Billy Strings Photo by Mark Raker
Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – Nov 4

 

Billy Strings is gracing the DMV with a "string" of shows this week starting Wed at The NorVA (Norfolk), Thurs and Fri at The Jefferson Theatre (Charlottesville), then Friday at DC's 9:30 Club. Photo by Mark Raker.

Week Of:  November 4 - 10, 2019

Summary: Extra Hour = More Time to Boogie

Lots happening this week in the DMV with a LOT of jam bands coming into town plus R&B, oldies, and indie favorites, including shows by Billy Strings (featured above), Dead and Company, Cassandra Wilson, The New Pornographers, Emmylou Harris, The Wailin Jennys, Brandon "Taz" Niederauer, Mary Chapin Carpenter & Shawn Colvin, Black Violin Impossible Tour, Gordon Lightfoot, Blues Traveler, Superchunk, The Blackbyrds, and Big Thief...to name but a few.

Plus a LOT of LOCAL ARTISTS who blow our socks off and are playing shows every night this week:

...plus tons, just lots and lots, way way more (listed below). 

So get out there and check out our hopping scene— all the shows we want to see are listed in the links below, with personal choices in bold, along with a list of the DCMR staff top picks and cool "gems" that you don't want to miss.  


Mon — November 4

DCMR Staff Picks
Jams, Mics & Such
  • Crank Jam (Monthly Go - Go Jam Session) at City Winery Washington DC 
  • JAMonday at Epicure Café
  • Open Mic ft. Miles Gannett at Teavolve (Baltimore)
  • Desolation Center — The previously untold story of a series of Reagan-era guerrilla music and art performance happenings in Southern California that inspired Burning Man, Lollapalooza and Coachella. With rare performance footage of Sonic Youth, Minutemen, Meat Puppets, Swans, Redd Kross, Einstürzende Neubauten, Survival Research Laboratories, Savage Republic, and more.at Hirshhorn Museum and Sculpture Garden
Sparkling Gems
Tue — November 5

DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Wed — November 6

DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Thu — November 7

 
DCMR Staff Picks
Jams, Mics & Such
Sparkling Gems
Fri — November 8

 
 
 
 
DCMR Staff Picks
Jams, Mics & Such
 
Sparkling Gems
Sat — November 9

 
 
DCMR Staff Picks
​Jams, Mics & Such
 
Sparkling Gems
Sun — November 10

DCMR Staff Picks
Jams, Mics & Such

Related Articles


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Joe Bonamassa (Photo Credit: Terry Marland)
Feature

Guitar Virtuoso Joe Bonamassa to Play MGM National Harbor on November 9

Two-time GRAMMY-nominated blues-rock titan Joe Bonamassa is set to play The Theater at MGM National Harbor on Saturday, November 9. 

Backed by a stellar band of legendary musicians including Late Night with David Letterman’s Anton Fig (drums), Nashville recording legend Michael Rhodes (bass), Rock & Roll Hall of Famer and member of Stevie Ray Vaughan and Double Trouble, Reese Wynans (piano/organ), Paulie Cerra (sax), Lee Thornburg (trumpet), and featuring soulful background singers to bring a whole new life to the show which will feature brand new songs alongside career-spanning favorites.

Bonamassa is one of today’s top live performers and his enthusiastic shows are one of the biggest parts of his career, and a favorite for music lovers worldwide. Hailed internationally as one of the greatest guitar players of his generation, Bonamassa has almost single-handedly redefined the blues-rock genre and brought it into the mainstream. He’s on the road about 200 days out of the year, and when he’s not on stage, he’s fully committed to crafting the most intricate, diversified new music to share with his dedicated audiences and fans.

In 2018, Bonamassa achieved his 21st #1 album on the Billboard Blues Chart, with Redemption, his most ambitious, barrier-breaking studio album yet. With over 30 albums to his credit, including studio and live recordings, collaborative albums with blues sensation Beth Hart, and side projects Black Country Communion and Rock Candy Funk Party, the guitar sensation somehow always finds ways to reinvent his artistry.

