Concert Reviews

Moose Blood and Lydia Bring the Indie to the 9:30 Club

Picture this: It’s the final act of the latest rom-com blockbuster. Camera pans to a sulking protagonist pacing in angst, not caring that he’s trampling all over his concert tees and flannel button ups. Until, it clicks. He’s gotta go and get his girl. And in that moment when he decides to do something and turn his life around, it wouldn’t be out of place to hear Lydia’s “When It Gets Dark Out” playing him out.

The ethereal rockers played the 9:30 Club on Sunday night with the enthusiasm and passion of a lust-fueled boy speeding down side streets trying (and likely ultimately succeeding) to win back the girl.

Fronted by Leighton Antelman (lead vocals, guitar), Lydia is comprised of Matt Keller (keyboard, guitar, programming), Justin Camacho (guitar), Shawn Strader (bass guitar), and Evan Chapman (drums).

The Arizona based indie band pulled in a grungier side of DC, thanks to emo-pop British headliner, Moose Blood. Despite the nuanced differences between the two bands, concert goers gave their all to Lydia, welcoming and closing each song with cheers and shouts. When Keller shouted, “Has anyone ever heard of Lydia??” into the depths of the packed room, he was met with resounding applause and encouragement. 

The five piece band played in front of a massive canvas that boasted their latest album’s artwork. Antelman performed barefoot, grinning through lyrics and flopping his arms relaxedly in tune to the beat, giving off an unexpectedly chill vibe despite the heavy bass and electronic components. There was never a quiet moment during their set, with spacey electronic intros fading in and out, leading into the meat of the next songs.

Playing a combination of classic instruments and electronic sounds, paired with Leighton’s unique androgynous vocals, Lydia has a truly unique sound, if only comparable to Fun.’s Nate Ruess, or more recent star Garrett Clark Borns of BØRNS.

Mid-way through their set, Lydia played their latest single “Goodside” off their upcoming album, Liquor. The catchy single, if representative of the rest of the album, is indicative that Lydia’s sound is growing into something edgier and louder than their previous works, without necessarily straying too far from the classic Lydia sound that their fans grew up on. Heavy drums and a shoutable chorus define the powerful new single, making it an excellent live performance piece.

An enthusiastic trio of girls danced on the balcony level of the club, singing along to every word. They caught the attention of the band who gave them a shout out, only to follow up with, “sorry to call you out!” However, based on their grins and continued dancing, I doubt any apologies were really necessary. 

Moose Blood took the stage next, playing with a bone rattling fervor that left my heart skipping beats for hours after the show. After a deafening and powerful opening track that was met by even louder cheers, lead singer Eddy Brewerton (vocals, rhythm guitar), scratchily called out, “I’m so sorry, I have laryngitis, but I’m going to give it my all.” 

And he did. They did. Had Brewerton not mentioned his illness, it’d have been impossible to tell. Moose Blood played expertly and fluidly, with fans filling in lyrics when Brewerton needed to give his vocals a break. A swirling mosh pit of head bangers and fist pumpers formed, concertgoers chiming in enthusiastically when Moose Blood said: “If you know the words, help me out!” With the crowd so enthusiastic and willing to participate in the music, Moose Blood were grinning happily as the crowd nearly drowned them out.

Moose Blood are finishing their US tour with Lydia before heading back to the UK for the summer festival circuit, so make sure to check them out while you can. As for Lydia, keep your eyes and ears peeled for their sixth album, Liquor, scheduled to be released on July 13.

Washington DC ? ?: @chrisblockd

A post shared by Moose Blood (@mooseblooduk) on


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

Moose Blood

Click here to see the setlist for Moose Blood's performance at the 9:30 Club on March 18, 2018

Lydia

Related Artist Videos

Lydia videos courtesy of Lydia's YouTube Channel

Moose Blood videos courtesy of  Moose Blood's YouTube Channel and Hopeless Records.

Artist Albums

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Album Review

Choose Your Own Adventure Releases Debut EP

Regular stars at Gypsy Sally’s and champions of funk, Choose Your Own Adventure (CYOA), released their highly anticipated self-title debut EP on February 7. The supremely talented Gina Sobel (flute, sax, vox), Ryan Lee (guitar), Andrew Hollifield (bass), and Pat Hayes (drums), banded together for one epic day of recording in Richmond to produce the EP, comprised of tunes they’d been developing and enhancing on stage for months. The five-track EP is funk at its finest, with creative title names to boot.

The opening strums of the bass on “Netflix and Jam” set the bar high for this album, with a sound that’s reminiscent of the opening chords of Wild Cherry’s “Play That Funky Music.” Wherein Wild Cherry’s tune spins off into steady drums and vocals, CYOA’s opening track picks up the pace. Seemingly out of nowhere, a flute flutters into the equation, counterbalancing the weight of the bass. Although I’m no funk expert, this contrast in notes is unlike anything I’ve ever heard. The airy soprano of the flute floating atop the bass and drums makes for a refreshing, yet invigorating song.

“Spoiler Alert” and “All Day Long” are the only two songs on this album that incorporate vocals. However, lyrics are sparse, with the musicians opting to use vocals as an additional instrument. “Spoiler Alert” is soulful, with the gospel sounding vocals cushioning the intro and outro of the track. However, sandwiched in between is a song that feels more rock ’n roll than anything. Contrastingly, “All Day Long” is gentler, more stripped back, with ethereal vocals woven between the soft  cymbals and drums, sounding like something that might be performed at the Bang Bang Club in Showtime’s reboot of David Lynch’s Twin Peaks. The flute makes a comeback later in the track, upping the tempo and altering the tone from somewhat melancholy and reflective to pressing and urgent.

