Festival News

Kingman Island Bluegrass and Folk Festival

Now in it's 8th year, the Kingman Island Bluegrass and Folk Festival takes place on June 9th.

Click for full size image

Nestled between the banks of the Anacostia River lies a park dedicated to preserving natural resources and educating District youth about conservation and becoming better stewards of the natural world.  This festival has introduced thousands of guests to the beauty that lies within our Nation’s capital.  Join us for what has become one of the most highly anticipated music festivals in DC.  Proceeds from your ticket purchase directly benefit Living Classrooms’ ongoing preservation and education efforts on the island.

 The Festival features multiple stages, over eight hours of performances by dozens of local and national Bluegrass, Folk, and Americana artists.

If you love bluegrass and folk, you will not want to miss this festival.

What are you waiting for? The clock is ticking!

38
Days
02
Hours
35
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47
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Enjoy some photos from past Kingman Island Bluegrass Festivals

Some Highlights
Gallery of Past Kingman Island Bluegrass Festivals

Coverage of Artists attending 2018 Kingman Island Bluegrass and Folk Festival Artists

Photos of Artists attending 2018 Kingman Island Bluegrass and Folk Festival Artists

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Features, Interviews

Interview with Andy Hall of The Infamous Stringdusters

After a blowout performance at Sweetwater 420 Fest, Andy Hall  of The Infamous Stringdusters took some time to answer our questions as they gear up for Delfest on Memorial Day Weekend.


Laws Of Gravity - 60th Annual Grammy Awards Winner - Best Bluegrass Album

Karin McLaughlin: Congratulations on the well-deserved Laws of Gravity Grammy win – how does it feel to have that notch on the belt?

Andy Hall: The Grammy win was an unexpected but awesome surprise. I never go into something like that expecting to win. Even though we've been doing this band for awhile, I still feel like the new guys in situations like that. I'm up there watching people win awards who I've listened to my whole life. Jazz and blues legends etc. Then we get called. It's surreal.
But then you get home and it's back to working on music. I'm sure it helps some with the biz end of things, but it doesn't change much as far as making music. Pretty cool though!

KM: What is it about this album that you think got you the nomination and then the eventual win?

AH: Laws Of Gravity has our best songs to date In my opinion. Of course you always think that with each new release, but being as objective as I can I think that's the case. Also we've been building our band for quite a few years, I think we hit critical mass with this release as far as people being aware of us. It's interesting because this latest album is a little more bluegrass than some of our recent records. I think we'd been shying away from that for awhile artistically, but it's something we do really well. And something we really love, and I think that came though in the recording.

KM: You guys have an amazing stage presence and seem to be able to take anything and run with it together in a flawless way – how has your chemistry of playing all these years together molded into what it is today?

AH: I like this question, because it hits at the core of what we are as a band. The idea of using our knowledge of each other musically and personally to dive deeper and deeper into improvisation is a big part of what motivates us. If you have a good bit of musical chops, the depth of a bands improvising as group is almost limitless. Thinking of Phish here. Or maybe fusion jazz bands. As we continue to explore that part of our band it continues to expand. Everything that happens on stage is honest and real and in the moment. I think people resonate with that.

KM: Your FB fan page ‘Got Dusted’ has over 7000 members and counting – what is it like to have a fan family that is so loyal and appreciates the music that you guys put out so much?

AH: That's everything! To me the musical experience isn't complete without someone to hear and appreciate it. The way our fans engage with what we do blows my mind. I'm constantly in awe of those amazing friends/fans. They help give us the inspiration to keep pushing, to keep writing better songs and putting on better shows. All I want is to make them freak out! It really feels like a team effort. I hope they know that.


KM: You guys are on a ton of festival lineups this summer – what are you really looking forward to about playing these festivals as opposed to single ballot shows – what do you really like about the festival scene?

AH: Festivals are really where we all became sucked in by this whole music lifestyle. It's where we learned to play, met up with friends, and saw our heroes on the big stage.
I have this image in my mind of walking over a rise on a dirt path through the trees toward the stage, with music playing in the distance and the lights glowing over the from the stage glowing over the hill. That excitement of leaving your campsite and journeying to the stage to see you favorite band. It magical. I don't camp as much at festivals these days, but seeing our fans, and friends in other bands and playing outside in the summer is the best.

KM: Delfest – one of my favorites is coming up Memorial Day Weekend and is, obviously, named for Del McCoury and has been around for years. You guys have moved up that bill over the years considerably – what is it that keeps you guys coming back to be a part of that lineup?

