're hearing.

KM: So, on this tour when you and Drew are riding around going from city to city, what would people be surprised to hear that you guys are listening to?

VH: Polka.

KM: Polka?

VH: Yup.  It’s gonna be the next big musical wave.  Three years from now, it'll be bigger than disco.

KM: Really? That's your prediction?

VH: There's gonna be a whole new genre of polka jam. Jamka.

KM: (laughs) Well, I can't wait to see how that makes people's bodies move at shows.

What about if you guys were listening to a book on tape? What book or what kind of book would it be rather?

VH: This Wheel’s On Fire by Levon Helm.  Biography.

KM: Awesome. Everybody's making such a big deal about 2020 and the new decade and all these things.  They say everything changes, but what's something that you hope doesn't change in 2020 and that continues on and keeps going forward?

VH: Well, I think it's more like it used to be now than it ever has been. I think it's gonna get more like it used to be in the future. And if that continues before long, we’ll be nostalgic for the future in just a few years.

KM: That's an interesting way to put it.

VH: (laughs) I think what’s not gonna change is the fact that we're a strong country that's going to get through all this madness around us with a newly reinforced set of values.

KM: Good God. Let's hope so.

VH: By seeing the effects of having no guidance right now and no morals and no dignity.

KM: I have the feeling you're talking about someone in particular.

VH: Exactly, well you live there.

KM: Speaking of DC, is there anything that you guys hold near and dear in the DC area that you guys are going to make sure you hit up while you're here?

VH: I always like to hit the National Portrait Gallery and I love the Corcoran. I'm a big freak on 19th century American landscape painters.

KM: Okay, that's very specific.  I  just actually went to the national Portrait Gallery the other day Martin Luther King Jr. Day.  I don't know what section it is, but I had come upon a portrait painting of Pocahontas, who was dressed up in Americanized garb and did not look one bit like the Pocahontas I would have thought. I posted something about on Instagram and my friend responded who is a teacher and she was like, ‘Yeah, you didn't know that she when she married John Smith or whoever she married, they renamed her Rebecca?’  I had no idea. It's crazy. You can learn a lot in this city, that's for sure.

VH: Oh yeah!

KM: I don't want to take any more of your time. Thank you very much, this was a very entertaining discussion. I'm looking forward to what you guys have to offer at City Winery on February 11th.

VH: Yeah, definitely enjoy the rest of your week. Thanks!

 

Photo Gallery

Photo Gallery

Photo Gallery


Performance Details

Performance Details

Performance

Details


 
 

Tuesday, February 11, 2020

Doors: 6:00 PM

Show: 7:00 PM​


 

$25 - 35 (Check Link For Details)


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Greensky Bluegrass
Concert Reviews

So Glad They Made it! Greensky Bluegrass Brings Joy to The Anthem for Two Nights

The boys managed to do it again – coming to D.C for a two-night run and leaving fans exhausted from a great party that will not soon be forgotten.  This time Greensky Bluegrass also brought with them two great opening acts that we often get to see perform alongside each other at festivals and on tour – Cris Jacobs made his way down 95 for Friday night and Ghost Light shined bright for night two. 

Cris Jacobs

After a killer show earlier in 2019, where Jacobs joined in on the fun up in his native Baltimore, we knew it would be a hard show to top, but Cris always manages to get a crowd ready for having a great time no matter the location. It was an exciting night for Jacobs as he unveiled his new, completed band roster for the first time. Backed by his tight rhythm section of Todd Herrington (bass, vocals) and Dusty Simmons (drums, vocals), the Marylander added two Richmonders to his arsenal - Ben White (keys, vocals) and Corey Wells (guitar, vocals). The band was exceptionally tight for their outing – playing several tunes from Jacobs' 2019 release, Color Where You Are. The quintet demonstrated a full sound – augmented by Wells' tasteful slide playing and White's piano prowess –as they performed "Painted Roads," "Buffalo Girl," and the instant classic, "Under the Big Top." One of the highlights was "Holler and Hum," that featured Wells and Jacobs weaving their stellar guitar playing together into a beautiful mosaic of sound for an extended jam - reminiscent of a Phil Lesh and Friends (of which Cris has played) type feel. 

