Rubblebucket Performs at U Street
Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – December 23

Featured above is a DCMR favorite, the dreamy art-pop band Rubblebucket who will be joined by Guerilla Toss and Super City at Baltimore Soundstage on Sunday night. Photo by Jason Herman. 

Week Of:  December 23 - 29, 2019

Summary: End of Decade Vibes 

Well, DMV, it's a big holiday week and nearing the end of the decade so why not spend some time appreciating some  incredible opportunities for live music happening in the DMV this week! Check out the links below with personal choices in bold, along with a list of the DCMR staff picks and special "gems" that you don't want to miss! 

And...

...this is a bit of a quieter week, naturally, because of the holidays. And while this can be a joyous time for some, it can be a hard time for others. Music can be a salve when the expectations of holiday season starts to feels challenging. But sometimes it isn't enough. 

We at DCMR want to share the following resources for anyone who may be feeling depressed or suicidal, this time or year, or anytime:

  • The Crisis Text Line: If you text 741741, a crisis worker will text you back immediately and continue to text with you. It's a FREE 24/7 service to ANYONE who lives in the U.S.  Every texter is connected with a Crisis Counselor, a real-life human being trained to bring texters from a hot moment to a cool calm through active listening and collaborative problem solving. All of Crisis Text Line's Crisis Counselors are volunteers, donating their time to helping people in crisis. Read more here.
  • Suicide Prevention Lifeline: The National Suicide Prevention Lifeline is a national network of local crisis centers that provides FREE and confidential emotional support to people in suicidal crisis or emotional distress 24 hours a day, 7 days a week.  Call 1-800-273-8255. 

Please take care of yourselves and each other this week as we start looking toward the new year. 

All our love, the DCMR Team


Mon — December 23

DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Tue — December 24

DCMR Staff Picks
Jams, Mics & Such
Wed — December 25

DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Thu — December 26

 
 
 
DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Fri — December 27

DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Sat — December 28

 
 
 
 
 
 
DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Sun — December 29

 
 
 
 
 
DCMR Staff Picks
Jams, Mics & Such
 
Sparkling Gems

Related Articles


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Livestream Powered By DC Music Review
Livestream

WATCH LIVE: Covered with Jam and the Last Rewind at Gypsy Sally’s

Tune in tonight for a webcast of Covered with Jam and The Last Rewind (DC's Phish Tribute) at Gypsy Sally's! You can watch via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DC Music Review contributor Will Urquhart's Mixlr account.

The Last Rewind is up first at 9:00 pm and Covered with Jam will go on around 10:45 pm.

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Lightmare (Photo Credit: Mike Kim)
Made in The DMV

Catching up with DC Soulpunk Band: Lightmare

As part of DC Music Review's "Made in the DMV" series, we like to highlight bands that were cultivated right here in our community. One band that has continuously caught my eye over the past couple of years is Lightmare, a "six-person soulpunk arrangement making songs about love, death, and revolution, in any order and definitely overlapping." 

Some of the members of Lightmare first met as part of DC's Hat Band, named so because participant names are picked out of a virtual "hat" and then randomly paired with other musicians with varying skill level. Lightmare had serendipity on their side, and turned it into something dynamic, kinetic, and necessary on the scene.

Their sound has been described as "smooth and sharp, warm and galvanizing, punchy, political and personal." To me, their songs feels like whimsy and pop-punk and authenticity so perfectly mixed that when it's blending in your ears, you can't help but grab a ladle and sing along. They are a testament to what the right ingredients, chemistry, and vibe can do.

 Lightmare is thrilled to be playing a show on Friday night at Black Cat with two other jaw-droppingly original DC bands: the genre-bending pop surf punk band Born Dad, and the hypnotic indie pop band, Lotion Princess. 

 I had a chance to connect with Lightmare ahead of this big show to find out more about what makes them tick.



Nina Goodman: Hi Lightmare folx, thank you so much for connecting with me! So you all are a dynamic, funky bunch in concert and after I saw you, I couldn't wait to talk to you and hear your story. First off, tell me about the members of your band. 

​Lightmare: We are so happy to talk with you and thank you for reaching out! So, we have six people in the band: 

  • Featuring Shady (they/them) on lead vocals
  • Vitamin Dee (she/her) on keys and backing vocals
  • Matty K (he/him) on sax
  • Beck (he/him) on guitar
  • Yousef (he/him) on drums, and
  • Frankie (x/x) on bass. 


