Mike Gordon (Photo Courtesy of Big Hassle Media)
Concert News

Mike Gordon Performs At The 9:30 Club This Week

Mike Gordon has once again embarked on a month-long solo tour with guitarist Scott Murawski, drummer John Kimock, keyboardist Robert Walter, and percussionist Craig Myers. Gordon and his band embarked on their 11-night "Whirlwind" March 2019 tour on Friday, March 8, in Atlanta, GA.  This coming Friday, March 15, 2019, the band will appear at the legendary 9:30 Club in Washington D.C.

Gordon and his band are no strangers to the 9:30 Club having last performed there on March 4, 2014, and last appeared in Washington D.C. on November 26, 2016 only few blocks away at The Lincoln Theatre.

Mike Gordon and his band bring a truly mesmerizing and interactive experience to each performance.  Gordon temporarily puts his trusted Modulus Graphite bass aside and picks up his now familiar Visionary Instrument Moiré bass to entrance and delight the audience.

There is one thing that you can be sure of at a Mike Gordon show - expect the unexpected.  Musically Gordon is always providing musical bust out's including the rarely heard "Spocks Brain" while also expanding his live performance catalog that now includes Led Zeppelin's "D'yer Maker" on that made its debut on March 8th.  In years past glowing interactive sound devices have been passed through the audience or midi devices placed along the front rail. Each of these interactive creations allows audience members to collaborate with the band.

While Mike Gordon may be known as one of the more eccentric artists in the music landscape, he is ever so friendly and you may be surprised to see him come up and greet you before the show on the streets outside the 9:30 Club as he did several years ago outside the Lincoln Theatre. This performance also provides you an opportunity to speak to Mike as he signs tour posters after the show or offers to strum your forearm like he does his bass.

Bu sure to see Mike Gordon and his band perform a whirlwind performance at the 9:30 Club this Friday.

Be sure to pick up another exceptional tour poster by Status Serigraph

Mike Gordon March 2019 Tour Poster (Photo Courtesy of Status Serigraph)

Mike Gordon's "Whirlwind" March 2019 Tour Poster (Courtesy of Status Serigraph)

Mike Gordon March 2019 Tour Poster (Photo Courtesy of Status Serigraph)

Mike Gordon's "Whirlwind" March 2019 Tour Poster (Courtesy of Status Serigraph)

Social Media Posts

Social Media Posts

Social Media 


Performance Details

Performance Details

Performance

Details


Friday, March 15, 2019r

Doors: 8:00 PM

Show: 9:00 PM


9:30 Club (https://www.930.com/)

815 V Street NW

Washington, DC 20001 (Google Maps Link)




Associated Albums

Associated Albums

Associated Albums


Related Articles

Related Articles

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The Musicianship Wammie Weekend
Artist News, Community News

Wammies DC Announce Finalists

Late last week many members of Washington DC's music community woke up to delightful news - they had been nominated for a Wammie award.  A Wammie is the beloved nickame for the Washington Area Music Award. DC may be the birthplace of Go-Go, but it also has a thriving music community filled with artists covering the entire musical landscape. Washington Area musicians will be honored and celebrated in the following categories: Bluegrass, Blues, Childrens Music, Country / Americana, Electronic / Techno, Folk, Fun, GoGo, Gostpel, Hard Rock, Hip Hop, Jazz, Latin, Pop, Punk, R&B, Rap, Reggae, Rock, Soul, and World Music.  

“We are excited to announce this substantial list of talented artists in the Washington region. It’s by far one of the most diverse nominee cohorts we’ve seen across categories, and we can’t wait to announce the winners over the first ever Wammie Weekend.”

// Jeffery Tribble, Jr.  - Executive Director, The MusicianShip

As an active member in the DMV, DC Music Review, is truly delighted to help celebrate the achievements of each an every artist in the region as they practice, explore, study, and expand their craft. We celebrate the achievements of both emerging and established artists as they take to the stage and recording studios throughout the region.

For a full list of finalists please see the Wammie's finalists list (https://www.wammiesdc.org/wammieweekend/finalists/) . With 150 nominees in 62 categories it would be too long a list to include here, but we would like to tip our hats to every artist that is a part of the DC music scene, whether they were nominated for an award or not. The amount of talent that is listed shows just how vibrant and thriving the area's music community is and the depth and breadth of music and music genres coming out of the area.