“QZak” closes the album, starting quietly and slowly increasing its tempo and volume with the incorporation of more and more instruments. Wherein other tracks the flute may transcend the other instruments, here, it blends in, with the myriad of instruments blaring together cohesively. The song feels like one collaborative effort, a powerful note to close on.

CYOA’s debut EP has elements of funk, soul, rock ’n roll, and blues, lending for a diversified and fulfilling listening experience. The band is constantly performing around the DMV, so make sure to follow their Facebook page to for all their latest updates and where their next performance is!

Choose Your Own Adventure

Choose Your Own Adventure

Released: 2018

Track Listing:

1. Netflix and Jam

2. Spoiler Alert

3. All Day Long

4. Good Question

5. QZak

Listen to the album below, courtesy of Choose Your Own Adventure's Bandcamp page.

[bandcamp width=100% height=120 album=1781441614 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small]

Choose Your Own Adventure Webstreams

Choose Your Own Adventure Articles

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Concert Reviews

The National Parks with Strange Familia Delight at AMP Powered by Strathmore

On March 16, The National Parks and Strange Familia performed at AMP Powered By Strathmore in Rockville, MD.  

We were first introduced to The National Parks when opening band, Strange Familia, brought them onstage to perform one of their final songs, “Odes.” Throughout the night both bands were very transparent about their mutual loves for each other, with numerous mentions to how they were all best friends, and how touring with one another was an absolute “privilege.”

The optimism and camaraderie between the two bands was on full display displayed throughout the night. At several points during their performances the bands joined one another on the stage. In addition, both bands’ upbeat tunes fostered a warm and positive environment, leaving fans walking away grinning from ear to ear. 

Strange Familia are a hipster band at its finest at first sight, with their pink guitars and beanies stealing the show. Despite their bold sound and loud outfits, they had a modest stage presence, shyly introducing themselves. However, they were quick to kick off the night, inviting concertgoers to fill in the empty general admission pit. Recognizing that some may be unfamiliar with their music, lead vocalist Garret Williams modestly tacked on that they may have to work to “try and win over the crowd” first.

And they did… immediately. After the first few fans filtered in tentatively, the other young twenty-somethings followed, eagerly shadowing the artists quirky dance moves. Strange Familia had an excellent stage presence that left the dominantly female crowd swooning. With Williams’ falsetto occasionally reminiscent of Bon Iver’s Justin Vernon, Strange Familia’s usage of synth and mixing also had strong influences of Australian indie artist Chet Faker. 

Strange Familia's set was short, but their opening performance would not be the last we saw of this band. They took turns lurking supportively in the crowd, peeking glances at their friends, The National Parks, and later even joining the band on stage for an encore performance. 

Following Strange Familia, The National Parks filtered into the venue, filing out one by one toward the stage. However, only two mounted, while the other three weaved their way through the throng of people pressed together in the pit, until, much to the delight of fans, a circle had formed around the members. Playing acoustically, the band kicked off their set with “Places,” an upbeat beachy tune. Recognizing the vocal intro immediately, fans joined in, belting the titular lyrics “places, places!” nearly drowning out the vocals of the band.

Comprised of Brady Parks (guitar and lead vocals), Sydney Macfarlane (keyboards and vocals), John Hancock (electric guitar and vocals), Cam Brannelly (drums), and Megan Taylor Parks (fiddle), the Utah based band have a loving relationship with the DMV area that was equally reciprocated by their fans. 

The National Parks are a unique blend of indie-folk, with instrumental moments that reminded one of The Lumineers, Mumford and Sons, and at times, even U2 and Imagine Dragons, namely in the song “Stone’s Throw.” The fiddle flitting atop of the electronic elements of keyboard and heavy drums showed the diversity and range of the band. 

Megan Taylor Parks ferociously playing the fiddle. If you look very carefully you will notice Brady Parks, her husband, taking a moment to admire her performance.

Megan Taylor Parks ferociously playing the fiddle. If you look very carefully you will notice Brady Parks, her husband, taking a moment to admire her performance.

Throughout the night the band was able to engage and interact with the crowd, while still being entirely lost in their own world of sound. Watching Taylor-Parks jump and twist on beat, all the while still playing flawlessly was mesmerizing. It appeared as though Brady Parks, her husband, felt similarly, as he paused often, taking a moment to admire her musical talent.

“Monsters of the North” was a DC Music Review and fan favorite. From the opening notes, couples pressed closer together, while dance moves got bigger and more carefree, and  Parks and Taylor-Parks showed off their coordinated head banging. Their energy was contagious. The National Parks played their hearts out, thoroughly enjoying every note they made. Macfarlane on the keys was consistently met with rousing cheers and applause, for her powerful vocals were enough to move everyone in attendance. 

While most of the night was an upbeat dance party, The National Parks took down the tempo for quieter songs like “Ghosts” and “Penny.” Brady Parks introduced “Ghosts” with a nod to their fans saying, “Thank you for being here tonight, for singing with us and smiling. You help remind us there’s still good in this world.” He added that, “the good is yet to come,” and that you can "leave your ghosts behind" before kicking off the nostalgic sounding track. The harmonies, fiddle, and Macfarlane’s solo in this song likely left many with chills, the song sticking with me for the rest of the evening. 