NG: And where is everyone from? Any DC natives? 

Shady: I was born and raised right here in Washington, DC!

Dee: Houston, but I’ve been in DC for 12 years and have no intention of leaving. Still, anyone know where I can buy some good fresh flour tortillas?

Frankie: I’m originally from Lodi, NJ.

Matty: Richmond, VA. I think I love it even more than Dee loves Houston, which is a preeeeee-ty high bar.  RVA ALL DAY (laughs)!

Beck: Scranton, PA, like the Office (more laughs).

Yousef: Northern Virginia.


NG: So lots of DMV represented. And I'll get back to you on the flour tortillas. So how did your beautifully motley crew meet? 

​Shady: The original arrangement of the band met as a Hat Band in the yearly showcase fundraiser for Girls Rock! DC. Others joined on at different times later, connected through awesome friendships and the extended DC music family.

Lightmare
Lightmare


NG: How cool! One of my bands also formed from Hat Band. That's one of the great things about the DC music scene, there are a lot of opportunities to meet musicians through jazz and open jams and things like the Hat Band and 7DrumCity's Flashband.

​​So question for each of you, at what point in your life did you start playing or really getting into music? ​

Shady: I always had music around me growing up. Learned to sing and play these West African drums as part of the beautiful and invigorating traditional festivals of my culture. I was classically trained as a singer starting in elementary school and carried that on to learn many styles and uses for the voice. I always look for new things to learn and challenge myself.

Dee:  I was in piano lessons as soon as I could read. Whether I practiced and took them seriously, on the other hand… (smile).  My mom got me into a bunch of classical music that very much informs my writing. My dad was also a radio DJ back in the day. Listening to a variety of music and going to shows was a huge part of my upbringing.

Matty: I started playing the sax at about eleven when I was in middle school. It seemed more appealing to me than language classes, extra gym class or the other electives. It was one of the best decisions I have made in life. Music and the arts are so enriching and compliment all facets of personal development.

Beck: Music has always been a huge part of my life and I don’t know what I would do without it.  My grandmother loved singing and sang in the church choir for her entire life. She had a large part in arranging and managing the choir of the church I grew up attending. My dad performed in local bands throughout the 70's as a guitarist and vocalist and still plays guitar often.

I played drums from 4th to 7th grade, then tried to pick up the guitar and quit out of frustration. I spent a lot of time in high school with friends who were musicians but didn’t actually pick up guitar again until I was nineteen when a college roommate thankfully showed me a few things on his guitar, and I’ve been learning ever since.

Yousef: My first instrument were the Indian Tabla hand drums. My love for percussion and music progressed from there.


NG: That explains so much about why your sound so unique. You come from a myriad of backgrounds and experiences and bring it all together with such joy and connection.  So how long you’ve been playing in the DC scene? 

Shady: With Lightmare? For two and a half years at this point. Here and there with one-off projects and performances for several years, especially with my theater and performing arts company, CodAko Entertainment.

Dee: I’ve done a couple of short-term bands here and here, starting with Girls Rock! DC’s We Rock! Camp in 2014, but Lightmare is my first serious, long-term project.

Matty: Lightmare was my first band in DC. I played in bands when I was younger in Richmond and performing again was a goal of mine when I was staring down turning 30. Everyone should play music and join a band.

Shady (to Matty): Agreed!

NG: I triple that!

Beck: I used to go to jazz and swing jams at the now-closed Argonaut on H Street with my uncle when I moved here in 2015. Those were some of the most humbling and formative musical years for me, as I had the huge privilege of being able to sit in for a few tunes and share the stage with some seriously talented local musicians in an informal and low pressure environment. It was a very inspiring experience which drove me to take myself seriously and gave me the confidence to play — and mess up — in front of an audience. This led to wanting to develop original music and joining Lightmare, my first band.


NG: I love how for some of you, this is your first band experience after years of having music in your life. What a gift, especially to join something with as much personality and love as chemistry as this group.

I think your sound is so easy to love and access, but in no way simple. You draw on a lot of styles and grooves which makes sense now given your diverse backgrounds.

How do you think would your best friends describe your band and your music style?

