What Music Festivals Mean To Us
Feature, Festival Reviews

What Music Festivals Mean To Us

Music Festivals all across the country have been canceled for Spring 2020 and continue to be canceled into the summer and fall. The pandemic has hit most everyone in the country hard and we are all doing our best to find our own coping mechanism.

Glorious memories of Lockn' Festivals gone by!
Glorious memories of Lockn' Festivals gone by!

This made me reflect on what it means as a fan of festivals, to miss something so important to so many of us. Festival life is like another world, another reality. You dress how you like, hug your friends as you come across them all day, and share in the sonic emotion created by your favorite music together. All in a sleep-deprived haze.

The festival experience begins to build far in advance, as you pour over the lineup, making decisions about what you will see, what you might have to miss. You think about the people you will get to see, some you only see at that fest.

Festival Shenanigans
Festival Shenanigans

The first day at a festival can be overwhelming; it is where expectations meet reality. You see so many friends; relive the past moments that brought you together. Then there’s the business ahead. Will there be some magical one-time-only moment? The time Trey Anastasio sat in with the Tedeschi Trucks Band when Dead and Company. sat in with the New Orleans royalty, The Foundations of Funk. What band will you see for the first time that will fall into your regular rotation? How about that moment you dreamt about when JJ Grey plays "Lochloosa" and you float above the ground? Or when a favorite band busts out a cover of a classic song, Sister Sparrow and the Dirty Birds playing Led Zeppelin’s "Kashmir", Les Claypool playing Pink Floyd’s "Pigs" (Three Different Ones).

2019 French Quarter Fest

2019 French Quarter Fest

2019 French Quarter Fest

2019 French Quarter Fest

Each festival has it’s own community, its own vibe. Urban festivals often have spectacular backdrops like French Quarter Fest in New Orleans or Sweetwater 420 Fest in Atlanta or Lollapalooza in Chicago, and the chance to go to classic restaurants. Camping festivals are often in a spectacular bit of nature like Floyd Fest or Lockn’ in Virginia. But in any case, the vibe is made by the people and the music, the friends you came with and the friends you made. The moments you got to experience together.

2019 French Quarter Fest
2019 French Quarter Fest

Perhaps you can comfort yourself by perusing Youtube for fan and pro shot videos of past festivals, or go to old reviews in magazines or check out your favorite photographer’s photos sets. But make sure you reach out to your friends by social media or phone or email. Make contact with those you love and miss and do some reminiscing, grab some of that feeling again.

During this time, please spare a thought for all the people that work the festivals, that base a significant part of their income around them. We think not only of the artists on the stage but also of the production crews, the lighting crews, sound crews, artist hospitality workers, security, electricians, cleanup crews, food service, craft vendors, drivers, photographers, videographers, and on and on and on. Please support them where you can.

We will be back together - eventually. The world will likely look a little different and operate a little different. This is a humbling experience for all of us. Keep the faith - we will hug and dance and celebrate again.

What Music Festivals Mean To Us
What Music Festivals Mean To Us

​

Previous Festival Coverage

Previous Festival Coverage

Previous Festival Coverage


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Livestream

Attack of the Clones Sunday Webcast 4/26

We hope you will join us ​on Sunday, April ​26, as DC Music Review presents a special benefit stream with 100% of the proceeds going to Waterwheel Foundation. Beginning at 6:30 PM, Attack of the Clones will feature three guitarists/vocalists from Phish tribute bands you know and love, hosted by Neel Singh.

Schedule:

You can tune in to the webcast via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DC Music Review contributor Will Urquhart's Mixlr account.

Flyer artwork by Sunny Trippel (Sunny Trippel's Friends Unlimited) with photos from Good Foot Media, Ellison White Photography, and Rob Schmidt.

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Pigs Pigs Pigs Pigs Pigs Pigs Pigs – Viscerals
Album Review

Album Review: Pigs Pigs Pigs Pigs Pigs Pigs Pigs – Viscerals

There is an age-old debate about the nature of creativity – is it actually possible to create something that is truly original? Or are all seemingly original works merely the culmination of eons of human history and advancement, simply a reinterpretation of what has come before?