“Penny” was also a memorable moment toward the end of the set. After the other band members left Parks standing solo on stage, he introduced the new track as a breakup song, written for one particular person. He described performing such a private song publicly as surreal. His honesty and vulnerability added a new dimension to the song and the band. As he played, the crowd returned his vulnerability with the utmost respect, listening in utter silence.

At the end of the day, The National Parks are a fun, feel-good band. It’s impossible to see them perform and not walk away feeling rejuvenated and happy. Without a doubt, both bands brightened and redeemed my very gray Friday. With summer on the horizon, both The National Parks and Strange Familia would make a great addition to your warm-weather playlists, their upbeat and carefree tunes sure to leave an impression.

Ending the night with an overly gracious, “we can’t wait to come back!” Echoing their enthusiasm for the DMV, DC Music Review hopes both incredibly talented bands return to our area soon.

Setlist

Setlist

Setlist


Click here to see the setlist for The National Parks' performance at AMP Powered By Strathmore on March 16, 2018

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

The National Parks

Strange Familia

Videos

Videos

Videos


If you have not seen or heard of The National Parks before, here are some videos of the band.  (Courtesy of : The National Parks YouTube page)

Albums

Albums

Albums

Albums


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Concert Reviews

Widespread Panic Busts It Big For Three Nights at MGM National Harbor

Veteran rockers Widespread Panic brought their unique blend of jam, funk and southern rock to the Theater at MGM National Harbor for three consecutive nights (March 15-17), culminating with the finale on St. Patrick's Day. The band wowed capacity crowds at the casino's music room – a 3,000-capacity theater that features a state-of-the-art sound system and three tiers of viewing spots. The large room was configured for maximum capacity with a general-admission floor, private suites and an seated upper level balcony. The wide stage comfortably housed the 6-man band and provided a perfect canvas for Panic's long-time lighting director, Paul Hoffman.

NIGHT 1 – Thursday, March 15

Photo by Josh Brick

Photo by Josh Brick

The band began their three-night run on Thursday, March 15 and treated the lively crowd to an impressive debut performance at the MGM.  The first set featured several original tunes including 'Travelin' Man,' played for the first time since 2014, and was the debut for Duane Trucks (drums). Trucks joined the band in late 2014 after the departure of the original drummer Todd Nance and showed his value throughout the run, consistently displaying both  power and precision. Near the end of the first set, Panic played a couple of tunes by The Band ('The Shape I'm In, Ophelia) to the delight of the crowd before closing the first set with 'Porch Song.' 

After halftime, the band emerged with the funky 'Old Neighborhood' followed by 'Visiting Day' featuring John "JoJo" Herman (keys) on lead vocals. With Panic settled in, they raised the ante with the Jerry Joseph-penned, 'North' featuring Jimmy Herring (guitar) with some serious fretwork and beautiful bends during an extended solo. Trucks took the helm for a drum solo, before the band emerged and segued into the iconic intro of 'Come Together' by The Beatles (last played in November 2005). The crowd was amped as many were aware the tune hadn't been played in more than 800 shows. 'Surprise Valley' closed out the second set before the two-song encore. 'Radio Child' preluded the final tune, a powerful cover of Buffalo Springfield's 'For What It's Worth'.  A mere miles from the White House, the band made their final point of the evening and set the tone for a memorable casino run near DC.


NIGHT 2 – Friday, March 16

The energy was palpable for Friday's sold-out show, with fans once again filing into the Theater at  MGM. 'Chainsaw City,' a Little Women cover, got things going before JJ Cale's 'Travelin' Light.' The tune featured John Bell's haunting vocals and the band chugged along with sustained momentum from Night 1. A mid-set 'Big Wooly Mammoth' featured JoJo on vocals and piano. Panic was firing on all cylinders once again, launching into an extended Mammoth jam led by Dave Schools (bass) laying down a deep groove. Set 1 closer featured 'Driving Song' with 'Disco' sandwiched between, bringing the band back to their early sound. The instrumental 'Disco' provided a funky jam segment, allowing the band to stretch things out and settle deep into the groove before yet another fierce solo by Herring.

Photo by Caitlin Moore

Photo by Caitlin Moore

After a long break, Bell led the vocal intro to War's 'Slippin' Into Darkness' before the band joined in, providing a thundering beat. Schools bounced on bass with Herring providing tasteful fills throughout. After several originals,including 'Machine' and 'Heroes', the band debuted a Robert Johnson cover, 'Love In Vain' that featured JoJo on the organ and Herring playing a Fender Stratocaster. Things got heavy as the band swelled with the opening notes of 'Goin' Out West' by Tom Waits. The crowd sang along as the train was rolling for Night 2. Percussionist Domingo 'Sunny' Ortiz then joined Trucks for a powerful drum duo that entranced the lively crowd. Their power was on display as the beat reverberated throughout the room, leaving fans in awe. The second Robert Johnson tune of the night, 'Me and the Devil Blues,' came near the end of the set, with JB's vocals once again on display. Herring took the helm with a piercing solo to close out the impressive rendition of the blues number. 'Pigeons' closed the second set, with Schools leading the way with some impressive bass lines. The encore included of 'Henry Parsons Died' (BloodKin) and the rocking 'Postcard' as fans sang along with the band "This town is nuts, my kind of place!" Two down and one to go.