Earlier this year, Bonamassa also became the host of a new weekly show on SiriusXM’s Bluesville. The show, Different Shades of Blue with Joe Bonamassa, explores all aspects of the blues music genre like never before and has Bonamassa curating his favorite blues songs with an eclectic mix of everything from legendary classics to historical deep cuts and modern hits, airing 6 pm ET every Monday on SiriusXM channel 74.

A prolific writer who is always on the hunt to expand his eclectic musical horizons and develop new ways to interact with fans, Bonamassa has a limitless work ethic whether it’s in the studio, on the road, or working with other artists to spur new music. This year on the road, audiences see Bonamassa at his ultimate creative peak as an artist, and with these new tour additions, his fire is unstoppable. With a vast, unparalleled catalog of music under his belt, this tour promises to be Bonamassa’s best.

Performance Details

Performance Details

Performance

Details


Saturday, November 9, 2019

Doors: 7:00 PM

Show: 8:00 PM​


The Theater at MGM National Harbor

101 MGM National Avenue

Oxon Hill, MD 20745

(Google Maps Link)


$112, $90, 79 + fees  - Tiered seating


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Joel Cummings
Interviews

Interview with Joel Cummins of Umphrey’s McGee

Keyboardist Joel Cummins, a founding member of the progressive-rock jam band Umphrey's McGee, has been touring with the band for more than 20 years. His band returns to the DC area this week to celebrate Halloween at the Anthem, where they made their debut in February 2018. After years without playing a gig in DC proper since the band's final two-night stand at 9:30 Club in 2011, Umphrey's McGee will be playing one of the biggest gigs of the year at the venue on DC's Southwest Waterfront. We chatted with Joel about his new book, his recent sit-in with Star Kitchen in Richmond, and tried to get a sneak preview of what fans can expect on Thursday night.


DC Music Review: Hey Joel. Thanks for taking the time to talk with me today. We’re all really excited for Umphrey’s McGee to make their return to the Anthem for Halloween!

Joel Cummins: Absolutely!

DCMR: So Umphrey’s kind of outgrew the 9:30 Club almost a decade ago now and it seems like with the Anthem opening up, you've got a new home in DC finally. What was that first gig there like for you guys last February? What did you think of the Anthem?

Joel Cummins

Joel Cummins of Umphrey's McGee at The Anthem

JC: You know, anytime you step into a room that is of superior quality, like the Anthem is, it's an exciting thing for the band. And it’s one of those places that has a real “wow” factor to it. We were thrilled to be to be playing there and actually had a really great turnout for the first time. I think we had about 3,000 people show up, so that was a really nice welcome to that nice spot.

Joel Cummins

Joel Cummins of Umphrey's McGee at The Anthem

DCMR: Why’d you guys choose it as your venue for Halloween this year?

JC: We identified the Anthem as a place where we’d really like to do some bigger shows like Halloween and this year made sense because we weren't playing LOCKN’ which previously there would be a radius clause on that, so we couldn’t really do it before this. So it was open to us this year and we figured why not? Let’s give it a shot.

DCMR: I like to think that the efforts of people like myself bothering you on Twitter about it also contributed a little bit.

JC: No doubt. We definitely appreciate all the fan encouragement! We’ll call it encouragement, right? (laughs)

DCMR: So you recently put out a book, The Realist’s Guide to a Successful Music Career. What inspired you to write it?

Joel Cummins of Umphrey's McGee at The Anthem

Joel Cummins of Umphrey's McGee at The Anthem in 2018

JC: Well we've been working on it for about two years. So, you know, it's definitely a labor of love. And, for me, I've been asked by a lot of younger musicians for advice and different things. I think that this is kind of the culmination of that where I really wanted to put something more comprehensive together that hopefully gives a younger musician, who knows they have a talent or songwriting or whatever it is, kind of an idea of like here are all these different ways that people have found success today. It was important to me to include a lot of different perspectives on how people got to where they are. So that was the reason for getting all these other artists involved: Huey Lewis, Susan Tedeschi, Taylor Hicks, Chuck Leavell, Ivan Neville. And a lot of people of the other side of it too: Pete Shapiro, Alicia Karlin from Madison House Presents, Vince and Kevin, Umphrey’s management. I felt like including as many different perspectives so people can see, look here's how musicians did it and here's some people who are passionate about music but didn't want to necessarily be a musician.