Or something like that. Whatever. Maybe you don’t want to hear about that bullshit. Maybe you just want to rock.

Enter the latest release from UK rockers Pigs Pigs Pigs Pigs Pigs Pigs Pigs (heretofore referred to as Pigsx7), Viscerals, an album that offers a hypothesis to the question posed above, as well as the necessary vibe for those who could care less and just want to mosh.

In terms of what came before, Viscerals does have obvious influences, sounding like My War­-era Black Flag covering Hawkwind, or maybe vice versa, with plenty of nods to the metal gods Black Sabbath. And let’s not forget the Melvins as well.

The opening track “Reducer” (also the first single) is a statement of intent, managing to encapsulate everything the band is going to do over the next 39 minutes in only four and a half. It’s a track that shows that they not only can throw down some riffs, but know how to craft a good song.  Drummer Christopher Morley sets the tempo for bassist John-Michael Hedley and guitarist Sam Grant and Adam Ian Sykes to lock into with a pummeling riff over which vocalist Matt Baty delivers his speak-sing vocals. The song eventually slows down to hammering, sludge-y riffs until its conclusion.

The band keeps it slow and heavy for the next two songs, “Rubbernecker” and “New Body” before the interlude Blood and Butter featuring a macabre spoken word performance over a disparate and atmospheric instrumental.  The band picks up the tempo for the final four tracks of the album that pay homage to a classic style of metal, doom, and 80s-era hardcore riffs.  But it comes with a psychedelic feel smeared on top, simultaneously conveying the sound of a band that is incredibly tight with an airy, free-form feeling, compliments of the reverb-laden lead guitar.

Overall, while the band very much wears their influences on their collective sleeve, they have managed to create a sound that is very much their own. Pigsx7 stands strongly with contemporary bands IDLES and Pissed Jeans, both of whom have a very clear and similar lineage leading to their own unique identities. Viscerals shows that the source of true originality does not necessarily have to be completely alien, but something that combines influences from the past into an unexpected concoction. And it can be argued that this concoction results in one of the best albums of 2020 thus far.

Viscerals was released on April 3rd on Rocket Recordings.

Pigs Pigs Pigs Pigs Pigs Pigs Pigs - Viscerals

Pigs Pigs Pigs Pigs Pigs Pigs Pigs

Viscerals

Released: April 3, 2020

Track Listing:

1. Reducer

2. Rubbernecker

3. New Body

4. Blood and Butter

5. World Crust

6. Crazy in Blood

7. Halloween Bolson

8. Hell's Teeth

Listen

Listen

Listen


 
 

Videos

Videos

Videos


The following videos are provides courtesy of Rocket Recording's YouTube Channel. ​

​

Additional Resources

Additional Resources

Additional

Resources


To learn more about Pigs Pigs Pigs Pigs Pigs Pigs Pigs, please see the following web resources:

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The Lil Smokies perform at the 9:30 Club on March 7, 2020
Concert Reviews

Fond Memories of The Lil Smokies at The 9:30 Club On March 7

It has been almost a month since The Lil Smokies graced the stage of the 9:30 Club. This was also the moment that many of their fans in the region had always looked forward to as this was their first headlining appearance at DC’s most prestigious and fabled venue. 

The Lil Smokies

The Lil Smokies were formed back in 2009 in Missoula, Montana, and this quintet has logged what seems like millions of miles and countless hours on the road in the past 11 years playing to countless fans - earning new fans at each stop they have made. As the years have passed, The Lil Smokies have built up quite a reputation for themselves as a must-see act. For the last few years, they have been the defacto choice for many top-tier headliners as their opening act because of their frenetic and explosive stage presence in addition to their powerful music. Already in their career, they have shared the marquee with the superstars of progressive bluegrass, including The Infamous Stringdusters, Billy Strings, and Greensky Bluegrass (amongst others). Recently, we have all celebrated as they’ve performed at legendary venues such as Red Rocks Amphitheatre and have been a mainstay of the festival circuit. If you have not seen Andy Dunnigan (dobro), Matthew “The Rev” Rieger (guitar), Jake Simpson (fiddle), Scott Parker (bass), and Matt Cornette (banjo) on stage you should certainly make them a priority once life returns to normal again.