NIGHT 3 - Saturday, March 17

The MGM was buzzing for the final night, with fans donning green for St. Patrick's Day. Panic set the tone of the party with originals 'Tall Boy' and 'Up All Night.' The first set comprised of mostly original tunes and the band was in top form yet again. Crowd-favorite, 'Bust It Big' kept spirits high, before a powerful, set closing duo of Protein Drink> Sewing Machine. Somehow, the band sounded even bigger on this ultimate night, with Herring once again sounding the bell with raucous solo to end the first set.

Photo by Caitlin Moore

Photo by Caitlin Moore

'Rock' opened the final set and the train was roaring yet again. The crowd was indeed rocking as the band followed with a couple of covers – Alan Price's 'Sell, Sell' and 'See That My Grave Is Kept Clean' by Blind Lemon Johnson. Set 2 featured the second-time performed original, 'Sundown Betty' before entering the final stanza of the run. A powerful 'Fishwater' had the crowd grooving before the band segued into the ever-popular 'Red Hot Mama' by Funkadelic. Panic closed out their impressive casino run with 'Saint Ex' before before giving the fans a St. Patrick's Day treat with the traditional Irish lullaby, 'Tura Lura Lural.' The crowd swayed, drinks held high in salute to both the band and the Irish. Widespread Panic concluded Night 3 with the disco-fueled rocker, 'Love Tractor.'  Fans spilled out of the MGM Theatre for the last time, exalting in joy after three great nights of Panic at the casino.  

Setlist

Setlist

Setlist


Click here to see the setlist for Widespread Panic's performance at The MGM Grand at National Harbor on March 15, 16, and 17

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos  of Night 1 - March 15 by our photographer Josh Brick  of Josh Brick Graphics. 

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Concerts this Week

Goodman’s Good Music – Concert Picks of the Week – March 19th

Week Of:  March 19-25, 2018  

Summary: Getting Weird, Zipped Up Tight, Taking Flight

Am I a broken record to say there is SO MUCH going on in the DMV, it's hard to write it all here? If yes, that's not such a bad thing. Put on your spring coat and zip it up for a weird and wild ride...there is so much goodness happening around town this week, check out our top DCMR picks and the "Hidden Gems" that you should try to catch. 

DC Music Review Staff Picks:

Here's what the DCMR staff are zipping to this week: 

  • True story: I ran into Weird Al Yankovic in an empty vegan joint in LA in 2004 and he was as kind and gracious as can be, bouncing his baby daughter on his knee while popping tofu bites. Fast forward to 2017 and I see him perform live in Baltimore and then again in DC because he and his band were just that good. Weird Al, for all his wacky reputation affords him, is also a musical genius and you should definitely check him out at Strathmore on March 20 with guest Emo Philips on his Ridiculously Self-Indulgent, Ill-Advised Vanity Tour. It will be quirky, wonderful, and a bit more intimate than his usual show as he will be focusing on his really impressive original (non-parody) songs from his 14-album catalog. You will not regret it. 
  • And then the very next night on March 21 at AMP, catch Stephen Jay & Jim "Kimo" West who are the original and continuing members of Weird Al's band who have played with him for the last three decades. Now, as part of a parallel tour, Jay with his funky bass and West with his masterful Hawaiian "slack key" guitar showcase their unique and distinctive musical voices. They are incredible musicians with stories to tell, go see them at this very intimate setting and be wowed.
  • The modern day super group, the Golden Gate Wingmen, featuring John Kadlecik, Jay Lane, Jeff Chimenti, Reed Mathis are back in town on March 21 at the Hamilton, playing original music and seamlessly breathing expert improvisational jams into everything they give. It's worth checking out their mastery if you haven't seen them before.
  • The band MGMT, with their distinctive, signature and infectious psychedelic pop groove, often make me feel like I'm living in a movie. Like a really good coming of age flick where I'm driving in car going through amazing landscapes and cityscapes and fields of grass and learning more about the person I want to be. Not only that, they put on a really good show. Catch them on March 21 at The National in Richmond.
  • Yes, sometimes I have to talk about shows that are sold out. Like Dan Auerbach & The Easy Eye Sound Review on March 22 at 9:30 Club. The thing is, it's sold out for a reason. Dan Auerbach will likely be playing a lot of songs from On Waiting on a Song, his first solo album in eight years. This album has been heralded as, well, downright "amazing" and as a "love letter to Nashville " which is now his home. If you can get a ticket to this show, get there. You will be moved. 
  • So much fun, the Squirrel Nut Zippers have a lot of players, a lot of energy,  a great sense of humor, and will be playing on March 22 at The Birchmere. I've never seen them in concert but DC Music Review staff have and say their blend of gypsy jazz, 1930s style swing, Delta blues, klezmer, and New Orleans jazz make for an incredible, lively show. 
  • Check out Aqueous with the Deaf Scene as they kick off their 2018 Spring tour on March 22  at the 8x10, and then why not take a road trip to see them again at Papadosio with Aqueous on March 24 at The National in Richmond. Buffalo-based Aqueous is made up friends who groove hard, connect on stage, and have truly impressed some of the DCMR staff. Couple them with Papadosio's blend of prog rock, electronic music, and jazz (and bonus, an audio reactive light show), catch either or both shows for a night of good vibes and grooves.
  • DCMR staff are meowing about the pounce of the jazzy, funky, synthy, dance band Octave Cat with Space Bacon on March 23 at Gypsy Sally's and then again with Box Era on March 24 at the 8x10. Formed out of a synth-exploring session, Octave Cat gelled together and found their rhythm as a band while keeping things frisky. 
  • DC-native Akua Allrich graces us with her immense presence on March 24 at the Kennedy Center Jazz Club. Akua has been described as having the "extraordinary ability to merge jazz, blues, soul, and pan-African music into a fluid musical experience." She sings all over the scales seemingly effortlessly, completely passionately, and transports you to a soulful place. She's playing two sets, one at 7p and one at 9p, be sure to catch one.
  • Kevin Barnes from of Montreal talks about two events that shaped the new album White Is Relic/Irrealis Mood: love and current-event paranoia. He says, "I feel like a switch was recently turned on in my brain and now I'm beginning to see through the lies that have been fed to me my whole life by the masters of media and by those who control and manipulate the narrative of our cultural identity and social order." It is hard to describe the power, the vividness, the kinetic energy that emits on stage from of Montreal, it is just something you need to experience. Do it on March 25 at the 9:30 Club.