Shady: That’s a tough one, haha! Some friends here and there have said we “invented a genre” or that “it doesn’t matter, we sound good,” which feels nice. My favorite response was someone who said we were “serious, dramatic, sexy, righteous, and silly all wrapped together.”

NG: So good.

Dee: In addition to Shady’s comments, I like, “party in a box.” Our official line is “soulpunk” for now, but I’ll also use “genre-bending” and “punk-adjacent.” A stranger once told me that we sound 70's “in the best way” which is also pretty rad.


NG: I love all of those things. And agree, you do have a sound that draws on a funkiness of the 70's but also feels really current.  Do you have any albums coming out or cool shows coming up? 

Shady: We’re playing the main stage at the  Black Cat on Friday, December 20th! It’s going to be a super awesome party with some really cool bands, Born Dad and  Lotion Princess.  We’re also starting preparation to record our sophomore EP in February — you’re the first to hear about it!

NG: That is awesome, congrats! 

Beck: We are really excited to get back in the studio. I think this next batch of songs follows our first album nicely and is a natural progression of our sound, which we are constantly exploring, shaping, and discovering.

Lightmare
Lightmare


NG: I can't wait to hear your new EP! And personally, think you all should go for a full length, I think you have something special going on here. I know songwriting and rehearsals and recording takes time and commitment. Talk to me about how you all ​balance your music with other life obligations.

Dee: None of us are full-time musicians YET (smile) so it’s a struggle to get all of our schedules aligned, obligations met, and spend as much time together as we’d like. Some of us are in the service industry, some work desk jobs. For all of us, though, Lightmare is a key part of our lives and schedules. It’s non-negotiable for those of us in the band. That isn’t true for everyone, always — we’ve had a little bit of lineup turnover because the focus band business and practice require can be a lot to deal with. But playing together is a highlight for us. For me, playing in the band is basic self-care. The fact that other people seem to like us too is a happy side effect.

Matty: I actually work in HVAC. It’s interesting because in Richmond, working a trade job or something like that was pretty typical. In DC, the first question is always, “so what do you do.” It’s fun in ways to exist in this city and not be involved with politics, lobbying, advocacy, and the like. My wife is super involved in those sorts of things and between both of our work and the band my life has sort of balanced itself in what I would say is perfect at this point in my life. More money would obviously be welcomed but I feel fulfilled mostly.

Beck: I strongly agree with Dee about playing in the band being basic self-care. I really feel that way about music and general and can’t go more than a few days — or more often a few hours — without playing my instrument or singing. It’s been exceedingly difficult to do this while holding down a day job in IT contracting. I’m lucky enough to be able to leave my day job at the end of the year for some time off to reset and refocus more intently on my musical development and figure out a way to generate income that is less of a drag on my creative, moral, and emotional life.


NG: And you all found time to make a video for your song GOOD NIGHT WHITE PRIDE. Tell me more about that.  

Beck: We filmed the video at The Emergence Community Arts Collective near Howard (University). Their mission is to empower the human spirit through social activities, traditional arts classes, support groups and educational seminars — and it was really nice to be able to find a space for the shoot that shared our values. The concept was dreamed up by our wonderfully talented Vitamin Dee, directed by Shady, and choreographed and filmed by some very good friends of the band that we have worked with before.

Dee: Through the Lab, we snowballed it into this vision of radical unity in diversity against oppression and injustice, featuring people from many of the marginalized groups that are targets of those violent oppressive forces. 

NG: It's a really powerful song, felt like a call to action.  

LM:  What surprised us was how energetic, galvanizing, cathartic, empowering it was to spend that time with a diverse group of artists and activists, old and new friends who came out just to help us express this idea. To say "no" to fascism, racism, bigotry in this particular way with us. In the end, the filming wasn't just work, it was an exultant expression of community. We all left sore and smiling.   


NG: Speaking of community, I want to hear about artists who you are listening to here in the DMV, and also your biggest musical influences in general? Let's start with musical influences.

Dee: Between the six of us? Can we just list everyone, ever, always? OH! We started a Spotify playlist to cover this. I had trouble editing mine down, so that’s why 50% of the songs were added by me (laughs).

NG: I know, it can be such a hard question to answer, but if this prompted you to create a playlist, then something is going right. I can't wait to check it!  (Which, post interview, I did, and it's fabulous! Any mix that has Darwin Deez it is a winner.)