The Lil Smokies

When DC Music Review first started out, this band was already on several staff members’ radar who raved about their performances. Once introduced to the band, we, like every person who sees the band perform live, were mesmerized by their live performances. Our photographers were in awe of their frenetic energy and, at times, were left exhausted by trying to adequately capture their stage presence. 

Jake Simpson and Andy Dunnigan light up the stage!

What we must point out and emphasize is the true determination of this mighty band. At many concerts, you will see a wide range of merchandise at the merch booth, and The Smokies did have merchandise available, but unlike others, their prices were very modest and welcoming to the pocket. The band intends to win over fans and help extend their fanbase, and $15 for an artist t-shirt is about as low as we have seen at the merch booth. At the 9:30 Club, we found people lined up happy for the opportunity to purchase one of their T-Shirts (Note: A T-shirt we purchased this evening has been lovingly worn many times during our social distancing and been seen on many Zoom rooms.   Note of Appeal: Please purchase some new merchandise the band has for sale and it appears below the article.) 

Jake Simpson and Andy Dunnigan light up the stage!

Jake Simpson and Andy Dunnigan light up the stage!

The Lil Smokies

This band, from modest beginnings, is still working their way up the band hierarchy, and we have been delighted to see them added as a near-headliner to many music festivals far and wide, including Charm City Bluegrass 2020 (postponed). One would think that with their larger than life personalities and how many performances they put on a year, they were living the rock and roll dream. Two years ago, when we first sat down with the band, we asked them how life on the road was and how their tour bus was treating them. They laughed amongst themselves as they explained how a tour bus would be a dream and how they toured in a box van and joked about learning how to adjust to sleeping sitting up now and again. When we spoke to their manager during this evening’s performance, they did note that they were now touring in a Sprinter Van - an upgrade from their last touring vehicle. We are sincerely looking forward to the day that this deserving quintet puts on some onesies as they learn the new skill of sleeping horizontally while being driven from town to town on their tour bus.

The Lil Smokies

This leads us to The Lil Smokies performance at the 9:30 Club and why DC Music Review is huge fans of this band. It was a crisp but still warm evening in the Nation’s Capital, and some members of the audience joked that at least there was no sub-artic Polar Vortex over the Capital as in previous years.  

The Lil Smokies

There was only a slight uneasiness in the air, but nothing that would sway a very large gathering of Lil Smokies fans from celebrating their beloved band’s headlining debut. It was not too long ago that we danced the night away with the Smokies at sold-out smaller venues in the region, including Union Stage and Pearl Street Warehouse. Each of the other venues holds approximately four-hundred fans while the 9:30 Club holds twelve-hundred individuals. The audience for this performance was much larger than four-hundred fans, and those in attendance were happy to finally have a little more dancing room than they would normally have at a Lil Smokies performance.

The Lil Smokies
The Lil Smokies and Andy Dunnigan boot stomping fun!

The Lil Smokies do not rely on grand light shows for any of their performances. Instead, they rely on their persona, natural talent, genuine nature, and frenetic stage performance. Armed with a few air blowers on stage to keep the band cool, the band set out to delight fans new and old. As always, fans were delighted by The Lil Smokies’ signature performance attributes, Matt Reiger’s hair whisking in the wind, and the band’s animated performance. Andy Dunnigan has to be one of the most energetic bluegrass dobro players in existence as he walks an immeasurable number of steps during each performance and collaborates with each member of the band throughout the performance. We certainly cannot tell you how many times Dunnigan delighted the audience as he pushed his dobro up alongside the likes of Jake Simpson’s fiddle, Matt Reiger’s guitar, Scott Parker’s bass, and all the way to Matt Cornette’s banjo on the far side of the stage. It was thrilling to see each member of the Lil Smokies have small fantastical exchanges with one another.

