Concert News

Greensky Comes Back to DC with Special Guests

​With snow an ever promised, rarely delivered event in the Nations Capital, one thing we actually can depend on every winter is the return of fan favorite Greensky Bluegrass.  Having been a two-night run for years now - first starting at 9:30 Club and then sharing split custody with sister venue The Anthem - Greensky has for the second year in a row, landed themselves a home for two nights at the largest music venue that calls The Wharf home.  

After wrapping their Fall Tour "Courage for the Road", the band ​​​put out the first installment of a new series released exclusively on Spotify.  Fans can hear 90 minutes containing 14 songs that the band hand selected ​themselves from the tour.  

Greensky Bluegrass
Greensky Bluegrass

A group of guys that love music and the road and never seem to be having anything but fun, winter tour kicked off January 15th and has ​been going strong.  Prior to that, fans were treated to an incredible three-night run for New Years Eve up in Milwaukee.  The fun continues on through the next few weeks with the guys calling the east coast home for the remainder of the month.

Joining them on the bill for the tour is Ghost Light, and the DC crowd can get  extra excited for a special guest Friday night that also calls the area home - Cris Jacobs.   Those of us that were lucky enough to catch Greensky on their summer tour this past year up in Baltimore saw what happens when these guys get together and man are we pumped about it.  

Greensky Bluegrass
Greensky Bluegrass

Of course after winter tour ends, the fellas continue stoking the fire with festivals a plenty - just on the short list they have their own festival up in Michigan this summer Camp Greensky as well as one that they were a part of planning back for its second impressively stacked lineup, 4848 Festival.  In between the two, they're at just about every other hot ticket event that we'll be chomping at the bit to be a part of: Blue Ox Music Festival, Telluride, Suwanee Spring Reuinion, Bonnaroo and more!  

Make sure to keep up to date with DC Music Review for plenty more info on some of the festivals that are coming our way in 2020 and check ​out Greensky's website here for full tour info. Make sure ​to get tickets early as this band is known to sell out show after show while they set stages ​on fire across the country and beyond.

​

​Greensky Bluegrass

Performance Details

Performance

Details


​Friday, January 31 and Saturday, February 1st

Doors: 6:00 PM

Show: 7:30 PM​


$​​42.50- General Admission

$​65  - Super Excellent Seats

$80 - two day pass



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Something Simple
Album Review, Interviews

Meet DC’s Latest Music Project: “Something Simple”

What happens when two artists with an urge to create get together? 

You get Something Simple, a project far more complex than its members make it out to be. 

“We have so many ideas and each idea leads to another one, so we’d end up 20 feet ahead of ourselves. We had to pause and tell ourselves, hold on, we need to make music, we need to do something simple,” Sam Feldman explained. “We just kept saying it over and over again, where it just got to the point where we started getting serious.”

Something Simple

Something Simple has been brewing for years, beginning with low pressure videos with a strict one-day duration (called “Sunday Somethings”), with an eventual goal of transitioning into a fully fleshed out music empire that immersively marries music and visual art.

Their self-titled debut EP is just the first step for Sam Feldman and Max Berger, college friends turned roommates. Released on January 24, Something Simple is a cohesive, synth-tinged journey with a strong dose of nostalgia. Playing like a soundtrack for a short film with each track seamlessly bleeding into the next, the three-song EP is bookended with “Dimensions” and “Yesterday’s Gone”, softer tracks with hypnotic instrumentals that unofficially serve as the intro and outro for the album. Sandwiched between is “Treehouse”, a retro blast of energy and expert production that serves as the meat of the EP.

Something Simple

Inspired by the synthy pop sounds of The 1975, The Night Game, and Tom Misch, the duo knew they wanted to create a song that sounded “retro or groovy.” However, other than that general north star, Berger said, “All music was created in the moment, and assembled with no predetermined notion”, which allowed them unrestricted creative license to make whatever felt right. 

Something Simple doesn’t necessarily require an intense and focused listen, but the songs reward those who do. Berger & Feldman wrote their lyrics with open ended intentions, purposely allowing and encouraging each listener to experience the music their own way. 

“When we listen to music we enjoy, we usually prefer assigning our own meaning to the lyrics, music videos, etc,” Berger explained. “So that’s exactly what we did with our music when creating it. There was no direct intention of ‘this lyric means this’ or ‘this song reflects my feelings about my current/ex-girlfriend.’” 