Greensky took it back a bit for fans when they opened with "Handguns" and started out mellow  to ease the crowd into what was in store. Introducing the audience to the "best vibra slap player in bluegrass", Guido, earlier than usual, "What You Need" had a strong start and an even better finish to give us a taste of something we normally don't get enough of.  

Declaring their love for Cris Jacobs Band, The Anthem, people in the front row and the weekend in general, Paul Hoffman (Phoff; mandolin) was grateful indeed and a shortened version of "Past My Prime," made attendees feel the exact same. Closing out the first set with two of my personal favorites, "Room Without a Roof" > "Run or Die" made everyone excited for the bands return to the stage and "Jaywalking" was just the way to prove we were getting ready to get wild.

A few songs later, attendees were treated to an always-entertaining conversation between Paul and Anders Beck (dobro) onstage after "Too Far Away" where we learned why kids tend to say "Windshield" is a favorite of theirs.  Wearing the 'Explicit Content' warning with pride, our favorite dobro player explained how excited he was to be able to feel because the curse usage made bluegrass badass.

The guys worked their way through a great second set welcoming Cris Jacobs onstage and teasing "Bone Digger" which got everyone excited however instead decided to play "Forever Young" (Bob Dylan) in honor of musical offspring that are part of the family.  Continuing on through a strong last few songs, the band ended with a Phish cover to the delight of attendees as they closed out Friday with "Chalkdust Torture" bidding the crowd goodnight and leaving us all excited for the return Saturday night.

Raina Mullen and Tom Hamilton of Ghost Light

Night two included magic in more than one way if you ask me. Ghost Light opened a set with no song breaks, segueing between "Best Kept Secret" > "Synth Driver" > "Diamond Eyes" before completing the musical palindrome. The band pulls together their amazing individual talent to create a stunning cumulative sound like no other. Saturday was no different as all cylinders were firing - highlighted by beautiful vocal harmonies spearhead by Raina Mullen, spectacular guitar work by Tom Hamilton and Holly Bowling's mesmerizing piano mastery.  

Greensky had a special night in store for us on Saturday. Sharing a story about a friend of his that they've nicknamed "The Reverend," before playing anonymous tune - Hoffman told the audience about a night when he had a dream that the friend was in. Telling audience members that the next day he woke up and texted the friend to share the dream, he got a reply that the friend has also had a dream the night before about Paul. Not one to believe in simple coincidences personally, this was a story that I took to heart and made me value the crowd and friends that music built even more.  

Coming together for something that they had only talked about, but had yet to come to fruition until this night was when the stage cleared except for Hoffman, Bowling and two spotlights.  What came next was something that was so pure and so entrancing yet also unexpected. Hearing the electric duet of the two musicians perform a version of "Windshield" that gave me chills is a memory that will be forever engrained in my Greensky concert catalog. 

The remainder of the show was a barnburner in every sense of the word – especially when Bowling and Hamilton emerged for the culmination of the show – for a monster take on the apropos, "Leap Year." The augmented band  returned for a joyous take The Spencer Davis Group's "Gimme Some Lovin'" and all of us were indeed, so glad we made it. 

Setlist

Setlist

Setlist


 

Click here to see the setlist for Greenky Bluegrass's performance at The Anthem on January 31, 2020  

 

Click here to see the setlist for the Cris Jacobs Band's  performance at The Anthem on January 31, 2020  


 
 
 
 

Click here to see the setlist for Greenky Bluegrass's performance at The Anthem on February 1, 2020 

 
 
 
 
 

Click here to see the setlist for Ghost Light's performance at The Anthem on February 1, 2020 

 
 
 

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographers Josh Brick  of Josh Brick Graphics and Caitlin Moore  of Caitlin Moore Photography.