The Lil Smokies and Andy Dunnigan boot stomping fun!

One could not help but notice the pure musical talent and intensity of the band that was produced this evening. For such a large venue, the performance had a fresh and intimate resonance with the audience as we could hear Dunnigan’s boots echo in the music hall as he kept to a steady beat. Midway through their performance, there was a very sincere moment when Jake Simpson spoke to the audience from the depths of the band’s heart. Simpson told the audience how very important Washington DC was to them and when they were given a chance to perform at this venue, they jumped at the opportunity. The band stomped through the evening’s performance until ending with a stellar rendition performance of “Sending Out An SOS.” by The Police. This classic song was such a head-turner that many people engaged in casual conversation paused their conversations just to take in this song before the lights dimmed. The band would return to the stage to perform a solitary song, “Tornillo,” the title track to their latest and third album. Given some hindsight and the times we are all living in, we definitely recommend giving Tornillo and the rest of the Lil Smokies catalog a listen, and what’s more, purchasing the album to help support this band.

Read Our Interview With The Lil Smokies

The Lil Smokies are, without a doubt, among the most sincere, hard-working, and genuine bunch of musicians running the circuit today, who connect with so many. We here in the DMV were looking forward to seeing them again at the Charm City Bluegrass Festival. It is disheartening to hear that the festival has been delayed and we will have to wait a little longer to see this band back in our neck of the woods. Rest assured, however, that we look forward to seeing them in the months and years ahead. We look forward to Simpson’s Fiddle, Reiger’s guitar and flowing hair, Cornette’s incredible banjo playing, Parker’s steady and methodical bass notes, and Dunnigan’s dobro playing, and perhaps more of that boot-stomping fun!

Everyone looks forward to capturing the magic and intensity of a Lil Smokies show in the future!

Everyone looks forward to capturing the magic and intensity of a Lil Smokies show in the future!

Everyone looks forward to capturing the magic and intensity of a Lil Smokies show in the future!

Everyone looks forward to capturing the magic and intensity of a Lil Smokies show in the future!


 
 

Sending Out An SOS

Sending Out An SOS

Sending Out 

An SOS


The Lil Smokies are a hard working and earnest band who are sending out an SOS to their fans. We at DC Music Review hope that if you have some ability to help this band you can.

A MESSAGE FROM THE LIL SMOKIES
Hey friends, just wanted to touch base and let y’all know that we’re all healthy, at home and quarantining with our loved ones. These are undoubtedly the strangest days we’ve ever met; a teeter totter of hopefulness, stress, fear and uncertainty. We’ll get through it though. Truly, we will.

Like many of you, our livelihoods have been wholly yanked out from under us. Nearly our entire income is predicated on playing live shows to crowds and festival gatherings. This, for the unforeseeable future, is now on hiatus. Because of this, we have decided to sell a few pieces of Smokies’ history and offer experiences that we hope will bring us all together. Among these items are my dobro and Matt Cornette’s banjo which have been with us for milestones including winning the Telluride Band Competition, recording our albums, and playing on stages we could have only dreamed of. We are also offering experiences like private online concerts with your favorite Smokie as well as music, cooking and fly tying lessons so we can share a bit of our world with you. Another option is to simply donate. Truly anything helps. We are forever grateful, we are thinking about you all and the miss is real.

Stay strong, stay home, wholly connected and not alone.

So much love,
Andy

Setlist

Setlist

Setlist


 
 

Click here to see the setlist for The Lil Smokies' performance at the 9:30 Club on March 6, 2020

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

Quarantine Videos

Qurantine Videos

Quarantine Videos


Associated Album

Associated Album

Associated Album


Listen

Listen

Listen


Additional Resources

Additional Resources

Additional

Resources


To learn more about The Lil Smokies you can find them here:

MOST IMPORTANTLY, please purchase a personal experience with one of the band members buy some of their gear or book a private concert by The Lil Smokies!