Feldman added that their songwriting process is driven more by a gut-feeling, how a word sounds and fits into place, rather than being chosen for its specific meaning. The pair will opt for swapping out a single word in favor for another with a better “texture”, which could end up leading to a completely different meaning for the song.

As a result, Feldman added, “People can feel free to read into the lyrics because they might hear something that means something to them that’s completely different than what we initially wrote about, and that's kind of the point.”

"Something Simple has been brewing for years, beginning with low pressure videos with a strict one-day duration, with an eventual goal of transitioning into a fully fleshed out music empire that immersively marries music and visual art."

"Something Simple has been brewing for years, beginning with low pressure videos with a strict one-day duration, with an eventual goal of transitioning into a fully fleshed out music empire that immersively marries music and visual art."

Their varied, yet complementary music tastes and work ethics, combined with their open-minded collaboration process, allow Berger and Feldman to comfortably work together in an environment that encourages a constant flow of ideas. 

So what is Something Simple? 

There’s really no one way to describe it, other than as “not a band.” 

“We see ourselves more as a collective, project, group, rather than band,” Berger explains. “We aim to have our visuals, music and whatever else we create stand on their own as individual pieces of entertainment/artistry, from music to matchboxes to magazines.”

It’s a space to create, unbridled by boundaries or expectations. 

With additional EPs, a full length album, music videos, merchandise, live shows, and more on the horizon, anything is fair game.

Listen

Listen

Listen


Additional Resources

Additional Resources

Additional

Resources


To learn more about Something Simple, please see the following web resources:

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Community News

Will Urquhart At Work On Gypsy Sally’s Documentary

DC Music Review Contributor, Will Urquhart, announced today that he started working on a documentary project to explore the story of Gypsy Sally's, one of the DMV's beloved music venues which closed its doors for good at the beginning of the month.

Will is digging into his extensive archive of concert recordings, pulling out some never-before-seen footage and remastering others, and interviewing a wide range of people throughout the music scene. To that end, he is releasing a website, along with Facebook, Twitter, and Instagram accounts that you can follow to keep up-to-date on developments with the movie.

Read more from the official announcement post:

Today I am officially announcing that work is underway on a movie chronicling the story and music of Gypsy Sally’s.

Gypsy Sally’s was the venue where I first became a taper. In the years it was open, I livestreamed, taped, and photographed well over 100 shows there, amassing an extensive archive of some of the musical history that graced the stage. When Gypsy Sally’s announced it was closing, I knew I had to do something with all those recordings.

This venue meant a lot to a lot of people, and the aim of this movie is to tell that story and relive some incredible music. Filming is already underway, and the final project will feature original interviews as well as never-before-seen and remastered footage, audio, and photographs.

Stay tuned for more announcements! If you have video, audio, or other files you’d like to contribute to this project, you can submit those via this link.

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Interviews

Moon Child Grace Potter Talks Dark to Light

​​Grace Potter is a majestic being who can command the stage entirely and even do it barefoot.  The incredibly talented musician has the ability to make both men and women swoon and fall in love with her songs as she moves about from instrument to instrument at shows.  ​After a short and much needed hiatus from the music scene, Grace is back and we couldn't be happier about her return. Coming back to DC, a city she loves, we got to talk about what has been a driving force in her return and why she needed to step back from the spotlight for a while.


​Karin McLaughlin: Grace, thanks so much for talking with me today, I'm a huge fan and so are pretty much all of my girlfriends.  When I told some of them I was going to interview you, everyone was really excited!


Grace Potter: Oh, thank you so much!  That​ makes me so happy!  You know, DC is kind of one of my tried and true experiences and I meet a lot of fans in DC.   I get stopped on the street or​ on the metro or when I'm shopping or walking around looking at the sites and I've never had a bad experience there. It's so interesting how many incredible people come to my shows there and you and your girlfriends are obviously counted among them!


KM: Well I'm glad you enjoy it here too! ​So jumping right into it. We are glad to be having you coming back and especially with a great new album. We went from Midnight to Daylight - I know the journey was long and hard. Is there something you can tell me about it - a little bit more insight for people as far as how that journey came to be.