Friday, January 31
Greensky Bluegrass


Cris Jacobs Band

Saturday, February 1
Greensky Bluegrass

​

Ghost Light
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Kellen Asebroek of Fruition
Interviews

Sailing the Ocean with Martinis, Pizza and Kellen Asebroek

​A person who makes talking nonsense more fun than anyone I have ever met and still probably my favorite interview to date, I had the rare pleasure to once again talk to Kellen Asebroek, keyboard player for Fruition, about everything and nothing at the same time.  The band is back at Union Stage in Washington DC this week and DC Music Review welcomes the band and its members along with some great new music that we can't wait to hear live!

​Karin McLaughlin: Hey Kellen, how are you?!

Kellen Asebroek: Hi!  Good , I just sat down in a green room in Aspen, Colorado at the Belly Up. 

KM: Yeah, that's gonna be exciting!

KA: Oh yeah - the shows here are always pretty raging, but the fact that this one is in the middle of ski season on a beautiful day, it's even better.

KM: And it's Hump Day! How have you been?

KA:  Been pretty good.  I'm just trying to keep my head above water and be productive and kind of stay out of trouble.  ​We've had the last two weeks off from tour and so that's been nice, sleeping in and in my own bed.​

KM: Off tour - does that mean more trouble or less trouble? 

​KA: Um, more usually.  Tour is pretty - as crazy as a lifestyle you think it might be, from going to festivals and stuff - it's ​pretty systematic with schedules​ and it's just a little more reliable than if I'm home.  If I don't have necessarily anything on my schedule for the day, that's when I sleep all day and then ​I go hang out ​at my bar. 

KM: Yeah, without a regimen you're in trouble.  

KA: Yeah, so ​that's been kind of my whole last trip, making sure I to have my own regiment outside of work. 

KM: And 2020 is off to a good start?  

KA: Yeah, I'd say so.  This is night one of tour, so I'll say it's off to a good start.

KM: Okay, good.  ​ Well, I know you have the show, so I won't take too much time but just kind of a catch up.  It's funny - I was reading our last interview - we really went off the rails on that one (laughs).

KA: Yeah, we sure did!  I​ think we really talked about everything and nothing simultaneously. I don't know how it worked but we pulled it off.​

KM: True, and I had fun doing it. ​ I remember listening to it a few days later and thinking "What on earth?' but now reading it again, I'm like, 'Well, it was a lot of fun!' ​

KA: Honestly, as someone who does a good amount of interviews around album release time, and someone who likes reading interviews, those are ​my favorite kind of interviews to do, the ones that are still good to read too.  I don't need to read the ones where you're on the phone with someone ​and it's the same questions about the music and the band, etc.  I want to read really weird random ass questions or obscure facts about a musician.  Or when the interviewee turns it around and reverses it on the interviewer.

KM: Well, don't you worry Kellen, I got some of those gems in store for you ​shortly.  ​I do obviously​ want to talk about the new albums too though and the way you guys did this release.  I thought it's really cool with Wild As the Night and then ​Broken ​At The Break of Day and how you guys released them.  ​How did you guys come to the decision on the way to ​do it because you don't see that done, essentially, I guess it's considered a double album, but with different release dates and such different stories behind each of them, right?

Fruition - Wild As The Night
Fruition - Wild As The Night

KA: Yeah, so we wanted to we wanted to mix it up from the standard, you know, releasing a new album every couple years, then doing a  big publicity campaign behind it and all that stuff.   We wanted to take that and compress it down into a smaller album and then be able to do that more often. 

We had the idea to do a conceptual two part release, essentially.  We didn't know if it was going to be night and day or light and dark or like, love and hate.  We wanted to do a two sides of the coin approach and put out two short albums and then eventually press that one vinyl really.  So we set out to do that and it all just kind of started to take shape with the night and day approach. We figured out songs that would fit into either of those categories loosely and abstractly essentially, and then filled in the gaps and wrote new material for form two.​  We're calling it companion releases.

KM: Interesting you call it companion releases and it's all about like love and ​ heartbreak and everything in between, I guess. 

KA: Yeah. ​

KM: ​Coming from the place that I'm at in my life right now, it's very therapeutic to listen to a lot of that stuff.  ​

KA: Well I'm sorry you need it but glad that you have it.