The Infamous Stringdusters perform at DelFest

AH: Delfest is cool because it really started with an appreciation for the man, Del. I love that about this fest. It's grown into this amazing mix of bluegrass and many other styles. I guarantee there is no other festival you can see Trey band and Doyle Lawson on the same lineup. Del is king in traditional bluegrass, but he's made a real effort to collaborate with people outside the genre. Our band really relates to that vibe. We love the whole McCoury tribe and are happy to know them and play their fest!

KM: One thing you haven’t done yet that is on the bucket list for 2018 – either a collaboration, cover, solo show or festival, name it.

AH: We've been doing this version of Phishs' Possum. I'd love to get Mike Gordon up to sing it with us!


Be sure to check out The Infamous Stringdusters's tour schedule to see them any one of their upcoming performances including Del Fest.

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Concert News

Runaway Gin Brings the Phish Experience to Union Stage

Phish summer tour doesn’t kick off for over a month, but Phans in the DC area were given a taste of the live Phish experience this weekend as Charleston, SC’s Phish tribute band, Runaway Gin, made a stop at Union Stage, playing a great show with fan-favorite tunes, creative set list construction, and engaging jams. Guitarist Andy Greenberg, bassist Bobby Hogg, keyboardist John Fitzgerald, and drummer John Pope each filled the roles of their respective Phish band members exceptionally well, bringing precision to Phish’s complex compositions and creativity to their jams.

Kicking off with the Frank Zappa classic, “Peaches En Regalia,” Runaway Gin started the show with high energy and got the crowd dancing right off the bat before segueing into the first Phish original of the show, “Blaze On.” “Runaway Jim” offered the band their first opportunity to stretch their legs into a longer improv exercise, beginning an exploration reminiscent of the “plinko” styling that defined Phish’s sound in 2011 that eventually turned to dark and psychedelic territory with Fitzgerald focusing on his synthesizer while Greenberg played heavily effects laden guitar leads.

The band reached an outstanding peak in the jam out of “Reba” and moving directly into “Lizards.” Following the Gamehendge classic, the band returned to “Reba,” providing the old school whistling ending to cap off the first set highlight.

The second set began with a long jam following “Split Open and Melt,” in which the band focused on dissonance and hard rock for what seemed like a jam lasting 15-20 minutes. The rest of the set would provide a run of songs that would make fans go wild if Phish played this set list, featuring “My Friend My Friend,” “You Enjoy Myself,” “Moma Dance,” and “Free.” Closing out the show with “Harry Hood,” Runaway Gin showed the crowd in DC why they’re one of the best Phish tributes touring the US.

Setlist

Setlist

Setlist


 

Click here to see the setlist for Runaway Gin's performance at Union Stage on May 11, 2018

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

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Concert Reviews

Leftover Salmon Brings a Little Light To The Baltimore Soundstage

This past Wednesday, May 9, Leftover Salmon appeared at the Baltimore Soundstage on their Something Higher tour, asserting that even after 25 years they still have more musical magic up their sleeves. 

Hometown heros and Baltimore-based Dirty Grass Players

Opening for the Jamgrass legends, The Dirty Grass Players  took the stage first, and just seconds later, the foot-stomping began. These guys know bluegrass, and I highly recommend checking them out if the opportunity arises. The up and coming Baltimore based band has been steadily gaining more exposure over the last couple of years, and it is indeed well deserved. Performing traditional bluegrass favorites, originals and even covers of Ween's "Roses are Free" and Pink Floyds "Time," the audience couldn't deny the energy and fun this band brought to the stage. At the end of the set, Leftover Salmons banjo player Andy Thorn joined them on stage for an improvisational jam that was on fire with dueling banjos. Thorn remained on stage for the last song, in which the band showed off their harmonizing skills with the children's classic "John Jacob Jingleheimerschmidt." 

Vince Herman

Leftover Salmon has been touring on and off since 1989. This particular tour, appropriately titled "Something Higher," revealed how tight and eclectic this collaboration of musicians truly is. Led by Vince Herman on vocals and guitar, the set soared from start to finish, showcasing some of the finest solos I've had the pleasure of hearing by each member of this extraordinary group.

The set started out with classic "Steam Powered Aeroplane" which rallied the crowd immediately with the upbeat picking of Andy Thorn on the banjo, and the first of many sizzling keyboard solos by the bands newest member Erik Deutsch. Next up, Drew Emmitt demonstrated his picking skills on the Mandolin with the Zydeco sounding tune "Liza", followed by "Gold Hill Line" which had a more traditional bluegrass feel. 