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Livestream Powered By DC Music Review
Livestream

WATCH LIVE: Women Making Music Online Release Party

Tonight we have some new music for you! Capital Groove Collective presents Women Making Music: Online Release Party. We will be premiering music videos for three new singles; "It's My Thing" by Stephanie Mathias, "Last Pity Party" by SOLIA, and "Be Brave" by Emma G.

We are running a livestream where the artists will answer questions, introduce their new singles, and play some acoustic performances, via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DC Music Review contributor Will Urquhart's Mixlr account.

Webcast Aid Virtual Concerts

Webcast Aid Virtual Concerts

Webcast Aid Virtual Concerts


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Capitol Groove Collective Presents Women Making Music
Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – March 30

Since the Capitol Groove Collection's Women Making Music live show for this week was cancelled, we are sharing it via livestream. Check out the extreme talents of three amazing women in the DC music scene: Solia / Emma G / Stephanie Mathias at 7:30P on Thursday night!

Week Of:  March 30 — April 5, 2020

Summary: Keep The Streams Flowing!

This edition of Concert Picks of the Week is, like last week, all about supporting musicians from a social distance and keeping yourself healthy during this difficult time. 

For all of those who have been tuning into ​DCMR's Webcast Aid and supporting local artists, THANK YOU!  

THIS WEEK WE GOT:

**UPDATE: As Maryland and Virginia are under stay-at-home orders, the status of these webcasts may change.** 

  • Solia / Emma G / Stephanie Mathias live on Thursday night at 7:30P! — In association with DC Music Review, and featuring classical-popstress Stephanie Mathias, who is releasing her third single “It’s My Thing”, alternative-pop Queen Solia, who is releasing her second single “Last Pity Party”, and goddess rocker Emma G, who is releasing her tenth single “Be Brave”; this event will have you raving for days about Women in DC music. 
  • CANCELLED:  DC3 Virtual Concert  live over ZOOM on Saturday at 9:00P!

The focus of these virtual concerts will be to replace previously scheduled live-audience shows and to lessen the impact on artists due to those cancellations. The "aid" we are providing is webcasting services free-of-charge to bands who had a show cancelled. We'll be calling on viewers to aid the bands by supporting them, and aid the community by contributing to non-profits selected by the artists. (Check out this great article by Washington Post's Rudi Greenberg about how local artists are finding creative ways to share their music.)

You will be able to find all upcoming and past streams here. If you are in a band who had a show cancelled and would like to replace it with a virtual concert, please contact us. We will do the best we can to arrange it. 

And can we all give a huge shout out to DCMR's Will Urquhart for his filming prowess and organization in getting these livestreams together, safely. Thank you, Will! 


For other livestreams happening outside of the DMV, check out:

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Help DC Venue Staff & Bands


 

Music is not only the lifeblood for so many people in this region, but also a means of income for the staff at the music halls around us.  Here is an incomplete and alphabetical list of establishments setting up relief funds for their employees. Please click on the links below to see more details and check the website of your favorite local venues to see how to best support them (new additions in BOLD).

If you own a local venue and are asking for support during these times and are not listed here, please let us know and we will add you!

If you are a MUSICIAN, check out (new additions in BOLD):

If you know of other resources for musicians that are not listed here, please let us know and we will add them!

Additional Links & Resources


Lastly we wanted to leave you with some additional resources to help you day go by better.

  • Reasons to Be Cheerful — David Byrne's delightful platform of good things
  • Good News Network —  Good news and inspiring stories
  • John Krasinski's Some Good News — Especially good if you need a fix from The Office
  • Headspace Weathering The Storm  — Free section on this wonderful app for meditation and mindfulness during these difficult times

    Note: We have no affiliate codes or revenue generating mechanisms with any of the resources listed above beyond our own, we just are big fans and want to make these known to our music community.