KM: ​Right.  I think that's essentially pretty much what it came down to the first time I listened to it. I think I wasn't ready to listen to it and didn't really hear it.  Then the second time I listened to it through I was like crying, which is sad to admit, but you know, like you said, don't want it but need it. ​

KA:  Well if someone is crying listening to our music, that means we really fucking did our job right. 

KM: Exactly. ​How much of it is hard for you guys to write and perform being that it's that kind of subject matter?

KA: I mean, it's always been kind of a trademark of our band - using the medium of song to express vulnerability and to grasp​ the hard times of depression or the elation that we're experiencing​.  We're kind of lucky to have that​ therapeutic output. Whereas some people might not get a chance to talk about other people or write about it and have​ an audience ​receive it in that way.  It's lucky, but it also can be hard.  It can be very candid thing, a very personal thing to write about the shit you're going through, and then write about it in a way that people can relate. ​Then ​you get to play it for 1000 people like, yeah, it's intense, but it's also it's also cathartic, right?

KM: Speaking of therapy and stuff like that, and I know we touched on basically what happens when Fruition is not on tour - I saw that you were doing some individual projects and got to do some performing outside of Fruition. Is that something that you consider therapy as well?   Sharing things that you need to get out that maybe you can't do on stage with the band?

KA: Absolutely, yeah. We all are involved in solo projects and other groups when we're not doing the Fruition thing.  Some of us more than others, but yeah, at the end of the day, this is my main source, ​in an existential way of therapy or a place of ​wholeness and my purpose. It's also, you know, my source of income - there's both sides of that coin to that - I still need to survive when we're not on tour, but also, luckily, my favorite thing to do is​ play music. ​

As for me playing solo, it lets me do different things than I do with the band because it's just me.  I can start and stop songs at will and stop them in the middle and change the tempo and talk about the song for a long time or whatever - make jokes ​and try stuff that I wouldn't be able to do with the band.  So yeah, each​ opportunity to be on stage or to release stuff online, holds its own purpose, and it's important and I am grateful for all of them.

KM: That's so exciting that you get to do that. Not many people find ​the passion that ​becomes a job with passion and stays the passion and then continues to grow as a passion. So you are one of the lucky ones, sir. 

KA: I feel lucky about it and whenever I find myself taking it for granted, I have to kick myself and remind myself that it may be hard and uncertain to do what I do, but also the complete and utter joy and elation from being able to do is is hard to find any other place.  I can tell​ that we all find we all find joy in our passions, but I can't speak on stuff besides my own. So yeah, I'm grateful and lucky and, ​of course, humble.

KM: Sticking with the theme of love and all the things that go along with the new music - what's the craziest silliest, biggest thing you've ever done for love that you're willing to share?  

KA: (laughs) Wow, I was not prepared for that.

KM: Gotta keep you on your toes!

KA: It was a lifetime ago, but the first thing that comes to mind is - I had a girlfriend back in college and she left to go study abroad and I was devastated. ​ I saved up money and as soon as my semester was over, I flew out to Italy and we traveled together. ​ We broke up right after the trip (laughs), but at the time, that was definitely the biggest thing that I've done for 'love'. ​ It shattered my earth that she had left and my whole like world was focused on getting back to her. 

KM: That's so cute.

KA: Now she​ just got married, so I'm super happy for her.  I'm happy to be part of that journey ​in some way.  Meanwhile it's just little old me here trying to figure it out before I give myself to someone else (laughs).

KM: I see all these memes and​ they're like 'All my friends are out here getting married, having kids and buying houses and I'm just trying to go to the gym and have a diet that I stick to for more than a month.'  

KA: It's like an engagement photo where it's like two happy couples and then one person just hugging a bottle of champagne.

KM: Yeah, pretty much.  ​My group of girlfriends from college, one of them lives in the Outer Banks year round and we always go down for her birthday.  She just surprised us ​and told us that this year, we're doing a best friends photoshoot. So we're hopefully gonna have matching outfits and she's hiring a professional photographer and all this stuff. So that's kind of where we're at in our lives. 