This year, the Wammies will take place on March 30 & 31 in Washington DC and includes day conference held on Saturday in addition to the award ceremony held on Sunday.  We encourage you to attend the Wammie Day Conference brought to you by The MusicainShip. This day conference provides attendees the opportunity to network, learn, and listen to 40+ conference speakers who will provide extensive and invaluable knowledge and insight on all aspects of the muisc industry.  See the full list of Day Conference Speakers here.


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Days
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Hours
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Minutes
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Seconds

Performance Details

Performance Details

Performance

Details


DAY CONFERENCE ONLY

Saturday, March 30, 2019

9:00AM - 5:00PM


Decades

https://decadesdc.com

1219 Connecticut Avenue NW

Washington, DC 20036

(Google Maps Link)


$40 - General Admission

$65 - VIP Package


AWARD SHOW ONLY 

Sunday, March 31, 2019

Doors: 6:00PM

Show: 7:00PM - 9:30 PM


The Lincoln Theatre

https://www.thelincolndc.com

1215 U Street NW

Washington DC 20009

(Google Maps Link)


$25 - General Admission

$45 - VIP Package



DAY CONFERENCE + WAMMIE AWARD COMBO

March 30 & March 31


$55 - General Admission

$95 - VIP Package


Additional Resources

Additional Resources

Additional

Resources


To learn more about the 31st Annual Wammies DC and The Musicanship please see the following resources:

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Cecily (Photo Credit: Nakeya Brown)
Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – March 11

Featured above is DC-native songwriter and singer Cecily who is playing a free show at The Kennedy Center's Millennial Stage on Wednesday. Celebrating Women’s History Month, Cecily will explore the themes of love and freedom through the works of soul music’s luminaries.  Presented in partnership with the Strathmore Artist in Residence program. Photo by Nakeya Brown.

Week Of:  March 11 - 17, 2019

Summary: Mid-March Mix

Every week I look at what the DMV has to offer musically and it is astounding. Just this week there's a huge mix of amazing to check out. You want to...

...celebrate Women during Women's History Month? Check out:

...jam with legends? Check out:

...experience incredible grooves, blues and jazz? Check out:

...experience local musicians making incredible art? Check out:

...experience passionate music from all over the world? Check out:

All of these are and SO MUCH MORE are listed in the calendar below with personal choices in bold, along with a list of the DCMR staff top picks and cool "gems" that you don't want to miss.  

So get out there and check out our glorious scene!


Mon — March 11


DCMR Staff Recs
Monday Night Mics & Jams
Hidden Gems

Tue — March 12


DCMR Staff Recs
Tuesday Night Mics, Jams & Cool Stuff
Hidden Gems

Wed — March 13


DCMR Staff Recs
Wednesday Night Mics, Jams & Such

Thu — March 14


Fri — March 15


DCMR Staff Recs
Friday Cool Thing
  • Gaithersburg Ukefest on Friday at Covenant United Methodist Church and Saturday all day Epworth United Methodist Church
Hidden Gems

Sat — March 16


DCMR Staff Recs
Saturday Cool Stuff

Sun — March 17


DCMR Staff Recs
Sunday Night Mics, Jams & Such
Hidden Gems

Related Articles


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Bencoolen performs at Pearl Street Warehouse
Concert Reviews

Bencoolen Celebrates Their Album Release With A Packed Pearl Street Warehouse

Funky and vibrant energy pulsed through Pearl Street Warehouse on Friday night as three local(-ish) bands shared the stage. Charlottesville’s Disco Risqué and Philadelphia’s Swift Technique opened for DC’s very own Bencoolen who were celebrating the release of their debut album Daydream.

Teddy Scott and Paul Gregg of Bencoolen perform at Pearl Street Warehouse
Teddy Scott and Paul Gregg of Bencoolen perform at Pearl Street Warehouse

And although their set started late, Pearl Street Warehouse was packed nearly to capacity by the time Bencoolen dawned the stage, a sea of friends, family, and newfound fans cheering them on. The band — comprised of Teddy Scott (guitar), Paul Gregg (vocals, guitar), Jack Bentsen (alto sax), Will Lockery (drums), and Ben Suarez (bass) — are currently on the road on their largest tour to date.