GP: It came to be because it wasn't meant to be.  It was not something I was ready to do.  I really wanted to be free of the constraints and anxiety that comes with - I guess expectation is kind of the wrong word because I think my fans know better than to set expectations for me - but I think I needed to sort of emancipate myself from my own expectations in a way.   That's what it really started with, was the process of removing myself entirely from the conversation and putting music not just on the back burner, but like completely off the stove for a while there, right?  

You know, I wouldn't have written this record if that didn't all happen.  The music and the lyrics that came out are reflection of all the fallout and beautiful turns of events, but also painful events, that happened right after Midnight or during Midnight really, because the band was​ in the studio with me recording that record, but things really fell apart with the band.  Then ultimately, ​with my marriage, it revealed itself as something else where my heart was being pulled in a new direction and it took a long time to recognize that and sort out.  What that meant as far as music, where I was going out being on stage and performing,  swaggering around like a superhero, it was not what I wanted to do at that point. Really, I was hurting and other people were hurting and it just didn't feel like the time to parade around and honestly, make money off of it - it's just not right.  Nobody, who writes songs about their personal life and shares anything, should be doing that with any expectation that the​y're going to yield a profit.  

I think, in a way, what my life was and what was left of me that the public knew, I just saw so many disparities.  I just thought I needed to get with me and really sit down with who I am and who I want to be before I do anything else. Midnight was an album full of the real me.  It really was my absolute favorite studio experience I've ever had.  It was because I was opening myself up to more than just the music, but what it means to be able to do more than one thing and to be able to move through the world without expectations and sort of defy people's expectations of you.

So that record was all about other people's expectations, being a little bit the reference with my fans and my fans expectations and then Daylight was was more about me, my own expectations -really going in deep.

Associated Album

Associated Album

Associated Album


KM: You touched on quite a few other things that I was going to talk about actually.​  ​How have your expectations changed now, as far as what you're expecting out of the music world, getting back into it?  We've seen your tour schedule  and it's busy - you're already booked out through ​July.  What expectations do you have that are different now or how have they evolved and changed - what are you hoping for ​with this tour?

​GP: It's a profound shift, and it's something that I've been really tuned into because I wouldn't be doing this if it doesn't feel right to me anymore, I just don't have the bandwidth and there's too many other things that I love to do.  If this music thing isn't serving my soul and it's not kindling the fire properly, then it just goes away.  I really had to reassess music in my life.   The reason why these tours are so concentrated and so gung ho is because I wanted it to become my life. I wanted my family on the road with me and I really wanted it to not be just getting on a plane and flying somewhere.  

I didn't want to be Grace Potter for the day and then go back to my "real life".  I don't want that.  I want to be, I want to exist and I want to live and breathe in the body.  That is me, friends.  The second I wake up in the morning and go out and play with my son all the way through the show to when I get off stage and crawl back into my bunk at the end of the night with my husband.  The difference, I think, is a primal desire to make my whole life as true and real and honest as possible. ​It makes it much easier. 

KM: Do you feel like a lot of that desire came out of obviously not only this huge transition and change in your life, but also from motherhood?

GP: Definitely, yeah, I mean, that is ​the prime ingredient here, my priorities changed. I don't have to prove it to music anymore, I know my work.  I have this very stabilizing force and it's not just ​​Sagan, it's Eric, it's my family.  My mom and dad are actually out on the road with us right now and the joy it brings me to watch them chasing my son around on a bicycle - it's makes my heart actually leave out of my body -  poopy diapers and all, the entire package feels right and feels more true.  It's honesty that I never invited in before because it seemed kind of ugly and rough around the edges and complicated and messy. ​I was really overextending myself ​or burning the candle at both ends or whatever.  Now, it's the opposite and it's far more sustainable.

KM: Speaking of other things - you have two new loves in your life and those are huge other things, but you said you want to make sure that you've got a lot of other things going on. I know that you also started way back when, at craft fairs and farmers markets - did you pick up any good recipes or arts and crafts skills back then?

GP: Oh, yeah - you should see our craft box, we have one on the road.  I'm actually block printing and making t shirts today. I mean, ​my main skill set was was construction ​and ​home renovation, so that was the beginning of it, but I'm really into pottery, which is huge.