KA:  (laughs) So cheesy but that's the type of stuff I love.  

KM: It's gonna be good. So, you mentioned tonight's the first night of tour, and you're at Belly Up.  You got quite a bit coming up on the calendar. You're touring with The Mighty Pines, Caleb Elliott and Lindsay Lou, who I love.

KA: Me too, I love her and her band.

KM: I'm so glad that y'all ​have the DC date with her.  Have you heard her story about - ​what is it- like her ​aunt or her grandmother that was a bank robber or something? 

KA: No!

KM: Yeah, you have to ask her about that.   I interviewed her ​at Delfest and I had read a little bit about it somewhere, but I can't remember the whole story.​

​So what's something that you guys do as a band or even you personally to help you stay ​sane on the road? Are there things that you guys make sure you incorporate into day to day life or make sure you take on the bus with you?  Is there a standard that you guys also spend enough time apart during tour? ​

Kellen Asebroek of Fruition

KA: ​Individually, we all have our own ways of creating space - whatever that means to each of us as a person.  I think over the years we've been able to identify when other people need space and give that freely to them because​ our collective sanity and ​our individual sanity is paramount to a successful tour ​or any kind of business. ​When our business is so personal and so emotionally based, we have to be able to support each other and we have to give each other space.  Sometimes the best way to support each other is to leave each other the fuck alone (laughs).

KM: Yeah, I can totally see that.

KA: We're in such close quarters living in a van.  It's a little bigger van than the last time you saw us, but it's still small.  We're spending 99% of our lives within a 10 foot radius of each other.   Personally, ​to get my sanity straight, when we get to a ​new town, I just go for an aimless walk for as long as I can, until I have to be back.  That's super grounding and super nice to just not talk to anyone and not look at my phone - to be able to just breathe and walk.  

Kellen Asebroek of Fruition

We all know and love each other ​enough at this point that we know when someone needs to talk, when someone needs help and when, like I said, someone just needs to be left alone.

KM: Yeah, it's good that you guys can read that on each other.

KA: Yeah, it helps a lot for sure.  So the short answer to your question is space. 

KM: So when's the last time I saw you - Peachfest?  

KA: Yeah, I think that's right, very briefly.  

KM: Way too short! ​ How was Red Rocks?

​KA: Red Rocks was amazing.

KM: With The ​Wood Brothers right?  

KA: Yeah we've ​done it a bunch.  ​We've played there five times now but I think this was my favorite.

KM: I was super jealous that I didn't get to go. I have some friends that live out in Denver that went and they kept posting videos.  I had serious FOMO. 

​KA: We were all like relaxed and healthy and ready to put our best foot forward. The weather was great and by the time we played the place looked full, so we were playing to a full Red Rocks, the sun was going down and people are singing along to our music and it was just very surreal. ​As good as it gets.  ​

KM: Even though summer seems like a long way away, it's already right around the corner.

KA: Good, I like that you put it that way because, fuck Winter.

KM: Yeah, agreed.  I'm missing you guys​ - you're playing in Steamboat but not ​for  WinterWonderGrass, ​right?  But you are playing one of the WinterWonderGrass Festivals.

KA: Yeah we're ​playing the Squaw Valley one.

KM: Well, I'm doing my first ​WinterWonderGrass at Steamboat and I'm excited but also like I'm also like 'Man, fuck winter! I'm ready for​ summer festival season!  I saw you guys ​already got Rooster Walk and a couple things on there.

KA: Yeah warm weather and those warm feelings.  I don't really hate winter, I can deal with the being cold part, you just have to have the right gear.  It's just driving in it - driving in it is scary and can actually be life threatening. ​ Then loading gear in and out or having to get out of the van to dig ourselves out and put chains on the tires.  ​Then your gloves are too big to actually be able to put on chains and then you ​have to take them off and do it bare handed and you just cursing​ the gods.