Andy Thorn

As the music progressed, the spectators were introduced to some new songs off of the Something Higher album which was released just this month. Holding true to their bluegrass roots, the songs started out very traditionally styled and transcended into some powerfully psychedelic jams. About three quarters of the way through the set, Greg Garrison layed down the bassline to the Beatles classic "Come Together" which sweltered into an all-out instrumental extravaganza of funky guitar licks and keyboard solos before progressing into an amazing drum solo by Alwyn Robinson that continued to ascend all the way up into "space". Very reminiscent of the Grateful Dead, there were a lot of fun sounds and noises flowing through and eventually the entire band reconvened on stage and led out of space with an unparalleled banjo solo by Thorn which turned the entire dance floor into an old-time ho-down.

Drew Emmitt

Afterwards, they mellowed it out a bit with a softer new tune, "Southern Belle," but instantly picked the pace back up and ended the long set with one hell of a bang as Deutsch pounded his keyboard like Jerry Lee Lewis. This ditty ended the extended set and the band filed off the stage only to return moments later.

Vince Herman was the first to come back on and started the encore with a very impressive guitar solo that led into "Let In A Little Light", my personal favorite off the new album with it's gospel-like chorus and unforgettable message. The onlookers danced and chanted along with the tune but the standout moment came as Deutsch began playing a hefty solo on the melodica just reassuring that Leftover Salmon definitely has plans for "Something Higher" in their future.

Fans were having the time of their lives.

Throughout the entire set one could hear influences of blues, southern rock, bluegrass and zydeco all tying together with psychedelic jams that blew us away as spectators. What we heard was the reinvention of "jamgrass," and there is no doubt in my mind that Leftover Salmon will continue to ascend.

Leftover Salmon salutes the crowd

Setlist

Setlist

Setlist


Click here to see the setlist for Leftover Salmon's  performance at The Baltimore Soundstage on May 8, 2018.

Photo Gallery

Photo Gallery

Photo Gallery


Dirty Grass Players
Leftover Salmon

Associated Albums

Associated Albums

Associated Albums


Additional Resources

Additional Resources

Additional

Resources


For more coverage on Leftover Salmon please make sure to visit our Leftover Salmon Artist Spotlight page.

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Concert Reviews

New Mastersounds Bring the Funk in Headlining Gig at Union Stage

British funk quartet, the New Mastersounds, stopped in Washington, DC this week as they tour in support of their new album Renewable Energy, playing a headlining gig at the Southwest Waterfront’s newest music venue, Union Stage. Performing in the small basement venue – that smells like fresh pizza all night – on Tuesday, May 8, DC fans that made it out were treated to an excellent show that kept the crowd moving all the way through. With support from DC’s Backbeat Underground, the two bands combined for a lively weeknight dance party. 

Backbeat Underground, who describes their music as a soulful blend of funk and jazz, provided a dynamic opening set. The six-piece outfit set the tone for the evening with an energetic set of instrumental tunes. Backbeat Underground’s two-piece horn section amped up the audience, making sure that the crowd was primed and ready for a show that would keep everyone dancing until the bitter end. By the time Backbeat’s set finished, everyone in the room was limber and ready for the main event.

The New Mastersounds opened their set with up-tempo tunes to keep the energy raised before shifting gears with the slow funk of “MRG.” Marked by the lead guitar riffs of Eddie Roberts, this song also featured the pianist/organist, Joe Tatton, tickling the ivories with an outstanding piano solo. Next, the band played “Green Was Beautiful,” off their new record because, as the band said, “we’re going to try to sell that to you all evening” because carrying the vinyl on tour “is very heavy and inconvenient, so even if you don’t have a turntable you should buy one out of guilt.”

The witty banter and the song were sure to sell a few copies, as this tune wound through sections of infectious hooks and frantic solo work by Roberts. The tightness of the band was on full display as the rhythm section of Pete Shand and Simon Allen held the pocket together for their bandmates on bass and drums, respectively. After declaring, “this one’s more chill,” the New Mastersounds throttled down for another new tune, “Pudding & Pie,” highlighted by smooth piano leads from Tatton, who eventually spread his wings to play both piano and organ simultaneously.

“Groovin’ on the Groomers” offered a playful, booty-shaking jam featuring some whistling to kick things into high gear and “Take What You Need” allowed Shand and Allen to shine, with Roberts giving them space to solo, contributing with a tambourine, while Tatton provided light organ accompaniment. When Roberts switched back to guitar, digging into dirty funk with his wah pedal, and the band brought the song to a rousing peak, the floor vibrated as the bass lines overtook the room.