Matty: For me, Heavy Metal like Lamb of God, Ska, Pop Punk, and Jimmy Buffett.

Beck: By far the biggest influence on me musically is Phish, who not only made me want to play the guitar, but opened me up to the spirit of improvisation, the community building power of music, and the importance of having of a DIY-as-much-as-possible attitude while putting your art into the world. They introduced me to new genres and I spent a lot of my early guitar days learning all their songs and going to all their shows — which I still do. Outside of that, I'd say jazz, funk, soul, and blues are all huge influences on me these days, both contemporary stuff and the classics. My most recent obsession has been with Steely Dan, who I think had a really amazing way of combining complex jazz harmony and technical virtuosity with pop songwriting to make great music that resonated with a whole lot of people.


NG: Ooooh, Steely Dan is so good. And tons of our readers would agree with you on Phish. And now I need to go deep dive into Lamb of God. 

Okay, now let's talk DC. Who are some local artists that excite you? ​

Lightmare
Lightmare

Shady: Most of my favorite musicians overall are DC musicians, truly. I really love Black Folks Don’t Swim?, Park Snakes, Clear Channel, Replicant Eyes, Bacchae, The CooLots, Black Alley and so so many more.

Dee: Yeah, the sheer breadth and density of musical talent in this city is unreal! In addition to everyone Shady mentioned, I dig Mock Identity and Flasher and The OSYX and BRNDA and Erotic Thrillers and Time is Fire and Literals and and and and….

Matty: Bad Moves, Kill Lincoln, Huda Asfour, Born Dad. There’s a lot of great music in this city, too many to list really.

Beck: Yes, Black Folks Don’t Swim?, also Aztec Sun, The OSYX, and Strangers that Clique are my current local faves.

NG: Yes to ALL of those! And I cover a lot of the DC scene and one of those names is new to me — but I won't tell you which one! —but I will be checking them out. And will be checking YOU out at the Black Cat on December 20!

Thank you SO much for taking the time to connect with me, it's been such a pleasure to get to know you all better.

Lightmare: Thank you so much, this has been a lot of fun and we appreciate what you do for the scene!

NG: You got it!


More info about Lightmare below:

Lightmare (Photo Credit: Les Tulusan)

Lightmare (Photo Credit: Les Tulusan)

Associated Album

Associated Album

Associated Album


Additional Resources

Additional Resources

Additional

Resources


To learn more about Lightmare, please see the following web resources:

Performance Details

Performance Details

Performance

Details


Friday, December 20, 2019

Door: 8:00 PM

Show: 8:30 PM

ALL AGES


Black Cat

1811 14th St. NW

Washington, DC 20009

View Map


$15 - In Advance

$15 - Day of Performance

BUY TICKETS NOW


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Concert Reviews

Tyler Childers Turning Them Songs into 2x4s at The Anthem

Selling out months prior, the highly anticipated appearance of Kentucky gentleman Tyler Childers finally came through town Friday the 13th at The Anthem.  Charming from start to finish, Childers jumped onstage and right into the music after audience members got a special, unexpected treat for an opener. Having come down with the flu, the opener had to cancel and ticket holders, instead got to hear another talent that rides the Country Squire bus as the tour manager – Kyle Crownover – was the chosen replacement.

Kyle Crownover

After a short break and time enough for the venue to become filled with a strongly male dominated audience and plaid shirts as far as the eye could see, Tyler was ready to take the stage and emerged into the light.  No introduction or greeting was ​given nor needed and attendees were treated to the first run of songs in order as they appear on his latest hit album.  

Songs about country living, southern loving and drinking and drugging were well received and known ​by the crowd in the audience that night, and as Childers played "Whitehouse Road," the lyrics to the chorus were shouted out by almost all, smiling the entire time.  

Tyler Childers

Finally taking time to pause and talk to the audience in front of an electric backdrop of a camper and cute, three-eyed  farm animal, he used his southern charm to introduce members of the band that supported him, making the show one that was not to be missed.  What seemed to be straight off of a dating profile, Tyler introduced his slide guitar player by telling potential partners he enjoys long walks on the beach, is from Huntingtown, WV and loves puppy dogs.  Using it as a segue into an older song from the young talent "Take My Hounds to Heaven", the band continued to engage the audience and keep boots stompin.  