Yeah, so I like winter, but I like to just look at winter out of the window or maybe when I'm shredding the gnar down some​ ski slope or something, but working in snow sucks.  Don't get me wrong, I love WinterWonderGrass, I love that festival so much, but it can be incredibly, incredibly difficult trying to perform during a blizzard and that's the whole thing, that's the whole show, right?  You think 'Yeah let's play in the snow.  It's amazing, guys. It's super cool,'  I imagine as a fan, it's great but it's tough. It's an interesting challenge, I'll put it that way, to do it.

KM: How do you keep your fingers nimble enough to play an instrument when they're about to fall off from being frozen?  

KA: That's a good question. I've been trying to figure out for years.  I'll keep hand warmers in my pocket and anytime ​my hands aren't on the instrument, I'll shove them in my pockets.  Beyond that, you kind of just get used to playing with completely numb fingers and hoping that the muscle memory from ​playing these songs so many times yeah ​comes through on the clutch ​and does it for you.  I'll look down and think, 'Well I hope I'm playing the right notes, sorry folks if it sounds like shit' (laughs).​

KM: I guess that's the next level of musicianship when you can play when your fingers are numb.

KA: It's like playing with no fingers at all.  

KM: (laughs) Yeah, kinda like that, I guess.  All right, well, you ready for some rapid fire? 

KA: Sure, let's go. 

KM: Okay. What's your favorite tour bus or tour van past time?

KA: Oh gosh favorite? My most common ​one is looking at shit on my phone.  I realize that isn't the most compelling answer.

KM: You don't play any fun road games?

KA: Not really ​although we do have this thing called van party, which is when we're done and we've loaded out of venue, we get to the hotel and find a good spot in the lot, open up the slider and have ​a couple beers and smoke a joint to kind of decompress - van party WHOOHOO! 

KM: I read an interview you were doing​ promo for the new music that if you guys were a dinosaur, you'd be what is it a ​bronchiosaurus or something?

KA: I said that?  (laughs)

​KM: I think - maybe somebody else in the band said that, but if you could be any animal what would you be? 

KA: Oh man, I think I'd be a dolphin. ​ I've heard that they're very intelligent, they get to swim around all day and surf, which is even better since I grew up surfing. They surf more gracefully and ​with ease more than any other fish or human that I've ever seen and from what I hear they're also pretty frisky in the sack.  I think it's the favorite past time of dolphins - doin it.  ​So yeah, dolphin, fins down.

KM: Fins down, huh (laughs).

KA: Yeah, sorry I had to.

KM: So, I know that you ​had ​dreads at one point and have seen your new hairstyles and that you've experimented with different haircuts and style. What's one haircut you would never ever, ever get caught having?

KA: But I can't say dreads - because that would be my answer now. 

KM: Did you save your dreads when you cut them off?  

KA: You really want to know?

KM: Well, everyone else I know that had them and cut them off ​has always kept them so I'm going to assume yes. 

KA: I can actually give you a little nugget here. I saved them.  I not only saved them but I took the best​ ones and used safety pins and pinned them into the inner brim of a baseball hat so when I wear it, it's like a dreadlock wig.

​KM:  I was gonna say you could sew them into a wig and wear them anytime you want it.

KA: What I should've done is made a rope out of them.

KM: Or a belt, a hemp belt.

KA: There was definitely enough hemp content in those dreads that I could've.

​Actually, funny story - we had a show ​at String Summit - it was a late night show years ago, probably about five years ago - we were jamming and it was pretty loose.  At one point I walked off stage in the middle of a song and went into the greenroom, I didn't tell anyone I was gonna do it.  ​ I came back out onstage in the dread hat and freaked everybody out - the band, the audience, there were some people there that knew me back in my dread days too and everyone was so confused.  ​They were all like, 'What the hell is happening dude?!'

KM: Don't eat the brown acid!

KA: Right. I was just like, 'What are you talking about, I've always had dreads'. 

KM: (laughs) Ok, have you ever played 'Bang, Marry, Kill'?

KA: (laughs) Yeah, of course, I've played that.  I'm a dude who was once in middle school.   ​

KM: ​Good - so Pizza ​Hut, Papa John's, Dominos.