Bencoolen solidified what we’d already had a hunch about — they are meant to be experienced live. While their recorded tracks are groovy and well-polished, their live sound is raw, authentic, and gritty. For an hour or so, the band became one with their instruments, working off each other’s energy. While the recorded album is by no means tame, while performing, everything felt electric, more alive. Fueled by the audience’s vibrancy, Bencoolen played confidently and with style, leaving ample room for improvisation and prolonged musical interludes.

Jack Bentsen and Teddy Scott of Bencoolen performs at Pearl Street Warehouse
Jack Bentsen and Teddy Scott of Bencoolen performs at Pearl Street Warehouse

From the more chilled out, jazzy vibes of “Roll On” to the hardcore and edgier sounds of “Show Me Your Hands”, Bencoolen performed something for everyone, playing a balanced mix between of new and old tracks.

There were opportunities for each member to show off, with an insane guitar solo during Bencoolen’s latest single “When You Look Back”, an eagerly welcomed sax solo to close out the show, and Gregg's iconic vocals soaring atop intricate melodies. Bencoolen have reached the sweet spot where they can gracefully show off their individual talents, while still working together to present a cohesive and united front.

 "While their recorded tracks are groovy and well-polished, Bencoolen's live sound is raw, authentic, and gritty."

Disco Risque performs at Pearl Street Warehouse

Ryan Calonder of Disco Risqué

Disco Risque performs at Pearl Street Warehouse

Ryan Calonder of Disco Risqué

Openers Disco Risqué and Swift Technique warmed up the crowd excellently, each playing a genre of music that fit well into the Bencoolen style. Horn-heavy and vibrant Disco Risqué had such a wide variety of sounds that were reminiscent of so many different bands — from Pink Floyd, to The Antlers, to Two Door Cinema Club, to Bei​rut — every track was a new adventure. Playing a near-consecutive jam for 45 minutes, Disco Risqué had everyone crowded toward the stage almost instantaneously, kicking off the night with infectious funk tunes.

Swift Technique kept the party going with their female-led and retro sound, as well as a mean cover of Talking Heads ”Psycho Killer”. With an eye-catching stage presence, the Philadelphia-based band had impressive and fervent jam sessions that really emphasized their musical prowess.

Bencoolen play with an ease and professionalism that was proven when they were able to maintain their composure when friends rowdily cheered them on from the crowds. Only cracking slight smiles, they were able to rock on without missing a beat.

Bencoolen performs to a capacity crowd at Pearl Street Warehouse

When the band filed offstage before the encore, the crowd cheered uncoordinatedly for an encore, unable to decide between “one more song” and “encore”. The result was a mix of shouts, cheers, and whistles, which worked just as effectively. After reclaiming the stage, Gregg said, “Want a sax solo to close it out?” And, without waiting for the resulting cheers, he added, “Good, ‘cause that’s your only option”, before launching into 2016 single “Spotlight”.

What started as a gloomy Washington winter night quickly flipped into a warm, high energy dance party, packed with people of all ages who were looking to rock out and have a good time. There was no shortage of good music Friday night, and I can easily say it’s been my favorite show at PSW to date.

Videos

Videos

Videos


The following videos are provides courtesy of Bencoolen's YouTube Channel.

Setlist

Setlist

Setlist


Click here to see the setlist for Bencoolen's performance at Pearl Street Warehouse on March 1, 2019​

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

Play/Purchase Album

Play/Purchase Album

Play/Purchase

Album


Related Articles

Related Articles

Related Articles


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Adeline performing at Union Stage
Concert Reviews

Adeline Makes Awe-Inspiring First Impression at D.C.’s Union Stage

On Sunday February 24,  Adeline, pronounced “Ad-uh-leen,” made her first Washington, D.C. appearance at Union Stage, and it most certainly will not be her last. Starting the evening off with “Echo,” highlighting her strong vocals with belts that prompted praise from the intimate audience, we knew we were in for quite a show.

Adeline does it all: writes, produces, sings, and plays the bass. The French-Caribbean artist released her first solo album [ad-uh-leen] with her keyboardist Morgan Wiley, this past November 2018. The reflective 14-track album is an eclectic mix of R&B, funk, and even a little disco that is a clear representation of the artist’s background.