Joel Cummins of Umphrey's McGee at The Anthem

Joel Cummins of Umphrey's McGee at The Anthem in 2018

DCMR: I think it’s really great that you cast a wide net like that. I say in some of my own work that it’s really important to know what you don’t know, and it sounds like that was something you had in mind, trying to make sure that you were getting the insights of people that are on all sides of what makes live music and music more broadly work.

JC: Yeah, absolutely. My particular scope of what Umphrey’s McGee has done in the music business is pretty limited. I mean, really, it's just the touring business and, you know, creating music on and off the road. So there are lots of other things out there and, you know, I'm happy to contribute from my personal experience because I think we made a lot of mistakes and so much of it is just like, “Hey, here's the way to really screw things up. Don't do this.”

DCMR: Was there anything you've learned from like the people you interviewed for the book that you really wish you'd known at Notre Dame?

JC: Oh yeah! So much, of course, but the one thing that I really learned was that the most important thing is to have a love and passion for music, or you're not going to get very far. I think there are lots of reasons to be motivated to do something. And if, if that passion isn't there in the beginning, that's something that people that are listeners or audience members can see through.

DCMR: The fact that you put “Realist” right in the title is kind of the most operative word in that book. Is there something you think, is a huge misconception that people trying to get their start in the music industry, can get fooled by or can derail their careers?

Umphrey's McGee

JC: Well, I would say the hardest thing right now is to get people to care. And an important thing to remember is that if you're going out there and trying to make it as a live touring musician, you've got to get people in the door the first time, but once you've got them in the door, you've got to put out something that is going to make them say “I want to come back the next time this artist comes through.” I think that's probably the hardest thing because there's so much information and so many different things happening. That, you know, how do you create a fan base of people who appreciate or are as passionate about your music as you are.

Umphrey's McGee

DCMR: It seems like you guys really put a lot of effort into interacting with your fans and trying to give them those reasons to come back. And I think you specifically have because of the way you interact with fans on Twitter with asking me anything's or recommending shows to people. Do you think that kind of accessibility, the band's accessibility more broadly, has contributed to increased success over the last 10-15 years as the band has grown?

JC: Yeah, I mean, I hope so!  I always try to put myself in the fan’s shoes because you know, there are plenty of bands for whom I feel the same way. And so if I wrote something directed at Radiohead, and Johnny Greenwood responded to me, I'd be pretty excited. Okay, then I'm definitely going to support those guys. So, you know, there are a lot of artists who aren't that into the social media thing. And I think that's fine too. You know, for some people, it comes a little more naturally than others. It doesn't need to be forced, but I think that's something that can be a lot of fun. And you know, the fact that there are a lot of fans and we're all kind of in the same scene. Social media is the most fun when we're talking about things that are light hearted, or making musical jokes and things like that. So I think for that part, it's pretty cool. We're not just, you know, sending cassette tapes to our friends in different places. It’s a little more exciting now.

DCMR: A few weeks ago you sat in with Disco Biscuits bassist Marc Brownstein’s new band, Star Kitchen, and now they’re going to be opening for Umphrey’s on Halloween. Can you tell me a little about your friendship with Brownstein and what you love about this new band he's put together?

Joel Cummins of Umphrey’s McGee

JC: We go way back. Umphrey’s first appearance at Camp Bisco was back in 2002, so you know we started out as kind of competitive acquaintances. And then as the Dominican Holidaze thing kind of gained traction, we became pretty good buddies. Marc told me he started this band because he wanted to really get to know a lot of important funk tunes and older tunes that he might not have had as much of a knowledge of. So that's kind of what they're doing is putting their own spin on a lot of this classic music that I think is great to play for people and make sure other people know too. I mean, that's one of the reasons why Umphrey’s covers some of the stuff that we do is that we want it to continue in the popular lexicon. So, yeah, they were great in Richmond.

Joel Cummins of Umphrey’s McGee

And you know, [keyboardist] Rob Marscher is an old friend of ours, too, we played a lot of shows with him and Addison Groove Project and then, of course, with Matisyahu. So it was really cool to see him play in this band. And it was the first time I've seen [guitarist] Danny Mayer and [drummer] Marlon Lewis play. And, again, two great players. Marlon just blew me away.