KM: RIght, because doesn't your mom do pottery?​

​GP: Yeah!  She's retired now, but she had a very famous company called Peggy Potter Bowls, which is now Colbalt​ something I think.​

KM: Funny story - ​the founder of DC Music Review -  when I told him I was interviewing you, he said, "One of my most prized possessions is a Peggy Potter bowl that I own that I didn't know the correlation until years and years later."  He sent me a picture of it and I was like, "Oh my god, I'll have to tell her that's so cool."

GP: (laughs) That's incredible. ​ I would always be by mother's side at craft fairs and and obviously the music was just the background in the art and craft world, which is a massive thing, especially in Vermont where people are really do-it-yourself hands-on.  I grew up around it so I've got ​lots of craft projects.  I want to believe that I could learn how to knit someday.  I've tried.  I'm trying to knit a scarf now for my assistant who is really crafty but it's not easy.​

KM: ​​Yeah I tried my hand at knitting and I've had a half-knit hat for three years now - it's never made it to the top (laughs).

GP: Yeah there are some things I'm just not good at and knitting is some next level crap.  ​I'm working on embroidery these days too. I really like the tactile stuff, like I love dying clothing. ​ I'm a maker - I make furniture and whenever I can put paint on something, I will paint.

KM: That's awesome. So, I wanted to ask only because I feel like you have a strong influence ​of stuff like this, and it's a total assumption on my part, so tell me if I'm wrong but as far as you and spirituality -are you more on ​the natural side of influences, like by the Sun and Moon and star signs and things like that?  Is that accurate to ​say?

​GP: It is and it isn't - it's an interesting dichotomy and it's a really fun argument I have with my husband because you know, our son's name is Sagan.  Funny because Carl Sagan​ used to bemoan the fact that people would refer to him and say he's a famous astrologer​, ​when he's an astronomer. ​  

​They say where Jupiter is when a baby's born has less effect gravitationally and electromagnetically, etc, than the midwife in the room delivering the baby.  So, there's a scientific reason that, I'm sure is very viable for why we shouldn't pay attention to that, but there's just so much evidence and so many patterns of our world and how humans are energetically around one another, that's very much related to when you're born and where you're born and who surrounds you in your constellation.  So yes, I'm very spiritual. I'm not religious, but I am spiritual in many directions.

There's a really beautiful place, one of the first dates that Eric and I ever went on was a place called Lake Shrine, right on the coast in Malibu. It takes all of the different sort of creeds and religions and places them all together and in one space with lots of places to sit down and meditate. It has a beautiful lake with swans swimming around in it that you can just go to gaze at without any expectation of committing yourself to one belief or another. I love that cosmic intersection and that spiritual intersection.  I think that's really the best representative of how I respect and appreciate my own spirituality and also everyone else's. ​

Having said that, my music has always been drenched in gospel influence and I can't help it, it's just the best sounding chords put together in one place and it's the most stirring, essential bone chilling part of it.  I think you hear a lot of that on Daylight because because I wrote with (Michael) Busbee, who is a very, very religious person, a devout Christian and really worked that in.  I think a lot of his calling in life was to bring that love and that feeling of Jesus into every room he was in until he sadly passed away actually, about a week after the record came out.  ​  I think the chords that he incorporated into the songs that we wrote for this record are so appropriate ​to the feeling that I was having and to the fact that the universe, however we choose to put it together in our little scientific mind, will always be more vast than anything we can control or categorize.  Buuuuuut - it's pretty nice to have a star chart too, just to kind of guide me.

KM: Agreed! I've been reading more deeply into mine so much lately and it's mind blowing! Alright, well I know that you're limited on time, but I want to do a couple rapid fire questions if you've got just a couple more minutes. 

GP: ​Sure - absolutely!

KM: Okay, so I know that we just talked about this ​in relation to astrology and also the correlation between the albums Midnight and Daylight too - do you think you're more influenced by your moon sign or your sun sign?

GP: ​Right now, it's my sun sign but from the age of 14 to 26 or 27, somewhere in there, when there was a shift in my solar plexus there was just this white hot, pool of amber light that started. coming through my body in my late 20s and then finally emerged out the crown of my head when I was 33.  well I mean I yeah that's not a rapid fire answer - that's a whole nother interview (laughs).

KM: Yeah, I could spend like three hours talking about all that but we won't go there. What is your go to comfort food?

GP: Oh good one! Macaroni and cheese.

​KM: What do you have a weakness for?