The down-tempo funk of “This Ain’t Work” evokes the New Orleans funk style of The Meters and served as a great breather after a thrilling run through the intense, minor-key jazz exploration “Yokacoka.” Tatton moved to clavinet for a raucous solo in “You Got It All” that served as the climax of the show, which would then start to wind down, later featuring a unique instrumental cover of “6 Underground” by Sneaker Pimps. The band revved back up with “San Frantico” and finished the show with “Baby Bouncer,” putting an exclamation point on a fun and fantastic performance.

Audio Recordings

Audio Recordings

Audio Recordings


Enjoy the audio recording by our contributor Alex Leary

Performance Date:  May 8, 2018

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Josh Brick  of Josh Brick Graphics.

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Feature, Livestream

Gordon Sterling Presents: The Gypsysally’s Jam

"There's no velvet rope, you know what I mean? Everybody is vibing and hanging with each other no matter what your stature is in the music scene. And we all get to build off each other. And it's brought the city closer, I think." - Gordon Sterling

For nearly two years Gordon Sterling Presents: The Gypsysally's Jam has filled the music halls of this region. Musicians drive from around the region to have their names pulled from buckets, randomly putting people together to jam. Originally held at IOTA Club & Cafe, the bucket jams quickly  became a staple, and one whose loss was briefly feared after the Arlington venue shut down in the midst of area redevelopment.  As Gordon said, "IOTA went the way of the dodo, and Gypsy Sally's was just the perfect home and that thing has just, like, exploded. It's nuts." 

The following is a collection of all the Tuesday Night Jams that DC Music Review has recorded and preserved for the community.

  • WEBCASTS
  • PHOTOS
  • RELATED ARTICLES
  • RELATED PODCASTS

Date (And Special Guests / Notes)

Video

August 7, 2018

July 24, 2018

Notice anything new? That would be the FOUR CAMERA rig we have now! DC Music Review is improving the quality of music coverage we bring to you each and every chance we have!

July 3rd, 2018

June 5, 2018

May 15, 2018

May 1, 2018

April 3, 2018

Tonight's jam is going to be a very special one! We’re going to be focused on our good friend, Maishäh Hendrix and her fight against sickle cell anemia. She’s one of the true champions of our community!!! Whether it be through her work with Capital City Care, or her unwavering support of our music and arts scene Maishäh has always been there for us. So, let’s be there for her. Click the link below to donate to her go fund me. Let’s do this, DC!!!

March 6, 2018

February 27, 2018

February 6, 2018

January 23, 2018

January 9, 2018

First performance of 2018

December 27, 2017

Part 1

Part 2

December 12, 2017

November 28, 2017

November 21, 2017

November 14, 2017

October 24, 2017

October 3, 2017

September 19, 2017

September 12, 2017

We're celebrating the first of the Gordon Sterling Presents: The Gypsysally's Jam and the 4 year anniversary of the opening of Gypsy Sally's.

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Concert Reviews

Marian Hill Electrifies At 9:30 Club

Occasionally, one gets the pleasure of witnessing “the next big thing” begin to take hold—Wednesday, May 9th, was that rare night for the district. A chattery crowd filled the 9:30 Club, with beers and cocktails glued to just about every hand.

Gongol dancing on stage

Marian Hill, consisting of Samantha Gongol (vocals), Jeremy Lloyd (production), and for live sets, Steve Davit (saxophone, tuba, and guitar), ran on stage in matching black outfits, topped off with spotless white sneakers.

Wasting no time, the three launched into the opening number, with Gongol commanding the stage with her sharp dance moves. Twisting and turning to the beat of the music, Marian Hill clearly understands the power of performance. Not a moment of their set is unchoreographed, perhaps giving insight as to why the duo pulled their name from two characters in the musical, The Music Man.

Introducing the first song ever written by the duo, “Whisky”, Lloyd highlighted his masterful production, layering intricate drums, deep synths, and stuttering vocals, crafting an eerie background to accompany Gongol’s lead vocals.  

Transitioning into the buttery tunes of “All Night Long” off of the duos May 11 release, Unusual, Gongol glimpsed over at Davit, and playfully instructed, ”Steve”.