But yeah, it was cool to see you know, there's obviously a good contingent of Biscuits fans there too who came out and supported this and it made me made me happy about our community because I got to hang out with some people that were fans and everybody was really friendly and excited to be there and open to getting down to these tunes that Marc and the band wanted to share.

Joel Cummins of Umphrey's McGee at The Anthem

Joel knows the secrets of their Halloween show, but he's not giving any sneak peeks!

DCMR: You guys have done some crazy Halloween gags over the years like mashup sets and fan selected sets. Anything you can tell us about what's in store for Halloween in DC?

JC: Well, I would say that the visual stuff that we put out is a little bit of a clue and that's all I'm gonna say for the moment. But I'm pretty excited about what we're doing. We have something in store that's pretty fun.

Joel Cummins of Umphrey's McGee at The Anthem

Joel knows the secrets of their Halloween show, but by the look in his eyes, you know something great is coming!

DCMR: Awesome. Well I’m sure we’re all going to have a good time on Halloween then! Thanks again for taking the time, Joel, and we’ll see you in DC soon!


Performance Details

Performance Details

Performance

Details


Thursday, October 31, 2019

Doors: 5:30 PM

Show: 7:00 PM


$35  - General Admission

$75  - Super Excellent Seats



Photo Gallery

Photo Gallery

Photo Gallery


Enjoy all the photos of Joel Cummins captured by several DC Music Review photographers over the years.

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Concert Reviews

Marco Benevento Unleashes Unbridled Joy at Pearl Street Warehouse Album Release Party

For several weeks, fans of Marco Benevento eagerly awaited his performance on October 26th at Pearl Street Warehouse in Washington, DC. Fans were particularly excited that this performance marked the official album release party for Benevento's latest album, Let It Slide, which released on October 20th.

Mattson 2

Mattson 2 opened the evening's dance party extravaganza. The duo provided a thick, velvety sound that resonated through the venue with the music much more extensive than a two-piece band out of San Diego, California. The luscious and subtle reverb of the guitar of Jared Mattson was complemented by the fantastic drumming of his twin brother Jonathan Mattson. The drummer made sure to provide a bass-fill to the music by utilizing an ever-present kick drum that complimented the texture of symbols combined with creative drum work. The underlying middle eastern influenced and ethereal sound by Mattson 2 got the audience moving to a blissful groove that further prepared concertgoers for a night of energetic dancing.

Mattson 2

Marco Benevento's creative work station

Before taking the stage, one could not help but notice Benevento's distinctive piano. The piano looked more like a mad scientist's playground than a traditional piano with effect pedals neatly lined up and a giant piece of equipment with knobs, dials, and patch chords. It is Benevento's piano configuration that highlights Benevento's reputation as one of the pure musical geniuses of the experimental music scene. Benevento wears his distinctive mad hatter's top hat and a bold white glasses when performing live and assumes the role of a modern-day Leon Russell - an incredibly gifted artist with no contemporary equal in his genre. 

Marco Benevento's creative work station

Dave Butler

At 9:30 PM, Benevento hit the stage along with bassist Karina Rykman and drummer Dave Butler ready to perform a two-hour nonstop experimental jazz dance-party. Bulter and Rykman were dressed in white with t-shirts that read "We're using time for fun." No t-shirt in the house that night could accurately sum up what the next two hours would be - musical fun!

This performance contained the musical genius of three incredibly talented artists that musically intertwined and complimenting one another. The drumming talents of Dave "DB" Butler (who for an evening became "DB-DC") complemented and sustained the evening's performance. Rykman would use her bass pedals to become the "Fuzz Queen of DC" for the night.

Dave Butler

Marco Benevento and Karina Rykman

Benevento and Rykman, in particular, were having fun on stage together. The two artists were perfectly in sync with one another, not only musically but rhythmically with body language. These two would bob their heads and shoulder together, and exchanged smiles and winks hidden in the shadows of the light system but apparent to all who looked on.