Adeline performing at Union Stage

Before continuing onto the next song, the multi-talented powerhouse paused due to a sound issue. If it wasn’t already, her utter and complete love and respect for music became clear because she couldn’t just continue onto the next song stating, “We have some sound issues to fix, we came here to give the best show for you Washington, D.C., we’re not pretending…”

Whenever the artist addressed the audience there was an undeniable warmth that flowed from her as freely as her lyrics and expressive bass lines. At one point, before performing “Emeralds,” Adeline invited the audience to come closer, and without hesitation, the stage was soon surrounded.

Addressing the audience again, Adeline thanked the crowd and revealed her aspirations, “We’re not going to stop until it’s huge, and I will always remember your faces for being the first ones to come — thank you so much.”

Adeline performing at Union Stage

It’s hard to say which of her songs during the performance was the most emotive, but a personal favorite was the song, “Before.” Watching her play the bass and sing with such expression was incomparable. Throughout the performance, she would pick up and put down the bass, allowing her to put her entire body into the songs; getting down on her knees, throwing her head back, using her hands to give more meaning to lyrics or sounds, or going back-to-back with her guitarist.

During, “Hi-Life,” the audience was even more engaged when Adeline asked, “Can I get a soul clap, D.C., can I get it D.C.?!” It was clear from everyone’s face — including the band’s —  that this was an amazing, fun, personable, and enlightening performance that would not be forgotten. We learned about Morgan’s superpower, an interesting bubbling brook sound that he made with his mouth and fingers; We learned a bit of Creole during, “No Name,” another personal favorite, when Adeline got us to sing part of the outro, and much to her delight we sang it correctly.

All-in-all, Adeline made quite an impact with her first D.C. appearance, and we’re waiting for the next opportunity to see her again.

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Ana Medvedeva. 

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Arkells
Concert Reviews

The Arkells Show DC a Great Time

​If you caught our interview with lead singer Max Kerman last week, you know that The Arkells have performed at a wide variety of events.  Everything from Lollapalooza, to the NHL Awards and even for Team Canada at the Olympics in Korea.  After seeing them live at U Street Music Hall Friday night, it's easy to see why it seems like they're invited to every party - it's because they are the party!  

Arkells

A sold-out crowd sheltered from the elements inside the dark and sometimes obscure venue Friday night while celebrating the band's latest album and tour Rally Cry at it's stop in the Nation's Capital.   The Arkells have made a huge name for themselves in their homeland of Canada as well as in the US and around the world and it's easy to see why.  The band took major advantage of the smaller scale venue to really interact with their audience, which it seems that they are pretty well known for doing.  

Arkells

​As early as the second song, Max was already out in the crowd, getting up close and personal with fans.  Creating a very personal show for its DC audience, the band referenced the area many a time.  From inviting folks to join them in a protest at the White House if they wanted, to talking about taking a swim in the Potomac, the band never forgot where they were and let the audience know they were excited about it.  They mentioned several times throughout the show that while it seemed as though they were bad mouthing our leader, especially in songs like "People's Champ" that they did indeed come in peace and the three rules of the night were simple: sing, dance and take care of each other - a message that the quintet hoped ​people would carry with them after the show ended. 

The energy ran high the entirety of the show with a large amount of hands marked with X's up in the air all set.  The same excitement came from the stage as well with members hopping up and down and giving ticket holders their all.  With some of the biggest festivals in music under their belts, the love and recognition that they have for their fan base is pretty commendable.  At one point, a fan named Mark, who had apparently previously messaged them saying that he knew how to play all their songs on his saxophone, was invited to the stage.  "We told him to bring his sax and be ready and he was!" noted Max.  They also talked about their toll free number that fans can call and leave a message for song requests at the show they will be attending.  Playing one such message, they then invited the fan and her girlfriend onstage to really enjoy their request of "Dirty Blonde" from the 2014 album High Noon.  