The ability of Childers to go from talking about moonshine and cocaine to declaring his love for his lovely "Lady May" without missing a beat, is something that is extremely rare and admirable.  Equally impressive is the change in performance style and overall mood, going from being supported by a full band to singing solo in the spotlight all by himself. After clearing the stage for "Nose to the Grindstone" Tyler took songs to another level with his charm and musical abilities.

Equal parts party in the holler and courting the love of your life, the lyrics in Childers catalog run the gammet and are all ​easily repeatable over and over, never wearing out their welcome on the speakers.  The crowd swayed to the beat of "Honky Tonk Flame" in unison singing along with as much enthusiasm as they did when hemmin and hollering about how, "You can set my house on fire, turn it into sin and smoke!"

​Having seen the twenty-nine year old over the years at festivals such as Devil's Backbone Hoopla and Delfest, and becoming a bigger fan with every performance, it was exciting to see him as not only a headliner, but also a sell out at one of the areas biggest and best music venues.  "Seems like there might be a few more folks here than there were the last time we played in DC at the Songbyrd," noted Childers when addressing the crowd about how excited he was to be back.  ​

Thankfully for those who missed out or were unaware of the talent that Tyler Childers possess, there will be another chance to see him alongside another great talent when he returns with Sturgill Simpson for a two-night run in March as the "Good Lookin Tour" makes its way across the country.

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Josh Brick  of Josh Brick Graphics.

 

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Livestream

WATCH! Gordon Sterling Presents: The Final Gypsy Sally’s Jam

Tonight will be one of the most bittersweet moments in the run-up to Gypsy Sally's closing as Gordon Sterling brings us his final Gypsy Sally's Jam. We will be on scene to provide a livestream via the DC Music Review facebook page. You can also find the stream on the DC Music Review YouTube page and  on the DCMR twitter via periscope. Those of you that would prefer an audio-only stream can find that on DC Music Review contributor Will Urquhart's Mixlr account.

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Concert News

Nancy Langhorne Foundation is Putting the Fun in Fundraising

The holidays are a time for giving and the Nancy Langhorne Foundation is providing everyone with a chance to support cancer research while thoroughly enjoying themselves with great suds and music. Once again, the award-winning O’Connor Brewing in Norfolk, VA, will be hosting the third annual Xmas Eve Eve benefit concert. Music will begin with Norfolk locals Grateful Jed celebrating the music of (you guessed it!) The Grateful Dead with guest vocalist Samantha Reed who frequents the stage with No BS! Brass Band and Keller Williams Grateful Gospel. Richmond’s own DJ Williams Projekt will be headlining the night and filling the air with their soulful, jazzy funk which will be kicked up a notch with Baltimore blues shredder Cris Jacobs as a special guest.

A stellar lineup like this is enough to fill up most any venue, but the folks at the Nancy Langhorne Foundation have wrangled up quite a few pieces of music memorabilia and other prizes that will be getting raffled off at the event to give back to those who have helped their cause. There will be signed items including a Flaming Lips album signed by Wayne Coyne, Karl Denson’s Tiny Universe album, a framed Billy Strings print signed by the whole band (with a bonus signature of soundman Andy Lytle), a signed copy of Todd Rudgren’s new book, and more!

There will be live shirt printing by Hotbox RVA, so you can get your choice of color and print style custom made. Food trucks that will be serving up delicious eats will be Yolees’ G-Dawgs & Catering Co. and The Bumbling Bee Vegan Junk Food. The official after party will be hosted by Cogan’s Pizza, a long time Ghent staple for delicious slices of pie and 33 draft beers.

The past two year’s events have raised over $20,000 for cancer research which has been donated to Eastern Virginia Medical School, the Medical College of Virginia in Richmond, and the Sloan Kettering Center in New York. Over 400 people joined the party last year, so it’s expected that the house will be just as packed this year. This is a 21+ event, so find a sitter for the kids. Tickets bought online include a free raffle ticket and there’s discounts on bulk ticket buys for friends and family. Doors open at 6:30 and music starts at 7:00 sharp. There’s no better way to rock in the holidays than this fun event!

Performance Details

Performance Details

Performance

Details


DJ Williams Projekt w.s.g. Cris Jacobs and Grateful Jed w.s.g. Samantha Reed 


December 23, 2019


Christmas Eve Eve Benefit Concert

O'Connor Brewing Co.