GP: Mac and cheese (laughs) but legit mac and cheese - like comes out of the oven  and it's covered with a layer of bread crumbs and baked. 

​KM: Crispy corners all the way!  If you could have been born at any other time and location, where would it be and when?

GP: ​Oh god - probably the South of France in the 19 mid-teens so I could've experienced the roaring 20s.  Either that or Ancient Greece, just because I think those Greek people were freaks!

KM: 100%! Who is your biggest style icon?

GP: Diane Keaton is one I love, but I would never wear what she wears.  Diane Keaton and ​Barbarella we'll say.

KM: Okay, second to last question is what's  one word to describe where you were at the last time you went on tour and one for where you're at now heading out on tour again?

GP: Word for the Midnight tour was driven and the word for this tour is settled.

KM: Interesting - that's exactly the word I was just thinking​.  Ok, one more.  I just want to say, personally, the things that I'm going through right now - your music is helping me through a lot of it and and getting me in a space to let some cries out and also giving me some inspiration that it'll all be ok.  I know that your music has always helped people, as music tends to do, a lot - what is music that gets you through tough times?  Who are two artists that you always have on a playlist that you play when you're feeling a little down or just need to get the emotions out?

GP: Mozart and Frank Sinatra.

KM: Oh wow, those are good.

​GP: Mozart ​is where I go to reflect and to reinvigorate and maybe reinvent myself for the day and to  just to sort of escape.  Also to really, you know, recognize that, that I know nothing about music because Mozart is just that good, right. Frank Sinatra when I'm ready for a cocktail and some good friends, surrounding myself in all those warm, fuzzy feelings, you know, and eating mac and cheese (laughs).

KM: That's awesome. Well, I'm very excited to see you back in DC and I actually have seen you're going to be on a couple tours that are festivals like 4848, which had their first year, it's an amazing festival so I was so excited to see you on that one. 

GP: Oh great, yeah looking forward to it.

KM: You also have Austin City Limits, Bonnaroo, you've got Floyd Fest, so we are so glad to have you back in the full swing of things and festivals and looking really forward to seeing you more in 2020.  Thank you so much for taking the time, it was really a pleasure to get to talk to you.

GP: Yeah, and I wish you the best on your journey and just want to say, whatever transformation you're going through, I feel like I'm honored that I can be a companion for you in that and you're gonna get there in any way you need to.

KM: Thank you. Enjoy the rest of your day!

GP: Absolutely. It was awesome talking to you. Hopefully we'll see you in DC.

KM: Yes, definitely.​


Listen

Listen

Listen


Performance Details

Performance Details

Performance

Details


​Saturday, January 25, 2020

Doors: ​6:30 PM

Show: 8:00 PM​


$​45  - General Admission

$​75  - Super Excellent Seats



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Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – January 20

 

 DC Music Summit Goes Boom! offers insight to the DC MUSIC SUMMIT 2020 with a discussion on "Women in Music and Sparking Change" from This Could Go Boom! and a performance by the seriously super DC-supergroup Iza Flo, FREE on Wed at The Kennedy Center.

Week Of:  January 20 — 26, 2020

Summary: Engaging Artistry

This week! So many artists who mesmerize and engage you completely. Top of mind: 

  • LEGENDARY: Chaka Khan is performing at Let Freedom Ring Celebration feat. Chaka Khan (FREE) at The Kennedy Center on Monday.
  • RIVETING: Go to An Evening With Taimane, Her Quartet & Polynesian Dancer at The Hamilton Live on Wednesday and be prepared to leave mouth agape.
  • FRESH: I caught The New Respects a few years ago at a local dive bar and danced my heart out. Want to get some energy, get out to see the so hip and groovy Ripe with The New Respects at 9:30 Club on Thursday.
  • RAW: Grace Potter puts everything she's got all out there every time she hits the stage. Catch Grace Potter as she rocks out The Anthem on Saturday night.
  • FUNKY: Yep, Cory Wong is coming to town to lay it all down at a show you don't want to miss at 9:30 Club on Sunday night.
  • JAMTASTIC: Come out and see Twiddle on Friday night as they launch their 2020 Winter Tour at the 9:30 Club on Saturday night.