​​While there were a significant amount of younger fans in attendance, the crowd really was inclusive of just about every age group and the majority seemed to know every word to every song.  U Street Music Hall itself provided a great atmosphere for the type of band The Arkells ​turned out to be - one that wants to rage but also be able to get down with the crowd and interact face to face.  It's pretty easy to see how this band became so big and why people enjoy seeing them live so much.  Check out the rest of the tour dates, scheduled through the end of the month here.​​​

Setlist

Setlist

Setlist


Click here to see the setlist for Arkells' performance at U Street Music Hall on March 1st, 2019 

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Emily Vitek of Emily Vitek Photography.

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Photo Credit: Marisa Marulli
Concert News, Interviews

Vesper Wood Set To Play Pie Shop Bar Tomorrow!

"Hymnal and catchy, the album gives Wood the chance to broach topics weighing heavily on the minds of women everywhere" - BlackBook

Christine Wood is navigating through uncharted territory with her solo project, Vesper Wood. The indie singer-songwriter’s voice may sound familiar to you—as one half of electro-pop duo Kaleida, the artist has seen incredible success, with tracks featured in major productions such as John Wick, Atomic Blonde,  and CSI.

We chatted with Wood prior to her March 7th show at The Pie Shop to get the scoop on going solo, her debut album, Instar, and coping with issues related to fertility.  


On Going Solo


You’ve seen great success as one half of Kaleida; What inspired you to branch out and explore creating music as a solo artist? 

Thank you. My partner in Kaleida took a bit of time off to have her second baby and I was feeling idle…thought it might be time to get together some of the more personal songs I had been writing and try a different approach to working and production…and keep learning.

Have there been any advantages to this choice? I would assume having total control creatively is one of them, but am curious as to what else you’ve experienced. 

Sure, having total creative control is interesting…it’s maybe quicker and you can do your personal vision. But 1+1 is 5 sometimes and it’s also great to have someone to bounce ideas off of.  

On the other spectrum, what has been a challenge of the solo project that you didn’t expect?

Just starting over…branding yourself…getting people to listen…dealing with online stuff and social media…I kind of hate that part and it’s always feels like a bit of a struggle, but you have to do it these days.

On Instar


I know that your debut album, Instar, is fueled by your experiences with fertility and reproductive health. How have those experiences impacted Vesper Wood’s sonic output? 

I think making a few of the songs helped me get through some of the anger and sadness I was feeling about some issues I was having with my reproductive health. It kind of allowed me to transcend the disappointment and grief, to prevail, by making something new…be triumphant.

And I also got to have a soap box for some of the stuff I believe in—like encouraging both men and women to be more educated and transparent about women’s fertility and bodies, and not feel like those issues are taboo anymore.

On Connection


I noticed that you’re only active on one form of social media. Is there a reasoning behind only being on Facebook and not other platforms?

I’m actually on Instagram, Twitter, YouTube, Soundcloud, Bandsintown, Songkick, lol. Maybe the links are hard to find and I need to do better. ☺

Touring can be exhausting on both the body and mind, what with all the time zone changes and long distance traveling. How do you take care of yourself so that you stay healthy both physically and mentally?

I don’t drink much alcohol, try to keep on my meditation routine and get as much energy as possible from connecting with all the different people we meet and doing my favorite thing in the world.

Performance Details

Performance Details

Performance

Details


Thursday, March 7, 2019

Doors: 7:00 PM

Show: 8:00 PM​


Dangerously Delicious Pies DC

http://www.dangerouspiesdc.com/ 

1339 H Street NE

Washington, DC 20002

(Google Maps Link)


$10 - In Advance

$10 - Day of Show


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Melvin Seals on keys (as seen in his glasses)
Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – March 4

Featured above is the beloved Melvin Seals who is gracing the stage with the Jerry Garcia Band at The NorVA on Thursday night.  Photo by Jason Herman.

Week Of:  March 5 — 10, 2019

Summary: A Fat Tuesday Sort of Week

It's Fat Tuesday. And International Women's Day on Friday. And in between and afterward so much to see and do.

Huge names like Fleetwood Mac and John Scofield  and Cypress Hill and Robyn and Little Feat and Melvin Seals coming into town, to name a few. 

Plus, there are a LOT of ways to celebrate International Women's Day this weekend that are worth checking out. Here are a few: 

So get out there and check out our kinetic scene— MORE shows are listed in the links below, with personal choices in bold, along with a list of the DCMR staff top picks and cool "gems" that you don't want to miss.  