Davit and Gongol dancing

The crowd erupted in a roar of support as Davit launched into an intricate saxophone solo. Gongol teased Davit with her sensual dancing, and Davit returned the favor. The two played cat and mouse, traveling across the stage as a pair, with Davit following Gongol’s lead. Sharply turning away as soon as Gongol began to welcome his advances, it was Gongol’s turn to chase.

The crowd is captivated by the show, and not a single body stood still within the room.

“That’s my wife up there” boldly stated a male member of the crowd.

“Same,” retorted the female to his left.

Gongol isn’t the only one who’s pulling at DC’s heartstrings. Grinning, she swiftly leaves the stage to make room for Davit’s dance routine and trumpet solo. The room exploded with cheers as Davit hammed it up, and transitioned into a booming chant of “Steeeeeeve” as the song faded into silence.

Gongol returning to the stage, the duo played “Subtle Thing”, a brand new track. Travelling from the mic stand over to Lloyd, Gongol showcased her dancing prowess even further.

Lloyd masterfully playing his synths

Leaving the stage after their most popular song, “Down”, the three left the crowd wanting more. Begging for an encore, the booming chant for Steve returns. Quite hilariously, Davit did not appear back on stage until the middle of “Talk To Me”, where his incredible saxophone skills shone.  

Bowing, the final act came to a close and the crowd’s deafening cheers filled the room. Marian Hill had successfully made an average hump day an unforgettable night for their fans. With their charismatic energy and raw talent, it is only a matter of time before they become a household name.

Enjoy the following photos by our photographer Ana Medvedeva. 

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Concerts this Week

Goodman’s Good Music – Concert Picks of the Week – May 14th

Week Of:  May 14 - 20, 2018


Summary: No such thing as a post-funk (parade) funk

This past weekend was undoubtedly packed with amazing opportunities to see live music. Those who experienced the love of the DC Funk Parade felt the power of live music bringing us together. Hopefully you slept hard on Sunday and are ready to power up for this week ahead filled with lots of musical greatness.

Featured Shows:

If I had the bandwidth to see a show or two every day, here's what I would check out this week:

Other Amazing Shows That DCMR Staff Recommend:

Local Scene:

These are but some of the talented local musicians making waves in the funky DMV this week. (Our ability to link has been a bit compromised this week, but please look up these artists above and find out more about their shows and support local music!)

Here are our recommendations for shows throughout the DMV.

All Featured Events

District

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Maryland

[ecs-list-events design=’compact’ venue=’true’ featured_only=’true’ fromdate=’2018-05-14′ todate=’2018-05-20′ offset=’0′ limit=’30’ cat=’maryland’ message=’There are no featured events this week.’]

Virginia

[ecs-list-events design=’compact’ venue=’true’ featured_only=’true’ fromdate=’2018-05-14′ todate=’2018-05-20′ offset=’0′ limit=’30’ cat=’virginia’ message=’There are no featured events this week.’]

Articles Related to Artists in Featured Shows

Podcasts Related to Artists in Featured Shows

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Concert Reviews

The Sherlocks Plot Their American Domination At The DC9 Nightclub

British rock stars The Sherlocks made their reprise performance this past Monday night for the biggest crowd I’ve ever seen at DC9. Returning just months after their last DC performance, the band’s following has grown exponentially, with the venue being considerably more crowded than their November show.

The Sherlocks relaxing before their performance at DC 9 Nightclub.     (L-R)  Brandon Crook, Josh Davidson, Kiaran Crook, Andy Davidson

Comprised of two sets of brothers — Kiaran Crook (lead vocals, guitar), Brandon Crook (drums), Josh Davidson (guitar), and Andy Davidson (bass) — the band had an unconscious and natural chemistry during their performance that made them stand out.

Starting off with drum heavy, “Last Night,” a catchy tune with unbounded instrumental interplay, the tune asks questions such as “who’s gonna take the blame for all the things you said?” The open-ended, slightly rhetorical questions that are sprinkled throughout The Sherlock’s lyrics are also a trademark of The Arctic Monkeys, another Sheffield based band that they have drawn parallels to.

The Sherlocks relaxing before their performance at DC 9 Nightclub.     (L-R)  Brandon Crook, Josh Davidson, Kiaran Crook, Andy Davidson

Each song had a similar note, chord, or leading instrument so that while each song had its own personality, there was a common thread linking them all. The well curated setlist and the brotherly chemistry fostered a show that felt intimate and specifically tailored.