...and LOCAL:  If you're a DC musician, music lover, or care about our scene, be sure to check out check out DC Music Summit Goes Boom! FREE on Wednesday night at The Kennedy Center. This event offers a preview of the DC MUSIC SUMMIT 2020 with a panel discussion on "Women in Music and Sparking Change" presented by This Could Go Boom! and live performance by the  (seriously super) DC supergroup Iza Flo (featured photo). It will be an educational, eye-opening, insanely good time, and a great way to get/stay involved in the scene.

So do get out there this week for sure and check it ALL out. MORE shows are listed in the links below, with personal choices in bold, along with a list of the DCMR staff top picks and cool "gems" that you don't want to miss!


Mon — January 20

 
Sparkling Gems
Tue — January 21

DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Wed — January 22

 
 
 
DCMR Staff Picks
Jams, Mics & Such
 
Sparkling Gems
Thu — January 23

 
 
 
 
DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Fri — January 24

 
DCMR Staff Picks
Jams, Mics & Such
Sat — January 25

 
 
 
 
 
DCMR Staff Picks
​Jams, Mics & Such
Sparkling Gems
Sun — January 26

 
DCMR Staff Picks
Jams, Mics & Such

Related Articles


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Livestream Powered By DC Music Review
Livestream

WATCH LIVE: Justin Trawick and the Common Good w/ The Judy Chops at Pearl Street Warehouse

Pearl Street Warehouse tonight is host to Justin Trawick and the Common Good with The Judy Chops!

We will be on scene to provide a livestream via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DC Music Review contributor Will Urquhart's Mixlr account.

Read More
Winter Wonder Grass 2020 - Steamboat Springs
Festival News

WinterWonderGrass Gets Us Excited for Festy Season 2020!

The time is near for a highlight of both the winter season and music festival goers across the country. The end of February kicks off the celebrated three part series known as WinterWonderGrass and it's right on time to get the crowds warmed up for the 2020 festival season. The staff at DC Music Review is packing their bags and heading west to cross the Steamboat edition off their festy bucket list and are happy to share the journey with you as well as encourage you to make the trip yourselves!  

Winter Wonder Grass - Daily Lineup
Winter Wonder Grass - Daily Lineup

The event, being held February 21-23 in Steamboat Springs, Colorado is a snow bunny's dream putting powder and jams together in one amazing location.  Tickets went on sale back in the beginning of December and boasts an absolutely drool worthy lineup.  ​In it's eighth year since creation and fourth at the ski town resort that is often high on skier and snowboarders lists of mountains to conquer, organizers couldn't be happier for its return.

 
 
 

“WinterWonderGrass has become a home for artists, fans, staff, locals, businesses, skiers, riders, their families and all of the like. We pride ourselves on creating a sustainable, safe and receptive environment, bound by the marriage of the best in bluegrass, folk and Americana, and the undefeated nature of American ski culture."

// Ariel Rosenberg, WinterWonderGrass Director of Marketing & Ticketing  

 
 
 
 
 

“WinterWonderGrass has become a home for artists, fans, staff, locals, businesses, skiers, riders, their families and all of the like. We pride ourselves on creating a sustainable, safe and receptive environment, bound by the marriage of the best in bluegrass, folk and Americana, and the undefeated nature of American ski culture."

// Ariel Rosenberg, WinterWonderGrass Director of Marketing & Ticketing  

Celia Woodsmith of Della Mae performs at The Hamilton DC

Della Mae

Celia Woodsmith of Della Mae performs at The Hamilton DC

Della Mae

This years Colorado lineup boasts, just to name a few -  Greensky Bluegrass, Billy Strings, Della Mae, The Travelin McCourys, Pickin on the Dead, Horseshoes and Hand Grenades​ which is just​ a handful of the bands that DCMR has gotten to interview and cover in the past.  Get ready for three jam-packed days of dancing, pickin', s​now sports and some of the biggest and best in the ​scene these days.

Not only does the festival offer some of the ​most exciting artists and breath taking scenery that you can find in February, but also unique experiences that attendees are unable to find anywhere else.   Separately ticketed events during the festival in Colorado ​are unlike any other experiences you can get with musicians like these.  A Mountaintop Dinner with Keller Williams ​includes a ride up the gondola, a multi-course meal complete with locally-sourced ingredients, wine and beer sampling, plus two sets by Keller Williams.  Additionally, the Grass After Dark Series will return for post-festival programming that takes place at several of the locations within the ski area and downtown including Thunderhead Lodge, The Steamboat Grand Ballroom and Schmiggity's Live Music & Dance Bar.   Grass After Dark ensures there is something for anyone looking to keep the music going after the grounds close.