AND FINALLY:

Remember, as much as we love seeing live music and the music community, THIS IS NOT A SNOW DAY.  Social distancing (6 feet between you and someone else) is important in helping to FLATTEN THE CURVE, which is important in allowing our health care system to take care of everyone who needs medical care.
From the Centers of Disease Control and Prevention (CDC):

  • Wash your hands often with soap and water for at least 20 seconds especially after you have been in a public place, or after blowing your nose, coughing, or sneezing.
  • If soap and water are not readily available, use a hand sanitizer that contains at least 60% alcohol. Cover all surfaces of your hands and rub them together until they feel dry.
  • Avoid touching your eyes, nose, and mouth with unwashed hands.
  • Avoid close contact with people who are sick.
  • Put distance between yourself and other people if COVID-19 is spreading in your community. This is especially important for people who are at higher risk of getting very sick.
  • Stay home if you are sick, except to get medical care. Learn what to do if you are sick.
  • Cover your mouth and nose with a tissue when you cough or sneeze or use the inside of your elbow.
  • Throw used tissues in the trash.
  • Immediately wash your hands with soap and water for at least 20 seconds. If soap and water are not readily available, clean your hands with a hand sanitizer that contains at least 60% alcohol.
  • Clean AND disinfect frequently touched surfaces daily. This includes tables, doorknobs, light switches, countertops, handles, desks, phones, keyboards, toilets, faucets, and sinks. (Tips on how to make your own disinfectant from bleach, alcohol solutions, and other items located here.)


    IF YOU THINK YOU ARE SICK, call a doctor. If you are NOT in a high-risk category (elderly, those with specific underlying medical conditions), you may be asked to stay home, isolate, and take measures to prevent the virus from spreading. PLEASE VISIT THIS SITE if you think you are sick with COVID-19 (primary symptoms are fever, cough, shortness of breath.)

And with everything going on, let's be as kind and considerate as we can be to each other. If we can't get physically close, we can still be emotionally connected through music. 

Webcast Aid



Related Articles


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Livestream

WATCH LIVE: Gordon Sterling and the People Virtual Concert at Crescendo Studios

We are back with another Webcast Aid virtual concert! Tonight, Gordon Sterling and the People are performing for you from Crescendo Studios in Falls Church, VA. They were originally scheduled to do an EP release party with Knovo tonight at the Pie Shop, but due to the COVID-19 pandemic had to reschedule that and will be holding off on releasing the EP until they can do a show with an in-person audience. Please consider donating to the band's tip jar via venmo: @Gordon-Sterling as a thank you for this show.

We will be on scene to provide a livestream via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DC Music Review contributor Will Urquhart's Mixlr account.

This virtual concert is scheduled to start at 9:00 pm.

Webcast Aid Virtual Concerts

Webcast Aid Virtual Concerts

Webcast Aid Virtual Concerts


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Pearl Jam Gigaton
Album Review

Album Review: Pearl Jam – Gigaton

It has been seven years since the world has heard an official studio album from Pearl Jam, and a lot has changed since then.  Their previous two albums (Lightning Bolt, released in 2013, and Backspacer, released in 2009) came in the years of the Obama presidency. For a band that has made no bones about their progressive political stance, that period felt more like a time of optimism and hope, and a solid argument could be made that this sense was reflected in the band’s output at the time.

Yet here we are, over three years into the current administration that at times feels like its modus operandi is to undo anything and everything that was accomplished from 2009 to 2017.  It has also been the longest gap in studio productivity from the band, leaving speculation to build for an unprecedented amount of time as to what exactly this next release would bring. 

It never seemed to be a question of if it would be angry and reactionary, only to what degree.  After all, it doesn’t feel all that long ago that front man Eddie Vedder hit the stage with the head of then-current POTUS George W. Bush’s head on a stake only to give it a beating in front of a crowd that had, at best, a mixed reaction.

Surprisingly, the twelve tracks on Gigaton seem to reflect hope in the face of adversity.  For sure, there is an underlying anger even from the opening track, but Vedder’s main refrain shows he has chosen not to dwell on it, with him declaring, “Whoever said it’s all been said…gave up on satisfaction,” later adding, “But I won’t give up…No I won’t give up on satisfaction.”  These lyrics weave into the typically esoteric poetry Vedder is known for (generally more emotive than didactic) and tie into an overall theme of working past the negativity.