Although Kiaran is only in his mid-twenties, he sings with a maturity and skill that I’ve only heard in much more seasoned musicians. A blend between Julian Casablancas and Alex Turner, Kiaran sings with an edge that’s drenched in emotion and experience. The band as a whole plays with a fast-paced intensity that commands attention. The Sherlocks are The Strokes meet The Vaccines with a twist of Two Door Cinema Club, if only due to the fast-paced nature of their songs. In short, an indie-lover’s dream come true.

As the night went on, the applause got louder, the dancers in the audience became more carefree, and the room got warmer. The Sherlocks play with such passion and energy that their audiences can’t help but absorb and return it at full force. They played an efficient set, barely stopping for breath between songs. When they did pause, they were met with an applause loud enough to break through the ringing in my ears. The front row was decorated with passionate fans who knew every lyric, and those who didn’t had wide smiles plastered on their faces.

The Sherlocks were clearly enjoying themselves during this performance.

“Nobody Knows” was a DCMR favorite of the night. With all instruments brought to the forefront, it was easy to tell that The Sherlocks enjoyed performing this particular track as much as we enjoyed listening. Midway through the song there is a longer musical interlude that allowed The Sherlocks to flourish. With Josh and Brandon exchanging quick smiles in the back, the band kicked off the instrumental break with an eagerness that had the audience dancing along fervently. The longest track off their debut album Live For The Moment, “Nobody Knows” was a masterful accomplishment that concert-goers should actively seek out.

The Sherlocks were clearly enjoying themselves during this performance.

The Sherlocks are characterized by expertly loud and intense instrumentals, with more sentimental and thoughtful lyrics. The final song “Chasing Shadows” was met with excited cheers as The Sherlocks launched into an intro that was reminiscent of songs on The Killer’s 2006 album Sam’s Town, before allowing the guitar and the signature vocals to take the lead.

Already rockstars across the pond, The Sherlocks have played a multitude of festivals, most recently The Shaky Knees Music Festival in Atlanta last week. With their North American tour ending in May, The Sherlocks head back the UK for another six months of shows and festivals, budding into quite the successful worldwide act.

Their passionate and skillful artistry is something that is almost too big for the DC9 stage. While it is an ideal location for fans to meet and interact with the boys, we hope (and expect) to see them up high on the 9:30 Club stage one day soon. 

The Sherlocks released their debut album Live for the Moment in August 2017, so make sure to give it a listen and purchase it here.

Setlist

Setlist

Setlist


Click here to see the setlist for The Sherlock's performance at DC9 Nightclub on May 7, 2018

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Mark Raker of Mark Raker Photography.

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Concert Reviews

Liza Anne Performs At Union Stage

Juxtaposition seems to be the theme at Union Stage on a cool Sunday, May 6th evening. Clad in coordinated white outfits, the opening act leaves the stage to a cheering crowd.

Strutting on stage in a quintessential red beret and a bubblegum pink jumpsuit adorned with red fringe, Liza Anne exudes confidence that seemingly only the star quarterback of a high school football team has. 

Anne captivating the crowd with her powerful vocals.

May is mental health awareness month, and Anne, who’s full name is Liza Anne Odachowski, is helping fans feel less alone by bringing her struggles with panic disorder and self doubt to the stage. 

On this particular night, a hushed crowd perks their ears and sways side to side, intently watching Anne command the stage with her electric dancing. Reminiscent of Courtney Barnett, Anne mixes raw emotion with a striking boldness, enticing her fans to travel down from Boston to witness her in the flesh. 

Transitioning into a cover of The Cranberries “Dream”, the room shifts in energy. Anne is artfully bringing the crowd through the process of her emotional healing—the anger is over, and the sadness has taken hold. 

Liza Anne's red beret at her feetLiza Anne's red beret laying at her feet.

The beret now at her feet, her band swiftly leaves the stage. Anne sips her tea and exclaims, “This is my therapy, so let me have it”. 

It was time for the crowd to hear the bookends of the record, and witness Anne at her most vulnerable. Bearing her deepest and darkest thoughts, the teenage crowd ogles Anne in their cuffed jeans, blanketing the room in a silence typically reserved for the SAT. It is easy to see that her lyrics have helped them through many sleepless nights, and have helped heal.

Ensuring the crowd leaves in the last stage of an emotional wave, acceptance and closure, Anne jumps into her newest song, which will be on her upcoming record. Surfer punk vibes fill the room, and a beaming Anne scans the room with a grin that seems to say that healing yourself every night ain’t so bad. 

Setlist

Setlist

Setlist


Click here to see the setlist for Liza Anne at Union Stage on May 6, 2018

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Ana Medvedeva and Jason Herman of Jason Herman Photography.

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