There were actually two keyboardists that evening - Benevento and his lighting director (LD). We watched as Benenvento's LD controlled Pearl Street's lighting system and brought to life like no other performance we have witnessed at this venue before. Throughout the evening, lights danced upon the brim of Benevento's hat, lit the powerful shape of Butler, and frolicked on Rykman's golden hair. The soothing and energetic coronas of magenta, blue, yellow, and green were not just reserved for the stage but also illuminated the dancing crowd. 

Marco Benevento and Karina Rykman

The performance was a pure musical genius, filling the venue with music that was simultaneously whimsical, danceable, and ethereal. At one point, Rykman was so moved by one of Benevento's rhythmic groove she was seen backed up against the wall in amazement with a full face grin as she "air pianoed" to the sounds coming out of Benevento's piano until she rushed towards Marco with an enthusiastic smile to meet him and emphatically finish the song 

Throughout the performance, the truest magic appeared in the moments that Benevento would bring his right hand up to the synthesizer, and even more so, is when he puts his left hand to the dials on his magical machine and bent the notes produced by his right hand. 

Later in the evening, a hushed moment drew over the crowd as Benevento - without an equal - performed with his closets counterpart - his shadow. During an intricate piano solo, Benevento was accompanied only by his shadow, which appeared on the wall behind him. The two Marcos delicately played until this musical bliss segued into a rhythmic musical assault as the remaining band members joined in. Benevento and his shadow would delicately retreat weave back and forth in the song - delicately retreating and magically reappearing once again.

Throughout the evening, Benevento would step off stage to dance and sing amongst the crowd, including a sincere moment as Benevento spotted a cousin in the audience, and they sang together while sharing a genuine family embrace.

The evening's performance and dance party, culminated in a passionate version of INXS' "Need You Tonight." The performers version of this song was an unforgettable experience and breathed life back into Michael Hutchence's spirit.

The performance was an incredible blend of songs from Benevento's catalog blending new and old songs alike with a particular celebration of Let It Slide. If you have not seen Marco Benevento perform live, please take this opportunity to see him perform live from now until February 2020. We sincerely look forward to seeing these talented artists perform once again in the DMV.

Setlist

Setlist

Setlist


 

Click here to see the setlist for Marco Benevento's performance at Pearl Street Warehouse  on October 26, 2019

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographers Josh Brick  of Josh Brick Graphics and Caitlin Moore  of Caitlin Moore Photography.

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Feedel Band
Concerts this Week

Goodman’s Good Mix – Concert Picks of the Week – October 28

 

Feedel Band is "taking Ethiopian music and Jazz, and blending it into a simmering stew of musical genre’s, textures and feeling."  See these incredible musicians make their debut at Blues Alley on Monday night!

Week Of:  October 28 — November 3, 2019

Summary: Filled with Feeling

A passion filled Ethio-Jazz band? The premiere of Diane Scream, a Talking Heads/Diane Rehm tribute band? Jónsi? And that's just Monday night alone!

This week is filled with very cool opportunities to catch some amazing musical experiences. All of them are fabulous and listed below, but there are a few listed here that seem like they might feel like you found something precious along the way. (If you were lucky enough to score tickets to the NPR's Tiny Desk Fest happening all week, you will surely get that feeling. And if not...)

Check out some of these options that feel like they will make you FEEL LIKE YOU FOUND SOMETHING GREAT :

...and, well, pretty much everything else listed below.

So get out there and see/hear/FEEL the feelings from all these amazing artists, with personal choices in bold, along with a list of the DCMR staff top picks and sparkling"gems" that you won't want to miss. 


Mon — October 28

DCMR Staff Recs
Jams, Mics & Such
Sparkling Gems
Tue — October 29

Wed — October 30

Sparkling Gems
Thu — October 31

Fri — November 1

 
DCMR Staff Recs
Jams, Mics & Such
Sparkling Gems
Sat — November 2

 
 
DCMR Staff Recs
Jams, Mics & Such
Sparkling Gems
Sun — November 3

DCMR Staff Recs
Jams, Mics & Such
Sparkling Gems

Related Articles


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Community News

Gypsy Sally’s Announces Closure In January

Gypsy Sally's announced they will be closing up for good in January. In a statement posted to Facebook, they said "our landlord recently sold the building where we have resided since 2013. It will be developed into condominiums. With great sadness, Gypsy Sally's will have its final load-out on January 5th, 2020." 