But make no mistake, the anger towards the political landscape boils to the top at times with explicit references to our current commander-in-chief.  In “Quick Escape,” Vedder describes “the lengths we had to go to then to find a place Trump hadn’t fucked up yet,” and the lyrics of “Seven O’Clock” contrasts the wrongs committed against Native Americans like Sitting Bull and Crazy Horse to “Sitting Bullshit as our sitting President.”  The vitriol is still apparent but does not take center stage.

Musically speaking, there is not a lot here the band hasn’t done before (and they do it well), but there are a few left turns.  The first single, “Dance of the Clairvoyants,” a seemingly drum machine-driven song that comes as close to a dance song as the band has ever done (albeit, well-executed and with a sound and delivery that is unmistakably of the band), left a lot of people scratching their heads and wondering what exactly the rest of the album had in store.

What was in store was a satisfying, albeit front-loaded rock and roll album.  “Who Ever Said” and “Superblood Wolfmoon,” with guitar-driven sounds that include face-melting solos, chart familiar territory in the best way possible, and are sure to be instant classics. The band wears their punk rock influences on their sleeve (I would go so far as to draw similarities between guitarists Mike McCready’s and Stone Gossard’s guitar work combined with Vedder’s rapid-fire vocal delivery to some of the more mid-tempo tracks offered by Bad Religion; the comparison is not explicit, but it is definitely there upon closer listen). Yet they distill these influences through the filter that is so unique to what Pearl Jam does that none of it sounds derivative.

The aforementioned “Dance of the Clairvoyants” keeps the energy high while effectively executing the album’s first real sonic experimentation, before heading into the bass-driven song “Quick Escape."  Bassist Jeff Ament has his first few moments of center stage glory with this song, driving it forward with a powerful bass line that locks in with Matt Cameron’s solid and study drum beat.  The high watermark of the track is when Ament interweaves his bass line with the song’s final guitar solo that creates a satisfying build up and release to close the track.

This leads into the down tempo track “Alright,” which feels more like an interlude, with background keys and very simple song structure.  “Seven O’Clock” adds a degree of complexity to its structure but keeps the pace slow, until the band returns to the upbeat guitar prominence of the two opening tracks in “Never Destination” and “Take the Long Way,” both of which are adequate Pearl Jam songs, but not particularly special.

The band takes another experimental turn with “Buckle Up,” a song that feels like a sea shanty played in 4/4 time, almost as if they decided to speed up the main guitar riff of Ween’s 1997 track “The Mollusk.”  While sonically interesting, the song ultimately feels like another interlude, providing a moment of reprieve between the main events.

For better or worse, the final three tracks allow the high energy of the rest of the album to peter out.  “Comes Than Goes,” a song about the ephemeral nature of human relationships, leads into “Retrograde,” which comes off as the song most explicitly concerned with environmental issues (on an album with marketing that greatly emphasized this angle).  Finally, “River Cross” closes out the album, focusing primarily on Vedder’s lyrics over sleepy instrumentation.  Vedder sings, “Share the light, won’t hold us down,” and closes on a pensive yet hopeful note.

Ultimately, it is fair to say that the album meets fan expectations of a reactionary set of songs that are apropos to the times, but the band chooses not to wallow in their frustration.  They acknowledge the negativity that is felt by so many people these days but push through a message of hope. And frankly, God, Allah, Vishnu, or whatever deity you choose, knows we need that these days.

Gigaton is essential listening for 2020, and everyone should give it at least one spin.  And as you listen, remember that as dark as these times may seem, you absolutely should not give up on satisfaction.

Pearl Jam

Gigaton

Released: March 27, 2020

Track Listing:

1. Who Ever Said

2. Superblood Wolfmoon

3. Dance of the Clairvoyants

4. Quick Escape

5. Alright

6. Seven O'Clock

7. Never Destination

8. Take the Long Way

9. Buckle Up

10. Comes Then Goes

11. Retrograde

12. River Cross

Listen

Listen

Listen


​

Videos

Videos

Videos


The following videos are provides courtesy of Pearl Jam's YouTube Channel.