Tue — March 5


DCMR Staff Recs
Mardi Gras Specials
Hidden Gems

Wed — March 6


DCMR Staff Recs
Wednesday Night Mics, Jams & Such

Thu — March 7


Fri — March 8


Hidden Gems

Sat — March 9


DCMR Staff Recs
Hidden Gems

Sun — March 10


DCMR Staff Recs
Sunday Night Mics, Jams & Such

Related Articles


Read More
Kingman Island Bluegrass Festival, Washington DC
Festival News

Kingman Island Bluegrass & Folk Festival, Returns May 4th for 10th Anniversary

DC's best homegrown bluegrass event, The Kingman Island Bluegrass & Folk Festival is celebrating its 10th Anniversary this May and has a huge local lineup.  As little known as this festival may seem to be, it is bound to sell-out and has become a local favorite not only for its music, but also for its purpose of supporting Living Classrooms, environmental causes, and community interests.  Voted "Best Music Festival in DC" in 2018, the Kingman Island fest is a family-friendly music event on the banks of the Anacostia River.  The event will feature an incredible roster of musical talent from throughout the city and surrounding regions, representing diverse backgrounds, cultures, genders, and ages that represent the diverse roots of bluegrass, folk, and Americana, as well as their modern interpretations.  The day will also include delicious craft beer and cocktails, various outdoor activities, a kids’ tent, local merchants’ marketplace, and some of the best food trucks in DC.  This is a can’t miss event!  

The festival is also the District’s premier zero-waste event, and will feature re-usable souvenir cups, compostable food containers, recycling and waste stations, and limited use of disposable products. Through a partnership with DC's Department of Public Works, (DPW) and the Department of Energy and Environment (DOEE), the festival has successfully reduced landfill waste by over 80% at the past three events.  Living Classrooms plans to build on this success at the 2019 Festival.   The festival is easy to get to, with close Metro and DC Streetcar access, as well as a free bike valet at the entrance.  If you must drive, parking will be available all day at RFK Stadium for a fee, and consider carpooling with some friends!

Kingman Island Bluegrass and Folk Festival, 2018
Kingman Island Bluegrass and Folk Festival, 2018

The Kingman Island Bluegrass & Folk Festival celebrates Kingman Island as a gateway to DC's Anacostia River. Kingman Island is a "living classroom" connecting youth and the community to the environment and river.  Proceeds from the Festival support stewardship of the island and hands-on education programming provided by Living Classrooms as well as the continued maintenance of the island's unique eco-system as an educational and recreational space.. Living Classrooms Foundation is a regional nonprofit organization serving youth and families in Washington, DC and Baltimore and the surrounding metropolitan areas with innovative hands on education, job-training, and health and wellness programming. 

The festival lineups have traditionally favored local bands, and 2019 is no exception.  This year's lineup features:

Dustbowl Revival, The Ballroom Thieves, Hackensaw Boys 

Che Apalache, Odetta Hartman, Wild Common , The High & Wides, Crank LuKongo unplugged, ilyAMY, Justin Trawick and the Common Good, Drew Beckman + The Boundary Boys, Oh He Dead, Mink's Miracle Medicine, Karen Jonas, Sweet Yonder, Haint Blue, Jack Dunlap Band, Geraldine, Big Timber, Wicked Sycamore, Tui, The October Sessions,  Hannah Jaye and the Hideaways, Clara Delfina  

Additional featured artists include:  Reed Appleseed, Jess Eliot Myhre, Yasmin Williams, Louisa Hall 

​Enjoy a Festival Preshow to support Living Classrooms and to get ready for the Fest.  Living Classrooms and Atlas Brew Works will be hosting an official preview show to give everyone a taste of the music in store for them at this year’s Festival, plus cool giveaways, prizes, and more.  The pre-fest will feature delicious solar-powered beer, awesome music, and Sunday Funday!   Featuring live performances by Hollertown and Split String Soup.

(Note: Several details were edited following the original posting to reflect Split String Soup will be performing at the pre-fest party, and early bird pricing is no longer available.  Also, note that children under 10 are admitted free).

​

Festival Details

Performance Details

Performance

Details


Saturday,  May 4th, 2019

Doors: 12:00PM

Show:  12:00PM - 8:00PM

​


Kingman Island, Washington DC

www.kingmanislandbluegrass.info 

(Google Maps Link)


$35 - General Admission, Advance.