Since opening in 2013, this venue has provided something of a cultural hub, hosting a wide range of musicians on their main stage and in the Vinyl Lounge bar. Some of the bigger touring bands like Turkuaz, Pigeons Playing Ping Pong, Leftover Salmon, and Ghost Light have all graced their main stage. John Kadlecik cemented their status as a go-to dead hangout in 2014 when he announced a run of Tuesday shows that sold out almost immediately. They also hosted weekly open mics, run by Silky Dave in the Vinyl Lounge, and Gordon Sterling's Gypsysally's Jam nearly every other week on the main stage.

Until January, Gypsy Sally's assured everyone that things will be business as usual. And their statement teased upcoming news, saying, "Stay tuned for info in the coming weeks regarding John Kadlecik's plans for our final show."

Their full statement:

As you may have heard, our landlord recently sold the building where we have resided since 2013. It will be developed into condominiums. With great sadness, Gypsy Sally's will have its final load-out on January 5th, 2020. Until then, we plan on conducting business as usual with a full calendar of great music for you to enjoy. Stay tuned for info in the coming weeks regarding John Kadlecik's plans for our final show. It is only fitting that John should preside over our send off, and we are honored that he will be hosting our closing festivities.

To our employees, fans, patrons, musicians, promoters, friends and families, we want to extend a heartfelt thank you for your support over these last 7 years. We are privileged that Gypsy Sally's was your go-to-place for music, friendship, and gathering. Thank you for giving us this chance of a lifetime and for walking on this journey with us. We hope to see you in the coming weeks so that we have the opportunity to thank you in person and maybe swap a few memories. It has truly been a long, strange, and wonderful trip...Peace, David and Karen.


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Brother’s Crickets
Album Review

Debut Album Review & Interview: Brother’s Crickets – Love You Over and Over

What started off as an EP of love songs for his wife, turned into a full album of a transcendental story about love. Brother’s Crickets debut eight-track album Love You Over and Over, released September 10, 2019, is an experimental blend of genres that is both upbeat and soothing. 

With the exception of two slower songs -  track one “Sitting, Wishing” and track eight “Things I Wish I Knew” -  the album is all music you’d bob your head to, then start humming to, and then finally start singing along with. 

The one-man band consists of Brad Austin who, with the exception of the opening song, “Sitting, Wishing,’ wrote every song on an acoustic guitar. However, when you listen, you’ll be surprised at the soft electronic sounds, and Brad explained to us, “Using the technology as an instrument in its own right became an unexpected turn in the process and really opened up some avenues that I hadn't considered before.” 

It’s clear in both his expression of love literally through his lyrics, and then through the love you can hear in his sound that he is truly passionate. 

We had the opportunity to ask Brad a few questions about the album: 

If you could say one thing to someone before they listened to your album, what would it be?

I suppose I'd say that this album is good for a variety of settings. If you want to listen closely in headphones, listen to the whole thing. If you want to have generally upbeat music in the background while you play drinking games with your friends, skip the first and last songs. They're intentionally ordered this way for these reasons.

How did you end up choosing the title of the album?

This project was initially going be an EP of love songs as a gift to my wife. All of the songs, with the exception of "Sitting, Waiting," were written on an acoustic guitar with a much more singer-songwriter feel. As time went on and as our circumstances changed (moving, losing loved ones, having kids), I started thinking about all the different kinds of love I felt. There was romantic love, familial love, the love I have for my closest friends, etc. Each song is directly connected to a particular time and place in my life and, for me, each one is a way to tell all these people I love them. My wife and kids were the starting points that brought all these other relationships into focus, so they're always present in each one. When we say we love each other in different situations, we're connecting different parts of love. It can be beautiful and bittersweet and everything in between, but ultimately love is a productive force that ...binds us (everyone) together.