Additional Resources

Additional Resources

Additional

Resources


To learn more about Pearl Jam, please see the following web resources:

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Livestream

WATCH LIVE! The Quaran-Stream: A “Distantly Social” Event

Tune in from 3:00 pm until 11:00 pm for a virtual festival with bands coming at you remotely from various locations.

We will be on scene to provide a livestream via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DC Music Review contributor Will Urquhart's Mixlr account.

Updated Schedule*
* Tom Mackell- 3:00PM - 3:30PM - Charleston
* Easy Honey - 3:30PM - 4:00PM- - Charleston
* Harpooner - 4:00PM - 4:30PM - Nashville
* Sam Burchfield - 5:00PM - 5:30PM - Atlanta
* Daniel Allen (of The Vegabonds) - 5:30PM - 6:00PM- Nashville
* Schema - 6:00PM - 6:30PM - Charleston
* Little Bird - 6:30PM - 7:15PM - Charleston
* Stoop Kids - 7:15PM - 8:00PM - Nashville
* Little Stranger - 8:00PM - 8:30PM - Charleston
* Desert Noises - 8:30PM - 9:15PM - Nashville
* Mo Lowda & the Humble -9:15PM - 10:00PM Philly
* Kendall Street Company- 10:00PM & Beyond! - Charlottesville

Webcast Aid Virtual Concerts

Webcast Aid Virtual Concerts

Webcast Aid Virtual Concerts


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Album Review

Album Review: Acid Tongue – Bullies

On their sophomore album Bullies, the Seattle-based rock band Acid Tongue present nine lean and well-honed pop rock songs clocking in at just over half an hour, but the duo covers a lot of ground in these 30 minutes.

The album opener, “Follow the Witch” serves as a statement of intent, with guitarist/singer/songwriter Guy Keltner’s psychedelic-influenced guitars and soulful vocal delivery pushing the song forward over drummer/vocalist Ian Cunningham’s backing vocals and beats that hold everything together.

Despite officially being a two-piece, the band does not let this (seeming) limitation impact their studio work.  While the primary instrumentation on the album is guitar, bass, and vocals (already one instrument more than members to play them).  It doesn’t take long for piano and keyboards to show up and play a prominent role on songs like “Bullies,” “Forty Years,” and “Jenny Lewis” (a song which also seems to serve as a nod to the Rilo Kiley frontwoman, whose second solo album shares the same name as the band).  Even string arrangements appear on “Bullies” and “Liars,” adding a degree of compositional complexity to otherwise straightforward and simple pop rock songs.  When playing live, the band typically expands their lineup to capture and convey these instrumental layers.

While most of the songs are typically at a mid-tempo, the band does pick up the pace for the rocker “Walk Don’t Run,” a song that also shows off Keltner’s lead guitar capabilities.  This track stands in stark contrast to others like the doo-wop thump of “Sometimes” or the album’s dreamy closer “Am I (The Only One).”

Thematically, the bands lyrics will not be inspiring any master’s theses, but they do speak in a relatable way to the difficulties human interaction and relationships can present (as alluded to by the album’s title).  This includes themes of unrequited love, social ostracization, growing older, and rebelliousness in reaction to these feelings.

For anyone who enjoys guitar-driven pop rock, as well the poppy-er aspects of the Black Keys (with a less obvious blues rock influence) and the 2000s era indie feel of early entries in Kings of Leon discography, this album is absolutely worth your time, especially in a world becoming more dominated by electronic music where the “pop” and “rock” genres see less and less overlap.

Bullies was released on March 13, 2020 on the band’s on label, Freakout Records.

Acid Tongue

Bullies

Released: 2020

Track Listing:

1. Follow the Witch

2. Candy

3. Bullies

4. Jenny Lewis

5. Liars

6. Walk Don't Run

7. Track Name

8. Sometimes

9. Am I (The Only One)

 

Listen

Listen

Listen


Additional Resources

Additional Resources

Additional

Resources


To learn more about Acid Tongue, please see the following web resources:

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