$45 - GA, Day of.

$100- VIP

Children under 10 free!!


Pre-show Details

Performance Details

Performance

Details


Sunday, April 14th, 2019

Event: 1:00PM - 6:00PM


Atlas Brew Works

2052 West Virginia Ave NE, Washington, DC 20002



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Arkels (Photo Credit: Matt Barnes)
Interviews

In a City Famous for Rallys, The Arkells Newest Album Resonates with DC

​Karin McLaughlin: ​So you guys are coming back to DC the very beginning of March and you actually played at U Street (Music Hall) back in 2017.  A lot has changed since then​ - lots to talk about - mainly the fact that you guys just recently put out a new album, Rally Cry​.  Let's touch on the overview and the very stark difference between that with the whole message and feeling of the album as opposed to Morning Report.  I remember reading about Morning Report​ and I related so much to what you guys said about it and how it's almost like the, "What the eff happened last night?!" moment.  Now I want to get into that specifically related to one song, but how about if you can kind of go over what the process and the feeling behind the album in itself.  Then also as a contrast to "Morning Report".

Max Kerman: Yeah, I think all of our records are ​a reflection of the music that we're into that present time.  Also, we're trying to build on what we learned from making the last record and a lot of times we also are not trying to repeat ourselves.    So for instance, Morning Report was 12 songs and there's some more somber moments I think we stretched out a little bit more on those recordings.  ​As result, with Rally Cry, we wanted to do something a little more direct.  We kept it to 10 songs and I think the songs all have a little bit more punch to them.  ​​Rally Cry is a little bit more outward looking as an album. I think there are two more insular songs on on Morning Report.  So yeah, they're different in those ways and like I said, I think it's important that we that we don't repeat ourselves because the recording will become pretty boring if it just felt like we were kind of going down the same road every time.  A lot of the stuff on Rally Cry kind of speaks to me.

KM: Let's talk specifically about "American Screams".  I feel like listening to the lyrics of that song, and where you guys talked about Morning Report overall being that, "What the eff happened last night", I feel like "American Screams" really speaks to that as a morning after Election Day​.  Maybe I read that one wrong, but it has a lot of political undertone to it.​  Kind of like, "You guys made your bed now lay in it",  type of thing. Is there a different story to it or can you tell us the backstory to the song, specifically in regards to that?

Image courtesy of Big Hassle
Image courtesy of Big Hassle

MK: Yeah, I think you're ​definitely on to something there.  It's a song that is reflecting on the hysterical nature of the conversation that I feel like happens a lot in America, between the various tribes and yes, ​it's a bit of a helpless song. ​ Specifically, ​I'm talking in the second verse about the Vegas shooting and you know​, it says, "Hoping and praying ​didn't change a thing." ​ We love touring America, there's so much excitement.  ​I love the various parts of the country and there's so many great people there, but I also think that​ there's some darker color to America, you know​, and you see it on the side of the highway when you're when you're driving down the interstate. You see these these billboards that are reading ​really like apocalyptic style things like if you don't follow God, you're going to burn in hell, like that kind of shit. ​ That always​ really bummed me out.  I think ​some of our worst instincts come out in those moments.​  So yeah, ​a lot of the songs on the record​ are talking about how you're connected to each other and how we can best live side by side.

KM: Yeah, that's a very interesting point about ​those billboards. ​ It's a lot more prominent down south, not to necessarily point fingers, but I went to school down south and I remember going back to visit one time very recently, and driving by a billboard and it was quoting God.  It was kind of almost like, 'I know God wouldn't say some shit like that' because it was very dark and mean. ​ God would be more uplifting, I think.​ (laughs).  But it's funny that stuff like that really is able to be put up on billboards.  

MK: I know - you would think some committee would step in and not allow that kind of thing.

KM: Sadly, I bet it's the committee that's putting it up though.

MK: Yeah, that's true.  Infringement on your free speech or some shit.