Hidden Gem Shows: 

These are the shows that completely move me AND THEN have the added bonus of allowing me, post-show, to connect with the musicians to hug, gush, share words and stories, and nod our heads quietly, simultaneously, in understanding. 

  • One of the more precious gems of Baltimore music scene Caleb Stine, is playing on March 19 at the most precious little mom and pop venue on the Baltimore scene, Rooster & Hen. Caleb's storytelling style and deep lyrics have been compared to Townes Van Zandt, Kris Kristofferson, and Harvest-era Neil Young. Plus, he's one of the most humble and talented musicians around. Pair his music with the cozy and welcoming vibe of Rooster & Hen, owned by local musicians who support the DMV scene and sell local coffee, foods, and goods, you'll have yourself a lovely night filled with warm, satisfying serenades. 
  • I have to plug these two events because these are so special to the DMV scene, especially if you love experiencing music unfold live before you, or if you a musician wanting to jump on stage for a solid jam. Head to the welcoming Gordon Sterling Presents: The Gypsy Sally's Jam on March 20 at Gypsy Sally's and/or the open-armed Neel Singh's Open Jam and Workshop on March 21 at Villain & Saint to experience and share some on-the-spot grooves.  Mistakes, risk-taking, letting go are welcomed here. 
  • Okay, so I've seen these two DC bands, nah. and Pleasure Train, and am enamored with them. The band nah., fronted by the insightful and intelligent poet/songstress Emma Bleker, gently takes hold of your hand and doesn't let go. Their songwriting is personal, melodies transfixing, musicianship heartfelt, and their ability to reach out and connect with the audience makes you feel like you're among friends. Pleasure Train, fronted by the mesmerizing Valerie Vega, brings energy, sensuality, and groove with their fusion style of alt-jam-pop-house. These are two local bands who are making waves in the DMV, don't miss them on March 21 at Gypsy Sally's.
  • Are you a musician, composer, arranger, and/or songwriter? Here is a really cool thing to do. Get to Finding the Groove in Your Songwriting with Drew Kid workshop on March 21 at Strathmore Mansion for an up-close and personal (and free!) master class with one of Strathmore's Artist-in-Residence, Drew Kid.  In this workshop you will analyze works from the best architects of soul, funk, and hip-hop. Using examples from Junie Morrison, Sly Stone, OutKast, and others, Drew Kid will show how composers can effectively articulate their vision and navigate competition within a band’s rhythm section. 
  • The Jerry Tripsters are an all-star Jerry Garcia tribute band featuring members of local loves Better of Dead, Splintered Sunlight, and the DC Mystery Cats. They take the music of the Grateful Dead, Jerry Garcia Band, and Legion of Mary and add a modern, funky twist to the jams and transitions. If you think you've seen Jerry tributes, you haven't seen anything quite like this band where the joy is ridiculously infectious. Be sure to see them on March 22 at Gypsy Sally's for a real good time. 
  • Here's your feel good ticket for the week: Skaii with 1 Identity on March 22 at Bossa. I'm super excited to get to this gig for my heart, because both of these bands have some and give some. Skaii was formed by the inspiring multi-instrumentalist and songwriter Stephanie Kaiser. This band makes music that is complex, accessible, it holds you like a hug and just feels so REAL. You watch these four friends close their eyes and then open them to smile on stage at each other, you know they are all happy to be a part of this very exciting new project. Pair them with the band 1 Identity, who says they formed, "to create music that could help and inspire people in today’s society. We hope that we can uplift those through our music." I mean, really, does it get any better than that?
  • Support the best festival around at Womxn Fuck Shit Up DC on March 24 at Songbyrd. Inspired by the West coast Women Fuck Shit Up Fest that celebrates, empowers, and raises awareness to the music and art of womxn, the East coast is joining the badass-ery and has created a festival here. Featuring an incredible line-up including: The CooLots, Michi, WASI, Julia Weldon, BOOMscat, Sheila, The Txlips, Chelsea Shorte, More AM Than FM, Santa Librada, Luvchild, Lauren Ileana Sotolongo, LiKWUiD, Aurora Lloyd, Militia Vox, Kellyn Marie Goler, DJ KB, McWavy, Juxt, Tan 'Esintrik' Odom, Tomboy, Katie Hargrove, Xemiyulu Manibusan Tapepechul, and more. This year’s proceeds will benefit Casa Ruby LGBT Community Center. 
  • To see this amazing Portland, Oregon folk-rock, Americana, soul, blues band, Fruition, at Gypsy Sally's on March 24 sort of feels like having this iconic yet accessible, bigger-than-life but homegrown band come play in your living room. Their newest album, Watching It All Fall Apart, is all about heartbreak and that intolerable pain that comes with it, transformed into something that makes you feel connected to that human condition. The DCMR staff are going nuts for this show, come join us there and feel all the feels that Fruition brings to the glorious surface. 
  •  Gang Of Youths is an indie rock group originating in Sydney, Australia, where they have received several ARIA nominations (the Australian equivalent to the Grammys). Watching their live shows on the internet, I'm compelled to get to this show because they evoke so many different associations in my mind. (A little INXS, Springsteen, and Pearl Jam, at first blush?) Now these associations could be way off, I'll need to catch them live to full appreciate what they bring. Catching them at a smaller venue like Union Stage on March 24 is a rare chance to get to see this bigger-than-life band up close.
  • On Sunday night, catch singer-songwriter Mike Doughty on March 25 at Rams Head On Stage. His free-formed, distinctive, spirited rock is odd, often upbeat, and full of surprise.