Greensky Bluegrass

Greensky Bluegrass

Greensky Bluegrass

Greensky Bluegrass

If you're a follower on social media you also know that a gondola ride accompanied by some of the festivals performers as well as surprise stage collaborations are something that are a frequent occurrence.  Be sure to check out previous videos on Instagram and YouTube from the WinterWonderGrass events of years past.  

Are you still not convinced? Watch the following video reaping the 2019 WinterWonderGrass in Colorado!

Billy Strings

Billy Strings

Billy Strings

Billy Strings

Unable to make it to Colorado?  Fear not, March and April yield new chances to take part in more amazing events.   Check out their website here for lineups, lodging and more about what's still to come in 2020!  Also be sure to keep up with DC Music Review as we bring you coverage from the events in Steamboat - follow us on Instagram and be sure to download the App available on Google Play and in the Apple Store so you don't miss a single post about all the excitement! 

​

Performance Details

Performance Details

Performance

Details


Friday, February 21, 2020

to 

Sunday, February 23, 2020


 

WinterWonderGrass - Colorado

https://winterwondergrass.com/steamboat-tickets/

Steamboat Ski Resort

2305 Mt Werner Circle

Steamboat Springs, CO 80487

(Google Maps Link)


$89 - $399 - Single Day to 3 Day VIP

Check Ticket Link For Details


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Pearl Jam Gigaton
Concert News

Pearl Jam Announces Gigaton Album & North American Tour With Baltimore Stop

Exciting news for Pearl Jam fans, the Rock & Roll Hall of Fame and legends of rock have just announced their much-anticipated eleventh studio album, Gigaton. This album is set to be released on March 27, 2020, and comes nearly seven years after Lightning Bolt's release in 2013.

Better yet, fans in the DMV region do not have to renew their passports to see Pearl Jam on their upcoming 2020 European Tour - unless they want to, of course. The band has announced a 16-date North American Tour which includes a stop at the Royal Farms Arena in Baltimore, MD, on March 28, 2020. It has been nearly seven years since Pearl Jam last performed in the DMV was all the way back in October 2013 when they performed in the very same arena. This news is a truly delightful way to start off the new year for music fans.

Pearl Jam (Photo Credit Danny Clinch)

Pearl Jam (Photo Credit Danny Clinch)

"Making this record was a long journey, it was emotionally dark and confusing at times, but also an exciting and experimental road map to musical redemption. Collaborating with my bandmates on Gigaton ultimately gave me greater love, awareness and knowledge of the need for human connection in these times."

​Mike McCready   //  On making Gigaton

In their 30 year career, the band and their fans have celebrated a legacy that any group could only dream of having. Their accomplishments include eleven studio albums, 85 million albums sold worldwide, and over a thousand performances spanning almost every corner of the globe to countless fans. 

We are thrilled to welcome Pearl Jam to Baltimore this coming year. 2020 marks the 30th anniversary since this band formed in Seattle, and it is hard to comprehend the musical landscape without this band in it. 

DC Music Review is excited that long history will include yet another night of rocking in the free world in Baltimore with this magical band. We anticipate a night of exceptional music and a celebratory uncorking of red wine by charismatic frontman Eddie Vedder alongside Mike McCready, Jeff Ament, Stone Gossard, and Matt Cameron. 

We are already looking beyond the performance and ready to purchase and download an official recording of the Baltimore performance that will available on Pearl Jam's Official Bootleg site.

Videos

Videos

Videos


The following videos are provides courtesy of Pearl Jam's YouTube Channel.


Associated Album

Associated Album

Associated Album


Ticket Details

Ticket Details

Ticket

Details


We recognize that purchasing tickets to Pearl Jam can be overwhelming and daunting so we have laid out the process as best we can below.

Ticketmaster Verified Fan Tickets

​General public tickets will be sold first through a pre-sale powered by Ticketmaster Verified Fan.  A simple registration is required and only fans that have been verified and invited to the presale will receive an access code that will allow them to shop for tickets.                                                                       

Ticketmaster Verified Fan closes on Wednesday, January 15 at 11:59 PM Pacific Time.