​​KA: Wow, that is very oddly specific and it's really hard to separate the three of those to me.

That being said, I think I was ​would marry Pizza Hut - they've got the longest track record and, I think, of the three, the tastiest pizza. ​ Then I think I would bang Dominoes, because they have chicken wings and I can get down ​with chicks with wings for a couple nights before you know, I have to go home to my wife Pizza Hut. And I'd kill Papa Johns's just because I think they have some pretty shady business practices and stuff.

KM: Well, Kellen, I think we might have just become pizza soulmates. I'm in the exact same boat as you but for different reasons.

KA: Yeah well you know same boat, different reasons is still the same boat. We're sailing out in the ocean together watching the sunset.

KM: ​And if we went down, I would totally let you on the raft ​Titanic style. ​

KA: That's the nicest thing anyone has said to me in 2020.

KM: S​peaking of  - any good new New Year's resolutions?

KA: Not really I have my own personal demons that I'm always trying to work on, regardless of the time of year.  A buddy and I, who we view the world in a lot of similar ways, we came up with our list - it's 'Stay cool daddio'. ​

KM: (laughs) That's a great one!  

KA: Yeah and you can interpret that​ however you want to.

KM: I told someone my resolutions the other day and they were like 'Those are the most odd, specific and stupid resolutions I've ever heard'.

KA: Let's hear them.

KM: Mine are drink more martinis, wear earrings more and - I don't know why but - every time I run into something or bang a body part into something, I always say 'Ow'  ​even if it doesn't hurt​.  So one of my resolutions to stop faking.

KA: (laughs) Oh my god, I love that one. I totally do that. I don't know why.

​KM:  ​Yeah, I mean it didn't hurt, do I just want attention or something??

KA:  Probably something from childhood. 

KM: I'm working on it. 

KA: How do you how do you like your martinis​?

​KM: Very dirty with blue cheese stuffed olives.

KA:  Oh my god we just became​ martini soulmates.  We could live on a raft in the middle of the ocean with just pizza and martinis and be happy. 

KM: And you know, you would never have to play with frozen fingers - we'd only sail the tropics.

KA: All right, I'll meet you there. 

KM: All right, well, I won't keep you anymore have fun at Belly Up. Have fun at Mission Ballroom.  Have fun everywhere else and I will see you here. 

KA: Yes. Will we actually be seeing you?

KM: I will be there with bells on.  And balls.  And all the other things that start with 'B'.  Hopefully we will get to have a drink together.

KA: A Dirty Martini with the side of pizza.

KM: Union stage - they have the best pizza. Did you ever get to try their pizza last time?

KA: I did.  It was great.  

KM: Alright, it's a date.

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Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – February 3

 

This Thursday night, Fruition is playing with Lindsay Lou at Union Stage.  Look out for our DCMR interview and coverage of the show later this week! Photo by Josh Brick.

Week Of:  February 3 — 9, 2020

Summary: Jams, Legends, and Marley Celebrations

It's a week of so many legends and so many beloved jammers, all in one. 

Some historically awesome artists/big names coming to town: 

Plus Bob Marley tribute shows this weekend in honor of this birthday:

And this week offers a LOT of sweet jams that the DCMR team adores, including:

So get out there and check out our vibrant scene— MORE shows are listed in the links below, with personal choices in bold, along with a list of the DCMR staff top picks and cool "gems" that you don't want to miss.  


Mon — February 3

DCMR Staff Picks
Jams, Mics & Such
Tue — February 4

 
 
 
DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Wed — February 5

 
 
 
 
 
DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Thu — February 6

 
DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Fri — February 7

 
 
 
 
 
DCMR Staff Picks
Jams, Mics & Such
 
 
 
 
 
Sparkling Gems
Sat — February 8

 
 
 
 
DCMR Staff Picks
Jams, Mics & Such
 
 
 
Sparkling Gems
Sun — February 9

 
DCMR Staff Picks
Jams, Mics & Such
 
 
Sparkling Gems

Related Articles


 
 

Listen


Haven't heard of one the of the artists listed above? Listen to some of their music to get an idea of what awaits you!