Here are our recommendations for shows throughout the DMV.

All Featured Events

District

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Maryland

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Virginia

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Concert News

Aqueous Kicks off Their 2018 Spring Tour at the 8×10 in Baltimore

Aqueous kicks off their 2018 Spring Tour in Baltimore, Maryland at the 8x10 Club on March 22, 2018.

​This jam and "groove rock" band formed in Buffalo, NY in 2006 and is composed of Mike Gantzer (guitar), David Loss (guitar/keyboard), Evan McPhaden (bass), and Rob Houk (drums).

With a die-hard fan base, Aqueous has firmly established themselves as an up and coming and "must see band." 2017 saw this band opening for exceptional artists and performing at many large festivals.

2018 sees Aqueous headlining their own tour before appearing at Summer Camp Festival, Disc Jam Music Festival, Beanstalk Festival, and Peach Music Festival.

Aqueous performed twice in the DMV in 2017 - opening for Twiddle on March 25, 2017, at the 9:30 Club in Washington, DC and Umphrey's McGee on May 19 at Pier 6 in Baltimore, MD.

This is your opportunity to see this unbelievable band perform at an intimate 400-person venue whose lighting system is unparalleled by any venue of similar size.

Make sure you subscribe to Aqueous's podcast All In With Aqueous to keep up to date with all things Aqueous. This podcast is part of the greater Osiris Podcast Network.

For complete tour dates, please refer to their tour page on their website.

Tickets for this performance is $12 which is well worth it to see Aqueous perform with Deaf Scene. 

Enjoy photos by our photographer Jason Herman of Jason Herman Photography from their March 25, 2017 performance at the 9:30 Club in Washington, DC.

If you have not seen Aqueous in concert, here is a little taste of what you can expect.  (Video Courtesy of: Aqueous YouTube Channel)

Select Albums

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Concert News

Indie Rockers Lydia with Moose Blood Perform At The 9:30 Club On Sunday, March 18

Click For a Full Size Image of Tour Dates

Battle those Sunday scaries with southwest indie rockers, Lydia, as they hit the 9:30 Club this upcoming Sunday, March 18 with British pop-emo band Moose Blood. Lydia plays a classic indie-pop sound,  with a twist of modernity and synth programming that allows them to flourish in their unique stand-alone sound.

The five-piece band is comprised of Leighton Antelman (lead vocals, guitar), Matt Keller (keyboard, guitar, programming), Justin Camacho (guitar), Shawn Strader (bass guitar), and Evan Chapman (drums).

Originally formed in 2003, the ambient Arizona-based band has five LPs under their belt, and are releasing their latest this upcoming summer, entitled Liquor. Although the band has expanded their sound, fans of the old Lydia will not be disappointed in the new direction they’re headed. Based on an upcoming single, it is clear the band is not afraid to experiment or take risks with their sound.

With the ambient synth undertones, heavy bass and drums, combined with Antelman’s chilling androgynous vocals, this is sure to be a powerful live show you won’t want to miss. 

Tickets are $20.

7:00 p.m. doors & 8:00 p.m. show

Check out Lydia's latest single, "Goodside" below!

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Concert Reviews

The Bad Plus Comes to Blues Alley In Washington DC

The Bad Plus kicked off their 2018 Spring Tour in Washington DC with a three-day, six-performance appearance at Blues Alley in Georgetown on March 9, 2018. The audience contained a diverse mix of band and jazz enthusiasts from the surrounding area. The Bad Plus, an Avant-guard jazz trio formed in 2000, and only recently announced a lineup change with the original pianist, Ethan Iverson, parting ways with the band towards the end of 2017. In January of 2018, Orrin Evans joined the group. 

Orrin Evans (piano)

Orrin Evans (piano)

With a new formation and a new album, Never Stop II,under their belt, the band was eager to hit the road and show how their sound has changed. At the same time, it’s also stayed the same, but still a notable and energetic departure from conventional jazz.

Before the show, Orrin Evans (piano) sauntered unnoticed and freely surveying those in attendance. Evans, when recognized, was gracious and happily engaged with fans.