211 W. 24th St.

Norfolk, VA 23517

(Google Maps Link)

Single & Group Tickets Available

$20-$85

​See Ticket Page For Prices


Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Sean Chagnon of Eye of The Storm Photography.

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Feature

A Drop in the Buckets: The Story of the Gypsy Sally’s Jam [VIDEO PREMIERE]

The bittersweet moments continue to roll in at Gypsy Sally's in the run-up to its closing, and this week we are saying goodbye to Gordon Sterling Presents: The Gypsysally's Jam on Tuesday night. For just over two years now, Gypsy Sally's has been host to this unique open jam. We recently sat down with Gordon Sterling, Neel Singh, Natalie Brooke, Sandi Redman, and Todd Lapham to talk about what this jam has meant to them, and what this venue has meant to the jam.

Tonight at 8:00 pm, you can tune in to a video premiere on our Facebook page to watch a special program we've put together called A Drop in the Buckets: The Story of the Gypsy Sally's Jam. This video is just a small segment of a larger project we are working on documenting the Gypsy Sally's years. After the Facebook premiere it will be available in 4k on our YouTube channel.

The last jam, on Tuesday, December 17, will be a special one and we hope to see a lot of our readers there! It will also serve as a holiday coat drive to help the needy, so please bring what you can contribute. As usual we will be streaming that Gypsy Sally's Jam live, so if you cannot join us in analog at Gypsy Sally's tomorrow, please join us digitally on the webcast.

The video premiere will go live at 8:00 pm Eastern.

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Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – December 16

Week Of:  December 16 - 22, 2019

Summary: Winter Togetherness

Lots of great shows this week, lots of seasonal cheer, and some epics jams happening this week including our featured photo of  Gordon Sterling Presents: The FINAL Gypsy Sally's Jam, which if you haven't been, is an amazing way to experience what's happening in the DC jam community.

That, and SO MUCH MORE happening this week!

So get out there and check out our kinetic scene— LOTS of fresh shows are listed in the links below, with personal choices in bold, along with a list of the DCMR staff top picks and cool "gems" that you don't want to miss.  


Mon — December 16

 
DCMR Staff Picks
Jams, Mics & Such
Tue — December 17

 
DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Wed — December 18

 
DCMR Staff Picks
Jams, Mics & Such
Thu — December 19

 
DCMR Staff Picks
Jams, Mics & Such
Fri — December 20

 
 
 
DCMR Staff Picks


Jams, Mics & Such
Sparkling Gems
Sat — December 21

 
 
 
DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Sun — December 22

 
DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems

Related Articles


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Pigeons Playing Ping Pong
Concert Reviews

Pigeons Playing Ping Pong Roost At The Anthem With The Largest Indoor Flock Gathering

If you have yet to experience the high-energy performance that is Pigeons Playing Ping Pong, you are seriously missing out. What a flocking weekend for the Baltimore-based group, who has been gaining fame and followers by the thousands after years of performing at festivals across the country and even hosting their own every year in May. With a two-night run in DC this past weekend – something that not many bands can pull off – the fellas ripped through a killer show Friday at 9:30 Club and proceeded on to their biggest show to date at The Anthem on Saturday.  

Here Come The Mummies

Joining them was a great addition known as Here Come The Mummies, a band that always leaves fans wondering about their true identities. Dressing the part, covered in bandages and making it impossible to see their faces, it's been rumored  that they are all musicians signed on labels and have contracts that would make it impossible to perform together otherwise. Regardless of their identities, Greg Ormont, lead singer of Pigeons resurrected them about a half dozen times from 'The Crypt' back to the stage where they were able to take the show a level even higher, which was no easy task!  On one return in particular, the collaborating artists played a version of "Signed, Sealed, Delivered" by Stevie Wonder that delighted the crowd and a saxophone battle that came to fruition took it even higher.  

Combining the high energy of the foursome that leads the flock, with the amazing crowd that seems die hard for them and a glow show that showed elements fans hadn't seen before, made for a phenomenal time Saturday night.  If there is a chance for getting to see this band play live, do not pass it up!  The amount of fun that is clearly taking place onstage, is contagious like an instant jolt of electricity straight to your feet commanding you to move to the beat.