To register, please visit: https://verifiedfan.ticketmaster.com/pearljam

Ten Club Ticket Presale

A special ticket presale for members of Pearl Jam’s Ten Club (current as of January 12, 2020) is being supported on the Ticketmaster Request platform. Full details at pearljam.com.

Public Ticket Sale

A remaining, limited number of tickets for each venue will be released through a traditional general sale on January 24, 2020 at 10am local time on Ticketmaster.com.

NOTE: $5 of each ticket is a charitable contribution to the Vitalogy Foundation, a United States-based public charity under I.R.C. section 501(c)(3) and 509(a)(1).

 

Saturday, March 28, 2020

​
Show: 7:30 PM​


 

$98 + $5 towards Vitalogy Foundation Charity


Additional Resources

Additional Resources

Additional

Resources


Find out more about Pearl Jam below:

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Concert Reviews

Yola Delights Sold-Out 9:30 Club with Stunning Vocals and a Bit of Charm

Grammy-nominated singer and songwriter, Yola, had the sold-out 9:30 Club crowd wrapped around her finger within the first song on Friday, January 10. Hailing from Bristol, England, the talented vocalist captivated a lively audience with her soulful voice, intriguing songs and charming personality. 

Yola

Yola's spirits were high, perhaps due to a sold-out room in DC on her first headlining North American tour. She was recently nominated for an impressive four Grammy awards including Best New Artist, Best Americana Album (Walk Through Fire), Best Americana Roots Performance and Best Americana Roots Song ("Faraway Look"). 

Many of the songs she sang on Friday were from the aforementioned Walk Through Fire including the aeonymous track, "Shady Grove," "Rock Me Gently" and "I Don't Wanna Lie," among others. Yola saved the best for last when she performed the Elton John classic, "Goodbye Yellow Brick Road" in stunning fashion. 

Following a brief encore break, she sang more of her favorite songs including a wonderful "mashup" of Joni Mitchell's "Big Yellow Taxi" before segueing into "The Letter" written by Wayne Carson, first recorded by The Box Tops and made popular by the late Joe Cocker. As if she hand't spread her joyous aura throughout the room, Yola paid tribute to one of her heroes, Aretha Franklin, with a beautiful take on "You're All I Need to Get By."

If Friday was any indication, the superstar-in-the-making singer will make her way back to DC very soon, telling the capacity crowd that "we should do this more often!" We couldn't agree more, Yola. 

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Josh Brick  of Josh Brick Graphics.

NPR Tiny Desk Appearance

NPR Tiny Desk Appearance

NPR Tiny Desk Appearance


The following video is courtesy of NPR's Tiny Desk Series.

Yola took some time to stop by NPR's Headquarters just a few blocks from her 9:30 Club Appearance.

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Samuel Prather
Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – January 13

The oh-so-good, DC-​native Samuel Prather & Groove Orchestra are playing Sotto on Saturday night.

Week Of:  January 13 — 19, 2020

Summary: Local Grooves

Let's talk local. Every week we highlight all of the local artists playing (or returning to) the DMV since they are a huge part of what makes our music community special. 

Every single day this week, there are some great local loves to check out. Here's a small sampling:

...and that is only naming a few. Below are many, many more!

Plus, some just cool shows to check out like Big Bad VooDoo Daddy (T, W, R nights),  Hiss Golden Messenger at 9:30 Club, Seu Jorge & Roge at The Howard Theatre, The Disco Biscuits at The Fillmore, Bumper Jacksons w/ special guest Daryl Davis at AMP powered by Strathmore,  Eddie From Ohio at The Birchmere (F, Sa, Sun nights), KRS-One w/ Ill Conscious, Eva Rhymes, WishGranted at Baltimore Soundstage, Snoop Dogg at The Fillmore, and Bell Biv DeVoe w/ Color Me Badd at MGM National Harbor.

So get out there and check out our smooth scene— MORE shows are listed in the links below, with personal choices in bold, along with a list of the DCMR staff top picks and cool "gems" that you don't want to miss.  


Mon — January 13

 
DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Tue — January 14

 
DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Wed — January 15

 
DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Thu — January 16

Fri — January 17

 
DCMR Staff Picks
Jams, Mics & Such
 
Sparkling Gems
Sat — January 18

 
DCMR Staff Picks
​Jams, Mics & Such
Sparkling Gems
Sun — January 19

 
DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems

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