The trio appeared on stage at 8:00 p.m., and it was immediately apparent why this band has earned the following that they have. Reid Anderson (bass), Dave King (drums), and Orrin Evans energetically and seamlessly intertwined their instruments with one another. Throughout the evening one thing was sure: the band was enjoying themselves — you could not help but notice King beaming with an ear-to-ear smile. Anderson's bass provided a luscious and rich sound that often appeared at the beginning of a song and then sustained the backbone of each song. Lending to their Avant-guard reputation, Anderson provided rare bass mastery as he played the fingerboard on the belly of the bass close to the violin corners of his instrument. At times, King would delicately add precise texture to a song with the exacting touch, the butt of his drumstick achieving a perfect accent or crescendo to a piece. All the while Evans would flawlessly interact with the bass and drum before flying away effortlessly like a bird taking flight into the heavens.

Dave King (drums)

Dave King (drums)

Despite having the reputation as an Avant-guard jazz band, The Bad Plus's music is exceptionally accessible. Each audience member in attendance seemed genuinely engaged, connected, and enjoying the music. In the shadows of the room, you observed servers smiling and dancing to the music. In the end, you could easily see smiles and sincere appreciation for the performance throughout the venue.

Throughout the evening Anderson would indicate the songs the band had just played and who composed the song. At one point Anderson told the audience members where their album and merchandise could be purchased to which he joked "Miles Davis would have been like 'you guys are so on top of it!'" to which the audience laughed out loud.

Reid Anderson (bass)

In years and performances past The Bad Plus has included jazz interpretations of Nirvana, Pink Floyd, Neil Young, Queen, and Black Sabbath to name a few. This evening’s performance revolved around the songs contained on Never Stop II, perhaps because the band was making a statement, perhaps because their tour is in support of this album, or possibly because of the reputation of Blues Alley. This is not to say that this incredible band will not surprise us with a cover of a rock song in their upcoming performance — you will just have to come to a show and see for yourself.

Reid Anderson (bass)

The Bad Plus continues to tour the United States through the end of March before embarking on an April European Tour. After their European Tour be sure to see The Bad Plus when they commence another U.S. tour.

For the band's full tour please refer to their web page.


Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

Albums

Albums

Albums


The Bad Plus's new album Never Stop II is available for purchase directly from their online store.


Videos

Videos

Videos


Learn more about The Bad Plus and their new album Never Stop II.

Video Courtesy of The Bad Plus.  Please make sure to check out their YouTube Channel.

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Concerts this Week

Goodman’s Good Music – Concert Picks of the Week – March 12th

Week Of:  March 12-18, 2018  

It's the Washington Women in Jazz Festival

Summary:

Washington Women in Jazz hosts their festival this week with an opportunity to see amazing music practically every day of the week, so much that we can't list it all here. It celebrates the diversity of music made by women, something we try to highlight in our event listings every week. 

DC Music Review Staff Picks:

DC Music Review Staff are headed to/covering some of these incredible shows this week: 

  • Washington Women in Jazz hosts the spectacular Washington Women in Jazz Festival (WWJF) from March 10-18 in various venues across DC. This annual festival celebrates the women of the DC jazz community with a wide array of concerts, jam sessions, lectures, panels, discussions, and masterclasses including the Young Artist Showcase, where high school and college women are given a platform to perform with well-known jazz artists. There is SO MUCH goodness at this festival, be sure to get details on the when and where at http://washingtonwomeninjazz.com/events/. 
  • Although it's sold out, if you can get a hot ticket to see I'm With Her at the 9:30 Club on March 13, do it. Musicians Sara Watkins, Sarah Jarosz, and Aoife O'Donovan have been gaining attention for weaving  gratifying, melodic harmonies sweet harmonies in ways that, as the New York Times describes, “... could be sweetly ethereal, or as tightly in tandem as country sibling teams like the Everly Brothers, or as hearty as mountain gospel.” Worth checking on Craigslist day of to get your lucky ticket. 
  • If you missed the infectious groove of Dumpstaphunk this past Sunday, you have another chance to get awash in dirty funk with them on March 13 at Baltimore's 8x10.  Dumpstaphunk stands out among New Orleans' best as one of the funkiest bands to ever arise from the Crescent City. These soldiers of funk ignite a deep, gritty groove that dares listeners not to move. I can promise you, you will dance until you're a puddle. 
  • On March 14, head to Hill Country Live to see two amazing bluegrass bands, Gangstagrass and The Dirty Grass Players. Ganstagrass knows how to get crazy with hot beats and banjo, sick emcees and laser dobro blasts, and Baltimore's up-and-coming Dirty Grass Players mix well-known covers and solid originals with their own special blend of bluegrass.
  • DCMR staff are excited for Widespread Panic to return to the DMV for some solid, reliable, in-the-pocket, good time jams. Catch them on March 15-17 at the MGM National Harbor.
  • Want to see an insanely innovative, free show? Catch  DCCIT presents Suzanne Ciani on March 16 from 6-7 at the Millenium Stage at the Kennedy Center. Suzanne Ciani is a five-time Grammy nominee pioneering artist who offers a unique synthesizer performance in quadraphonic sound on her Buchla modular synthesizer system. (You know it's going to be good when there's quadraphonic sound on a Buchla modular synthesizer system.) It's only an hour long so make it your pre-show show on Friday night. 
  • Check out Anders Osborne with special guest Ryan Montbleau on March 16 at The Hamilton and again on March 17 at The Broadberry. His detailed songwriting delivered with soulful vocals and expert guitar work has Guitar Player calling him, "the poet laureate of Louisiana’s fertile roots music scene.”
  • Ann Wilson, the powerful lead singer and songwriter of the rock band Heart, is giving a charity concert to raise money for the NIH Children's Inn -- a residential “Place Like Home’’ for families with children participating in research studies at the National Institutes of Health in Bethesda. Hear her larger than life voice fill this smaller scale venue at the Ann Wilson of Heart Charity Concert on March 17 at the Fillmore.  
  • The DMV is lucky to have virtuoso and Baltimore-native Cris Jacobs perform back home on March 17 at Rams head. If you haven't seen his "inspired, poignant songwriting, virtuous guitar playing, and soulfully transcendent voice," get to this show and be a part of the the giant homecoming hug that only Baltimore can give to Cris.  