Beautiful light design by Manny Newman

Throughout the set, the band commanded the stage and their loyal followers reciprocated the excitement song after song.  The fancy footwork behind the guitar that Ormont displayed was entertaining to say the least and inspiring to say the most.  Each and every man on stage had the energy of a child that never seemed to cease and playing through their catalog it gained more and more strength as well.  Playing old favorites like "F.U." as well as treating fans to new music from an album coming very soon, the bands interactions with the audience was something that also enhanced the connection to the crowd. In addition, Manny Newman (Lighting Director), showcased his talents, painting a beautiful canvas of light throughout the performance, wowing the audience with his creativity and synchronicity with the music.

Their love for DC was more than clear and they reminisced about their first show in the city six years ago, admitting the crowd was probably about thirty people. Since that show, they have become a staple at festivals across the country sharing the stage with some of the biggest and best in the jam scene and beyond.  Just this past summer, they dominated the scene opening night at Peach Festival.

The festival that they put on every May, Domefest, is one that DCMR staff has attended for years and can agree that 'there's no place like Dome' and it just so happens that they just also released the lineup, check it out below!  The band also invited everyone to join them for their New Years' run dubbed the 'Electric Kool Aid Asheville Test' in, you guessed it - Asheville, NC! 

There's no place like Dome!

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographers Josh Brick  of Josh Brick Graphics and Caitlin Moore  of Caitlin Moore Photography.

Soundboard Recordings

Soundboard Recordings

Soundboards


Performance Details

Performance Details

Performance

Details


Remember, there is no place like DOME!

There is no place like DOME - Domefest 2020

Thursday, May 14 - Saturday, May 16, 2020

​


Marvin's Mountaintop

http://domefestival.com/

Cascade, WV 26542

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$13 0 - $220 - Tickets

$75 - $175 - Parking

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Concert Reviews

Dark Star Orchestra Shines Their Lovelight at Anthem Annual

Dark Star Orchestra returned to The Anthem for the third consecutive winter on Friday, December 6 – this time for something a little different. Known for introducing fans young and old to step inside a hand-picked Grateful Dead show for the set that original band members designed and organized themselves, Dark Star switched it up on us a bit this go around.  

Hitting the ground running, the band opened with an inspired "St. Stephen" before launching into a version of "Shakedown Street"  played at just the right pace to start the crowd on the journey. The path that it ended up taking during second set however,  was something that I don't recall seeing or experiencing from the band in recent years, or ever really - (festivals get blurry, what can I say?) The elongated drum solo that went on for what seemed like forever, was so hypnotizing that at some points I felt transported back to that state of mind and warmer temperatures of summer shows past.   

Balloons were glowing bright and bass from the drum section bounced off the walls of the venue as we followed Rob Koritz and Dino English on an electronic jam journey. When we finally deboarded, we were released back into the world of the Dead and followed that road all the way back home. A set-closing segment of "Dark Star" > "The Other One" > "Turn On Your Lovelight" was the ultimate crowd pleaser and proved to be the meat of the show. The lights that DSO and The Anthem are both known for in combination with memories for some and just straight good music for others, were also in attendance Friday night.  

I really can't say that there has ever been a time when I've seen Dark Star and haven't had a good time.  Many a time, they play just the right pace of a song at just the right moment and it makes the night.  Other times, I meet or see people that are just genuine and enjoyable to be sharing space with and that's pretty much what makes them a band I jump at the chance to see every time I can.  

Probably one of the best parts at this particular show, was the encore where not only did Rob come out and explain that they were, in case we hadn't already noticed, were doing their own 'thing' at The Anthem this time.  Mentioning the jam that took a turn above and getting a roar from the crowd after asking if we wanted more, Rob made sure to clarify that he was talking about more music and not more drum solo because, "Nobody needs more drum solo in their life". The band treated the DC Deadheads to a stunning rendition of "Low Spark of High-Heeled Boys" (Traffic) and a rousing "Casey Jones" for a tasty encore. 

After 20 years together and close to ,3000+ shows under their belt, they continue on and celebrate the new year up in New Jersey with two nights of their 'Cosmic New Years' celebration and Jam In The Sand close on its heels in mid-January down in Jamaica.  

The band also just announced their lineup for Dark Star Jubilee, their very own festival that takes place for the ninth year at the end of May out in Thornville, Ohio - a venue fans are more than familiar with. Check out the full line up announcement below! 

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Josh Brick  of Josh Brick Graphics.

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