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Livestream Powered By DC Music Review
Livestream

WATCH LIVE: The DC Music Summit

Today brings us the DC Music Summit 2020 and we will be on scene to provide a livestream via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DC Music Review contributor Will Urquhart's Mixlr account.

We will go live at approximately 9:30 am  for the morning program, including the keynote address, and then again at 12:50 pm for some lunchtime performances.

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Livestream

WATCH LIVE as the Hippie Van Leaves Gypsy Sally’s

If it hasn't yet sunk in for you that Gypsy Sally's is closed, this just might do the trick. The iconic VW hippie van is rolling out of Gypsy Sally's today, the last piece of the auctioned off history to get picked up.

Just before opening in September of 2013, Gypsy Sally's co-owner, David Ensor, told the Georgetowner, "“Our hippy bus is sure to leave a few patrons scratching their heads and asking why? Our response is simply, why not?” Nestled in a dark corner of the Vinyl Lounge, the van served as a spot to relax for a bit and was surely the number one spot in the venue to take photos with friends.

Get some tissues handy and join us as say goodbye to a dear friend. We will stream the departure live on the DC Music Review Facebook page until the van is out of sight.

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Concert Reviews

Grace Potter Releases Love and Light at The Church of Rock and Roll in DC

Grace Potter

Grace Potter returned to DC for the first time in four years and she more than made the most of it. On Saturday, January 25, The Anthem became Grace's "Rock and Roll Church," sharing her love for music with thousands of adoring fans. She owned the stage, fronting her talented new band, The Daylights, for a set that featured  mix of new songs, older hits from her time with The Nocturnals as well as material from her solo career. 

Potter possesses a stunning stage presence to go along with her beautiful, booming voice that commanded the attention of the audience for two hours. Her set included the perfect blend of rockers ("Turntable, "Medicine") and heartfelt, personal songs ("Empty Heart", "Repossession") that put her soul and emotions on display for all to see. It was a joy to see an artist perform with such honesty and it was clear that Grace felt a certain freedom on stage on this night. The crowd responded in kind, vocalizing their gratuity with great fervor. 

One of the many highlights included a beautiful rendition of Etta James' "I'd Rather Go Blind," welcoming opener Devon Gilfillian to perform the tune as a duet. After closing the set with "Nothing But The Water" (Parts I +II), Grace returned for a meaty trio of "Stars," "The Lion the Beast the Beat" and her 2010 hit, "Paris (Ooh La La)," leaving the roaring crowd begging for more. Potter obliged and returned to the stage by herself  for her final song, "Release," on the piano. The crowd showed the respect the performance demanded, remaining silent as Grace shared her heart and voice with us one final time. It proved a fitting conclusion to a masterful and emotional performance. Grace Potter released her love and passion with DC on a night we won't soon forget. 

Setlist

Setlist

Setlist


Click here to see the setlist for Grace Potter's performance at The Anthem  on January 25, 2020

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographers Josh Brick  of Josh Brick Graphics and Caitlin Moore  of Caitlin Moore Photography.

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Jazz is PHSH
Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – January 27

 

JAZZ is PHSH is performing with special guest Felix Pastorius at UNION Craft Brewing on Thursday night. Photo by Jason Herman.

Week Of:  January 27 — February 2, 2020

Summary: Keeping Warm

Get out there and check out our kinetic and smooth scene— lots of great shows are listed in the links below, with personal choices in bold, along with a list of the DCMR staff top picks and cool "gems" that you don't want to miss!


Mon — January 27

DCMR Staff Picks
Jams, Mics & Such
Tue — January 28

 
 
DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Wed — January 29

 
DCMR Staff Picks
Jams, Mics & Such
Thu — January 30

 
 
 
DCMR Staff Picks
Jams, Mics & Such
 
Sparkling Gems
Fri — January 31

 
 
 
DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Sat — February 1

 
 
 
 
DCMR Staff Picks
​Jams, Mics & Such
Sparkling Gems
Sun — February 2

DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems

Related Articles


Read More