Hidden Gem Shows: 

This list is usually short and sweet but let's be honest, there are so many amazing things happening in this area that it's impossible to contain. Here is a smattering of cool gems coming up in the DMV this week: 

  • The singer Alicia Olatuja first came into the national spotlight in 2013 while performing as a featured soloist at Obama's second Inauguration and she has been captivating audiences every since with her charismatic voice. Come experience her mastery at a more intimate DC setting on March 12 at Blues Alley.  
  • Go see Mason Bate's Mercury Soul at 9:30 Club on March 14 for a groovy collision of DJing, classical pop-ups, and immersive production. This visceral “classical rave” was created by Kennedy Center’s composer-in-residence Mason Bates as part of the annual new celebration DIRECT CURRENT–an immersive showcase for cutting-edge contemporary arts and culture with a focus on interdisciplinary creations. It doesn't get cooler than this.
  • Every Wednesday, Villain & Saint hosts the Neel Singh's Open Jam and Workshop. So many local musicians come by to check out the scene and jump on stage at this informal, super friendly, supportive jam. Come check it out this week on March 14. 
  • Camp out with The National Parks on March 16 at AMP. With more than 13 million streams on Spotify, and a feature in NPR’s “First Watch,” The National Parks are worth paying attention to. Described as "rousing, stirring, uplifting...sheer joy," this band offers feel-good music that is not fluff. Lots of DCMR staff will be headed to check them out (come say hi)! 
  • The J20 Benefit Show: FuzzQueen, Pagan Reagan, Amanda Glasser on March 16 at Baltimore Free Farm will raise money for the remaining 59 J20 defendants who are still facing up to 60 years in prison for protesting on the day of Trump's inauguration. These are some of the area's most passionate musicians, check them out and help support the cause. 
  • Groove on over to see one of the DMV's most beloved, talented, and giving Grateful Dead cover bands, Better Off Dead with Getting Weir'd, on March 17 at Baltimore's 8x10.  Seeing Better Off Dead play on that bouncy 8x10 floor will lift your spirits in more ways than one. 
  • Local musicians come together for Baltimore Plays The Miseducation of Lauryn Hill 20th Anniversary, a celebration of the colossal solo debut of Fugees singer/rapper Lauryn Hill that debuted 20 years ago. Come to the Creative Alliance on March 18 as Baltimore artists Jasmine Pope, Christen B, Joy Postell, Karin Sings Evans, Marc Avon Evans, and Jamaal Black Root Collier come together to give these groundbreaking songs their own flavor. 
  • Want to get into the local music scene? Head to the US Open House + Networking for DC Music Industry at Union Stage on March 18 at Union Stage to network with other DC-area musicians, managers, sound persons, media professionals and other music-related persons. 

Here are our recommendations for shows throughout the DMV.

All Featured Events

District

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Maryland

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Virginia

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Artist Spotlight

The Southern Belles

The Southern Belles were formed in Richmond VA in late 2011. This incredibly talented group of musicians is comprised of Adrian Ciucci (guitar/vocals), Tommy Booker (keys/vocals), Aaron Zarrow (drums/vocals) and Andrew Carper (bass/vocals). This band has a unique sound and plays a high-octane mix of southern psychedelic Rock & Rock and roll with a funk sound thrown in for good measure. They have three albums under their belt - Sharp As A Knife (2012) and Close To Sunrise (2015), and In The Middle Of The Night (2017).

As a Virginia band, the DMV (District/Maryland/Virginia) is fortunate call them one of our very own. The DMV is also very fortunate to have this incredibly talented band pass through our region so often. We are big fans of their music and their live performances, so if you have the opportunity go see them live when they come to a venue near you.

Photo Gallery

Photo Gallery

Photo Gallery


Please click on one of the links in the tag cloud below to find your favorite photograph from The Southern Belles and associated members as ​captured by one of our photographers.

Upcoming Performances

Upcoming Performances

Upcoming Performances


Coming Soon!

Previous Shows:

Previous Performances

Previous Performances

Previous Performances


January 11, 2018 - Baltimore Soundstage - Baltimore, MD

December 28, 2017 - The Charleston Pour House - Charleston, SC

October 20, 2017 - Gypsy Sally's - Washington DC

March 14, 2018 - Gypsy Sally's - Washington DC (click to purchase tickets)

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Albums:

We encourage you to visit The Southern Belles' Bandcamp page where you can purchase one or more of their albums.

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