Brother's Crickets

Love You Over and Over

Released: 2019

Track Listing:

1. Sitting, Waiting

2. Sometimes (Over and over, Pt. 1)

3. It's True, I Love You

4. Walk You Home

5. All I See (Empirical Love)

6. One for H.B.

7. Love Me Too (Over and over, Pt. 2)

8. Things I Wish I Knew

Listen

Listen

Listen


Additional Resources

Additional Resources

Additional

Resources


To learn more about Brother's Crickets, please use one of the following web resources:

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NPR - tiny desk FEST
Festival News

NPR’s Tiny Desk Festival is Coming

For years, National Public Radio has been bringing us music gold via their Washington, D.C. offices with Tiny Desk Concerts.  This year, Tiny Desk is going big and bringing a four-day festival series to the public via ticketed events and even an opportunity to live stream the concerts for those that weren't lucky enough to snag one of the limited seats. 

Boasting a list of artists that is incomparable, Tiny Desks Concerts were born out of an idea created at South by Southwest Music and Arts Festival and now eleven years later have put together over 900 shows with a wide variety of stars as well as up and coming artists, averaging about 125 shows a year.  

Photo Cred: Claire Harbage NPR

Lizzo at Tiny Desk (Photo Credit: Claire Harbage NPR)

Photo Cred: Claire Harbage NPR

Lizzo at Tiny Desk (Photo Credit: Claire Harbage NPR)

​Talking with Lauren Onkey, Senior Director for NPR Music, she explained that "it came out of that desire to give artists a platform to really showcase what they can do and really be heard in that way," after one of the performers some members of the team tried to see at SXSW was incredibly difficult to enjoy in a crowded, loud bar.  Afterwards, reps from NPR were talking to the artist and mentioned that they thought she should just 'come up to the offices and play at the desk' and that is where the series was born.

​Featuring everything from jazz and classic hip-hop to Broadway musicals and even the characters from Sesame Street in their history of the shows, NPR has curated a four night long event that will feature a different genre of music each evening.  While the artists remain a secret until the night of, the team put a lot of thought into who they wanted to make a part of the event.  

Sesame Street at Tiny Desk (Photo Credit: Claire Harbage NPR)

Sesame Street at Tiny Desk (Photo Credit: Claire Harbage NPR)

​Normally only open to employee of NPR and their guests, this opens the offices and opportunity to the general public, they wanted to offer something different.  "That's where it was starting, ​brainstorming around new ideas or with our Tiny Desk community," said Lauren.  "And so it's going to be a really fun experiment to see how that works, right?  To actually come into our offices to see these artists."

As you can imagine, being held in an office definitely limits the amount of people that are able to attend and that translates to tickets for the public being very limited.  Each of the four events sold out as quickly as you might imagine, however fear not, as NPR is doing the extended general public a huge service and live streaming each night of music.  While in-house attendees will be treated to an extra special tidbit in a sit down interview with the artists and a journalist from NPR Music, everyone that wants to will be able to enjoy the music portion as it is happening. 

The event kicks off October 28 and lasts four consecutive nights.  Genres that will be highlighted are Hip-Hop, Pop-Rock, Indie-Pop and R&B.  While the concerts will be edited and put online after the fact for anyone to be able to watch whenever they choose, we have a feeling it might be worth tuning in live to catch as I'm expecting nothing short of amazingness.  

Taylor Swift at Tiny Desk (Photo Credit: Bob Boilen NPR)

 

Additional Resources

Additional Resources

Additional

Resources


Find out all the details about this exciting event on the NPR Music website here.

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BENEE smiling at the crowd at Songbyrd
Concert Reviews

BENEE Makes Her Debut In The Nation’s Capital

​New Zealand native ​​BENEE ​​​​packs quite the punch. With hooks that simply refuse to leave your head and melodies that toe the line between pop and R&B, the 19 year old has managed to carve out a niche of her own within the oversaturated indie pop world.

Making her ​D.C. debut to a packed Songbyrd Music House & Record Cafe this past Sunday, October 20, there's no denying that this is just the start for the young artist. We chatted with BENEE over email prior to her D.C. show to get the scoop on adjusting to her newfound fame, her thoughts on American food, and how she manages to stay sane whilst on tour.

Enjoy BENEE's candid responses and a photo recap of her D.C. performance below.