​KM: So you talked about​ getting to see different parts of the country and you guys tour quite a bit, you've done a lot. ​Everything from Coachella, Austin City Limits, Shaky Knees, you even perform ​at the NHL Awards.   I saw you made an appearance at the Olympics in ​Korea too. ​ You've also got a lot going on coming up -​let's talk about festivals in general, and ​the energy behind it.  How do you guys feel about being able to, number one, perform your music for fans in such a high energy kind of environment, but also the opportunity to bring your music to ​fans that are there for​ a completely different band that maybe haven't heard of the group​ and you get ​this one shot where it's like, 'All right, ​we're gonna get these folks, we're going to make them fans!'

MK: That's exactly how we look at it.​ ​ When you're headlining a show, ​the majority of people are there to see you and when you're opening ​a show,​ there's a good chance that people might have done a little bit of homework​ to check out the openers.  When you're playing a festival, it's a real mixed bag. The way I think about it is, ​you're traveling long distances and​ you miss out on things back home because your job ​takes you to far off places but it's your duty to ​make the most of it​.  We traveled from Toronto to Austin, Texas for a weekend to play ​Austin City Limits​ which we treated as a great privilege and also something we really need to make the most of because if we're not going to be prepared and deliver our best show​, then really, what's the point?  So when it comes to festivals, ​we hope and our mission ha​s been time and time again that we'll make an impression on someone who had never heard of us and then ​they'll come out and see us play the next time we're in their city.

KM: We also talked ​a little bit about the politically charged nature of the new music. Now that you're coming back to DC, are there any protests planned while you're in town that you can participate in?

​MK: No, our ​protest songs are on "Knocking At The Door" and "People's Champ".  "People's Champ" is pretty ​obvious Trump song, so we'll sing that one extra loud (laughs).  

KM: Nice. So you've got a lot of notches on your belt as far as ​places you've played and things you've gotten to do.  What's on list that you guys are checking off in 2019? ​

​MK: Yeah, we're doing some UK festivals which is exciting, we've never done those before.  We're going to be in the States the Spring - we're doing Firefly and ​some other things coming our way in terms of festivals.​ I feel like we've been really lucky that we've gotten to experience​ things like Coachella and Bonnaroo and also Lollapalooza and ​I think my new years resolution this year is just to really try not to look too far into the future and just ​make the most of every single day.   I think when you're an entrepreneur like we are, whether you're a musician or a plumber or whatever ​if you think too far into the future you can maybe get overwhelmed ​thinking about what it's gonna look like.  ​ But if you just put in good work every day, things will present themselves that you couldn't even imagine​.  That's been our experience.  Going to the Olympics or opening for other bands or ​playing our big shows, we couldn't have planned any of that.  It's just a matter of just working hard every single day.

KM: Now that we've looked forward, let's ​look back.  We're ​not really still in the New Year celebration time, ​but looking back on it, what would you say are your top three moments of 2018 that you remember?

MK: ​ Going to Korea to play ​for Team Canada, that was definitely​, I felt like a once in a lifetime kind of moment.  We did our own little festival up in Hamilton, where the band is from and Cold War Kids and Bishop Briggs opened up the show​ and there was over 20 thousand people, so that was a crazy, surreal day.   ​Also, I think putting out a new record. We worked on the record​ kind of on and off for about nine months and it came out in October and we're having a blast playing ​the new songs. So I'd say those, those would be the big three.  

KM: Is there anything you guys are going to take time to make sure you see or do while you're in DC? ​​

MK:  We always try to make the most of our time in any city and DC is up there with with our favorite places.  It's DC, New York, Boston, Austin, San Francisco, Chicago, we love those ​cities.  ​DC is a great walking town.  Last time we were there was the Fall with St. Lucia and we played at 9:30 Club and I took a jog down to the White House and gave the requisite middle finger to Trump and carried on (laughs).

Photo Courtesy of Big Hassle Media

Photo Courtesy of Big Hassle Media

KM: Too funny! ​ Total side note - ​I don't know if it was a national story, because I'm obviously skewed being here, but there was this news story about a woman on her bike and Trump's motorcade was going by and she gave them the finger and someone caught it on camera and she ended up like getting fired for it!

MK: Yeah, I did see that.  Thankfully they couldn't fire me from my job but I am a Canadian, so I'm gonna have to look out and make sure they don't kick me out of the country (laughs).

KM: Max, I want to thank you very much for taking the time and we look very much forward to seeing you guys back here in DC at U Street Music Hall​.

MK: Thank you so much.

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