DCMR: From dropping out of college to pursue music to making a splash with “Soaked” (…see what I did there), your life has changed quite a bit in the past year or so. How have you been navigating your newfound notoriety?

BENEE: The last year has been pretty crazy! Everything right now still feels pretty surreal to me. I think I’m kinda just floating along like a leaf in a river.

DCMR: Has there been a hurdle you’ve encountered as a result of your music career that you weren’t expecting?

BENEE: Uhmmmm I dunnoooo! I think it’s been ok so far but I haven’t been doin it for that long so a hurdle will probably come and hit me in the face at some point. (:

DCMR: As someone who is rising in the music scene, who in your opinion should DC Music Review have on their radar?

BENEE: Oooooooh hmmm I have a song coming out soon in ma EP where this dude called Jack Berry features on it! He’s pre sick y’all should definitely check the music owt (::::

DCMR: I’ve read that your work is very visually driven. When you’re writing music, do you tend to have a visual in mind?

BENEE: For sure! I think when I’m writing I’m always thinking about images in ma brain! I think being dyslexic that’s something I’ve always done & for songwriting it helps me to write those stories.

DCMR: Touring usually means you’re embarking on a pretty intense road trip and are consuming a ton of fast food. What has been your favorite fast food experience in the U.S. so far, and why?

BENEE: Uhm I love Subway but to be honest it’s way better at home haha!

DCMR: Speaking of intense road trips, those are not only grueling on your body but also your mental health. How do you ensure you stay healthy mentally whilst on tour?

BENEE: Bring my mum.

Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Ana Medvedeva. 

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Additional Resources

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To learn more about BENEE, please see the following web resources:

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The Mighty Pines perform at Pearl Street Warehouse
Concert Reviews

Mighty Are the Pines

On Saturday night, Pearl Street Warehouse welcomed Saint Louis-based quartet, The Mighty Pines, for some music and fun. Described as a "soul-inspired roots rock band influenced by the wide rivers and red-brick streets of St. Louis," the band came to the Nation's Capital ready to show everyone a good time.  

Alana Springsteen performs at Pearl Street Warehouse

Alana Springsteen

Opening for the band was Nashville-based songstress Alana Springsteen whose powerful voice and electric energy, got the crowd warmed up with her solo stage performance.  Sharing with the audience that she was lucky enough to have a family that supported her enough to up and move to the Country music capital of the world, it has more than paid off.   ​


Alana Springsteen performs at Pearl Street Warehouse

Alana Springsteen

The Mighty Pines perform at Pearl Street Warehouse

The Mighty Pines

The Mighty Pines formed in 2012 and the band just released their most recent work, a live CD recorded in their home town which includes a powerful and amazing cover of the Rolling Stones Wild Horses.  As the band encouraged attendees to get close and get down, they also showed why people often want to - the fast-paced and energetic tunes that came out on stage this weekend are simply irresistable.  

The Mighty Pines perform at Pearl Street Warehouse

The Mighty Pines

With Neil Salsich (vocals, guitar), Gerard Erker (mandolin, banjo, vocals), John Hussung (bass, vocals) and Mike Murano (drums) the foursome touts themselves as 'working musicians'.   While that is true for now, the band clearly has the talent to continue on a trajectory where they will continue to appear on bills where they are the main attraction as well as sharing the festival bill with artists such as Fruition and Dark Star Orchestra.  

The Mighty Pines filled Pearl Street Warehouse and had the crowd dancing!

The Mighty Pines filled Pearl Street Warehouse and had the crowd dancing!

The Mighty Pines filled Pearl Street Warehouse and had the crowd dancing!

The Mighty Pines filled Pearl Street Warehouse and had the crowd dancing!


Photo Gallery

Photo Gallery

Photo Gallery


Enjoy photos by our photographer Jason Herman of Jason Herman Photography.

The Mighty Pines
Alana Springsteen

Enjoy photos by our contributor Karin McLaughlin.

The Mighty Pines

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The Mighty Pines
 
Alana Springsteen

Additional Resources

Additional Resources

Additional

Resources


To learn more about The Mighty Pines or Alana Springsteen please use the following resources:

The Mighty Pines

Alana Springsteen

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